DCEU ’22 Pitches 1: Milestones 2: Bound by Blood

The Deal: I pitch movies set in the DC or Marvel cinematic universes. Also other things. This pitch is a direct sequel to Milestones 1.

The Windup: Wait, I haven’t even finished up with ‘21’s Marvel pitches, so why am I posting the first of this year’s DC pitches? Procrastination? Time travel? Nope. It’s Juneteenth. Last Juneteenth, the first where it was officially a federal holiday, saw the posting of Milestones 1, following Milestone’s (the 90s own voices Black imprint) premier superhero trio, essentially their Superman, Iron Man and Spider-Man. Well, this here’s a sequel to that one, introducing Milestone’s take on the X-Men, as well as continuing the story of Icon, Hardware and Static. I’ve tried to modernize some elements, but as with last year, my pitch notwithstanding, this kind of project would need to be written and directed by Black professionals. As such, I’ve taken a relatively light hand, because I know enough to know that I don’t always know what I don’t know, you know? My goal here is to highlight the potential of a Black franchise, not whitesplain the work of Black artists or Elvisize it.

The rest of the DC pitches for ’22 will have to wait; I’ve got more to finish from the MCU ’21 pitches, so it will be a bit before more of these DC pitches happen (tentatively scheduled for mid-August) . If you want notifications of pitches, you can always follow me on the bird app.

The Pitch:

Night, at Alva Technologies. For a moment it’s a peaceful corporate campus. It’s subtle, but Rocket zooms into a window on one of the upper floors during this establishing shot.

We cut to the inside of the facility, into Curtis’ laboratory, and see his Hardware exosuit. Curtis and his most recent handler/assistant, Tiff, hear a boom from nearby. “What was that?” she asks, flat-footed.

Curtis dives for the assistant, pushing her out of the way as the metal door flies off its hinges where they had just been. We hear gunfire, as Icon walks into the room. Alva’s security, using high-tech assault weapons, are firing on him, hanging off him, desperately trying anything to even slow him down, and failing. He throws the one holding onto him into another shooting at him, as bullets ricochet near Curtis and the assistant. When the assistant tries to speak, Curtis covers her mouth. You can go one of two ways with the assistant; she can be Curtis’ protege that turns against him in her own suit of armor, Technique, or you can have him be the white supremacist patsy Curtis frames for joy-riding in the Hardware armor- I’m going to assume we do the former, because I want to play with all the action figures.

Icon looks up into the security camera pointed down at him. “You didn’t think that just because you stole Metcalf’s tech and expertise I’d let you keep them, did you?” Icon asks, before blasting the Hardware armor. If we’re looking for an opening credits montage, molten metal dripping off the armor could work. Icon turns his energy blasts next to the camera, before flying through the wall.

Cut to later, after Alva and more security arrive. He’s mid-lecture.

“You have close to a billion dollars worth of tech at your fingertips in this room, Curtis, and the second most impressive mind I’ve ever seen at work.”

“Yeah, the same tech your security used and he shrugged off- or that he melted without even having to try hard.”

Alva sighs. “Enough posturing, Curtis. Neither of us believe that armor was still nonfunctional, and we’ve both seen footage of someone wearing it out on the streets of our fair city. What I think happened, is you decide to steal my technology, and sell it to Arnus Freeman, only you tried to hardball him, and instead, well, you’ve cost me enough for a lifetime, I should think. You’re fired, with cause, so expect no severance, and if I can tie you to this catastrophe, you will be held liable to the fullest extent of the law, both criminal and civil. My lawyers will feast on whatever remains hanging off your bones.”

“Sir,” the assistant says, turning a screen towards Alva, “you should probably see this.” We see files rapidly changing in a server log, too quick to really understand.

“I’m too to important to guess at the significance of this.”

“Well, I believe it started with this.” She calls up security footage of Rocket accessing servers in their server room, attaching a drive of some sort. “It’s a worm. It crawled through our servers, and deleted everything Curtis Metcalf has ever touched. So far as I can see, that includes any consulting he did on other projects he wasn’t technically on. And… it happened just as the nightly back-up occurred; the worm was transferred to our offsite back-ups as well. It’s all gone.”

“You’re both fired,” Alva sneers. “And it might be prudent of you to flee the city, or possibly the state, in the event I’m feeling vengeful later.”

Alva’s security escort both of them out of the building at gunpoint. The assistant is hostile, clearly blaming him. “Tiff, I’m sorry,” she storms off.

Curtis walks past his company car, that security have already booted. “Company car,” one of them says to him, and he keeps walking with his box of goods.

We cut to deeper in the city. Curtis passes an alley, and is grabbed and pulled inside. “You didn’t think you’d evade me that easily, did you?” It’s Icon, but aside from projecting menace, he’s paused.

“Were we followed?” Curtis asks over an earpiece.

We cut to the sky above them, where Rocket is surveilling from just beneath cloud cover. “Clear skies,” she says over their radios, then dives, landing at the entrance to the alleyway, seemlessly moving from flight to walking. “No drones, no cars, no foot pursuit. You were right- Alva got so pissed he acted without thinking.”

Curtis touches a brick in the wall, and it scans his fingerprints. The bricks start to slide away, creating a doorway, that they all go inside. This is a hole new lab, better than the one at Alva, outfitted by Arnus, and supplying him with myriad alien tech, as well. At the center of the room is the real suit of Hardware armor, newly upgraded, augmented and visually redesigned both to sell a whole new series of action figures and to hide the stolen tech from Alva (and his lawyers).

“Think he bought it?” Icon asks.

“Not sure it matters,” Curtis says. “This tech is 9 generations from the suit he knew about. Even if they can reconstruct the data- which I doubt- they don’t have anyone left on their payroll smart enough to tie it to their tech. Tiff might have been able to, but he canned her with me.”

“You think we should bring her in on this?” Rocket asks, because she’s emotionally the most intuitive of the trio.

“Thought about it. But there’s no safe way out if we do. She says no, she’s a liability to us- it’s coercive even to ask. She says yes, and she could have Alva chasing her for payback the rest of her days. I’ll email her in a couple days, offer to get her a letter of recommendation.”

“I could offer her a job,” Arnus says.

“Same problem. We let her be with us, no matter how clever you are about hiding her in some shell company, and Alva will come after her. She’s smart, she’ll bounce back.”

We cut to the alley. She’s listening on a bug she planted in Curtis’ things. She hits the brick wall, we think out of frustration. But then she plugs a wire from a gauntlet into the hole she made, and hacks his transformer wall. “Screw that,” she says testily. “Who do you think you are freezing me out like this?”

“I think that settles your moral conundrum,” Rocket says, bemused.

“Tiff, why don’t you come inside?” Curtis asks. She does, and the door closes behind her. “Tiff, this is Arnus and Rocket. I think maybe we should talk.”

Static gets his own action scene, since he’s the more popular character of the group. He’s flying along on a manhole cover, chasing down a couple of member’s of Francis’ gang. I’m thinking they’ve stolen a backpack with a laptop in it from a fellow classmate on the way to school, and are trying to run away with it. Static swoops in among traffic, to much honking. He’s got his finished costume, now, and is clearly more steady flying. He zaps one on the butt, making him bonk his head on a street sign, then yanks a stop sign off its post, slides it under the running thug then pulls it out from under him to get a nice, satisfying, Home Alone style fall. Static is standing there triumphant holding out the girl’s backpack when off-screen we hear the sound of breaks squealing, a crash, and horns honking, and he realizes he hasn’t put the stop sign back. He winces, pantomimes “Sorry” and floats the sign back in place.

Static slides into his seat by the classroom door as the bell rings; he was in enough of a hurry he neglected to remove his mask. Rick is seated next to him, trying to get his attention whispering, “Dude” and miming removing the mask. He takes a moment to understand, and tears it off just as the teacher turns and notices him (just missing the mask).

At lunch, Rick tells Virgil he’d really like a chance to talk, that if he’s got a moment after lunch… but Virgil already promised he’d meet with the friendly gang leader to talk about Francis. He’s the same friendly-ish character from the last movie, only now he’s resembling, more and more, the Blood Syndicate’s Tech (sometimes called Tech-9 in the comics, but we don’t want to open up a trademark dispute- we’d lose- and Tech is a better overall name, anyway). He’s appreciative of what Virgil did for their sister (in the communal, not familial, sense), retrieving the girl’s bag during our chase scene, and once again offers Virgil the opportunity to join. But Virgil is savvy enough to know better, and declines. That hurts Tech’s pride, a little, because he’d prefer to have asked Virgil for help as a peer- but now finds himself coming hat in hand.

A quick aside, on Tech’s entourage. Masquerade is a shape-shifter; assigned male at birth, she’s been female since Freshman year, but once she got her powers, was able to look how she always felt. She’s got it bad for Tech, and he’s mostly playing like he doesn’t see it. Also with them are Fade, who is gay, but closeted, and might be the last person to know that he’s in love with Wise Son. They’re all a little skeptical of Static; Tech views him as a partner, even if he won’t join up, same as the ministers he distributes food through (his gang is modeled very much more on the Black Panthers- a civic-minded organization); some of that is Masquerade’s influence; she’s always been the angel on his shoulder.

One of their members was hit especially hard by her transformation. She was always autistic, but had been at least somewhat towards the Asperger’s end of the spectrum, but the mutagen interacted poorly with her condition, and she’s been really struggling since. Tech befriended her when they were kids. Because of her conditions she was teased, bullied for being “thick as a brick.” Boys stopped teasing her when she got older (and prettier); they didn’t understand that calling her “Brickhouse” would call back to their cruelty, and ensure she’d never want anything to do with them. Tech’s looked out for her his entire life- though this has its flaws- he steered her towards the same gang he was in for protection.

But since the accident she’s been different, more volatile, more susceptible to anxiety and triggers. She’s been staying with him as he tries to care for her, but he’s always viewed her as a sister, while for her he’s always been her knight in shining armor. Not wholly understanding the situation, she made a pass at him; even if he were interested, at that moment, when she’s most vulnerable, and most dependent on him for her survival, would not be the right time to consummate it. Tech blames himself when the combination of the anxiety and rejection makes her leave. But it gets worse. Ever since her mutation, Francis has been sniffing around, trying to recruit her for his gang. It’s predatory, and creepy.

Static is, of course, immediately sympathetic, and wants to help. This might be a good moment to clarify our status quo. Clearly, Hardware and Icon are working together. But Static is still an independent operator. Part of the reason Tech approaches him is hoping to call in the big guns; Static tells him what they did- that he’s a kid, and this is a war– they’re not going to encourage him to fight in it until he’s grown enough to make that call for himself. Tech’s disappointed, but still happy for the help, since Static can fly, and is quasi-friendly with the cops in a way that Tech and his syndicate aren’t. On that note… we probably shouldn’t call his gang “Blood Syndicate;” I think you could get away with tying a gang to a real-world one in a 90s comic, but in a 2020s movie, I don’t think that’ll fly. On the other hand, my subtitle for the movie is clearly a reference… so I’m conflicted, obviously.

But Static is clever, and asks if she’s got a phone. Tech says she never goes anywhere without it- it’s got this cat game she’s addicted to. He has Tech call it, and can feel the signal pinging off of cell towers. Problem is, he can also feel Francis and several of his other gang members closing in through their phones. Tech wants to fight; Static says there’s no time- which is likely also true, but he mostly didn’t want to get in the middle of yet another gang war. Static tells him to keep up, then flies off.

We cut back to Curtis’ lab. He and Tiff are working together. “I’m telling you, this is a bad idea,” Rocket says to Icon.

“Why’s that?” he asks.

“She’s still pissed. She’s not going to be able to just stow it.”

We cut to Tiff and Curtis, laboring over his redesign. “So what’s the plan?” she asks.

“I’m still not happy with the handling. Struts shimmy any time I pass the sound barrier, and it feels like I’m going to lose an arm.”

“I mean with us,” she touches his arm meaningfully, just long enough for us to start to wonder if we’ve missed something between them before she laughs. “And Alva.”

“Oh. I suppose you deserve the truth. He’s… involved in all kinds of shady things.”

“Really? The wealthy old white man’s up to no good?”

“More even than you’d guess. He supplied the mutagen the cops deployed last year. And he controls at least one of the gangs that started the brawl in the first place.”

“He turned a neighborhood into a petri dish. That’s dark, even for me.”

“So, mostly, we’re trying to counter his next moves. Trying to get ahead of him.”

“Since all of this has stayed out of the news, I assume he sues, threatens, or,” she drags her hand across her throat, “anyone who could point a finger.” They spend a moment silent. “That’s not going to work with the cops.”


“My dad was a beat cop. Most days, they act like any other gang, scrap for turf, beat on anyone who doesn’t give them their proper respect. One way they’re different, is they won’t turn tail. I’m not talking about bravery; there are plenty of cowards in blue. But most gangs, you shine a light on them long enough, and they go to ground- they have to. But the cops… their pride won’t let them. Their whole mythology is about how much we need them. Mutated cops are going to be a problem- their pride won’t let them go quietly.”

“Then we need to fix this armor, so we can be part of the solution.”

Static runs into some trouble when he finds Brickhouse. Francis kind of freaks her out (he was one of her bullies growing up), so she’s kind of trying to hide from him in a warehouse when Static arrives. But she doesn’t know him, either- nor trust him. Tech realized that, and tries to call her. Now… I would pay Disney to use enough bars for an A Whole New World ringtone- though frankly I imagine they’d probably let you use it just for the cross-promotion if you said pretty please, but Tech’s ringtone is the song from Aladdin. She tries to answer, but she’s freaked out, and freaked out plus super strength and rock-hard fingers equals smashed phone. But again, Static is clever. He grabs an old throw rug and tosses it on his manhole cover so it looks like a flying carpet, and offers to help her get back to safety with Tech. Static is charming, but in a sweet, innocent sort of way, when he offers her his hand and quotes, “I can show you the world.”

“Shining?” she asks, taking his hand tentatively. “Shimmering?”

He helps her somewhat awkwardly onto the manhole cover, which was not designed for two people, as he says, “Splendid.” They fly off, over Francis and his goons. A few blocks away, they hear a car honking frantically below, and land. Tech and his crew, along with Rick, get out.

“He with you?” Fade asks of Rick. “He said he was, and tagged along.”

“Dude, you followed me. I’m the one with the find my friend app.”

But then Tech notices Brickhouse, wobbling on the manhole cover, not quite sure how to gracefully get off. He gives her a hand down. “Marta, I was so worried.” She wraps her arms around him, then recoils, feeling self-conscious that he doesn’t share her affection. “Hey,” he puts his arms around her, “I spent my whole life looking out for you. I don’t want to stop being here for you.” She latches back on again. “Why don’t you hop inside the car, huh? We’ll get you home. I’ll make you some cocoa.”

Tech helps her in, and the car sags noticeably, before he turns to the two of them. “I owe you, both of you. And I know this is a lousy way to start repaying you, but car’s full up.”

“We’ll manage,” Static says. Tech and crew ride off. Static walks with Rick.

“You sure you don’t want to take me on a magic carpet ride?” Rick teases.

“Figured we could use the walk. So what’d you want to tell me?”

“I didn’t know how to say it earlier, you know, in mixed company, but your fly has been down. All day. From the moment you left your house, to when you left me to stop a robbery. I’m pretty sure you exposed some pipe, while you were flying on your somewhat ironically named manhole cover.”

“I’d know. You get quite a breeze flying. So… what is it really?”

“Seeing the two of them… they’ve been friends as long as we have. I don’t know if that’s sweet or demented. It seems like there have been times in my life when your mom was more my mom than my mom was.”

“I didn’t hit my head, if that’s where you’re going with all of this…”

“I think I want you to remember the history, because… I’m worried it won’t be enough. That… what I’m going to say to you, you’re going to be different with me. And that is the last thing I want. You know?”

“I… don’t.”

“Of course not. That is practically the opposite of context. Okay. Um… I’m not looking for anything to change. Between us. About us. I just… there’s something I need you to know. About me. Because it hurts feeling like there are parts of me I don’t share with you.”

“I already know you watch My Little Pony. Like, way more than any human being should.”

“It’s a great show. And that is actually almost a mislead, because it is a super-straight fandom. Oh. Crap. That was… not how I meant to broach that.”

“That is legitimately hilarious.”

“Not the reaction I was hoping for…”

“No, I mean, I’ve heard you rehearsing pieces of your speech for weeks. You’ve obsessed over getting it across perfectly, and then… just blurt it out. It’s very you. That is hilarious. You coming out? Is cool. It’s brave. I’ve been rooting for you. Because I never want to be someone you have to hide from. Not even My Little Pony.”

“You need to watch it.”

“I need churros. I maybe should watch it. But I’m glad you told me.”

“Me, too. But it was hard. You’ve always been cool with every other gay person in school.” Static gives him a confused look. He becomes more confused with every new person mentioned. “Like Ms. Ellen, the Librarian. Pete on our soccer team. Pete’s boyfriend. Your gaydar may be completely broken.”

“Maybe I don’t see orientation.”

“At this point I’m not convinced you see, period. How many fingers am I holding up?” It’s three.

“Two more than I’m about to,” he says (this is all playful, if that didn’t read).

“Regardless, I knew you weren’t, yourself.” Again, Static is confused. “I have seen you literally fall over when a cute girl bares the tiniest amount of cleavage.”

“Bi is a thing.”

“Dude, the day you stare as hard at any guy as you did at Brickhouse, I will hand-sew you your own bi flag.”

“You sew?”

“Because sewing’s gay?”

“Is it?”

“I… don’t know. And of course I do. Who do you think fixed that awful sewing job on your costume?”

“My mom?”

“And you think she just fixed your costume and let you continue your life as a teenaged vigilante without a word?”

“Until this moment, I think I did.”

“Then thank God for both of us you reacted sweetly; I honestly don’t know how you’d survive without me.”

We cut to a news broadcast. “Violence erupted today at the downtown police precinct. An internal affairs investigation into the day shift found several officers had broke in, working in concert with one of the city’s main gangs. They have since seized control of the precinct, leading to a siege.” Footage of cops outside the building from different angles.

Rocket shows them a social media video on her phone. It’s Oro, a policewoman acting as a spokesperson for the cops holed up inside. “They’re trying to silence us. We were set up. The weapons Alva gave us changed us. They told us we could keep their secret, and work for him, or they’d get rid of us. But some of us can’t just keep going. A third of our guys can’t work, period. They took Gina off a respirator this morning. Alan will never walk again. This is about more than those of us still fit to serve, it’s-” the feed disconnects abruptly.

“We’re out of time,” Icon says.

Curtis kicks up his welding mask. “I need two minutes. I’m no good to you if the armor won’t stop a spitball.”

“Fine. We need to talk strategy, anyway.”

“I’ve been thinking about that. I think you need to stay out of sight.”

“Why’s that?”

“Because the cops can get their head around a man in a metal suit. It’s maybe stolen military tech. Maybe just a clever entrepreneur. But you? A bulletproof Black man who can fly, throw a building? Racist cops won’t sleep again.”

“Sounds all right to me…”

“That’s because your bulletproof.” Curtis finishes, and steps into the armor, which closes around him. “Cops are so much worse when they’re scared; we don’t want to make them feel cornered- at least not until we’re ready to move on the ones who are dirty. But I can draw fire without freaking them out too much.”

“While I get the mutated ones out. Any ideas?” He lifts his arm, and a projection from his gauntlet shows the sewers flow right next to the building’s basement. “Clever.”

We cut to the cop shop. Hardware lands in front of the line of cops hiding behind cars. He broadcasts through external speakers, “I’m going to handle this situation. Disperse, so we can avoid violence.”

The cops, predictably, overreact, and open fire. Hardware is careful not to cause more damage than necessary, mostly taking and breaking police firearms. To that end I’d put a powerful electromagnet on his back, one that rips the guns out of the hands of the cops nearest him.

Icon flies through the sewers, going on foot when his GPS says he’s close. He finds a S.W.A.T. team manned by mutated cops who played ball, setting breaching charges. “I’d ask you to desist and let me peaceably through… but I’d rather put you in the sewage where you belong.” Icon tears through them in the confined space. It should be a pretty wild action scene. We can intercut between Hardware on the street and Icon beneath it. After Icon finishes dealing with the S.W.A.T. team, he walks through the wall. Cops open fire on him.

We cut to the police line outside. “That came from inside. Did our team breach?” They try to reach S.W.A.T. on the radio, but can’t reach them, so decide to breach. They ignore Hardware (though one does try to pry his shotgun off Hardware’s magnet, Sword in the Stone style, before giving up), and instead break down the door, only to find the precinct empty. Stacked in front of the hole in the wall is the unconscious S.W.A.T. team, preventing a timely pursuit.

Icon leads the mutated cops, including Oro, away. “I appreciate the assist, and everything,” she says, “but where does this leave us? They weren’t negotiating; they didn’t even try. They were going to execute us.” They exit the sewers, to find Hardware.

“I had a thought about that on the flight over, and called some friends.” Static lands beside him, and a moment later, Tech arrives in his car, and the rest of his crew arrive in other cars.

We’re now at a warehouse where Tech and his gang hang out. Tech agrees to help smuggle most of the cops away, that the other cops will keep trying to kill them if they stay. He offers to protect anyone who does stay, that they could use strength, since Francis has been jostling for control.

Fade arrives, tells them that Francis is doing a charm offensive. Only it’s more offensive than it sounds- he’s been straight-up threatening people who don’t join, but the get-together in the park is the carrot. Oro recognizes him- he threatened her, too- and realizes that Francis is working with Alva and the cops. They realize they have to show up in force, fight if necessary, but show them that it’s safe to say no to Francis, or he’ll gather enough metahumans to be unstoppable.

At first blush, it looks like public outreach, snacks, games. But there’s an undercurrent of fear and intimidation; the stick is the threat of Francis turning his wrath on those who don’t sign on. Tech and his crew arrive, and tell Francis it’s not okay to threaten people. Francis claims that Tech’s the real aggressor, and attacks.

Initially Hardware, Icon and the mutated cops (I’d throw in both Donner and Blitzen, too, since they’re locals, even if we may not be able to give them better screen time until 3) are able to stem the loss of life/bloodletting, but it’s also clear they can’t hold Francis back forever. Tech is preparing to fight- to make it bloody. That’s when Masquerade intervenes. She tells him that he’s more than he thinks he is- that he knows what they need, even if he hasn’t let himself see it. They don’t need guns- there are more than enough of those on the street. But he can do so much more than he realizes- he can make so much more than guns. He teams with Static to instead create a microphone, and gives a rousing speech into the park’s speakers. Some stay with Francis, but most walk away; a few stay and fight. Eventually, the good guys win.

Epilogues: Masquerade spells out for Tech her feelings- shifting to who the boy he used to know, then back into herself, sad that he can’t love her for who she is, because he’s hung up on who she was. He tells her it’s not that. She’s beautiful, and she’s always been one of his best friends- so much so he wondered growing up if he liked men. But when she came out, he realized he always knew, and loved her for who she’d been even before then- and if that makes him bi? So what. But… he’s been trying to wave her off because of Brickhouse. She loves him, and she’s fragile. And he loves her like a sister, and always will, but can’t hurt her… only Brickhouse overhears this, and confronts them. “Don’t.” She takes his hand. “I love you. Enough to want you happy. Even if it can’t be with me.” She gives Tech’s hand to Masquerade.

I’m not deep into Milestone lore, to know if Static has a better love interest, but personally, I’d likely set up Brickhouse with Static in the sequel. To start in that direction, after Tech and Masquerade walk off to talk, she sees Static being sweet and heroic and community-spirited (so many of the things that attracted her to Tech to begin with), helping to make a young girl frightened by all the violence smile and feel safe again. He notices her looking at him, and smiles, giving a dorky little wave. She waves back.

Rocket talks to Icon, milling about the edge of the park. She chides him, because this is exactly the kind of thing she wanted, and exactly the kind of thing he’d removed himself from by being above it. “You’ve missed out on a lot of this. But what matters is you’re here, now. You helped create this. You helped people who couldn’t help themselves- couldn’t protect themselves from Francis. You made an impact.”

Credits. Mid-credits scene: Hardware and Tiff are working on a new piece of tech. “I want to do more- I can do so much more.” It sounds like they’re having a fight. “I’m wasted as a glorified lab assistant.”

“I couldn’t agree more,” he says, and hands her a breastplate for a new suit of armor, one fit to her dimensions. She holds it up, and we zoom in on it to go to more credits.

End credits scene: We follow Alva into a secretive base, some kind of high tech/elevator Hallway. I’m assuming we won’t have the entire Shadow Cabinet cast- though we can have Donner and Blitzen here, if we’ve had them kicking around for 2 movies. I would like to cast Dharma for this scene, as he’s the one Alva’s meeting. Dharma greets him as an old friend, before asking what brings him to the Shadowspire.

Alva smiles. We know it’s a wicked sort of smile, but others, Dharma included, need to be able to see him as friendly. “Same reason I always visit. I want to help you save the world.”

We pull back, and can see Alva’s wearing some kind of high-tech equipment under his clothes; it can be a bracelet or something subtle, but the idea, I think, is that Alva’s found a way to disrupt Dharma’s ability to see the future and past of any object he touches. He’s going to use this to turn the Shadow Cabinet against the other heroes. Next Juneteenth is going to be fun.

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