The Deal: I pitch movies set in the Marvel or DC cinematic universes. Also other things. This pitch isn’t a direct sequel, but Miles did get his abilities in Sinister Seven.
I think we open on Miles Morales for a prologue. He’s listening to music, walking to school; he attends the same school as Peter Parker did. He walks by an alley, and we see, in shadow, a hulking figure. He’s bearded, and looks disheveled enough he passes as homeless, for the moment. Miles glances back at him, experiencing his very first Spider-Sense. He rubs his temple, and gets some painkiller out of his backpack, and continues walking. There’s another alley. This time, the figure is there before Miles, waiting. Just as Miles is about to cross the threshold of the alley, he’s snatched up by Ghost Spider, sometimes called Spider-Gwen or Spider-Woman. She swings him to a nearby rooftop. Miles is surprised, but trying to play it cool. “So you got the powers, and nobody thought to get you some webshooters, a costume, maybe a little self-defense training?” she asks him.
“I’ve been working on my costume,” Miles says a little sullenly. He might just pull out his sketchbook.
“Yeah, no offense intended, kid. Your Spider-Man should have handled this. Spider-Woman? Whatever it is you’ve got here.”
“Actually,” Spider-Woman, Jessica Drew, in the red and yellow, lands beside her, “we though it best to leave Miles alone. Let him have a chance at a normal life. And we keep an eye on him.”
“Shoot, was it your day?” Julia Carpenter swing in, in the black and white Spider-Woman costume, landing besides Jess.
“I was in the neighborhood,” Jess says. “And the arrangement’s still new. Especially when I couldn’t raise Spider-Man…”
“He’s still missing?” Silk asks, landing beside Jess. “That’s worrying.”
“Is that everybody?” Ghost Spider asks.
“Unless Arachne’s cutting class again,” Julia says, and they wait a moment, before deciding she isn’t coming after all.
“Wonderful. This actually saves time. I’m Gwen Stacy. But not your Gwen Stacy.” She takes off her mask. Now, for my money, I’d say it’s worth springing for Emma Stone, and really, she deserves it after troopering through the two Amazing movies. “I’m here, from an alternate dimension, because anyone with Spider-related powers is being hunted, and across universes Miles is a pretty prime target. He rarely has the kind of experience under his belt that would let him survive the attack- and I’ve seen seasoned Peter Parkers fall to the Inheritors. Ones with symbiotes, ones in Iron Man armor. I cried the day they killed Spider-Thor, because, if even he was vulnerable…
“But we’re spiders. We live to fight another day. So first things first, anyone who you know or think has powers that fit, you should bring. Lady Spider’s developed, well, these things,” she rolls up her sleeve to reveal a big, chunky bit of steam punk wrist tech. “The inheritors are… bloodhounds. They can smell us. This messes with their ability to track us. Not terribly fashionable, but it goes better with my outfit than a big bloody hole through the chest.”
“No,” Spider-Woman says. “I’ll go with you. They take Mile someplace safe. If you seem on the level, we’ll meet back up. If you’re not, I’ve only put my head in the snare.”
“We don’t have time to pussy-foot around.”
“Lady, I don’t know you from Eve, and I get traps instead of breakfast every morning, so we’re doing it my way. But if you’re so concerned, give them your little cloaking doohickey.”
“It will only hide one of them.”
“Or only let your people track one of them. Volunteer?” Julia puts up her hand, and Ghost Spider tosses her the device. “You get any static, and you split off. Lead whoever it is away from Silk and Miles, then ditch the doodad.”
The others swing off, with Miles hanging off of Silk’s neck. Ghost Spider asks about her origins, that she’s very take-charge, military? “SHIELD, back in the day. I volunteered for an experiment. They told me it was a vitamin supplement; apparently it was the blood of some kid vigilante in New York.”
“That’s always been my guess. I thought, since the experiment was being run by my parents, I could trust them, but they also didn’t tell me they were secretly working for Hydra all along. Hydra used them; threatened to expose them as double-agents if I didn’t join them. Some of the time, I could not tell you where my true loyalties were. As a result, I was always playing everyone, and the only person whose side I knew I was on was my own. I got exceptionally good at reading liars, and if you lie to me, even once, I’ll snap your neck just like ‘my’ Gwen and drop you off a bridge.” (Note: So far as I know, MCU Gwen is alive and well…. But I love this line enough I’m leaving it in anyway, even if it would need to be changed- though I suppose it’s possible this Jess is from an alternate world).
Ghost Spider and Spider-Woman head back to the their base. Jess meets Lady Spider, a steam-punk Spider-Woman who is nearly as technophilic as Tony Stark. She gives Gwen another cloak; Spider-Woman declines the one offered to her, and wants more information.
Gwen tells her story. She was bit by the Spider, Peter continued working with Dr. Connors, in part trying to save her from DNA that he was worried would kill Gwen. An Inheritor shows, Morlun. Peter’s experiments have turned him into the Lizard, and he stands between Morlun and Gwen; Morlun goes through him. Morlun is making short work of Gwen when Lady Spider shows, giving Gwen a cloak that also acts as a transporter, and they’re able to escape.
Meanwhile, an inheritor attacks the three other Spider-People, knocking Miles off of Silk’s back. Julia swings away, trying to lead him off. We follow her, and a moment later hear “Julia,” forcefully in her mind. It startles her enough she bobbles her swing.
“Madame Web what-”
“There’s no time, child. You must return to Silk, or he’ll consume them both.”
“No time!” Web says more forcefully, and Julia turns, and is surprised not to see Morlun chasing her.
“Where the hell?”
Morlun made a bee-line for Miles. Silk swing into him, and he backhands her into a dumpster, and lifts Miles up. “I do so love the flavor of young spiders,” Morlun says, “before their first swing under their own steam- like a veal calf.”
Julia returns, surprising Morlun (who is largely blind to her presence unless she’s in his sight-line), swinging into him, smashing him painfully into a brick wall; the force spider-webs the wall. Julia helps Silk and Miles to their feet, and they square towards Morlun, who is already struggling to his feet. “We can take him together,” Julia says.
“No,” Madame Web says forcefully, her likeness flashing in the sky behind them, and they all react, all of them hearing her this time, “you cannot. Flee, or you will surely perish.”
Julia throws a glowing purple psychic net around Morlun, and Cindy sprays him with web fluid, then they run.
Back at the Lady Spider’s lair, Madame Web emerges. She is an older, white-haired woman, with a cloth across her eyes. She looks pretty much like Aunt May from the comics; I’d probably go so far as to make her an alternate dimension Aunt May, one where Peter gave her a transplant to save her after an attack, which attuned her to the web and the weaver. “What do you know of totems?” she asks.
Spider-Woman is defiant; she’s had a lifetime of people manipulating her, and scaring her, and she doesn’t move easily. “Wooden. Kind of creepy. Tend to congregate in poles.”
“Save your venom for our foes, Jessica,” Web says.
“Just who the hell are you?” Jess asks, taken aback by the reveal of her identity.
“Madame Web,” Julia says from the door.
“Julia,” Web’s tone softens. “I’m so heartened that you’re safe.”
“We’re hardly safe,” Silk says, winded. “That monster was hot on our trail.”
Web cocks her head. “He will not attack here- not yet. He will need time to heal his injuries- though that will provide but a moment’s reprieve.”
“Another lair bites the dust,” Gwen says. “I’ll start packing the essentials.”
“Wait,” Web interrupts. “Morlun knows where we are. But does that make this his trap, or ours?”
“Are they prepared for the fight that’s coming?” Lady Spider asks.
“They will have no choice but to…” Web stops, “wait. Where’s Mattie?”
“Mattie?” Miles asks.
“Mattie Franklin,” Web says. “Arachne.”
“Does everyone but me have a name and a costume?”
“Madame Web’s wearing more robes than a costume,” Julia offers.
“They’re comfy,” Web says. “You can’t expect a woman my age to flit about in drafty spandex.”
“Hey!” Jess snaps her finger, “what about Maddie?”
“Morlun knows of her. She’s in danger.”
We cut to a classroom. We’re going to hover over a young girl who’s about the right age, even though, subtly, there’s an empty seat.
Morlun smashes his way inside, caving in a window and the wall surrounding it. He picks up the teacher and screams, “Where is Franklin!” Timidly, a young boy’s hand goes up, shaking more the higher he raises it in the air. “Martha Franklin!” Morlun yells.
“Mattie’s home sick with a chest cold. She sounded awful in her message. I emailed her work so she could keep up.”
Morlun looks at him like he’s the true monster (because seriously, if we don’t lean into at least a little comedy, here, this Spider-Verse stuff can get real dark). “You sent work to a sick child?” Morlun disdainfully flings the teacher and we cut to the Spider-Women swinging through the city. They’re all wearing the cloaking devices.
“You’re sure we didn’t just voluntarily strap bombs to ourselves?” Jess asks.
“I don’t know what it does,” Julia says, “but it seemed to make it harder for Morlun to know I was there. And I trust Web.”
“I don’t. And I trust you less for keeping her from me.”
“She’s not picking up,” Cindy says. “Which could mean she’s in class. Or the bathroom. Or ditching. Or talking to a boy. Or patrolling.”
“I thought we were going to slip a tracker into her costume,” Julia says.
“We have. She keeps finding them, and taping them to pigeons.”
Gwen chortles, and they all land on a rooftop together, where they stare at her. “Okay, I get why right now it’s not that funny… but it is pretty funny.”
“This isn’t getting us anywhere,” Jess says, punching a wall. “Our only advantage right now is that there are more of us than there are of him.”
“Yeah, I’ve seen that movie,” Silk says. “As soon as we split up, the slutty one dies first- sorry, Jess.”
“Feels a little pot calling the kettle black,” Spider-Woman says.
“She’s not wrong,” Lady Spider communicates with them over their cloaking devices. “Franklin could be anywhere inside a triangle from her home, to her school, to your meeting place.” A hologram projects a map of part of the city, along with a triangle. “From there, I’ve mapped likely patrol routes, factoring in her height, vantage points, securing webbing anchors. If you split into two teams, you can maximize the chances of finding Mattie before Morlun, without spreading our forces so thin he can isolate and overwhelm us.”
“I’m going with Ghost Spider,” Spider-Woman says. “I still don’t trust these people. You two watch each other’s backs.”
Madame Web finally gets to have her Totem talk; depending on whether the telepathy FX are more jarring or the communicator ones, she’ll use the less obtrusive method of communication. “What do any of you know of totems?”
“Animals that are symbols of great power?” Julia offers.
“And responsibility?” Silk asks.
“Precisely. Totems are… animal heroes, similar in concept to the demigods of Greece. Have you ever wondered why so many of Spider-Man’s foes are animalistic? Rhino. Vulture. Lizard. Octopus. Rabbit. Armadillo. Gibbon. The Spider-Totem, which all of you are connected to, is the most important, because they are connected to the web between realities- the same web we traversed to your world, and the same web the inheritors use to stalk their prey.”
“And let me take a wild stab,” Jess says, “that Spider-Totems are their prey.”
“Indeed. Their name they chose because they view themselves as the Inheritors of all things, conquerors on a scale that would make Alexander look like Wilson Fisk and his petty empire. They consume all totems, but they hunt us for sport, because of a prophecy, that the spiders would be their undoing.
“Great,” Jess responds. “So how do we stop them?”
“The prophecy… was incomplete. It speaks of a Scion, a Bride, and an Other. It would seem they hail from your world- which is why the Inheritors have, until now, refused to come here. They assumed that unless disturbed, your world would remain oblivious of the Web, until your Spider-Man stumbled across it.”
“You’re saying Spider-Man found it?” Jess said. “Did something happen to him?”
“I believe he crossed the Web into another world, at once garnering the Inheritor’s attention, and showing them that your world was less guarded than it had ever been- and might ever be again.”
“So you’re saying you didn’t bring Morlun down on us, you followed him here?”
“Yes,” Lady Spider cuts in. “My tech is crude, but it was able to detect Morlun’s arrival on your world. The prophecy has been the only thing holding the Inheritors back; it made the Inheritors cautious, deliberate. They’ve culled tens of thousands of Spider-Totems across realities; I shudder to imagine what they would do unhindered.”
We cut to a rooftop, hanging off from a slightly peculiar angle. Below, we see Mattie Franklin, Arachne, swing by. Three seconds later, Morlun bounds after her, closing the distance.
Subtly, there is a webbed foot in the foreground (I want this so subtle most people don’t see it on first viewing). We cut in close, Mattie swinging by, as she’s tackled mid-air by Morlun. She uses his momentum against him, rolling him over her body and flinging him into a wall as she lands gracefully on a fire escape.
Morlun leaps at her, faster than she expected, and they crash together down into a rooftop with him on top of her. The impact is brutal enough she coughs blood, which Morlun wipes from her lip and tastes. “The blood of young spiders is always so invigorating.” We start to hear a car alarm going off; it’s distant enough it sounds like it must be on the street, at first, but it’s getting louder, until an entire damn taxi cab bounces into Morlun, smashing him into a water tower. Spider-Girl lands gracefully behind it, and grabs up Mattie and swings off. This Spider-Girl, for the uninitiated, wears a costume very similar to Peter’s, but obviously, tailored to a lady.
“Since when does Spider-Man have boobs?” Mattie asks.
“Since he got old and flabby. But I’m Spider-Girl- Mayday Parker. His daughter. From the future.”
“Now Mattie, I’m going to throw you as hard as I can; Uncle Wolverine called it a fastball special.”
“You’ll love him when you meet him; everyone loves Logan, he’s an angry little teddy bear. But when I throw you? Swing away, okay? My friends will be here any minute, and we’ll take care of Morlun; we know how to deal with him, and I don’t want you getting hurt.”
Spider-Girl throws her, before swinging back towards the roof where she left Morlun. “Where the?” her line is cut off as he attacks her from behind. He’s fast, brutal. She fights like a Spider-Person, but he’s personally killed hundreds of them. She’s outmatched, and the fight doesn’t last long. He pins her against a wall, his arm across her throat as he leans into her (personally, I’d remove the ‘psychic’ part of their vampirism and just make them drink blood, but whatever the mechanism, he’s leaning in for the kill, when he’s kicked from behind, and when his head hits the wall it’s webbed in place. Spider-Girl collapses to the ground. Morlun reaches up to tear through the webbing, only for that hand to get webbed to the back of his head, then the other when he reaches up to tear through that webbing.
“Not the sharpest tool in the belt, is he?” Arachne asks. Spider-Girl, wheezing, peels back her mask enough for blood to dribble out of her mouth. “Gross.” Arachne is shaken, but trying to keep up the Spider-patter, because it’s always worked for Peter, and she’s trying to be strong. “Your friends are right around the corner, May? Come on. We’re all heroes, here; don’t expect me not to recognize a heroic sacrifice when I see one.”
Morlun screams, tearing the chunk of wall he was webbed to away, shredding through the webbing in the process. “Two for the price of one? I’m starting to feel like a glutton.”
“Actually,” Ghost Spider lands beside Mattie, “her friends were right around the corner.”
Spider-Woman, Silk and Julia Carpenter all land with them, “And so were yours,” one of them says.
The Spider-Women wail on Morlun for a bit; it’s still a brutal fight, as he’s able to bloody most of them in the process, as Madame Web helps Spider-Girl slink away to safety. Morlun tries to flee, but is stopped by the arrival of Lady Spider. She prevents him from using his tech to call home, before stabbing him through each limb with her metal arms. He shoves himself towards her, willing to stab himself four times over so long as he can get close. She splays her metal arms, tearing his flesh (I imagine, for the desired rating, this will likely have to be done in silhouette, or perhaps just from reactions shots of whichever Spider person feels the most innocent).
“Damnit,” Gwen says, kicking an air conditioner.
“We needed him alive,” Lady Spider says.
“Why?” Jess asks. She’s not squeamish about a monster killing itself.
“Because the Inheritors have beaten death,” Web says. We cut to their spire on Loomworld, then inside, to row upon row of clones. Most are hidden by mist/fog, but we can make out the row of Morlun clones. “When they die, their consciousness is sent to their clone matrix; if you can capture one alive, you can remove them from the board. But if they die… they are reborn.” One of the clones opens his eyes, as his pod opens up.
“They’ll just keep coming, until we’re all dead,” Spider-Girl says, haunted by her near-death experience.
“Mayday!” Web scolds.
May shakes her head. “Sorry. Got my bell rung harder than it’s ever been.” Web touches her face gingerly.
“It’s understandable to be afraid; only a fool would not be. But we are Spiders, and not so easily cowed.”
Now… depending on runtime, you could end it there, as a lead-in for next year’s Spider-Verse. But I’m just going to assume we’re a little too light, and could use one final action set-piece. Plus, it’s more dramatic to have the Spider-Women, now much the worse for wear, have to take on a refreshed Inheritor- it ups the ante considerably.
I’d probably stick to Morlun’s perspective for this scene. He warps back into our world, and travels to their headquarters, able to smell them. From the neighboring rooftop, he’s able to see, in a red and blue vision that’s almost like thermal, nine red orbs, all connected by a web, and all looking like spiders as a consequence.
Morlun crashes in. He fights brutally, shooting for quick, maximum damage, mowing through the Spider-Women, who go down with just enough fight to be convincing… but only just (think Hulk vs. Thanos at the beginning of Infinity War). Morlun is heaving, but triumphant. But he pauses. He scans around the room. “I felt nine of you.” We can see that there are only eight down, including Madame Web. “But now I only see eight.”
“About that,” Miles says from Morlun’s back, suddenly appearing (Miles, for those of you who don’t know, can become invisible), wearing his black and red costume, and hitting Morlun with the full force of his venom blast in the head.
The Spider-Women start to get up, their worse injuries melting away, to reveal Julia and Madame Web had used their telepathy to convince Morlun he was doing more damage than he actually was. They beat on him, a stream of fists and kicks, more even than he can rally from, culminating in a stream of leaping punches that put him on the ropes, with every single one of them getting in at least one good lick, before Lady Spider says, “Legs.” Spider-Girl and Julia use webbing and psychic webs to bolt his feet to the floor. “Arms.” Two spider-people each grab one of his arms and restrain him, with Lady Spider levering her metal appendages to break Morlun’s arm.
“Tooth,” Web says.
Gwen reaches into his mouth and tears out of one his teeth, before dropping it; it cracks on the floor, spilling liquid out. “You’re not swallowing cyanide this time, asshole.” Even wounded, even with one arm broken, it takes all of them to wrestle him into a metal straight-jacket with a clamp over the mouth.
Once he’s sealed inside, Lady Spider yells, “Clear,” and they all step back. She hits a button on her gauntlet, and a jolt of electricity travels through Morlun. He tries to fall, but his legs are held in place, so he just kind of sags. Lady Spider hits another button, and we zoom in to the collar, where little needles jab into Morlun’s neck. His eyes roll up into his head and he goes limp, starting to fall forward. One of them webs his back, so he doesn’t fall forward; last thing they need is his leg breaking and slicing his femoral artery. They carry him into a modified metal shipping container. It has a drain, and a sprinkler system. Lady Spider hooks him to an umbilical tub. “The clamp will keep him fed, sedated and hydrated; the umbilical keeps it charged and supplied. If I have a free moment, maybe I’ll design similar to deal with his waste, but for now that’s why there’s a drain.”
“Gross,” Mattie says.
They have a pow-wow. Lady Spider tells them they’ve struck a blow, and a significant one; they’ve never taken an Inheritor alive before. But it’s also a minor victory, in a war they’ve been losing on every front- a war they’ve all just been recruited into.
“Um, excuse me?” a familiar voice says. We do a reverse shot, all of the Spider-Women clustered together since there’s nine of them to fit in one shot, and opposite them is Spider-Man, alone in the doorway, the same rough amount of space alotted to him in the shot as any one of them in the reverse (playing up how relatively alone he is in that moment). Attached to his finger is a sticky note (get it?) with the words, “Spider-Man, come quickly” on the front (there’s an address on the back but we don’t need to see that). “I think somebody was looking for me.”
Cut to credits.
Mid-credits scene: There’s a pounding on the door. A web-gloved hand opens it, and we see an older Dr. Strange is outside, winded. “I need to see Peter.” We keep old man Peter offscreen, mostly because Tom Holland is going to look weird in old man make-up. “I’ve checked it and rechecked it, and Peter, if your son stays here, with you, you die. Your wife dies. Your daughter dies. And he dies. Followed swiftly by every other Spider Totem in existence. Peter Parkers across the multi-verse, Gwen Stacies, MJs, Miles Moraleses, Miguel O’Hara’s, May Parkers.”
“Will I ever see my son again?” he asks from offscreen.
“That’s a difficult question to answer, Peter, because this threat is going to happen across all realities at once, all timelines. It is a crisis across infinity; I don’t know if any of us will live to see the end of it.”
End-credits scene: We see the spire on Loomworld again. This time we even throw in a title, “Loomworld, Earth 001.” It’s possible, at this point, that we won’t have cast the Inheritors. Any we have, can be in this scene, but we hear the patriarch, Solus, arguing with one of them about Morlun. Solus isn’t happy; Morlun went against him in going to the MCU, risked the entire family. But he also won’t stomach a Totem holding his kin hostage. Karn is an easy one to include, since all you need is to design the mask and shove an intern inside. We pan across a fancy board room table as the arguing commences, before we see a strange combination of Victorian era dress clothes, and an intimidating looking mask.
“Karn, I want you to track down your wayward brother for me, and kill every spider you find.” Karn seizes his trademark two-pronged fork (a bident?), and we cut.