The Outsiders are traveling in a Winnebago. Nightwing is grousing about how when Ollie offered to sponsor the team, this isn’t exactly what he envisioned. Ollie gives a variation of the Schindler speech, that he wishes he could spend extravagantly on the team, but he looks at the cost of retrofitting a spy plane, or even economy class plane tickets, and compares that to spending the money to vaccinate the poor in underdeveloped countries… he says it took him a long time to get his priorities straight, but he’s not about to go back to being profligate Ollie again, and ribs Nightwing that they could always ask for funding from his father, which gets Dick to stop smiling, for a moment.
It doesn’t last, as Dick’s good nature is one of his defining traits. He also takes a moment to rib Oliver about looking forward to seeing Black Canary again. Ollie admits she’s easy enough on the eyes, but we see how he really thinks of her, as we zoom into his eye, and see in soft focus, her punching bad guys and otherwise being effortlessly bad ass while beautiful. We zoom out, to see an oncoming semi, with Nightwing grabbing the wheel and swerving them out of the way. Dick offers to take a turn at the wheel, and Ollie and stands up, leaving the Winnebago coasting as Dick dives into the seat.
They arrive on the strip, and Dick asks where they’re staying. Oliver tells him to keep going. They drive past the strip. Past the casinos off the strip. They’re in a fleabag motel, with an overly boisterous neon sign declaring it the “Above Reproach Motel,” with “above” and “rep” entirely unlit. Black Lightning gets out and says that seems about right as they unpack. Arrow tells them that he rented out the entire hotel, so they have the run of the place- that Dick had emphasized to him that they needed space and privacy to plan out their caper.
“I also asked him to stop calling it a caper. But it’s been a long drive, everybody. I suggest you get some shut eye. We’ll have a briefing at 6:30.”
Huntress gives him crap about the late start. “I though all of you bat boys were up all night.”
“I probably will be. I was hoping you and I could get in some reconnaisance.”
“Is that what the kids are calling it?” At first it seems like witty reparte, but she’s actually asking (awkwardly and adorably).
“It’s been a while since anybody accused me of being a bat boy.”
“No one wears that much leather without being a bat boy.”
“I legitimately don’t know if we’re confused or flirting.”
“That’s where I live,” she says, and he stares at her a moment, before laughing.
“You had me going.” She’s confused by that. But she likes the attention, and that he’s confident enough to push past her awkwardness. Plus, she really likes patrolling.
“Wait,” she says. “Are we actually patrolling, or sneaking off to have sex… I just want to make sure I wear the right top.” He laughs, and they walk off screen.
We cut to Black Lightning, poking at Lo Mein noodles in a takeout container, sitting on the hotel couch, while talking on his cell. He zaps the TV to change channels. He’s talking to his significant other, concerned that the rest of the team are screwing off in Vegas, and he’s trying to decide between Lifetime movies. She tells him either he can zap his ass home, or they can watch a movie together. He tells her someone has to be an example to all these kids, show them how to act like a professional.
We cut to Canary and Arrow kissing, passionately, slamming against the inside of the door to her dressing room. “Not that I’m complaining, but what happened to waiting?” he asks.
“Oh, you’re still waiting,” she says, and pushes him against the door, “I just want your attention focused on what you’re waiting for.”
“Might have to change my name to Blue Arrow, you keep this up.”
“Ooh, Black Canary and Blue Arrow, I like that alliteration; and there’s the double-meaning of leaving the bad guys black and blue.”
“That is pretty good, but I’d have to sew a whole new set of tights.”
“I’m worth it.”
“Plus those Blue Beetles are very proprietary about their color- and quite litigious.”
“Tell me about it,” Ray Palmer appears, growing from a place sitting on Canary’s counter.
“Dad,” Canary says, snatching flowers from him and throwing them on the counter, “we talked about this: boundaries.”
“I didn’t mean to walk in on a Cinemax movie. I was trying to do one of my, ‘Hey, where did he come from?’ entrances.”
“Yeah, and when you pulled that on me, you got yourself a brand new set of tinitis. You’re just lucky he didn’t have his bow or he might have… bowed you.”
“Et tu, Canary?” Green Arrow asks.
“Et me,” she says. “But at least you learned to throw a proper punch, so there’s still hope for you.”
“Had a hell of a teacher.” She gives him a peck. “Who knows a thing or two about motivation.”
“You’re punishing me, aren’t you?” Ray asks.
“Pretending you’re not here- because you shouldn’t be,” she says.
“It’s about, your mother.”
“Crap,” Green Arrow says.
“I thought the trail went cold in Gotham,” Canary says, spinning to face him.
“It had. Or rather… it didn’t get cold, the GCPD kept it on ice all these years. And that’s why I could find… this.” He shows them an image on his phone of human tissue through a microscope, subtly including a footprint.
“What am I looking at?” Green Arrow asks.
“A slide from Canary’s autopsy. This is the aftermath of an aneurism. She was too good to just catch a bullet in some back alley. I never believed… she was dead before she was shot. This proves it.”
“How?” Arrow asks.
He pinches and zooms in on it, to more specifically focus on the footprint. “It’s a footprint. Given the size, and depth, it’s a woman’s size 6, she weighs somewhere in the vicinity of 125 lbs. Either she was the killer, or an eyewitness. Either way, the odds of someone standing in her brain at the same time of a spontaneous aneurism in a healthy, middle-aged woman… the odds are astronomical.”
“And what are the odds someone would kill my mother with shrinking tech, dad?”
“Not good,” he admits. “Shrinking tech is expensive to make, and mostly gets used by people on our side. I think I was the only one, at the time, operating it.”
“And who had access to your tech?” Arrow asks.
“Anyone with access to the JSA headquarters. Or a storehouse I kept in Jersey, in case that was ever compromised. I had some personal storage for a stretch in the seventies, too, in Gotham.”
“But you’re here,” Canary says, “because you’ve already run down those leads. So why are you here?”
“Because my tech runs on very specific isotopes. Specific, and rare. There aren’t a lot of places to buy them. And the people who supply them, there isn’t a one of them who doesn’t owe me a favor; I taught some of them, helped the rest, in costume or out. And there’s one in Vegas, who sold, just a day ago, to an older woman, fits the rough description, with some allowance for passage of time.”
“Older enough?” Canary asks.
“She thinks so- presuming she’s well preserved.”
“How big a favor did she owe you?” Arrow asks.
“Pretty big. She put a radioactive isotope impurity we can trace in the package.”
“I’m uncomfortable that this conversation began with a package and is ending with one.” Arrow says.
“You’re just sad that the package we’re talking about now isn’t yours,” Canary teases. “But we’ll come back to it,” she says, grabbing her jacket.
“Don’t you have a show?” Arrows asks, pointing to the star on her door.
“Not tonight. I only do an afternoon show today.”
We do a little homage to the Batman origin, a wealthy looking couple, woman in furs and pearls, man in a nice suit, with their young son, cutting through an alley. A gunman steps out, threatening them. Nightwing drops down on him like a ton of bricks, the gun clattering noisily to the ground. Nightwing bows with a flourish, and assures the boy it’s all part of the show. A second gunman steps out from behind a dumpster. A bolt pins him to the brick wall, and Huntress lands, kicking him in the face; he remains pinned to the wall by the bolt.
They climb to a rooftop. Huntress looks like she’s pouting.
“You’re asking me? You were the one who nearly got shot in the back.”
“I’ve learned that part of being a good partner is trusting people to have your back. I knew you’d be there for me.” She’s uncomfortable, physically if nothing else. “So I want you to know I’m here for you, starting with asking if you’re okay.”
“I’m okay,” she says, half-heartedly, and through it we see she’s disappointed.
So does Nightwing. “I know things didn’t happen with Mandragora like you wanted. But taking him in alive, there are a lot of families who are sleeping better tonight, maybe sleeping at all, because you did the right thing.”
“You kind of made me,” she says, her disappointment on the verge of pouting.
“Not what I meant. I know you were there, at the handoff, when the Sheriff’s Department gave him over to the Federal Marshals. You had a shot, and you were far enough away I wouldn’t have been able to stop you. Mandragora may not have killed my parents, but as someone who knows that loss as well as you do, and because the other families don’t know how hard doing the right thing was like I do, I wanted to say ,’Thank you.’”
“Oh,” she says.
“Not what you wanted to hear?” he asks.
“No, it’s not that, it’s… I think I might have worn the wrong top.”
“No,” Nightwing says, and he spins her, so she lands with her back against a wall as he leans into her and says, “You’re not.” But her instincts kick in, and she has her crossbow pressed into his throat. “Unless I’ve misread things.”
“No,” she says, and for a moment she’s embarassed, before rolling him, so he lands painfully on his back. She jumps onto his lap, and says, “I just like to be on top.”
We cut back to Arrow, Canary and Atom. They’re following Atom’s tracker, but it leads them to an arena. The bouncer is definitely powered (we could do a cameo from someone like Killer Croc; Clayface might be even more fun, since Canary could get suspicious and he could tell her to call his parole officer) or just have it be a generic mook who insists “No capes on the ticket. Bids only accepted through a proxy.”
Atom says, “Look, over there, it’s a distraction!” and for a moment they all look where he pointed, but not long enough for him to do anything. Then Arrow realizes that’s his cue, notches a napalm arrow, and sets fire to a car where Atom pointed. The bouncer’s annoyed, but tells them the street is outside his purview- and if they call the fire department he won’t even call the cops on them. Then he realizes Atom’s gone.
Arrow and Canary grab something to eat at a little cafe nearby. “My fries are cold,” Arrow says, “want to make out?”
“I was thinking the same thing,” Canary says, “but knew the moment I vocalized it,”
“Think that’s my cue,” Atom grows.
“I was beginning to think you paused in the middle of the heist to take an old man nap.”
“I could nap… but no. One, I found out that they pawned my gear. I couldn’t get close enough to check the control numbers. They bought the isotope because they had to prove it was authentic for it to go on the slab, which meant shrinking with it. Two, I talked to management. Roulette. She runs the gladiator games and the auction house. She’s usually pretty strictly all about discretion, but,”
We cut to her office, where Roulette is talking to Ray. “I’m a capitalist, first. And I recognize an opportunity when I see one.” She brings up several images of Arrow and Canary together, lingering touches, maybe pecks, typical tabloid fodder, on her row of monitors, even a live feed of them at the café across the street. “I have a reality show apartment I bought, wired up with cameras. Nothing hinky; not toilet or shower cameras.” The couple stay in the apartment one night, and she can sell the hell out of access to the house cams. “They don’t have to do anything but be themselves. They do that, and I’ll give you what you need to find your mystery woman.”
Ray doesn’t trust her, but Roulette made it clear that if they don’t play ball, she’ll sell the gear to an anonymous bidder, and pay the owner in untraceable crypto, and the trail dies there. Their only other option is to try to have Atom intercept the wire transfer and trace it; last time that happened he spent a week crawling through the bowels of a crypto farm in the Philipines- not exactly a ringing endorsement of that strategy.
Canary agrees. Arrow is reluctant (maybe because he was wealthy playboy enough to have been tabloid fodder before). Atom has an idea- he can shrink down and be their guardian angel. Arrow mentions that it’s probably too late, because the sun is coming up. Atom says the deal is for the next night. As they exit the cafe, they see digital billboards are already touting Green Arrow and Black Canary sharing a romantic evening in the Snoop House. “That’s not ominous at all,” Arrow says.
The next morning they’re all gathered for Nightwing’s briefing. He glances at the clock. “We waiting for something, boss?” Black Lightning asks.
“Yeah,” Green Arrow and Nightwing say at the same time, and Dick yields, letting Green Arrow continue. “We’re waiting for Dick to start.”
“We’re waiting for the other members of the team,” Nightwing says. “And I think that’s her.” He sees a woman’s silhouette emerging out of the sun, and as she gets closer we can see it’s Donna Troy. Her iconic star pattern costume doesn’t really sell her as being a Wonder Girl before Cassie Sandmark; it might make sense to go with something like the red jumpsuit; a good mid-point might be to mix that with the Jim Lee DCNu version with the dark pants (so it’s basically a jumpsuit version of Wonder Woman’s costume). Maybe you could go for a gold-accented variant to Wonder Woman’s, kind of like her usual costume intermingled with the golden hawk armor from 1984.
“Sorry I’m late,” she says. “I’ve been in a holding pattern for fifteen minutes. Wally made me promise I wouldn’t land without him; the other Flashes would never let him live it down if he was the last one to arrive.”
“Foolishly, I didn’t swear her to secrecy on that point,” Wally says, suddenly beside her.
“There’s doughnuts and coffee, and bagels and just a ten pound bag of sugar for Wally,” Nightwing says. Wally runs by the spread, and half of it disappears in a blur.
“Suddenly the spread makes sense,” Canary says.
Nightwing gives his briefing. It’s very low-tech, all things considered, as far as what Nightwing is presenting… we can cut away and montage the hell out of it like the whole thing was being done by Soderbergh (alternate pitch: GET SODERBERGH- how freaking cool would that be? I imagine he’d be curious about doing that thing he do but with a much crazier budget and FX).
Nightwing tells them that three casinos off the strip have been taken over by supervillains. Ostensibly, they’ve been hired to have their likeness exploited by the casinos, and to make celebrity appearances, on the floor and at their shows. But really, they’re holding the casinos hostage. At Joker’s Wild, the Joker has rigged the air vents with his Joker toxin- if the casino doesn’t keep giving him his cut, he’ll turn everyone inside (including the held-hostage family of the casino’s owner) into homicidal maniacs, most of whom won’t survive the transformation. At the Double Trouble, Two-Face has wired up every hotel room with explosives corresponding to red or black- and that if the hotel operators cross him he’ll spin his roulette wheel, and blow half the rooms- either red or black based on chance. At The Royal Flush, The Royal Flush Gang aren’t just taking a cut- they’re taking everything, pocketing even the paychecks of the employees, and forbidding anyone with any remaining cash from leaving- if you fail a credit check they’ll let you go, but otherwise no one leaves.
Finally, the problems started when a superpowered mobster named Blockbuster collected a casino in lieu of a debt. He’s been washing the supervillain underworld’s dirty cash through the casino since. He’s also the mastermind behind the takeover of neighboring casinos- he wants to buy them, outright, but first needs the current owners desperate- so he helped organize the attacks to both drive down the price and also take a cut to help him buy at the reduced price. This is because he wants to expand, beyond the relatively respectable among the villain set, to the real monsters, the terrorists, the sex traffickers, but for that he needs more casinos to be able to launder more money. Blockbuster’s casino is a tougher nut to crack, because it’s legit- but it’s also sitting on several times as much cash as it can legitimately claim, enough that it will be bankrupt if it has to make good on what it owes to the underworld figures if it disappears.
The jobs are all complicated enough that they’re going to need all of them for each– and because if they tip off any one of the villains the others are likely to carry out their threats, they all have to happen concurrently, with all of them dropping in and out of each heist with the precision of a tightly-wound Swiss watch. Nightwing tells them he’s given Wally plans for each of the casino vaults, and has take-out from every delivering restaurant in a mile radius piling up at the reception desk to feed him while he constructs them to scale.
Wally disappears, then reappers, holding a hammer, and with some ketchup on his cheek. Donna tells him about the ketchup. “Oh, I’ve got ketchup everywhere. Moving at that speed, it’s like walking through a condiment tornado.” Nightwing tells them they have a few days, that Catwoman’s been doing some recon for him on the inside, and that’s as much time as they can safely delay before Joker’s likely to get bored and just start killing people to amuse himself.
Montage of them working through the heist stuff. Canary’s phone goes off. She’s got a show at Two-Face’s casino. Arrow goes with her, in civilian clothes. While there, they get a formal invite from Roulette, telling them a car will pick them up, in costume, after her show.
Two-Face is aggressive with Canary, and she flashes back to Black Mask from Birds of Prey, clearly still traumatized by their relationship. But Arrow is there, and comforts her enough that she puts on a brave face (pun!). Canary gets a musical number; Arrow watches Two-Face to see if there’s anything he can apply to their heist, later.
Arrow and Canary grab their ride and arrive at the Snoop House. She’s tired, and is looking forward to sleeping. “Sleeping?” Green Arrow asks, pretending he’s disappointed. She says she doesn’t trust this place enough to break wind in the bathroom, she’s not letting him as much as give her a courtly peck on the cheek. He agrees. But… there’s an expensive bottle of wine on the table. Arrow doesn’t trust it, but Canary uses a sonic cry to test the seal- the bottle is still sealed. Atom climbs through the cork, and tells Canary through an earpiece that he checked it on the atomic level- it’s clean, and it’s nowhere near enough alcohol to get three adults even tipsy- or two, yeah, he meant two, because he’s not here. Arrow is still uncertain, but Canary says she’s going to open it, and cries at the perfect pitch to pop the cork, then tells him either he’ll help her drink it or he won’t.
We cut to a bar, as the last of five bottles of beer are opened up. “This feels weird,” Wally says. “Doing this. When the last time we did this, we weren’t even old enough to do this. You know what I mean.” Donna relates that they were Teen Titans, then- or 3/5 of them were. Nightwing is apologetic to Black Lightning, for not inviting him to join the team. He tells them he’s older than them, he was like nineteen and a half by the time their team ‘debuted,’ that even if he’d wanted to join a team, he would have had only a few months before he was no longer a teen. Plus, he wasn’t much of a joiner, back then, so it’s cool.
“I was living in Italy with assassins,” Huntress adds. “Not, uh, really eligible.” Things are a little awkward, since the group haven’t been a group long, and even those that were haven’t seen each other in a while. So they decide to play some have you ever. Wally starts with he’s never made out with Nightwing, and Donna and Huntress drink. Huntress, either stewing or not quite getting the game, says she’s never made out with Donna. Wally and Nightwing drink, and they explain that the Teen Titans were basically one of those high school parties where everyone paired off and made out with everyone else- only kinkier because everyone was wearing masks, but still, pretty chaste, all things considered- since no one wanted to screw up the team by really pairing off. Which only makes things more awkward with Huntress.
Wally suggest they spin one “or several” of the bottles they’ve emptied, Black Lightning says he’s too old for “this shit,” and bounces. Nightwing realizes they all probably are, but it just means the rapport they build will be built of stronger stuff. He suggests they call it a night.
We cut to Arrow, still wearing his mask, rolling over in bed, curling into Canary. She’s wearing a wedding dress, which causes him to stir, and realize he’s wearing a tux. And they have matching wedding rings. Strewn across the very messy bed are rose petals and Polaroids of their drunken night of debauchery, including a stop off at an instant wedding chapel. Some of the Polaroids would seem to imply they’ve consummated their relationship. Arrow wakes Canary, frantic.
They freak out together, each blaming the other for things getting out of hand, as they spiral further out of hand, and they start pushing each other. Green Arrow tries to stop her early in, saying, “I don’t understand everything that’s going on here, Di, but I’m not going to raise a hand to the woman I love- I won’t be that guy.”
She has no such compunction, saying something like, ”I’m not going to let another man terrorize me ever again,” before belting him. She’s having trouble keeping him and Black Mask separate in her head. We cut to the gladiator arena, where a crapload of spectators, including some of the villains from this movie, bidding on the victor, as expensive looking fight graphics play on the Jumbotron: Green Arrow vs. Black Canary.
Canary throws him through a dresser, and out of it spill his bow and lots of green arrows. He spends a moment searching for something nonlethal, “My fortune for a taser arrow, or a knock-out gas arrow, or even a damned net,” she kicks him in the stomach. He finally picks up a regular arrow (they’re all regular arrows) and notches it. She punches the arrow in half, before punching him in the throat. “Thought you said I was getting better,” he strains.
“Better don’t mean good,” she says, knocking him out. She takes a few steps, realizing she doesn’t feel right. She tries raising her dad, saying they definitely were dosed with something- she’s not hungover, she knows what that feels like. He doesn’t respond, which confirms her concern.
The phone rings. It’s Roulette. Canary’s pissed off that Roulette dosed them and made them think they got married and had sex. She confronts her about putting steroids in the air, maybe something else, too. She cops to it, and tells Canary that Atom’s gear disappeared. But she’s pretty sure the owner took it back, and Ray into the bargain, and Roulette has another way she can find him- when he was in her office, Roulette placed a tracker on him. In her nightstand is the tracker.
We cut to Atom. He comes to, tied to a chair. He tries to shrink, but his equipment won’t work. “Oh, Ray,” she says, “equipment not working? Funny, that was how I found out about you and Black Canary, back in the day. You were a naughty boy, then, Ray. Have you been naughty now?”
“You? What the hell’s going on?” Ray asks.
The next day, Canary and Arrow talk to Nightwing. He originally was confronting them about sneaking out- and how the team need them focused. Canary bursts like a dam, telling him that her father’s in town, helping look for her mother’s killer, but he’s been taken. Nightwing turns on a dime, no longer concerned about their heists; his family were killed, and clearly he was raised in a family that is motivated by hunting family-killers. He’s laser-focused on hunting the killer with her; it is the most like Batman we will ever see him, though he’s warmer, and more personally supportive at the same time, to the degree that Arrow is a little concerned about Nightwing horning in; no one else validates his insecurity (which only makes it funnier).
Nightwing goes to the others, and brings them up to speed, how this is about saving Canary’s father and avenging her mother. “Avenging?” Huntress asks, perking up. He reiterates they want nonlethal capture; Canary wants to know what happened with her mother, not a corpse. Huntress is hurt; not just disappointed, but hurt.
They cancel the day’s practice, in favor of riding out immediately. They roll up on the safehouse Atom’s being held in.
We cut inside. Atom’s still captive. His captor tries to give him something to eat, even as we see on security feeds that the Outsiders have arrived. Atom’s preoccupied with talking to his kidnapper. “Jean? Honey, what’s going on.” She’s standoffish, but gets close enough for him to grab her, only for him to gently take her hand. “Please,” he pleads, his voice rife with emotion, “Jean, talk to me.” We see Nightwing finish picking the lock on the front door even as Black Lightning electrocutes the cameras, shorting the feed.
She gasps. Wanting him to play cops and robbers with her was the only thing that was keeping her going. “Ray, I…” She crumbles.
She’ll narrate some of a flashback. Jean loved Ray Palmer from the moment they first met. She played hard to get, before letting him woo her; part of her was worried he’d be like other men who gave up after the conquest, and the rest because she was truly worried about how much she wanted him. And for a moment, it was magical, everything she’d imagined. And then Ray joined the Justice Society, and started working with Black Canary. She was beautiful, and fit, and always walking around in those fishnets and that tight, revealing little outfit. She couldn’t compete, especially not with the endorphins of fighting for their lives. And when half their team disappeared, she especially couldn’t compete with their shared grief. Ray left her a long time before he left her. And she never stopped wanting him back. She followed him, figuring out where he kept his surplus equipment. She snagged one of his older suits- not the oldest, which he kept for nostalgia, or the newest, which he was always tinkering on, but one of the surplus ones, one he might not be sure really was missing at all.
She tried to scare Canary off several times. She gave her a handful of close calls. She leaked her identity to the police, to the papers, even to villains. Finally, she thought, maybe she could make Canary forget Ray. She went inside her mind, and started screwing with linkages, and accidentally caused an aneurism. She called Canary an ambulance, but it was Gotham, in one of the neighborhoods where the cops can take hours to show, and where an ambulance won’t come without the cops. Long before anybody came, Canary was gone. Jean panicked, and to cover her tracks, she shot Canary in the head.
It screwed her up. She and Canary had been friendly. They were rivals, sure, she was even willing to hurt Canary to take her place at Ray’s side, but did not want to harm her, not seriously or permanently. She was a broken woman when Ray, hurting over what happened to Canary, reached out. She hadn’t wanted that, but in that moment they truly, desperately needed each other. Their love, their years together, were genuine and heartfelt, even though they were built on a despicable act.
As she finishes telling her story, we realize that Black Canary has been in the room basically since the story started. Jean throws herself at Canary’s feet, seeing how much she looks like her mother, and that blurring the lines enough for her that for an instant she thinks she’s Canary’s ghost, and not her daughter. She pleads with her to forgive her- that she wanted Canary to forget Ray- she didn’t want to hurt her. Canary asks Atom, who Nightwing has cut free, what’s going on. He’s a ghost, himself, telling her that he didn’t want to introduce her under these circumstances, but this is his wife, Jean Loring. They married a year after Canary died; he just lost the will to play superhero after that; even seeing his old costumes made him weep.
“All I wanted was to be the love of your life,” Jean whimpers, collapsing to the floor.
“Instead, you killed her,” Ray says, hollowed out. “This is all my fault.”
“No,” Canary says, hugging him, “it’s not.”
“This, uh, isn’t usually the way this goes,” Nightwing says. “There’s usually more punching.”
“Yeah,” Black Lightning says, “bet that hurts a lot less.”
“So what do we do with her?” Donna asks.
“I just looked it up,” Green Arrow says, “and statute of limitations on any kind of negligent homicide is long since past.”
“Dad?” Canary asks.
“She needs help,” Atom says. “I haven’t always been the best partner; God knows, I’ll always have to wonder if any of this would have happened if I were a better man, but I won’t abandon her again. I’m going to make sure she gets the help she needs.”
This is a perhaps overly somber moment, and we need to transition out of it, but not without letting the characters heal. I think Nightwing does a little wrap-up, back at the hotel. “I think today was a good reminder, for me. Sometimes, with the Titans, we could get wrapped up in the silly, fun aspects of being us. There were times I didn’t take it seriously enough, where I wasn’t able to stop and see the human cost underneath. I’m not saying,” (and here he does his Batman voice), “We should all be more like Batman. Because we shouldn’t. I’m not even sure he should be. We all have to learn to be the best Donna, the best Wally, the best Helena-“
“I prefer ‘Huntress.'”
“The best Huntress, then. Because we still have a job to do. There’s a lot of dirty money flowing through these casinos, funding a lot of the kinds of human misery we often don’t see up close like this. And more than ever, we need to shut it down, because we know how much it’s going to hurt people if we don’t.”
We cut to Arrow and Canary’s room. He’s holding her, when there’s a knock at the door. Atom comes in, and takes over, and father and daughter hold one another. Later, Arrow brings them coffee, where they sit looking out of the balcony. She’s holding her dad’s hand, and rests her head on Arrow’s shoulder as the sun begins to set.
Montage of more prepping for the heists. Included are little moments for each of them, like this one: “Are you sure you can make the shot?” Nightwing asks. We speed through the air as Arrow fires again. There are several arrows stuck to the middle ring of a target, but none in the center, which would allow the shot to slip through the slit between the barely opened faux vaultdoor.
We do the heist montages, with just enough moments spent with each villain and their pairings to feel like they’re not just generic villains from the Oceans movies. Nightwing and Huntress take on the Joker. This one will likely be the most fraught, because Joker’s figured them out, and re-masks them amongst his henchpeople, with masks he cut from the cloth napkins used in the restaurant inside the casino. Joker gets to monolog and threaten, wondering aloud which of the ways he could murder them would hurt Batman the most, intercut with the other heists. Eventually, Joker says he’s bored, and will just transform all of them into homicidal Jokers, and tries to blow the explosives. Nightwing leans into Huntress and tells her that’s why they stopped at the Wild their first night in town, that Joker was bound to do something like this. They fight their way out, leaving Joker knocked out.
Two-Face likewise figures them out, because the Joker got a lot less morose a few days before. So he captures Green Arrow and tells him that he’s going to put his ideals on trial- that he can choose to be the new man he’s promised through his press agent, more focused on the group, or the selfish man who is going to save the woman he loves, and can walk out scott free. He’s about to answer when Wally, panting in the middle of the desert, standing on top of a large pile of explosives, calls over an earpiece to Arrow that he’s finished. Canary tells him if he doesn’t answer the question first she will collapse his lungs. He offers to let Two-Face shoot him; that losing her he would never be a whole man, but he couldn’t be either, if he let all those people die. He’d rather take a bullet himself. Two-Face flips his coin, tells him that wasn’t an option, but he’ll gladly shoot him and Canary both- that he’s always been a sucker for a tragic love story. That’s when Nightwing and Huntress arrive, and help finish off Two-Face.
The Royal Flush is the most bombastic of the three. When King tries to call the other casinos to tell them that they’ve been compromised, Donna tells him he can’t be weak in front of the other villains. Black Lightning appears, and tells her their communications are fried, and she tells King he can be as weak as he wants, then. Troy and Lightning have trouble with all five members… until the rest of the Outsiders arrive, and help them mop up.
Finally, there’s the Blockbuster. This one is a lot more straightforward, since the heroes all have to show as civilians. They manage, with Green Arrow’s shot, to block the vault open with an arrow. Then they empty the vault. Blockbuster himself, not believing they could have thwarted his security or his plans, ends up in the empty vault. He tells his assistant to liquidate everything, and get him a charter to Santa Prisca. He needs to buy sanctuary with the King Snakes, because they never cleaned their money through the casino, and therefore are the only ones who might help hide him.
Pre-Credits scene: Arrow and Canary wake up in a hotel room.
“Oliver, why am I in a wedding dress?”
“Because it looked so elegant on you I insisted we take it.”
“And why am I wearing a ring that’s heavy enough I actually feel the weight of it?”
“Ring?” he sits up, bleary-eyed. “Oh,” he says, furrowing his brow, “I suspect because it’s the match to mine.”
“This can’t be legal.”
“I believe the important question is do you want it to be?”
“Fair enough. Though I imagine we keep landing in this position because on some level it’s where we want to end up.”
“Also because you bought some ridiculously good champagne.”
“Ridiculously good champagne notwithstanding.”
“You asking, or telling?”
“You want me to ask, I’m going to need to borrow that rock,” he says, and gets down on one knee. She pulls him up to his feet and kisses him, and we cut away.
Green Arrow is discussing with Nightwing the possibility of hiring on a Green Lantern to up their game as they’re packing up their hotel rooms. He tells Ollie that great minds think alike as John Stewart lands. “I know just the guy,” he says, since then it’s a fun mislead.
Jason Todd calls Dick Grayson, wishing he’d had a crack at the Joker. “Wouldn’t that have been two-cracks? I hear you’re all about the art of the double-tap these days.”
“You can stick to playing touch football with these psychopaths, if you want, but I’ll tell you, brother from another mother, they aren’t playing the same game of patty-cake with you.”
“I’m not usually one to cast the first stone, but there’s plenty of people who’ve used the ‘P’ word to describe you.”
“No, the other one.”
“No, I was calling you one for pussy-footing around the word: psychopaths. That’s what they are. Deranged. Unstable. And yeah, I’m on a lot less even of a keel since their Clown Prince tortured me for months. I get about thirteen solid minutes of sleep between nightmares that the bastard still has me chained up in his basement. But we’re not talking about your garden variety mental health patients, here; these are people who revel in it. Who get off on the pain they cause. Believe me, no one looks forward to the day I can hang up my guns for good more than me.” He sighs. “Look, all I really want to know is whether or not you hit him extra hard for me.”
Dick hesitates a moment. “Always. And I know I give you crap. It’s not because I want to, or-“
“To prove you’re teacher’s pet?”
“We both know that’s Barbara.”
“I think you know Barbara a lot more thoroughly than I do.”
“Boundaries, man. And I want to know you’re okay. I can’t even imagine what you went through.”
“You? Probably not. But Dad? I was the one who had to talk him down. I didn’t need that, you know, but seeing it, it almost made the whole thing worth it. To know how much we matter to him, if only for a moment. That’s screwed up, isn’t it?”
“It is. Whole family’s screwed up like that. But you don’t dress like we do and have our kind of nightlife if you had a healthy childhood.”
“Barb kinda did.”
“And from the way you’ve talked about the circus it doesn’t sound like such a bad way to grow up… you know, until the tragedy.”
“Yeah. Tragedy does always kind of screw things up.”
“It’s weird, how many of us there are, now. I remember when it was just the three of us, and you and dad were barely talking…”
“It’s still weird to me to think of him as ‘dad.'”
“It helps being tortured by a maniac. Sort of peels away the emotional detachment. But my point was we were a weird little family. A dad. And an older brother slash dirty uncle who didn’t get along with him. And now there’s I’ve lost count how many Robins. Batwoman. At least one Batgirl, with a bunch of Birds of Prey hanging around her. And most of us join or even lead teams of our own.”
“Makes sense,” Dick said. “Just a bunch of orphans trying to figure out where we belong.”
“Yeah.” Jason pauses a beat. “You hit him really damn hard, right?”
“Thought I broke my jaw, his hand, or both, for a second there.”
“You think dad would ever forgive me, if I put a bullet in him?”
“I’ve known Bruce a really long time, and I don’t think it’s about what you’ve done, Jason. I think it’s about what you’re going to do. We all make mistakes, you know? But trying to be better than you were- I think that’s what matters most.”
“Doesn’t sound like a yes, though.”
“I don’t know, man. If I had to guess, if he felt like you couldn’t help it, like you had no choice, he’d forgive you. I think if you did it because you want to, on the hope he’d forgive you anyway… then I really don’t know. What he’s built, it’s bigger than any one of us. You killing someone you could take in, that might bring the whole thing crumbling down. And even then, I think he’d want to forgive you. But this thing he built, he built it so we didn’t have to be alone. You take that from him- from all of us, and I just don’t know, man.” We cut away.
I think at the end, Ollie decides to spend a little more on the team. This is revealed from him ‘souping up’ their Winnebago, which he demonstrate by blowing the horn, which now plays ‘La Cucaracha.’ The Outsiders give him crap for this, then he says that it also does this, and flicks a switch, and the exterior transforms into a sleek, green “Arrow car.” After a moment, the inside increases, morphing to show a state of the art mobile headquarters inside, as well. Ollie plays this off as having used the ill-gotten gains from the criminal’s portions of the heists… but Dick knows how much this kind of Batman-tech costs, and Ollie cops to using some of his fortune on it. Turns out, selectively leasing tech from Wayne Enterprises and Kord Industries, given what those companies do with their profits, is another way to do good with his fortune.