MCU ’22 Pitch 6: Young Avengers 2: Along Came A Spider

The Deal: I pitch movies set in the Marvel or DC cinematic universes. Also other things. This pitch is a direct sequel to Young Avengers 1.

The Pitch: Miles is our POV character. Peter, in costume, drops Miles off at Kate’s condo, which is being used as a headquarters for the Young Avengers (we can sub in Eli’s place from the Cap show, if that’s preferable- it could be fun to have granddad rattling around being crotchety, but also there as a cautionary tale- and I imagine the bushy-tailed optimism of Peter would contrast hilariously with his worst-case-scenario realism). Miles feels like he’s being dropped off at a babysitter’s. Peter mentions his uncle Aaron reaching out after his accident, and him seeming like an okay dude; now he feels sorry about ruining his ice cream.

Ms. Marvel, the old new girl (nobody counts Black Widow, who most of them assume is a plant from the older Avengers to keep an eye on them, a babysitter, essentially) introduces him around; “Personally, I like her. Before Yelena got here, everyone assumed I was Carol’s spy. But it’s not just that she’s taken my place as the team’s assumed narc- she’s actually really cool once you get to know her. She’s got a big, lovable dork side, you just have to be patient enough for her to show it to you.”

We follow Yelena as Miles and Ms. Marvel continue the tour. She moves like a spy, surreptitiously glancing behind herself as she makes her way outside, where she says, “I feel like babysitter. I don’t change poopy underoos.” She meets with a man we won’t recognize, yet (unless he does show up in Iron Man 4/the Riri Williams show), but he’s Ezekiel Stane, Obadiah’s son.

“Something stinks here. Dad wasn’t always the, uh, most ethical businessman, but his intel was always on point. Stark left these kids a lot of money and a lot of tech, tech that, frankly, didn’t belong to him to give away. Sure, he invented some of it. But so did my dad, and his teams, and researchers like me. But unlike dad, it’s never been my style to go off-half-cocked. That’s why I’ve got you watching them, so I know what we’re up against.”

“You are at least half a cock,” she tells him. He legitimately can’t tell if her English is screwy or if she’s screwing with him (I have my theories…).

We cut to Kate telling Teddy she kind of set something up for him, through Clint, calling in a favor. Kate was talking to Nadia, his mom, and she seemed to imply that she and Emil hadn’t been intimate since he was irradiated, and, now that she’s got him on hold she realizes maybe this is the kind of thing she should have asked Teddy about first but she’s got his birth father on the line and it’s probably already rude to have kept him on the line this long while she spirals, so she connects him to Bruce Banner (depending on how game Ruffalo is it could just be a phone appearance), or we could do video, hologram, etc. (Also, why doesn’t everyone call Ruffalo Hulk Buffalo?).

“Doctor Banner?” she asks awkwardly.

“Hello? Clint wouldn’t tell me what this was about. Is this one of those sick kid things?”

“Well, he is a kid, and he’s green, so…”

“Green? Oh. I’m not sure what you’ve heard, but my condition mostly keeps me from, uh, that.”

“I, er, Clint mentioned some, uh, difficulties,” Kate winces.

“Not the conversation I pictured meeting my biodad,” Teddy also winces.

“But you remember Mrs. Blonsky?” Kate asks.

“Blonsky, Blonsky. Oh, crap. Nadia. Nadia Blonsky. Oh… we connected after what happened to Emil. I was trying to help him out. Get control. At least get him to start wearing pants- it was seriously riling their neighbors. Nadia was really sweet. Loved Emil, but… it hurt her, what he’d become. We were working together, under constant threat of discovery by SHIELD, or one of his mood swings. She always told me her son was Emil’s.”

“That’s… uh, not what she told me. So, uh, Dr. Banner, this is Teddy.” They both give a kind of awkward, broken smile and a half-wave and hold it. “Okay, I can totally see the resemblance right now.”

“Kate,” Wiccan says, pushing her towards the door, “remember that conversation we had about how it stops being help past a point, so you really need to make an earlier exit?”

“Yeah, but I still have trouble realizing when- oh, you mean now,” she finishes as the door shuts in her face.

“I, uh, don’t know if you might be interested in some pizza,” Eli says to Kate. At the mention, Lucky the Pizza Dog bounds into the room, her leash in her mouth.

“You said the ‘P’ word- but not any of the usual ones. So we’ll definitely have to get her one. I don’t know if I should… or I might have to let out my costume, or at least abuse some Pym particles.”

“How about we agree to go for a run to jog it off after?” At the suggestion, Lucky gets even more excited.

“I have to go with you, now. Contractually obligated. You do not want to see her disappointed.” Kate scritches Lucky.

They pass by Miles and Ms. Marvel, and we stay with them. “I, uh, heard a rumor that your, uh, boss, I guess, went out with my Spider, er, mentor?”

“Yeah, she flew him across a battlefield once, which, I guess is sort of the superhero equivalent of aerial spooning. She said it was like cradling a slightly large baby.”

“He’s definitely not the largest Avenger,” Miles agrees.

“But no. Didn’t happen. And even if it had, it’s not like the two of them making out would mean we would have to make out through some weird superhero transitive property.”

“Uh,” he freezes.

“I mean, we could, if you’re bored or something.”

“Uh.” He is broken. She has broken Miles.

“I am messing with you. But it’s… actually not any fun when you’re this gullible, like punting an exceptionally vulnerable baby, like drop-kicking a baby Kal-El swaddled in a kryptonite diaper.”

“Thank God. My Spider-Sense was going insane.”

“You don’t call it your Miles Tingle?”

“No. Why?”

“Just what I heard.”

“I actually was trying to figure out how to broach that…”

“Troubling segue, but go on. Absolutely worst-case I slap you with phenomenal cosmic power.”

“In our itty bitty living space?” They share a conspiratorial smile, before Miles blurts this all out very fast. “Okay, so I am an anxious bundle of radioactive puberty. I have to carry my laptop in front of my lap between every other class because I wasn’t in control of my body before I was mutated and half of the reason I wear a mask is because I am constantly making horrified and stupid faces, even as I try to hide my nerves by telling jokes like Peter… Serafinowicz, the live-action Tick guy, I am a , uh, super big fan.”

“Okay, that was… that was a lot. I think it would be easier for us to make out than try to deal with all of that?”

“Really?”

“No. I was just stalling for time. But I will tell you something true: we are all in over our heads. All of us Young Avengers. We are trying to fill shoes that… aren’t fillable. I’m never going to be Carol. You’ll never be Peter… Serafinowicz. Riri will never be Tony Stark. But you can be Miles. And I can be me. And if all of us are the best ‘us’es we can be, hopefully that’ll be enough. And… if it’s not, at least we’ll get to face those who fell before us with our heads up high, and we’ll fail amongst friends.”

They pass by Yelena, who was listening, and it gives her pause.

“You’re not developing a case of feelings on me, are you Belova?” we hear from her earpiece; it’s Stane, watching her on hacked security cameras.

She holds her thumb up between her pointer and ring fingers in a fist (it’s called a Shish) at the camera and says, “Stuff your half-cock.” She tears the wiring out of the back of the camera, before noticing she is no longer alone. “I don’t like Big Brother.”

“I don’t like mine, either,” it’s Speed. “Just because he got the cooler name, and the cooler costume, and the more versatile power-set, doesn’t make him better. His hair might. I am jealous of his hair, just a little- not the color, just what he can do with it. I didn’t actually know you had an older brother; everybody knows about Black Widow, obviously, I can’t forget a woman in a catsuit. God bless whoever invented the catsuit-“ he’s gone and back in a flash, “Andre Courreges, apparently.”

“It’s expression,” Yelena says, somewhat annoyed by him. “From 1984. Orwell?”

“Never re-” he’s gone and back again, “read it, and bleak. But I totally get why you hate Big Brother. Seems like a knob. Speaking of… Riri tends not to take kindly to us destroying her cameras, our torrenting on her supercomputers or microwaving fish in the communal microwave. Or maybe it’s just me she’s got a problem.”

“It isn’t,” Riri says from the doorway. “I would have a problem with anyone doing those things. You just are the only person who does literally everything that pisses me off. It’s uncanny, and impressive. But Blonde Widow, if you want, I can have you black-listed from the cameras; they’ll turn off when they see you. But otherwise we need our security operating on all cylinders.”

“Then you need to secure your network,” Yelena says, squaring to Riri. This is a tense moment. Yelena’s new, so is Riri, both trying to live up to a legacy that would crush a lesser person; but Riri is better than Tony. She doesn’t see a rival- she sees an opportunity.

You are a spy,” she says, beaming. “Plenty of companies hire people like you to find the holes in their security. You should do that for us. I know we’re both… kind of the new girls, around here. I want to show the older Young Avengers I can pull my own weight. And… what better way than to show that we can work as a team just as well as they can?”

Yelena’s touched. Her entire story to this point has been searching for belonging, so having someone reach out to her, even in this small way… it’s a big moment. Yelena follows Riri back to her lab. Yelena’s kind of impressed; Riri has taken apart some really beefy weapons (like a Barrett .50 caliber sniper rifle), and Yelena makes an idle comment about wanting some armor of her own. Riri admits she’s been thinking along those lines- she never really understood why Tony didn’t build armor for everybody. Certainly a Hulk might not get much benefit, but imagine Hawkeye’s aim but with the draw-strength of an Iron Man suit. There’s the issue, maybe, of putting too many eggs in one basket- maybe if there’s a single technological vector that can be attacked the Avengers would be too vulnerable, but systems could be designed completely independently, if that’s the concern. She thinks Tony just liked being the only Iron Man- War Machine notwithstanding- that he needed to feel special. “I think I’m damaged in the other direction; I don’t know if I could handle knowing someone on my team got hurt, and I could have prevented it if not for my pride.”

“And you start with me?” This question is more dangerous than it appears at first blush; on the one hand, Yelena is pleased to be included, but on the other, Riri could be intimating she sees Yelena as a weak link.

But Riri is smarter than she is, smart enough to see the interpersonal pothole and step gracefully over it. “You asked,” she says with a smirk, that both says that she brought it up to begin with, and she’s not about to get pulled into drama like that. “So what can you tell me about spying?”

“Spying is the art of discovering what everyone is hiding.”

“And what are you hiding?” Riri asks.

“Lots of things. All of the things I did in service to the Red Room. Most of the things I did training to join the Red Room. Almost everything I did after leaving. How I feel about most of these… children around us; I feel like recruit to Mickey Mouse Club. Come along, sing a song, join the jamboree.”

“You’re not hiding that last one so well,” Riri says with a smile. “But I hear you. I thought some of the same things, when I first heard about them. I was special- a prodigy- as worthy a successor as Tony Stark was likely ever to find. Then I started pulling down footage of their fights, their work. There are no kid gloves, here; a terrorist or an alien dictator decide you’re not going to stop him, and he doesn’t stop and ask if you’re an old-looking fifteen or a young-looking twenty-something, he just tries to kill you. And yeah, sometimes I wonder if Speed and Teddy have two brain cells between them to rub together.”

“I thought it was Hulkling and Wiccan who rub together.”

“You’re messing with me, aren’t you?”

“I am,” she says, pleased with herself.

“But watch them in a fight. When the chips are down. When someone they care about is in danger, or just when they know they can make a difference. It can be a lot, I’m not going to lie- pimples, puberty and, er-”

“Premature ejaculation. Last Action Hero! Good line, great movie. Schwarzenegger can be really funny.”

“So why did you join the Young Avengers?”

“Nyet. Too harsh. Bonding? Good. Excellent. My guard comes down, I don’t think of you as coworker, or powersuit woman. I think ‘friend.’ But you must ease in, like, almost, seduction.”

“I’m serious, Yelena. I wasn’t certain I belonged here, at first, so I get that inclination. But I also got over it. And I get the sense that isn’t you. And I’m not asking because I’m assessing the level of threat you pose, I’m asking because I want to get to know you, Yelena, the person.”

Very nice execution. I am Russian, we do not trust easy, but you I want to trust.”

Riri touches her hand. “You don’t have to tell me now, or even ever. But if you ever want to, Yelena, I want to be a friend.” She lets her go, and we see a pensive Yelena, and we see her make the choice to open up.

“I felt I owed it to my sister. We had so little time, but I knew she wanted me to find something of my own, a family, like she found.”

“I thought the two of you reconnected with your… adoptive folks.”

“Eh. I love Alexei as far as you love something so stupid. And I love Melina as much as you can love someone so manipulative; I want family with no asterisk-”

“Or without feeling like having one is exposing your ass to risk? None of our families are perfect, but it’s hard to beat the family you forge yourself. Not based on proximity, or genetic happenstance, but who wants to be with you, who cares about you, and who sticks through.”

“I think that’s what Natasha wanted. Hawkguy told me she died to save me. She wanted to be there for me, but when she couldn’t… I think this is where she would want me to be, so I’m trying to be here.”

At a pizzeria down the street, Hawkeye walks through a crowd balancing three slices of pizza. She gives one to Eli, one to Lucky, and then sits down with the third herself. “I’m jealous,” he says.

“Of my jalapeno-pepperoni-olive? You should be, it’s really good.”

“No. You got to work with Clint. I’d… I’d give about anything for a chance to suit up with granddad. I still can’t tell him this is what I do… he’d… absolutely crap adamantium bullets- and I don’t just mean the ones Winter Soldier shot into him in the eighties.”

“It was…” I’d probably sizzle-reel from the show, but Kate recognizes the moment, and tones down her own excitement, “okay. Was that why you wanted to get pizza?”

Eli’s caught flat-footed. “I definitely didn’t do it because I want to spend time with you as a person.”

“Okay,” she says, putting together what’s happening, “so I’m definitely unhappy to be spending time with you as a person, too. And if you want you can even have a bite of my slice. The pizza, not- I’m just going to suggest we never talk again, do whatever we can never to be in the same room. Maybe I should go be a West Coast Avenger, and you can handle this coast.”

“Part of what I like about spending time with you is your uncanny ability to say the wrong thing in every situation, but always in a way that leaves me feeling good.”

“I’m relieved I make you feel good- okay, I’m just, I’m not talking anymore.”

We cut to a rooftop, where Spider-Man and Ms. Marvel land gracefully. “Nobody around here likes to patrol,” she says. “Apparently they expect Kang to just ring the doorbell. I mean, technically he did, last time, but still.”

“Patrolling is probably the only thing about this that I like,” Miles says. “I mean, some of that is that literally everything else there’s a good chance there’s a psychopath who wants to murder me, likely because of something Peter, um, a lot of people really take loving or hating Peter Serafinowicz very seriously. I once had to kick Morbious through an Apple store over an argument about Shaun of the Dead.”

“You know I know his actual name, right? I mean, you absolutely need to tamp it down. But your Serafinowicz dodge isn’t fooling anyone. And I even really dig the guy. He was the fun kind of odd in Running Wilde.”

“I’m going to, uh, hang upside-down for a little. It’s a Spider-Man thing. It’s not a shame-hang.”

She leans down to talk to him. “Buddy?”

“I told you, it’s not a shame hang.”

“Good. Because like I said earlier, all any of us can be is the best us possible. You’re a wide-eyed little goof who has trouble keeping his mouth shut; you’re going to have a lot of fun with Speed, when he’s not being a tempestuous jerk. And I’m sure Peter Serafinowicz, wherever he is right now, is proud of the Spider-Man you are right now, and even more proud of the Spider-Man you’re going to grow into.”

“You, uh, you want to do an upside-down Spider-Man kiss?”

“It’s definitely on my bucket list. But watching Teddy and Billy, I know what I don’t want. I don’t want to ever worry that my personal life could wreck being a part of this team. They fit together like they were designed to, like I could never even imagine one without the other. So yeah, at some point, I want to have an upside-down kiss- not necessarily with a Spider-Man- but only with someone who really means it, and isn’t just a roiling ball of hormonal angst.”

“I’m not sure I’m ever going to not be that.”

“Then you and Speed are going to be very fast friends.”

“I see what you did.”

“In the meantime, might I suggest a cold shower for your mouth.”

“I… am confused.”

“Ice cream. I meant us getting ice cream, and bringing it back to share with everyone.”

“Okay, that makes sense.”

“Wishing you had your laptop right now?”

“Only all the time.”

We cut back to Teddy, Billy and Speed, watching TV and snacking. “I think Kate likes me,” Speed says, zipping from one side of the room to the other as he eats from several different plates of food.

“I thought you were into Yelena,” Teddy says.

“I think they both like me.”

“What’s not to like?” Billy asks. “You’re arrogant.”

“You ate all the bugels,” Teddy complains.

“There’s always more bugels,” Speed says, returning with a full bowl.

“Withdrawn. And that is pretty cool.”

“I teleported you to Tibet to watch your favorite band play,” Billy complains.

“That was also cool. And I’m also not interested in getting in the middle of this outpouring of brotherly love.”

Speed sits down. “It’s not my fault all of you move at the speed of frozen molasses. By the time a girl even shows interest it’s like a romance shoe-horned into the end of the Lord of the Rings- the extra extra long version. I don’t care if you killed the Lich King on a technicality, we’ve barely said ten words together over the course of years.”

“Yeah, you really need to get out more,” Billy says.

“Slash stop hitting on our coworkers,” Teddy adds.

“Or, at least, you know, learn subtlety.”

“Oh, God, you want me to go slower,” Speed whines.

“No, we want you to stop treating girls like a slot machine, putting in a quarter, and pulling the arm and moving on if it doesn’t pay out immediately.”

“I need to get nachos.” Speed leaves the room.

“Too harsh?” Billy asks. Teddy holds up his fingers to say a bit.

Speed enters the kitchen, nearly running into Stature. “Oh, sorry, didn’t see you there,” he says.

“Yeah, I get that a lot. Usually when I’m half an inch tall…. but whatever.”

“No… I know what that’s like, feeling overlooked.”

“Yeah?”

“I know I can be… a lot. When I was younger, I’d find diaries or whatever of people around me and read them… because I wasn’t mature enough to understand the violation that was. It means I don’t have a lot of… illusions about how people see me, what it’s like to be around me. Sort of wish I did, but honestly even still I’d probably have come to the same kinds of conclusions, just less… conclusively. All of this is a circuitous way of me saying I’m sorry I made you feel small… and if we could, I’d really like to start over with you. Try to be a friend, first, and a teammate second, and someone who has potential for more only if and when you want to consider that.”

“I think I’d like that. But there’s one problem…” Stature starts to grow. Tommy’s eyes grow wide, and maybe for an instant in her shadow we see her becoming something with a different shape than Stature, before cutting away.

We cut back to the TV room, where Teddy and Billy are cuddling. They hear a crash from the kitchen. Teddy starts to get up, but Billy waves him off. “Let him take some of his frustrations out on our cookware.”

Kate and Eli arrives back home. Eli says, “I’m going to wash the sweat and pizza grease off.”

She frowns, and he sprints away for a shower. Kate rounds the corner into the kitchen, where a ticked looking Yelena is staring daggers at her. “I don’t like you,” she says.

“That’s not true. We had that whole awkward macaroni conversation.”

“I mean I am angry with you.”

“Oh. I get that. A lot.”

“Why you take Eli?”

“He took me out for pizza…”

“You know what I mean.”

“I’m not sure I do.”

“Do you even like him? God, this is so high school…”

“I don’t know, but I do know that’s not your business.”

“Then maybe I should make it my business. What is it? The gauntlet is thrown.”

“No,” Kate says. “There’s no gauntlet. Eli asked me out. You want to ask him out, it’s a free country.” As Kate’s about to leave the kitchen Yelena grabs her wrist, and we realize it’s about to get heated as we cut away.

Teddy’s phone goes off. Then Billy’s. It’s the alarm app that Riri built for them. Teddy growns. “Uggh. Hasn’t anyone told crime it’s not allowed to happen when I’m bloated from too many nachos?”

“Apparently crime didn’t leave a forwarding address. And you can shapeshift around your bloat.”

Teddy does, but still looks pained. “Sure, but I still feel bloated. And logy.” They look for everyone else, but can’t seem to find anyone. “Do you think this is revenge, because we’ve been on the couch all day?”

“Whatever it is, we can’t just not respond just because everyone else went out for pizza.” Lucky pads into the room, hopeful. “Nope. Sorry, girl; I’ll have to owe you.” The dog hangs her head, disappointed.

We pan through the floor, into Riri’s lab. Her helmet starts to make noise, and she silences it, as Yelena slides back into the lab. Yelena’s ticked off. “Everything okay?” Riri asks, barely looking up from her soldering.

Yelena lets out a frustrated sigh. “Feeling like I don’t belong,” she says.

“Oh?” Riri says, setting her tools down. “What happened?”

“It’s too high school…” she covers her face and sighs, before saying, “Hawkgirl went for pizza with Captain Junior.”

“There’s only one Hawkeye on the team, you can probably just call her that, and… you’ve got a thing for Eli?”

“Why not? I like the way he fits in suit.”

“Fills out.” Riri is starting to get suspicious; Yelena’s English is idiosyncratic, not outright bad, and she’s right, this is too highschool. “I’m not sure I get the appeal. Don’t get me wrong, he’s cute, but ‘Patriot.’ The name’s been problematic since at least they named a missile that. I could see Speed keeping up; right now he’s a puppy who hasn’t been house trained, but…”

“I don’t want to talk about your love life- I don’t even want to talk about mine.” Yelena uses her frustration as an excuse to close the distance.

Riri holds up a gauntleted had. “Stop it right there,” her gauntlet hums and glows. “I don’t know who the hell you are, but you aren’t Yelena. And you take one more step towards me-”

“Clever human,” the Super Skrull says, closing on her. She fires, and the Skrull shifts his chest into orange rock to absorb the shot. Riri manages to get her mask up, but he’s stretched his hand inside of her suit, covering her airways, essentially drowning her in his skin as we cut away.

Spider-Man and Ms. Marvel return, bearing ice cream. But there is no one there to eat the ice cream.

We cut away, where Billy and Teddy have responded to a call for help. There isn’t anyone there, so they’re discussing maybe making a date of it. Billy realizes they aren’t alone, and attacks a piece of furniture that turns back into a Skrull. “How did you-”

“With my mom, you kind of get used to staying vigilant about things that might not actually be there.”

“Roger.”

Yelena shows up at the mansion. She’s weirded out because everyone else besides Miles and Kamala are gone. “Not, like, walked out for a bite. But… just not here. I checked Riri’s recordings. Only Bill and Ted left like normal people.” They are bemused that she mentioned them as Bill and Ted, when in walks another Yelena. This one plays coy, says that the other Widow must be the imposter. It’s a humorous scene, because they know almost literally nothing about her, while both of them know a lot about Miles and Kamala. Eventually, Yelena speaks Russian, and the fake her tries, but her accent comes out pretty Boris and Natasha, and Kamala points out, “She’s speaking Klingon.” Miles had already gotten behind her, and zaps her, and the Super Skrull reveals himself and attacks. Big superhero kitchen fight.

They’re able to hold him off long enough for the others in Riri’s lab to wake up and escape, turning the tide. Super Skrull flees, leading them to Teddy and Wiccan, who are barely holding their own against a couple of seemingly normal Skrulls. They aren’t. They were just pretending.

Just to give it a little flavor, there’s Super Skrola Classic, who has Fantastic Four powers, an Avengers Super Skrull (this guy will likely be the biggest bruiser, with a Hulk Hand, a Thor Hand with his own Mjolnir, an Iron Man Unibeam in his chest, and just to make him extra nuts, he has two more sets of limbs, so he can wield a bow, Cap’s shield and a Widow bite) and an X-Men Super Skrull (to give the kids a fighting chance it’s the original five X-Men in their relatively underpowered days).

The kids take the Skrulls apart, and that’s when Super Skrull finally divulges the truth: Teddy is the son of Captain Marvel (the Kree Warrior) and a Skrull Prince. He originally brought Teddy there to be safe during the war between the Kree and Skrull, but his father sent him to fetch him, in the hopes that a Kree/Skrull royal would be able to help craft a peace where others could not. Kamala asks Hulkling if that makes them cousins or something, since he’s the son of the original Captain Marvel and she’s the sort of adoptive daughter, “Slash stalker” Speed adds unhelpfully of the second one.

Yelena says, “I believe we are found family.”

“That’s crazy,” we’re interrupted by Wiccan reacting to Hulkling. But Hulkling pulls him in close and intimate.

“Dude, I can’t just sit around eating bon bons while an intergalactic war I might plausibly be able to stop is going on.”

“I know. You’d get bloated, and you’d hate it.”

“You know what I mean. People are dying.”

“I’d die without you.”

“Then I guess you’ll have to come with me.”

We end on a gay kiss, as music swells, before we cut to black.

Beginning Credits Music. At first we can’t quite recognize it, because it’s kind of a distorted synthesizer version (perhaps playing with the start of the Baroque Hoedown). Riri leads the team inside, in a red and gold band leader uniform, and puts a blue sailor’s cap on Yelena. I’m otherwise not sure what’s funnier, but I think getting versions of classic Disney character costumes with open mouths for the actors’ faces to be visible through would be the best route.

Viv
Pluto
Patriot
Pete
Hawkeye
Daisy Duck
Wiccan
Timothy
Speed
3 Nephews/3 Pigs
Hulkling
Dumbo (Shapeshifting)
Ms. Marvel
Minnie Mouse
Riri
Mickey Mouse
Spider-Man (Miles)
Goofy
Stature
Jiminy Cricket

Riri leads them in a choreographed rendition of the Mickey Mouse Club theme. In the places where Donald insists that the song be about him, Yelena yells, “Donald Duck!” enthusiastically. Note, that while Hulkling shape-shifts into Dumbo, he shape-shifts himself into a Dumbo suit similar to the ones everyone else is wearing.

“I’m in Hell.” Yelena says during a pause in the singing. It might be going too far to have Yelena try to pull her sidearm and pull the trigger, only for Speed to replace it with a water pistol, so she sprays herself in the face instead and say, “Hell is surprisingly moist.” But I’m leaving it in here, because I can, and at least right now it’s amusing me.

Mid-Credits Scene: Stane is on the phone with Yelena. A black widow spider crawls into his palm. “Don’t get me wrong, it’s adorable that you’re catsuit-spy with a heart of golding this. But pulling your chute is not an option. I don’t care how much these brats are starting to fill the role of surrogate family for you. I paid you an ungodly amount of money. Widows aren’t cheap- but they will be, if screw this up. Your business, and more importantly, your sisters’ livelihood, is only as good as your reputation, and right now I’m holding it in the palm of my hand. So you complete the job, or I squeeze.” He closes his hand around the spider and makes a fist, before hanging up. Yelena, angry, perhaps even scared, stares hatefully forward.

We cut back to Stane’s hand. “You sure that’s wise?” a processed voice says. “You’re threatening a very dangerous creature.” We pull back, and can see that it’s Prowler, speaking to him. I’m not going to spoil much, but my thought was that it’s actually Miles’ cousin in the armor- that it belongs to his uncle, but in the next story we’re going to use his cousin, instead, in the Prowler armor.

“I’m not scared of some Russian spy.”

“I meant the spider. I don’t like spiders.”

“Black widows get a bad wrap. They can kill a child, or a sick adult, but to everyone else, they just cause pain. Pain I can handle.” He wipes the smeared spider on his clothes, and we see two puncture wounds in his palm before we cut away.

Pitchmas 2021, Part 5: Spider-Man and the Future Foundation

The Deal: I pitch movies set in the Marvel or DC cinematic universes. Also other things. This starts as a sequel-ish to Fantastic Four as I described it. If you don’t want to read that pitch, the gist is Doom has sullied their names, and they’re time-displaced from the 60s, broke and largely without any tech to their names- so they’re in a remarkably similar position to Spider-Man at the end of No Way Home. This is also being bumped up a few weeks, because of some timely casting thoughts (you’ll know them when you see them… unless you’re reading it even a few days later, then it may not be timely at all… insert your own Marvel pun here).

We start with Reed and Sue in bed. No, not like that. They’re sleeping. Reed mumbles a name in his sleep, then sits bolt upright. Sue asks him what’s wrong. “What’s a Peter Parker?” he asks.

Sue yawns. “I don’t know. Did he pick a peck of pickled peppers?”

Reed is using some kind of 3D hologram computer thing to search online. “I think that was Piper. Nothing on the internet- I mean, nothing useful– there are dozens of Peter Parkers in this borough, but… it’s a tickle in my brain. I can’t even describe it, let alone explain. But that name. It’s important, somehow.” He gets up, and is already on his way out of the room. “I’ll be in the lab, honey.”

“I guess I’ll just try to go back to sleep then…” she drops frustrated back onto the bed. She closes her eyes and sighs wearily. “No, I’ll make coffee.”

We cut to a little later. She enters his lab, with two cups, now dressed. “Oh, thank you, darling,” Reed says, stretching across the room to take his. “So I have fascinating news. One, magic really is just technology we didn’t previously understand, though I’m in the process of inventing a new branch of mathematics to be able to- but more importantly, someone used it to make us all forget ‘Peter Parker.’”

“Who?” she asks, because the spell has already made her forget him all over again.

“Right. I’ve been able to change the shapes of the impacted neurons in my own mind to circumvent the spell, but I also invented an innoculation,” he’s already stretched an arm with an injector, and shoots the serum into her arm, startling her.

“Reed, we’ve talked about this. It’s not okay for you to inject people with new inventions without consent- informed consent.”

“Sorry. I get caught up in my train of thought and completely forget. The spell made all of us forget Peter Parker.”

“You mean Spider-Man.”

“Precisely. But the reason this has been on my mind, is that the morning of the spell, I received this email.” He pulls it up as a hologram. “Purported to be from Tony Stark, but clearly arrived after his death. It’s supposed to be automated, triggered by Jonah Jameson outing Parker to outrage and vitriol, apparently asking me, as the currently most intelligent adult available, to take Parker under my wing. My to-do list kept trying to ping this information; I don’t know if it was a flaw in the spell, my coding, or just the spell not being calibrated to handle a brain made of chewing gum, but his name kept creeping into my dreams.”

“Should I be worried you’re dreaming about underaged boys?”

“He’s an adult. College-aged. And just the name. My dreams are typically equational, not prurient; I’m not Johnny.”

We cut to Johnny, and show bouncy bed springs from below, and his face, bouncing, sweaty, from enough of an angle for a moment we worry what we’re about to see. Then we pull back, and see he’s jumping up and down on the top bunk of a bunk bed.

“Come on, I’m bored.”

“It’s night,” Ben grumbles, “you’re supposed to be sleeping.”

He drops onto his butt, bounces to the floor. “I’d say you’re supposed to be grumping, but you’re holding up your end on that.”

Ben sighs. “Matchstick, I got a complexion you could only fix with an angle grinder, and most of the rocks on my face are still cracked from our last fight. Stretch still don’t know if they’ll ever properly ‘heal,’ and somehow I’m still sore. I need my beauty rest.”

“Why, are you worried about getting uglier?” We see he’s actually hurt by this, and Johnny flops down beside him. “Oh, come on, Ben! I always teased you about your mug.”

“Yeah, but it used to be subjective. Now… well, look, it’s a face only the blind could appreciate, even then, only from afar.”

“Okay, it’s just sad when you rag on yourself. So let’s go. Let’s do something. Anything has got to be better than moping around here. We could mini golf.”

“No, we can’t. Last time we tried, I snapped the club like a toothpick.”

“Right. Motion control games.”

“They suck.”

“They suck a lot less than having to replace controllers every time you try to hit ‘X.’” Ben sighs, resigned. “Or, I could make us some BLTs.”

“Now you’re speaking my language.” Okay, it’s at this point that I’m actually forming an interesting casting thought. We raid the Community closet for this movie. Jeff Winger as a brainy but dickish Reed (or Abed, and lean into Reed on the Spectrum, and use Jeff for the antagonist, instead). Donald Glover as Johnny. Either Annie or Britta could work for Sue (their takes would of course be different, I’m not suggesting they’re interchangeable). And Chang for the Thing. He’s already played a Jewish Asian in Community. It… works better than it has any real right to, frankly.

“Sorry to interrupt, but I actually have something for us,” Reed says from the doorway.

Now, for this sequence, I’d probably do a Sinister 5 kind of thing; Spider-Man’s bench continues to be impressive enough that I think that could work. I’d stay away from characters we’re using in Sinister 7, which does limit us somewhat.

Spider-Man is fighting a team led by Kraven featuring Lady Octopus, Rhino, Electro & Sandman. At first he’s quipping, doing okay… but they’re wearing him down, just too many villains, especially now that Kraven has pegged that all they have to do to make him act recklessly is threaten civilians. Lady Octopus knocks Spider-Man back with her metal arm, and Kraven catches him, ready with a ceremonial dagger. He plunges it down, but it hits an invisible forcefield.

The Fantastic Four arrive, and make short work of the villains, who expected a 5-on-1, not a fair fight, and Spider-Man rallies. As part of the fight, Sue ends up in the water, and uses an invisible forcefield to make an air bubble around her.

After the fight, Spider-Man is apologetic. “I’m so sorry,” he says, as they watch from a rooftop while the cops cart the bad guys away. “I wanted to handle it myself. I should have called the Avengers- would have…”

“But they don’t remember you,” Reed says. “Well we do, Peter.”

“Uh…”

“Magic is just science we don’t understand. Well… I’m working to understand it. So we know who you are. And just as importantly, we want to help. You’re practically a kid. You shouldn’t be taking this kind of weight onto your shoulders. Not alone. We don’t have a lot. But what we have is yours.”

“Reed, did you… read?” Sue asks. “Like the whole email? Because what we have just got a lot more substantial. Tony Stark didn’t just ask you to look after Peter. He gave you a grant of millions of dollars to do it.”

“We should probably talk to someone about that.”

We smash cut to a legal office (you’ll see what I did there in a second). My preference is always for She-Hulk, because I like the character more, but Matt Murdock is all but certainly cheaper. She explains, “The money is coming out of a fund Starkset up for philanthropic enterprises, nominally overseen by Pepper Potts. Her administration has been largely hands-off, because Stark set up automatic triggers using his Friday A.I. to watch out for certain circumstances. Like this one. The money is yours if you agree to watch out for a Peter Parker’s well-being. There isn’t a lot of detail as to what that entails.”

“I have some thoughts,” Reed says. “But one thing I did want to check in on… does it say the funds can only be used to see to the well-being of Parker… or can they be used more expansively.”

“As I read it, you have a wide degree of latitude. It’s always possible Ms. Potts or the foundation could ask how the funds are being used, or even seek an injunction if they feel they aren’t being used wisely, but even in that scenario, I’m not certain there’s even the possibility of a clawback, since there doesn’t seem to be an enumerated mechanism.”

Now, this idea basically builds off the one that I mentioned in the Iron Man 4 pitch; I’m going to both assume, for our purposes, that happened, but also like it was a blip, and didn’t create any kind of permanent infrastructure, that this is basically an attempt to codify that and make it lasting.

We do a quick build-up montage, as Fury’s dingy hideout is turned into a state of the art laboratory. Peter enters. “This is amazing.”

“I’ve always been partial to fantastic,” Reed says, “but it’s all thanks to you.”

“All I did was get found by Mr. Stark.”

“You impressed Tony- and not many did. Tony wanted to provide for your future. I’m… trying to build on that idea. And before anyone else arrived, I wanted to thank you. Plenty of people in your situation would want to, what’s the phrase, take the money and run?”

“I’ve learned the hard way that it shouldn’t be about me. The world is bigger and better than just me. And I’m excited to meet it.” Here’s where it gets fun.

Amadeus Cho (Note: this comes after Incredible Hercules), Riri Williams, Moongirl, Prodigy and any other child geniuses/prodigies we can think of enter the room. “Welcome to the Future Foundation,” Reed says. “The minds in this room are some of the greatest of your generation. You will build a future that will make men like Tony Stark, Hank Pym and myself pale in comparison. You have the opportunity to build something beautiful and utopian, solutions to problems that don’t devolve into punching. Spider-Man here is our example; what he did to help people some would have written off as villains speaks well to his character, and well of those who raised him.”

“I’m just… Peter. That’s already enough pressure. I guess, I’ve seen enough people who just wanted to provide for their family, or right an injustice, who ended up on the wrong side of things… I don’t like people getting hurt, when what they really need is help.”

We pull back, and see that Sue is feeling left out already. We hear Johnny before we see him, “I can’t believe you’re jealous of his test-tube babies.”

“I used to be his test-tube baby,” Sue says sadly.

“Gross.”

“What are you doing here?”

“I was worried my sister might be sitting sullenly in a lab somewhere being gross.”

“You are such a dork.”

“Did you know dork means whale dong? The internet is awesome.”

“Don’t believe everything you read on wikipedia.”

“That sounds like what you’d name an encyclopedia of micropenises.”

“Then you’d be all over it,” Ben says as he enters.

“Hot foot,” Johnny says, setting Ben’s foot on fire. Ben hops on one foot as he smothers it with his hands.

“Real mature.”

Sue sighs. “This was weeks in the making,” she says. “When it started, we were partners. But every day, he’s gotten a little more distant. This is such a great thing we were doing… and now it’s a great thing he’s doing, while I watch from the sidelines.”

“So,” Ben says, “why don’t you get off the sidelines?”

We follow her into the room. “Ah, Susan,” Reed starts. “You all know Susan. Most of you spoke to her on the phone. I would posit myself as the brain of this operation, but the heart, the soul, the hands- the rest, really- is her. I have been known to disappear into my puzzles and problems, but if you ever need something, she’s the person who can help. I hope I’m not signing you up for more than you want, dear.”

She smiles, awkwardly. This story is, in part, about Sue feeling unseen and neglected, and I absolutely want to display the emotional truth of that… but it’s also a balancing act, because it won’t have the depth, either, if we don’t show the moments of true and genuine affection between them, too.

Later, Sue is sitting with the geniuses. “So,” Amadeus leans forward, “what are you hoping to accomplish, here?” She’s confused. “I guess I assumed we’re like a think tank, right? So we’re here to solve a particular problem.”

“Yes, and no,” Sue responds. “You’re here to solve the future. Reed, if he hadn’t been ripped out of our own place in space-time, likely would have single-handedly advanced human technology twenty years. But he sees the same possibility in all of those here. You have all, already, single-handedly created math and technology that could change the world- should change the world. Ms. Walters has already put us in touch with a good patent attorney. What we’d like to do is, with your individual permission, of course, file those patents under your names, but place royalties accrued into a general fund that can be used to continue the Future Foundation indefinitely. No funds or fees will go to any of the adults here. But if you’d prefer, we can set aside all or some of those funds for your family or your personal use, as well. You’ll be provided an opportunity to speak to Ms. Walters or Mr. Murdock individually- while we will be compensating them for their time from Tony Stark’s grant, in these matters they are your representatives- to help you understand whatever elections you make, and of course any selections will require, for those of you under 18, parental signature, as well.”

“What about rent? Or food?” Peter asks.

“The stipend we have from the Stark foundation should be enough to pay room and board and cover the cost of this facility for this inaugural class. After that, it all depends on contributions, and how quickly Reed’s patents and any others become profitable.”

At first Sue does get to be involved, but what she complained about continues to happen. Quickly, what looks like the A story, about the Foundation, is going to become the B, as Sue spends time at the harbor, trying to deal with her melancholy and loneliness.

It comes to a head when Sue, on one of her sabbaticals, misses a mission with the other 4. Spider-Man subs in, and she arrives home to see their triumphant return. She watches, invisible, as they celebrate, as she feels more and more like a fifth wheel as they celebrate one another.

She leaves, but on this walk, she’s approached by a strange man. He’s handsome, and offers to walk with her. As they hit the waterfront, he invites her to his place out on the water. He takes her to the dock, and she asks where his boat is. He says where they’re going, they don’t need boats, and jumps in the water. His clothes go floating up behind him, and she says “You’re insane if you thinks I’m skinny-dipping with a man I just met… “she drops off as he climbs out of the water, his moist skin glistening in the moonlight. “Okay, that might be the single greatest possible argument for skinny-dipping with a man in the moonlight I’ve only just met…” He assures her she doesn’t need to remove her clothes, but she will need to her own supply of air, which he’s seen her create before. “You were there,” she says, putting together that he saw their fight with the Frightful Five.

“I was. And I was instantly enchanted, so much so that I barely remembered to intervene. But please. Come with me. We both know I could scarcely touch you if you didn’t allow it, and I would lay my life down at your feet before I allowed harm to come to you- even from myself.”

She pulls away from him. “But why? Why me? Why like this? Why not just call it a night, and get coffee tomorrow?”

“Because I know you’d go back to him, and that would break my heart. Not for myself, but because you deserve a man who adores you like I do. You deserve to be treasured, and cherished. And he doesn’t. He won’t. I doubt that he can. Even if it’s just to spend a night away, even if you never allow me the touch of your skin, I plead that you not return, just this one night. After that, if you still want to go back, I won’t seek to stop you, and you won’t have to wonder if you’re stuck, staying with him in a rut because he’s convenient and there.”

Sue texts Reed to tell him not to wait up, that she got a room near the pier, and a glass of wine and just needs an evening away. His phone buzzes on the laboratory table; he doesn’t notice it.

I think it’s Amadeus who brings it up to the kid geniuses. “So, this is weird, right… but my equations are incredibly predictive. I knew Reed Richards was going to start the Future Foundation likely before he did, and guessed his initial line-up with 93% certainty. It’s not a brag it’s just… behavioral modeling. And… my modeling predicts something bad is going to happen?”

“Should I start polishing my helmet?” Riri asks.

“Uh…” he really wants to make the dirty joke on the tip of his tongue, but Moongirl is super young and he’s hoping he can stall long enough for the temptation to pass.

“It gets dents and scuffs I have to polish out- never mind. Is it a helmet kind of problem, is the salient question?”

“I’m not sure. Sue’s unhappy. Reed’s been spending more of his time with us, and she’s feeling left out, and unfulfilled. Missing out on an emergency situation just, it makes that worse.”

“You can really predict what’s going to happen?” Peter asks.

“Not what. That. I can predict that something will happen. Sue’s not coming back tonight. Maybe she meets somebody. Maybe she gets mugged in the park. Bad things happen tonight.”

“Helpful,” Moongirl says.

“Actually… knowing that something will happen is half the battle,” Riri says, wearing her helmet. She holds out her gauntlet, and projects some camera footage of Sue going into the water with a stranger. “From there it’s just a matter of tracking her phone to the docks, and pulling up a camera when her phone stopped moving.”

“Um… is anyone else worried she’s not coming up for air?” Peter asks.

“With him? I’m not sure I can blame her not wanting to come up for air,” Riri says. “What? Like I haven’t seen the way either of you look at Sue.”

“Fair enough,” Amadeus shrugs. “But then the question becomes… what do we do with it?”

“We shouldn’t tell Reed,” Peter says. “If it’s nothing, if it’s innocent, then we’re inserting ourselves in their relationship in a way that isn’t healthy for them or us.”

“And if it’s not?” Riri asks.

“Then it’s probably better it come from family.”

Ben and Johnny investigate, Ben in his hat and trenchcoat. It’s a relatively quick scene, since the video mostly tells the tale. But they find some lockers nearby, with her phone inside, and her keys and wallet. There’s no sign of a struggle. They reason one of two things have happened, that either she went willingly, or there’s some kind of coercion. And they can’t verify which without Reed.

Spider-Man is with them when they tell Reed, who is largely nonchalant. His posture is mostly, “I don’t want Susan to feel obligated, not to me, not to us, not to the Foundation.”

“Sure,” Johnny says, “and I get that. But what if she was threatened. There are any number of ways she could have been coerced. If she’s okay, we can leave her alone. The bigger issue is going after her.”

“Best we could come up with was having you stretch into a diving bell,” Ben says.

“Depending on how far down, I don’t know that I could hold a bell shape indefinitely. We might be better off figuring something else out.”

“I… might have a solution.” Peter is… weird about bringing it up. “But none of you can ever say anything. To anyone. Ever. Not even to me.” Quieter. “Especially not to me.”

They go to Stark Tower. There’s a secret elevator that goes down. “Did Tony have Iron Man diving suits?” Reed asks, his curiosity clearly peaked.

“It’s just better if you see it for yourselves.” Peter shows them an undersea bachelor pad. It is just as Love Motel as you might initially assume. Johnny is enamored. “One time, when Mr. Stark had a martini, he told me about this place. Before he and Ms. Potts started dating, he’d bring women down here to, seal the deal. Apparently bringing women underwater, or taking them for a ride on his private submarine, was sometimes what it took.”

“What I think the kid is saying is this whole place is six degrees from Tony’s undercarriage,” Ben says.

“Likely less,” Reed remarks.

We go back to Sue. Namor’s underwater palace is phenomenal, beautiful, but also exotic. And he really is into her, in all of the ways that Reed just hasn’t been able to be. So she’s legitimately torn. Namor seems like he really values her, and Reed… doesn’t need her. He’s found his calling, his people, his place. I think that is what makes this arc work- it feels like a tragic ending to their love affair…

And then she finds out that Namor, while absolutely adoring her, is going to completely screw up the world. He was there to begin with doing reconnaissance for his entrance to the United Nations. He was going to demand they recognize Atlantis as a nation, and then the ceding of all bodies of water connected to the oceans to him- that humanity had proven themselves bad stewards, and he was going to take over where they had proven incapable. That would mean no more territorial waters for countries, that instead the beaches would become shared territorial property. He is fanatical in his description; refusing to hear that no country would yield to his demand, let alone all of them, that what he’s demanding would at best make him a rogue state, but likely a global ecoterrorist.

She argues for another solution, that his problem is exactly the kind of thing she and Reed built the Future Foundation to solve- that they can solve pollution and garbage and make the oceans clean and habitable again. But he doesn’t trust humans. Even if Reed manages a solution, humans can’t even get ahead of climate change, even as disasters ramp up and kill increasingly more of the population. That is why they aren’t right for one another- Sue’s is ultimately a hopeful view of the future, and Namor’s isn’t (and maybe can’t be, because he’s responsible for so many sea lives that hang in the balance).

It’s then that Reed arrives, having heard enough of Namor’s rant to know the score. Namor’s sad, and when Sue looks like she wants to go, says, “I won’t stop you.”

But she turns, and squares to him. “I’m afraid I have to stop you.” They have a big old fight, culminating in the destruction of Namor’s palace. He’s essentially too strong for them, especially in the open sea, but Sue makes sure that he knows he’d have to destroy her to get to them- that he relents, and departs.

I’m in a weird mood today (or maybe I’m just incensed by the misogynist fury pointed undeservedly at the actress), so I’m going to suggest Amber Heard as Sue Storm. And I’d wave just so much money at Jason Momoa to be Namor, because it would be hilarious (and because he has, thus far, actually been a stand-up dude and supportive of Heard). Come on, think about it. Ridiculous, trolling casting. Otherwise, any dude who can rock a tiny pair of green trunks will do.

Back in the lab, Reed confronts Susan about her betrayal; Reed, for all his aloofness, is genuinely hurt to find that Sue went with Namor willingly. “I don’t understand, Susan. I know I can be an imperfect partner, immensely flawed, even. But even in your disappointment, I don’t see how you could choose to treat me this way.”

“I didn’t think you’d notice I’d gone,” she says, then quieter, “I didn’t think you’d care.”

The pain in her voice absolutely melts him. “Susan…” his voice catches. “That’s my fault. I get so caught up, in trying to fix things, things that are my fault, things that happened because I wasn’t where I should have been, or who… and I neglect the most important people in the world to me. I don’t want to pursue invention for invention’s sake, or to make a better world in the abstract. I want to make a better world for you, for us, for our family, for our children… but I recognize that a single-minded pursuit of that cannot come at the expense of our relationship, cannot come at the cost of me neglecting you, neglecting to tell you that, Susan… I would be lost without you. And I don’t mean in the sense that you compensate for my faults, and make me a better man that I otherwise would be- though you do. I mean that without you I am far from fantastic; I’m not even a man, clanging tools together in a cave. I can imagine a life without limbs, without my intellect, but a life without you? Blackness. Bleakness. Empty. And it should not take a fishman in a tight bathing suit to prompt me to tell you that you are my world, and I am truly sorry for that.”

“That fishman did fill out his bathing suit,” she teases. “But I’m sorry, too. This is not how you should find out I’m unhappy, or feeling alone. You might not always be the partner I want… but I still have a responsibility to be the partner you deserve, too. And, nicely though he filled out his bathing suit, Namor is not the kind of man I could ever fall in love with, because he lacks the quality I need most in my life: hope. Hope that the future can be better than today, and that we can get there, together, if we work hard enough to build it. Which means I’m stuck with you.” He wraps an arm around her.

We pull back, and can see that the future geniuses have been watching. To make it cute, silly, and marketable, they’re watching through a Spider-Bot (as seen at a Disney Theme Park near you). “We did a good thing, guys,” Riri says.

“And ladies,” Moongirl adds.

The girls leave, and we linger with Peter and Amadeus. “Want to talk about it?”

“I don’t know if I’m ready,” Peter hedges.

“Well, if you ever need-

We go to high-speed nervous rambling Peter, “So I think I had what they have but then she forgot because of a magical spell and I thought at the time it was best to leave her alone so she didn’t have to worry about being attacked for knowing me but seeing them work through things makes me miss her and wish, well, wonder, if maybe I made a mistake, if it should have been a love conquers all moment instead of me sacrificing my happiness to protect her, and now I’m sort of seeing this other person who’s really neat and sweet and I feel like my heart and my head are clacking like those weird little silver ball desk things constantly.”

“You understand I’m the only person in the world who could keep up with that, right? I am… not well-versed in women and adjacent issues. But what I can say is this: what happened in there happened in part because you are one of the most emotionally intelligent people I’ve ever met. I think if you listen to the Peter in here,” he points at Peter’s chest, “that you’ll know what you want, and what’s right, and how to navigate the differences between those two things.”

“Could your equations tell me what to do?”

“No. They might be able to tell me what you will do, but figuring out what you should do… that’s something only you can figure out.”

We start credits. Mid-credits scene. Lawyers and repossessors exit the elevator just behind Peter and Amadeus. The lawyers hand Amadeus paperwork, as the repossessors begin to box everything up.

“What the hell?” Peter asks.

“It seems Victor Von Doom, which apparently is his real, legal name, somehow, sued Reed for damages done to his face. And won. The entirety of the grant and all assets procured therewith are being seized. Dr. Doom just beat the Fantastic Four without lifting a finger.” More credits.

End-credits scene. The elevator opens again, this time it’s She-Hulk. “You’re to cease and desist all seizure,” she says, handing the paperwork to the overseeing lawyer. The FF arrive from the other room. As the repossesors and layers leave.

“What’s going on?” Sue asks.

“Doom seized the grant. Apparently they served illegal notice, but managed to force a trial anyway. Matt and I did our best to fight it when we found out, but… he’s taking all of the money Tony gave you. But, Reed’s patent for unstable molecules has already been approved, and a licensing deal struck with several chemical-producing conglomerates. Licensing fees alone are going to keep the lights on in this place for the foreseeable future, as well as cover the cost of any equipment already purchased with Tony’s funds. Wisely, the unstable molecule patents were all filed under the Foundation’s name, so Doom can’t access them. So the Future Foundation is here to stay.”

We start with Reed and Sue in bed. No, not like that. They’re sleeping. Reed mumbles a name in his sleep, then sits bolt upright. Sue asks him what’s wrong. “What’s a Peter Parker?” he asks.

Sue yawns. “I don’t know. Did he pick a peck of pickled peppers?”

Reed is using some kind of 3D hologram computer thing to search online. “I think that was Piper. Nothing on the internet- I mean, nothing useful– there are dozens of Peter Parkers in this borough, but… it’s a tickle in my brain. I can’t even describe it, let alone explain. But that name. It’s important, somehow.” He gets up, and is already on his way out of the room. “I’ll be in the lab, honey.”

“I guess I’ll just try to go back to sleep then…” she drops frustrated back onto the bed. She closes her eyes and sighs wearily. “No, I’ll make coffee.”

We cut to a little later. She enters his lab, with two cups, now dressed. “Oh, thank you, darling,” Reed says, stretching across the room to take his. “So I have fascinating news. One, magic really is just technology we didn’t previously understand, though I’m in the process of inventing a new branch of mathematics to be able to- but more importantly, someone used it to make us all forget ‘Peter Parker.’”

“Who?” she asks, because the spell has already made her forget him all over again.

“Right. I’ve been able to change the shapes of the impacted neurons in my own mind to circumvent the spell, but I also invented an innoculation,” he’s already stretched an arm with an injector, and shoots the serum into her arm, startling her.

“Reed, we’ve talked about this. It’s not okay for you to inject people with new inventions without consent- informed consent.”

“Sorry. I get caught up in my train of thought and completely forget. The spell made all of us forget Peter Parker.”

“You mean Spider-Man.”

“Precisely. But the reason this has been on my mind, is that the morning of the spell, I received this email.” He pulls it up as a hologram. “Purported to be from Tony Stark, but clearly arrived after his death. It’s supposed to be automated, triggered by Jonah Jameson outing Parker to outrage and vitriol, apparently asking me, as the currently most intelligent adult available, to take Parker under my wing. My to-do list kept trying to ping this information; I don’t know if it was a flaw in the spell, my coding, or just the spell not being calibrated to handle a brain made of chewing gum, but his name kept creeping into my dreams.”

“Should I be worried you’re dreaming about underaged boys?”

“He’s an adult. College-aged. And just the name. My dreams are typically equational, not prurient; I’m not Johnny.”

We cut to Johnny, and show bouncy bed springs from below, and his face, bouncing, sweaty, from enough of an angle for a moment we worry what we’re about to see. Then we pull back, and see he’s jumping up and down on the top bunk of a bunk bed.

“Come on, I’m bored.”

“It’s night,” Ben grumbles, “you’re supposed to be sleeping.”

He drops onto his butt, bounces to the floor. “I’d say you’re supposed to be grumping, but you’re holding up your end on that.”

Ben sighs. “Matchstick, I got a complexion you could only fix with an angle grinder, and most of the rocks on my face are still cracked from our last fight. Stretch still don’t know if they’ll ever properly ‘heal,’ and somehow I’m still sore. I need my beauty rest.”

“Why, are you worried about getting uglier?” We see he’s actually hurt by this, and Johnny flops down beside him. “Oh, come on, Ben! I always teased you about your mug.”

“Yeah, but it used to be subjective. Now… well, look, it’s a face only the blind could appreciate, even then, only from afar.”

“Okay, it’s just sad when you rag on yourself. So let’s go. Let’s do something. Anything has got to be better than moping around here. We could mini golf.”

“No, we can’t. Last time we tried, I snapped the club like a toothpick.”

“Right. Motion control games.”

“They suck.”

“They suck a lot less than having to replace controllers every time you try to hit ‘X.’” Ben sighs, resigned. “Or, I could make us some BLTs.”

“Now you’re speaking my language.” Okay, it’s at this point that I’m actually forming an interesting casting thought. We raid the Community closet for this movie. Jeff Winger as a brainy but dickish Reed (or Abed, and lean into Reed on the Spectrum, and use Jeff for the antagonist, instead). Donald Glover as Johnny. Either Annie or Britta could work for Sue (their takes would of course be different, I’m not suggesting they’re interchangeable). And Chang for the Thing. He’s already played a Jewish Asian in Community. It… works better than it has any real right to, frankly.

“Sorry to interrupt, but I actually have something for us,” Reed says from the doorway.

Now, for this sequence, I’d probably do a Sinister 5 kind of thing; Spider-Man’s bench continues to be impressive enough that I think that could work. I’d stay away from characters we’re using in Sinister 7, which does limit us somewhat.

Spider-Man is fighting a team led by Kraven featuring Lady Octopus, Rhino, Electro & Sandman. At first he’s quipping, doing okay… but they’re wearing him down, just too many villains, especially now that Kraven has pegged that all they have to do to make him act recklessly is threaten civilians. Lady Octopus knocks Spider-Man back with her metal arm, and Kraven catches him, ready with a ceremonial dagger. He plunges it down, but it hits an invisible forcefield.

The Fantastic Four arrive, and make short work of the villains, who expected a 5-on-1, not a fair fight, and Spider-Man rallies. As part of the fight, Sue ends up in the water, and uses an invisible forcefield to make an air bubble around her.

After the fight, Spider-Man is apologetic. “I’m so sorry,” he says, as they watch from a rooftop while the cops cart the bad guys away. “I wanted to handle it myself. I should have called the Avengers- would have…”

“But they don’t remember you,” Reed says. “Well we do, Peter.”

“Uh…”

“Magic is just science we don’t understand. Well… I’m working to understand it. So we know who you are. And just as importantly, we want to help. You’re practically a kid. You shouldn’t be taking this kind of weight onto your shoulders. Not alone. We don’t have a lot. But what we have is yours.”

“Reed, did you… read?” Sue asks. “Like the whole email? Because what we have just got a lot more substantial. Tony Stark didn’t just ask you to look after Peter. He gave you a grant of millions of dollars to do it.”

“We should probably talk to someone about that.”

We smash cut to a legal office (you’ll see what I did there in a second). My preference is always for She-Hulk, because I like the character more, but Matt Murdock is all but certainly cheaper. She explains, “The money is coming out of a fund Starkset up for philanthropic enterprises, nominally overseen by Pepper Potts. Her administration has been largely hands-off, because Stark set up automatic triggers using his Friday A.I. to watch out for certain circumstances. Like this one. The money is yours if you agree to watch out for a Peter Parker’s well-being. There isn’t a lot of detail as to what that entails.”

“I have some thoughts,” Reed says. “But one thing I did want to check in on… does it say the funds can only be used to see to the well-being of Parker… or can they be used more expansively.”

“As I read it, you have a wide degree of latitude. It’s always possible Ms. Potts or the foundation could ask how the funds are being used, or even seek an injunction if they feel they aren’t being used wisely, but even in that scenario, I’m not certain there’s even the possibility of a clawback, since there doesn’t seem to be an enumerated mechanism.”

Now, this idea basically builds off the one that I mentioned in the Iron Man 4 pitch; I’m going to both assume, for our purposes, that happened, but also like it was a blip, and didn’t create any kind of permanent infrastructure, that this is basically an attempt to codify that and make it lasting.

We do a quick build-up montage, as Fury’s dingy hideout is turned into a state of the art laboratory. Peter enters. “This is amazing.”

“I’ve always been partial to fantastic,” Reed says, “but it’s all thanks to you.”

“All I did was get found by Mr. Stark.”

“You impressed Tony- and not many did. Tony wanted to provide for your future. I’m… trying to build on that idea. And before anyone else arrived, I wanted to thank you. Plenty of people in your situation would want to, what’s the phrase, take the money and run?”

“I’ve learned the hard way that it shouldn’t be about me. The world is bigger and better than just me. And I’m excited to meet it.” Here’s where it gets fun.

Amadeus Cho (Note: this comes after Incredible Hercules), Riri Williams, Moongirl, Prodigy and any other child geniuses/prodigies we can think of enter the room. “Welcome to the Future Foundation,” Reed says. “The minds in this room are some of the greatest of your generation. You will build a future that will make men like Tony Stark, Hank Pym and myself pale in comparison. You have the opportunity to build something beautiful and utopian, solutions to problems that don’t devolve into punching. Spider-Man here is our example; what he did to help people some would have written off as villains speaks well to his character, and well of those who raised him.”

“I’m just… Peter. That’s already enough pressure. I guess, I’ve seen enough people who just wanted to provide for their family, or right an injustice, who ended up on the wrong side of things… I don’t like people getting hurt, when what they really need is help.”

We pull back, and see that Sue is feeling left out already. We hear Johnny before we see him, “I can’t believe you’re jealous of his test-tube babies.”

“I used to be his test-tube baby,” Sue says sadly.

“Gross.”

“What are you doing here?”

“I was worried my sister might be sitting sullenly in a lab somewhere being gross.”

“You are such a dork.”

“Did you know dork means whale dong? The internet is awesome.”

“Don’t believe everything you read on wikipedia.”

“That sounds like what you’d name an encyclopedia of micropenises.”

“Then you’d be all over it,” Ben says as he enters.

“Hot foot,” Johnny says, setting Ben’s foot on fire. Ben hops on one foot as he smothers it with his hands.

“Real mature.”

Sue sighs. “This was weeks in the making,” she says. “When it started, we were partners. But every day, he’s gotten a little more distant. This is such a great thing we were doing… and now it’s a great thing he’s doing, while I watch from the sidelines.”

“So,” Ben says, “why don’t you get off the sidelines?”

We follow her into the room. “Ah, Susan,” Reed starts. “You all know Susan. Most of you spoke to her on the phone. I would posit myself as the brain of this operation, but the heart, the soul, the hands- the rest, really- is her. I have been known to disappear into my puzzles and problems, but if you ever need something, she’s the person who can help. I hope I’m not signing you up for more than you want, dear.”

She smiles, awkwardly. This story is, in part, about Sue feeling unseen and neglected, and I absolutely want to display the emotional truth of that… but it’s also a balancing act, because it won’t have the depth, either, if we don’t show the moments of true and genuine affection between them, too.

Later, Sue is sitting with the geniuses. “So,” Amadeus leans forward, “what are you hoping to accomplish, here?” She’s confused. “I guess I assumed we’re like a think tank, right? So we’re here to solve a particular problem.”

“Yes, and no,” Sue responds. “You’re here to solve the future. Reed, if he hadn’t been ripped out of our own place in space-time, likely would have single-handedly advanced human technology twenty years. But he sees the same possibility in all of those here. You have all, already, single-handedly created math and technology that could change the world- should change the world. Ms. Walters has already put us in touch with a good patent attorney. What we’d like to do is, with your individual permission, of course, file those patents under your names, but place royalties accrued into a general fund that can be used to continue the Future Foundation indefinitely. No funds or fees will go to any of the adults here. But if you’d prefer, we can set aside all or some of those funds for your family or your personal use, as well. You’ll be provided an opportunity to speak to Ms. Walters or Mr. Murdock individually- while we will be compensating them for their time from Tony Stark’s grant, in these matters they are your representatives- to help you understand whatever elections you make, and of course any selections will require, for those of you under 18, parental signature, as well.”

“What about rent? Or food?” Peter asks.

“The stipend we have from the Stark foundation should be enough to pay room and board and cover the cost of this facility for this inaugural class. After that, it all depends on contributions, and how quickly Reed’s patents and any others become profitable.”

At first Sue does get to be involved, but what she complained about continues to happen. Quickly, what looks like the A story, about the Foundation, is going to become the B, as Sue spends time at the harbor, trying to deal with her melancholy and loneliness.

It comes to a head when Sue, on one of her sabbaticals, misses a mission with the other 4. Spider-Man subs in, and she arrives home to see their triumphant return. She watches, invisible, as they celebrate, as she feels more and more like a fifth wheel as they celebrate one another.

She leaves, but on this walk, she’s approached by a strange man. He’s handsome, and offers to walk with her. As they hit the waterfront, he invites her to his place out on the water. He takes her to the dock, and she asks where his boat is. He says where they’re going, they don’t need boats, and jumps in the water. His clothes go floating up behind him, and she says “You’re insane if you thinks I’m skinny-dipping with a man I just met… “she drops off as he climbs out of the water, his moist skin glistening in the moonlight. “Okay, that might be the single greatest possible argument for skinny-dipping with a man in the moonlight I’ve only just met…” He assures her she doesn’t need to remove her clothes, but she will need to her own supply of air, which he’s seen her create before. “You were there,” she says, putting together that he saw their fight with the Frightful Five.

“I was. And I was instantly enchanted, so much so that I scarcely remembered to intervene. But please. Come with me. We both know I could scarcely touch you if you didn’t allow it, and I would lay my life down at your feet before I allowed harm to come to you- even from myself.”

She pulls away from him. “But why? Why me? Why like this? When not just call it a night, and get coffee tomorrow?”

“Because I know you’d go back to him, and that would break my heart. Not for myself, but because you deserve a man who adores you like I do. You deserve to be treasured, and cherished. And he doesn’t. He won’t. I doubt that he can. Even if it’s just to spend a night away, even if you never allow me the touch of your skin, I plead that you not return, just this one night. After that, if you still want to go back, I won’t seek to stop you, and you won’t have to wonder if you’re stuck, staying with him in a rut because he’s convenient and there.”

Sue texts Reed to tell him not to wait up, that she got a room near the pier, and a glass of wine and just needs an evening away. His phone buzzes on the laboratory table; he doesn’t notice it.

I think it’s Amadeus who brings it up to the kid geniuses. “So, this is weird, right… but my equations are incredibly predictive. I knew Reed Richards was going to start the Future Foundation likely before he did, and guessed his initial line-up with 93% certainty. It’s not a brag it’s just… behavioral modeling. And… my modeling predicts something bad is going to happen?”

“Should I start polishing my helmet?” Riri asks.

“Uh…” he really wants to make the dirty joke on the tip of his tongue, but Moongirl is super young and he’s hoping he can stall long enough for the temptation to pass.

“It gets dents and scuffs I have to polish out- never mind. Is it a helmet kind of problem, is the salient question?”

“I’m not sure. Sue’s unhappy. Reed’s been spending more of his time with us, and she’s feeling left out, and unfulfilled. Missing out on an emergency situation just, it makes that worse.”

“You can really predict what’s going to happen?” Peter asks.

“Not what. That. I can predict that something will happen. Sue’s not coming back tonight. Maybe she meets somebody. Maybe she gets mugged in the park. Bad things happen tonight.”

“Helpful,” Moongirl says.

“Actually… knowing that something will happen is half the battle,” Riri says, wearing her helmet. She holds out her gauntlet, and projects some camera footage of Sue going into the water with a stranger. “From there it’s just a matter of tracking her phone to the docks, and pulling up a camera when her phone stopped moving.”

“Um… is anyone else worried she’s not coming up for air?” Peter asks.

“With him? I’m not sure I can blame her not wanting to come up for air,” Riri says. “What? Like I haven’t seen the way either of you look at Sue.”

“Fair enough,” Amadeus shrugs. “But then the question becomes… what do we do with it?”

“We shouldn’t tell Reed,” Peter says. “If it’s nothing, if it’s innocent, then we’re inserting ourselves in their relationship in a way that isn’t healthy for them or us.”

“And if it’s not?” Riri asks.

“Then it’s probably better it come from family.”

Ben and Johnny investigate, Ben in his hat and trenchcoat. It’s a relatively quick scene, since the video mostly tells the tale. But they find some lockers nearby, with her phone inside, and her keys and wallet. There’s no sign of a struggle. They reason one of two things have happened, that either she went willingly, or there’s some kind of coersion. And they can’t verify which without Reed.

Spider-Man is with them when they tell Reed, who is largely nonchalant. His posture is mostly, “I don’t want Susan to feel obligated, not to me, not to us, not to the Foundation.”

“Sure,” Johnny says, “and I get that. But what if she was threatened. There are any number of ways she could have been coerced. If she’s okay, we can leave her alone. The bigger issue is going after her.”

“Best we could come up with was having you stretch into a diving bell,” Ben says.

“Depending on how far down, I don’t know that I could hold a bell shape indefinitely. We might be better off figuring something else out.”

“I… might have a solution.” Peter is… weird about bringing it up. “But none of you can ever say anything. To anyone. Ever. Not even to me.” Quieter. “Especially not to me.”

They go to Stark Tower. There’s a secret elevator that goes down. “Did Tony have Iron Man diving suits?” Reed asks, his curiosity clearly peaked.

“It’s just better if you see it for yourselves.” Peter shows them an undersea bachelor pad. It is just as Love Motel as you might initially assume. Johnny is enamored. “One time, when Mr. Stark had a martini, he told me about this place. Before he and Ms. Potts started dating, he’d bring women down here to, seal the deal. Apparently bringing women underwater, or taking them for a ride on his private submarine, was sometimes what it took.”

“What I think the kid is saying is this whole place is six degrees from Tony’s undercarriage,” Ben says.

“Likely less,” Reed remarks.

We go back to Sue. Namor’s underwater palace is phenomenal, beautiful, but also exotic. And he really is into her, in all of the ways that Reed just hasn’t been able to be. So she’s legitimately torn. Namor seems like he really values her, and Reed… doesn’t need her. He’s found his calling, his people, his place. I think that is what makes this arc work- it feels like a tragic ending to their love affair…

And then she finds out that Namor, while absolutely adoring her, is going to completely screw up the world. He was there to begin with doing reconnaissance for his entrance to the United Nations. He was going to demand they recognize Atlantis as a nation, and then the ceding of all bodies of water connected to the oceans to him- that humanity had proven themselves bad stewards, and he was going to take over where they had proven incapable. That would mean no more territorial waters for countries, that instead the beaches would become shared territorial property. He is fanatical in his description; refusing to hear that no country would yield to his demand, let alone all of them, that what he’s demanding would at best make him a rogue state, but likely a global ecoterrorist.

She argues for another solution, that his problem is exactly the kind of thing she and Reed built the Future Foundation to solve- that they can solve pollution and garbage and make the oceans clean and habitable again. But he doesn’t trust humans. Even if Reed manages a solution, humans can’t even get ahead of climate change, even as disasters ramp up and kill increasingly more of the population. That is why they aren’t right for one another- Sue’s is ultimately a hopeful view of the future, and Namor’s isn’t (and maybe can’t be, because he’s responsible for so many sea lives that hang in the balance).

It’s then that Reed arrives, having heard enough of Namor’s rant to know the score. Namor’s sad, and when Sue looks like she wants to go, says, “I won’t stop you.”

But she turns, and squares to him. “I’m afraid I have to stop you.” They have a big old fight, culminating in the destruction of Namor’s palace. He’s essentially too strong for them, especially in the open sea, but Sue makes sure that he knows he’d have to destroy her to get to them- that he relents, and departs.

I’m in a weird mood today (or maybe I’m just incensed by the misogynist fury pointed undeservedly at the actress), so I’m going to suggest Amber Heard as Sue Storm. And I’d wave just so much money at Jason Momoa to be Namor, because it would be hilarious (and because he has, thus far, actually been a stand-up dude and supportive of Heard). Come on, think about it. Ridiculous, trolling casting. Otherwise, any dude who can rock a tiny pair of green trunks will do.

Back in the lab, Reed confronts Susan about her betrayal; Reed, for all his aloofness, is genuinely hurt to find that Sue went with Namor willingly. “I don’t understand, Susan. I know I can be an imperfect partner, immensely flawed, even. But even in your disappointment, I don’t see how you could choose to treat me this way.”

“I didn’t think you’d notice I’d gone,” she says, then quieter, “I didn’t think you’d care.”

The pain in her voice absolutely melts him. “Susan…” his voice catches. “That’s my fault. I get so caught up, in trying to fix things, things that are my fault, things that happened because I wasn’t where I should have been, or who… and I neglect the most important people in the world to me. I don’t want to pursue invention for invention’s sake, or to make a better world in the abstract. I want to make a better world for you, for us, for our family, for our children… but I recognize that a single-minded pursuit of that cannot come at the expense of our relationship, cannot come at the cost of me neglecting you, neglecting to tell you that, Susan… I would be lost without you. And I don’t mean in the sense that you compensate for my faults, and make me a better man that I otherwise would be- though you do. I mean that without you I am far from fantastic; I’m not even a man, clanging tools together in a cave. I can imagine a life without limbs, without my intellect, but a life without you? Blackness. Bleakness. Empty. And it should not take a fishman in a tight bathing suit to prompt me to tell you that you are my world, and I am truly sorry for that.”

“That fishman did fill out his bathing suit,” she teases. “But I’m sorry, too. This is not how you should find out I’m unhappy, or feeling alone. You might not always be the partner I want… but I still have a responsibility to be the partner you deserve, too. And, nicely though he filled out his bathing suit, Namor is not the kind of man I could ever fall in love with, because he lacks the quality I need most in my life: hope. Hope that the future can be better than today, and that we can get there, together, if we work hard enough to build it. Which means I’m stuck with you.” He wraps an arm around her.

We pull back, and can see that the future geniuses have been watching. To make it cute, silly, and marketable, they’re watching through a Spider-Bot (as seen at a Disney Theme Park near you). “We did a good thing, guys,” Riri says.

“And ladies,” Moongirl adds.

The girls leave, and we linger with Peter and Amadeus. “Want to talk about it?”

“I don’t know if I’m ready,” Peter hedges.

“Well, if you ever need-

We go to high-speed nervous rambling Peter, “So I think I had what they have but then she forgot because of a magical spell and I thought at the time it was best to leave her alone so she didn’t have to worry about being attacked for knowing me but seeing them work through things makes me miss her and wish, well, wonder, if maybe I made a mistake, if it should have been a love conquers all moment instead of me sacrificing my happiness to protect her, and now I’m sort of seeing this other person who’s really neat and sweet and I feel like my heart and my head are clacking like those weird little silver ball desk things constantly.”

“You understand I’m the only person in the world who could keep up with that, right? I am… not well-versed in women and adjacent issues. But what I can say is this: what happened in there happened in part because you are one of the most emotionally intelligent people I’ve ever met. I think you listen to the Peter in here,” he points at Peter’s chest, “that you’ll know what you want, and what’s right, and how to navigate the differences between those two things.”

“Could your equations tell me what to do?”

“No. They might be able to tell me what you will do, but figuring out what you should do… that’s something only you can figure out.”

We start credits. Mid-credits scene. Lawyers and repossessors exit the elevator just behind Peter and Amadeus. The lawyers hand Amadeus paperwork, as the repossessors begin to box everything up.

“What the hell?” Peter asks.

“It seems Victor Von Doom, which apparently is his real, legal name, somehow, sued Reed for damages done to his face. And won. The entirety of the grant and all assets procured therewith are being seized. Dr. Doom just beat the Fantastic Four without lifing a finger.” More credits.

End-credits scene. The elevator opens again, this time it’s She-Hulk. “You’re to cease and desist all seizure,” she says, handing the paperwork to the overseeing lawyer. The FF arrive from the other room. As the repossesors and layers leave.

“What’s going on?” Sue asks.

“Doom seized the grant. Apparently they served illegal notice, but managed to force a trial anyway. Matt and I did our best to fight it when we found out, but… he’s taking all of the money Tony gave you. But, Reed’s patent for unstable molecules has already been approved, and a licensing deal struck with several chemical-producing conglomerates. Licensing fees alone are going to keep the lights on in this place for the foreseeable future, as well as cover the cost of any equipment already purchased with Tony’s funds. Wisely, the unstable molecule patents were all filed under the Foundation’s name, so Doom can’t access them. So the Future Foundation is here to stay.”

Pitchmas 2019, Part 5: Iron Man 4

Iron Man 4: The Iron Candidate (or maybe “World Without An Iron Man”)

When he was killed, Vision’s AI tried to dump his back-up onto Tony’s server. Because of Thanos tearing him out of time in order to retrieve the mind stone, this back-up became corrupted. This corruption sets off a failure cascade when Pepper tries to inventory Tony’s various inventions and thoughts, crowbarring what had been an attempt to store Tony’s personality and genius in a Jarvis-like AI into Pepper’s mind, temporarily gifting her Tony’s brilliance (and perhaps even tics of his personality); so it’s a superhero take on Flowers for Algernon as Pepper gets back some of Tony (and his genius), but has to feel him slipping away all over again. Throughout Pepper talks aloud to Tony, though if he talks back it’s in her head.

After the failure of Peter and Edith, Pepper realizes the world doesn’t just need another genius, no matter how good-hearted- it needs another Iron Man (or Woman), so she decides to use her/Tony’s brilliance while it lasts to track down a suitable candidate. She accomplishes this in part through drone versions of her armor she calls Pepper bots (yes, this pitch was entirely a long walk to get to this pun- don’t judge me). She develops her own fans, who call themselves “Pepper’s Pott-Heads” to her chagrin.

The US military, which has long been surveilling Pepper and Tony in the hopes of eventually getting enough intel to develop their own Iron Tech, steal Pepper’s idea and opens up bids for an Iron Man-alike armor they can purchase for the next generation of soldier. Pepper recognizes the danger of letting that kind of tech out into the wild (and reveals that Tony had a side hustle in sabotaging other efforts in similar directions). Unlike Tony, she doesn’t think that she can stymy the research forever, and will need to prove that these are essentially nuclear level weapons, and we shouldn’t be proliferating them, or one day it will fall into the wrong hands.

Pepper’s quest to find the next Iron Person is also a chance to seed other smarts-related characters for other movies and occasions, like Moon Girl and Amadeus Cho (imagine a motor-mouth-off between him and a Tony’d up Pepper), as we meet other potential Iron Candidates. One of the rejected candidates is Ezekiel Stane, son of Obadiah Stane, the Iron Monger. He uses design secrets originally stolen by his father to create a 3D printable suit, so that ‘patriots’ can have their own Iron Man without having to deal with regulation, or learning how to program a whole tech suit themselves. The Iron Candidate could give us an in to bring in Riri Williams (probably my preference), Young Kang the Conqueror as Iron Lad (both setting up Young Avengers and the eventual use of adult Kang as a big bad villain), Arno Stark, or if you’re a complete monster, young Tony a la Iron Man 2020 (though obviously you’d have to adjust that date).

I’m imagining Pepper giving a press conference to announce this initiative, saying she doesn’t want to live in a world without an Iron Man, so she intends to find the next one. Reporters start asking questions, starting with dumb ones like whether or not she’s sold the show to HBO. Finally, one asks how you can replace the smartest man on Earth. That’s when Amadeus Cho stands up and says, “Sixth. I’m Amadeus Cho, the Seventh. Seventh smartest human on Earth, just ahead of Vision, not the seventh Amadeus Cho in an unbroken line of self-importance. I believe Ms. Potts is currently number 6, though I don’t expect that to last. ” Pepper, intrigued, pulls him aside. He tells her, “You won’t choose me; there’s too much of Tony in me, and if you’re building a new Iron Person from scratch, why would you start off with the same hubris and relative character defets? But you’ve a better chance of success if I work with you. It’s taken me years to develop my models- it was helpful, the five years half the population was missing; not a lot happened, so I had a nice, solid chunk of time to refine my models.” (added 8/20/21 to set up Incredible Hercules pitch).

I’d probably have a Dr. Doom guest spot (though you could always swap in a Tinkerer or someone similar); he’s one of Pepper’s candidates who is actually on a similar mission, though he’s headhunting talent to kidnap back to Latveria- where the eventual choice Macguyvers together a suit to escape while Pepper lays siege to the castle, eventually the pair of them combining forces to take down Doom (at least long enough for a getaway); that would give the Candidate the opportunity not just to wear Tony’s armor, but to have their own, which to me is important. 

But the real threat is still the military’s pursuit of their own Iron Soldier program. Pepper attends, in her Rescue armor, to try and talk to them, as Ms. Iron Man, a hero in her own right, and the current controller of all Iron tech. “Tony was scared. No matter how hard he tried to stop making weapons, he just kept making better weapons. But the one thing he did he was proudest of- too proud even to admit it to the rest of the world- was keeping them out of anyone else’s hands.” She shares a graph, showing the Iron Man tech or something like it sending man hurtling past the singularity, and instead towards an extinction cliff, where the increase in sophisticated tech so far outstrips the ability to regulate it that the odds of humanity killing themselves off approaches 100%.

By this point there are several different contractors each with their own competitor bidding for the contract, and it’s a good excuse to bring in a bunch of bucket-headed villains (like Whirlwind or Crimson Dynamo). There are several specs, and the military basically decide on doing a Battle Bots style competition to separate the strongest from the weakest. The candidate breaches the security of any remote drones, taking them over and crashing them into one another in the skies overhead, before flying the rest towards the sun. Then they take over the suits with security vulnerabilities, and has them punch each other like Rock em Sock em robots. A further third Pepper bribes to join her side. The remaining handful Pepper, her newly hired mercs, her bots and the candidate fight off, until the last ones standing are Pepper (just barely- she takes a licking) and the candidate, standing triumphant over a field of defeated foes. The General roughly in charge (I’d use Thaddeus “Thunderbolt” Ross, because Will Hurt has a fun glare) admits that maybe this tech is still too unstable, and the protocols to safeguard it still too new, to entrust our safety to it. “But we can’t ignore that our country’s enemies may not view the situation as pragmatically, and we can’t unilaterally disarm- especially not forever. There won’t always be an Iron… Person whose skirt we can hide behind.” “Maybe not, General,” Pepper says, “but (s)he’s going to bury us both.” 

I’d bring back Robert Downey, Jr. for a farewell scene that could be worth the price of admission all on its lonesome. It’s in Tony’s memory fortress while the candidate tries to get as much of the data as can be salvaged before the entire thing comes apart. Pepper finally really understands what it’s like to be him, and he’s sad that she has to- because it always made him miserable. A support collapses, narrowly missing her. “It’s like that thing the kid says, ‘If you can do great things, you kind of have to.’ I always thrived under pressure, but no man- or woman- should have to hold up the weight of the whole world. It’s too much. It was for me. You want a little advice? That weight? Don’t pick it up.” “Tony,” she soothes, “you never had to hold it alone.” She lifts up the support beam, and together they brace it. As he’s starting to fade, he says, “Tell the kid ‘goodbye’ for me.” “Which one?” she asks, as if to prompt about their daughter. “Both. Tell them,” “You love them 3000?” A tear slides down his cheek. “Yeah. Bye, Pep,” he says, and kisses her as he fades away, and the fortress is engulfed in white light.

“How much did you get?” Pepper asks back in the real world, her first thought of Tony’s legacy. The Candidate grins, wide. “Everything. Well, except… the AI, Tony, I couldn’t copy him.” “I didn’t think you would. He was stuck in my head.” “Yes, but that wasn’t insurmountable; a human mind is just a different kind of media. But when I tried to copy him, he wouldn’t go. I think… I think he was holding the whole thing together, making sure we could get and use as much of his work as we could, that he made himself a part of the structure.” “It’s okay,” Pepper soothes. “He deserves his rest.”