DC Reboot Pitches: Justice League vs. the Suicide Squad

The Deal: this is the ninth in a series of pitches for the rebooted DC Movies, and the end of Phase One. I’m leaning on AI art to mock-up these pitches, because it adds a layer of humor and weirdness.

The Pitch

Our story begins en media res. The screen is black, and we hear, heavy, human breathing, the sounds of someone running in the rain, and narration, as black boots go crashing through puddles before cutting back to black. “People believe I’m arrogant. That I believe I belong standing shoulder to shoulder with Gods.” It’s Batman speaking, which becomes clear when we see Metallo, just his metal skeleton, the glowing kryptonite powering it exposed, strolling out of the burning wreckage of the Batmobile.

“His car is gone,” Metallo says.

Black Manta floats out of the water. “His sub is gone.” A burning boat floats on the top of the water behind him.

“And I killed his drone,” Cheetah says, watching through a scope as a bat-shaped drone falls from the sky. Her rifle is actually a long-distance taser, single-use, because Flag doesn’t trust her with a firearm.

Batman is running, turns and throws three batarangs, each colliding with one of Boomerang’s boomerangs before continuing to run. “He’s still on the move,” Boomerang says.

“It isn’t about where I belong, it’s that someone has to stand up.” Batman stops, and allows Joker to strafe his cape with a tommy gun to protect a ‘child’ in the middle of the alley. “And in Gotham, not many do.” Batman rises to his full height. The ‘child,’ it turns out, is just a doll stuffed with C4, and Batman has to resume running, rather than confront Joker, as it explodes behind him.

“I told you Amanda,” Joker taunts over their radios in a sing-song.

“You keep these comms clear, or I’ll blow that bomb in your neck just to get your voice out of my head,” Waller barks.

“She’s going to be disappointed when she finds out it’ll take more than that,” Harley says. “Like electroshock. But I wouldn’t rule out a lobotomy.”

“Quinn,” Flag says, and she drops into a side street, keeping Batman going down the alley. But he slices left, and hops a fence on the opposite side of the alley, just over the boards and under a sheet of industrial metal siding. “Damnit,” Flag says, catching up with Quinn. “Are we funneling him, or is he funneling us?” She leaps through the same hole.

“Just keep to the plan, Flag,” Waller says, watching events from a monitoring room through a series of drones and satellites.

Batman gets into the open, and fires his grapnel to the top of an apartment building. Harley and Flag are just behind him, climbing up a fire escape.

“No way,” Harley says, stopping just outside a rooftop door. “I seen Mr. J make this mistake too many times. Never follow the bat into a cave.”

“It’s an apartment building,” Flag says.

“And it was a metaphor. There’s no place he’s more dangerous than when you think he’s trapped.”

“Quinn, there’s two buses out of here, and one goes to the cemetery.”

“Ooh, field trip!” she squeals happily. “I love the cemetery.”

“Just get in there,” Flag shoves Harley through the open door, into darkness.

“Aw, nuts,” she says from inside, before being kicked back out, over the edge of the building. In the same moment, a batarang, carrying a wire, loops around her feet, so she doesn’t go far, and swings down and hits her head against the side of the building. “I feel like I should remember whether you can get a double-concussion,” Quinn says, before passing out.

“I’m going to need backup,” Flag says into his comms.

“This suit was designed for deep sea submersion; it doesn’t fly,” Manta tells him from the street.

“And Luthor didn’t give me rocket boots,” Metallo snipes, running up beside Manta.

“Fine,” Flag says, “Team Full of Density and Excuses, start on the bottom floor. We’ll sweep from the top. You flush him, holler.”

“I’m with you,” Cheetah says, landing in a catlike sprawl after climbing the exterior of the building. “Though I still say I’d be more effective if you let me have a sidearm.”

“He eats mercs for breakfast.”

“I’m here as well,” says the White Martian, “and he doesn’t have to be a telepath to know you’d use the gun on him at the first opportunity.”

Cheetah sticks her tongue out at the Martian. Flag leads the way inside the building. “It’s quiet,” Flag says.

“Too quiet?” Cheetah asks with an edge to it.

“He’s correct,” the Martian says. “The building is empty. In fact, I don’t even see-” liquid dribbles from the ceiling, onto the Martian, and an instant later the liquid ignites as Batman drops down on him, kicking him out of the door and back onto the roof.

Batman takes on Flag and Cheetah hand to hand; they’re both military-trained, so their styles mesh well, for a moment, until Batman compensates. He knocks the wind out of Cheetah, then smashes Flag face-first into a door-jam; Flag does manage to get a shot off, and it pancakes against the back of Batman’s cowl.

Cheetah gets up, slowly, having taken a knife Flag dropped in the fight. Instead, Batman hands her his cape, and points outside, at the screaming Martian. “He’s coated in a napalm derivative; smother the fire, deprive it of oxygen for a few minutes, and it will go out.”

She pauses, and calls in to Waller. “Orders?”

“Damnit,” Waller mutters. “Stand down. Aid the Martian asset.”

She drops the knife, and takes the cape.

Batman only gets a few steps in before Black Manta collapses a wall on his left while Metallo collapses a walls on his right. One goes high, the other low, and Batman is able to leap down the middle, and they clang together, loudly. “Ah,” Manta says. “Clearly I need better sound-dampening.”

“Or a smaller head,” Metallo says. Both give chase. At the end of the hallway, Boomerang turns out of a door. He flings four boomerangs; Batman does, too. Three of the batarangs knock the boomerangs out of the air; the fourth smacks Boomerang in the head, so that he’s falling as Batman runs past. Boomerang’s last projectile detonates as it flies past Metallo and Black Manta, knocking them into Boomerang. As he rounds the end of the hall and into a stairwell Batman slaps an oval slab of plastique with a bat-symbol detonator in the center onto the wall. It detonates as he leaps down the stairwell, catching Boomerang, Manta and Metallo in a pressure wave and sending them flying in the opposite direction from the initial explosion.

The stairwell collapses behind Batman. “I really did tell her,” an eerie voice echoes, through the stairwell, “but no one listens to the jester.” Joker leaps from the shadows and slashes Batman with a knife, managing to cut him, though superficially- mostly because Batman slipped out of his cowl, leaving Joker holding it as he notices a rope hanging over the edge of the stairs. He cuts it, and cranes his neck, holding his hand to his ear, hoping for a thud, but instead hears a door open, and shut. Joker crosses his arms and harumphs, then starts to put the cowl on himself, though we cut away before it’s clear what’s happening.

We see Batman from behind, without his cowl or cape, through a rifle scope. “I’ve got your target in my sights. Advise.”

“I want him identifiable. We have to be able to put a face to this. Give me a realistic assessment of whether you can give me that.”

Batman leaps over and onto a motorcycle, and very swiftly speeds away. At this distance, with Batman moving quickly, armored save for his head, it would be a shot in the dark, at best. “No shot,” the sniper says, and lowers the rifle. Those who saw Cyborg will recognize the voice as belonging to Deathstroke, but shh…

Flag comes to to someone in a Batman cowl slapping him across the face, then in his best Bale Batman voice howling, “Who do you work for?” Flag yelps, and draws, trying to fire an empty gun into the Joker’s chin as he scrabbles to get out from under him.

“See?” Harley says, handing Flag back his magazine and bullet, “funnier with an empty gun.”

“It’s barely a joke if no one lands in the hospital,” Joker pouts from under the cowl.

“I’ve got a broken rib, if that tickles your funny bone,” Cheetah says.

“Me-ow,” Joker says.

“Can the Martian pick him back up?” Waller asks over comms.

“The Martian’s currently extra-crispy,” Cheetah says. He’s mostly off-screen, but we can see a charred limb raised out of Batman’s cape, and hear him moaning.

“Fall back,” Waller says. “We’ll regroup.” She throws her headset across the room.

We cut to black, and show white text: One hour earlier.

Joker is wrapped in a cape from a Phantom of the Opera Halloween costume and leaps over the end of a table, singing “Kill the bat!”, ending what was clearly an energetic song and dance number, most likely to the tune of “Kill the Beast” from Beauty and the Beast. “Come on,” Joker says, “it’s worth whatever we have to pay Disney.” Harley leans into him and whispers in his ear. “They wanted that much? And they call me a villain?” He cackles uproariously, before adding. “I’m joking– we’re both monsters.”

Flag drags Joker off the table by the cape. “Let me just say, this team was designed in the hopes of overwhelming a demonstrably superior force with intel from previous encounters. But you two are the only pair with largely duplicative knowledge.”

“Then why are we both here?” Harley asks.

“Both your psych profiles indicate an unwillingness to play well with others. And since we happened to sweep you both up on the same night, Waller let me have a spare, in case one of you goes boom.” He pantomimes the bomb at the base of their skull exploding.

“Not it,” Harley says, putting a finger to her nose.

Waller clears her throat. “Captain,” she says, before leading Flag away. “Any luck with the alien, Flag?”

“This time it only took 10,000 volts to get him to stop trying to eat my men’s hearts… but I don’t think he’s giving up the goods.”

“That’s fine. We don’t have to get buy-in. We just have to get him in the room with the right one of these do-gooders, and his anger will take care of the rest.”

“What about the Bat?”

“If we need the big guns to take down an industrialist with too much man-pain, you need to find another line of work.”

Batman is driving his, at this point still functional, Batmobile through Gotham. The interior lights turn red, right before Alfred calls over the radio. “Sir, sensors show you’re being shadowed by multiple aerial drones, as well as an armored personnel carrier.”

“Insignia?” Batman asks, taking a turn sharply.

“No known government markings, sir.”

“I’m diverting to site 21.”

“Would you like assistance?”

“At this stage, I’m not willing to risk anyone else.”

“Very good, sir. Happy hunting.”

Lights go from a low red to bright red, with alarms blaring loudly as Metallo leaps from a building down towards the car. In slow motion, we see Batman’s ejector seat send him hurtling just out of the reach of Metallo’s clawed fingers as his feet crumple the Batmobile’s cockpit. The ejector seat fires a small rocket burst before loosing a parachute. Almost immediately, the parachute’s wires are cut by several boomerangs, and Batman bounds off of a nearby wall, kicking free as the chair explodes. He’s able to use the cape to slow his descent enough for him to land, albeit roughly, in a roll. Batman touches his belt to cue his comms. “It was an ambush. Send a drone and the submersible to my location.”

“The bike?”

“Set it to circle the site. I might need a quick egress.”

And we’re now caught up to the beginning, matching one of the shots of his boots running, then, where that shot cuts to black, we stay at black, and put up white text: Now.

We go back to the Task Force X HQ. Waller, trying to save face, pivots, saying Batman is maybe the most dangerous of them, that he’s managed to survive on grit and wit, that they need to take out his potential allies to keep him exposed and vulnerable. Joker actually confronts Waller- accusing her of letting Batman go in the hopes of drawing in all these other players, and their weaponizable tech- Martian, Kryptonian, Amazonian, Atlantean, etc.. Waller won’t confirm or deny, but it’s clear there’s some truth to it- that him figuring that out almost gives her a grudging respect for him. He storms off, seemingly in a reasonably normal huff, stating he agreed to kill the Bat, not this suicide mission. Flag tells two of his operatives to follow Joker. He loses contact with them thirty seconds later. Waller triggers Joker’s bomb, and the guard nearest Waller’s head explodes. “Shirt,” she demands of Flag, and he strips it off. She uses it to wipe her guard’s blood off her face. “I told you the clown was too dangerous.”

“And I told you your security was sloppy,” Flag says, sliding the shirt back on. They each think Flag continuing to wear the shirt is a middle finger to the other, proof of the other’s screw-up.

“Uh,” Harley points out the cowl Joker left behind is playing a message on repeat- the same message he’s sent to the rest of the Justice League.

The message continues, as we show a montage, proving that Batman has secreted beacons in each of the League member’s homes, that activate, first showing a holographic bat signal, then playing his message. “These aren’t the circumstances I was hoping to contact you in. In fact, I was hoping I’d never need to. I was content to confine my activities to Gotham, and leave you to your own. That option’s off the table. A rogue government operative has assembled a team of our foes. Tonight they’re hunting me, and I have no doubt, they’ll hunt all of you, next. Divided, we’re easy prey. Together… we might stand a chance. I’ve cleared out the old Gotham Penitentiary. I was going to use it as a training facility, but I also realized a time might come when I needed a hardened site for an assault, isolated enough to prevent civilian casualties. Meet me there. And be careful. Waller has resources and cunning.”

We’re back with Waller and Flag at her HQ. He asks to see her without the guards. “I think there’s something you’re not telling me, Amanda. If you really wanted a military team, you’d have gone with the team I suggested. Or at least let me put these clowns through boot. This is barely a step up from that Central City amateur hour.”

“If there’s anything you need to know, I’ll let you know it.”

“You don’t get to pull that chain of command crap with me. I don’t work for you- that’s our deal.”

She smiles. “I know. But you’re fun when you’re angry.” She pours herself a drink, and doesn’t offer him one. “I did ask. The answer was ‘no’ on both fronts. Eiling. Never said a word to me, but he’s the only one in a position to make a case against us. Fear was we’d be creating better, more disciplined criminals; best-case scenario, we’d be replacing slap-dash heroes with trained ones- who would be that much harder to depose if they ever went rogue, and already have a history of doing just that.”

“And that’s why you let us screw up with the Bat.”

“Oh, he’s good. And I did not put my thumb on the scale. But I also didn’t go all in on that mission, either.”

“Because if we can’t take this ‘Justice League’ without training our operators, maybe they’ll let us do that.”

“Or even give us clearance to start recruiting ex-military, like Deathstroke and Deadshot.”

“Didn’t know Deadshot-”

“Yeah, he was one of ours. Second-most decorated sniper in history. Until we found out he was taking private contracts on the side- and wasn’t picky about whose side they were on. We wiped his identity, and there’s been a Presidential kill order for him ever since. I imagine he’d be willing to do some work for us, to have that rescinded.”

“Deathstroke, though… he doesn’t come cheap.”

“I didn’t say anything about hiring him.”

“I don’t think he’s broken any laws.”

“Mercs always break laws. And even if he was so clean he squeaked, there’s more than one way to skin a cat.”

“This is why I don’t work for you.”

“Keep talking like that, and I’ll find a way to make you.”

He ignores the threat. “So either we win, you get your proof of concept and your green light, or we lose, and you get proof you need more funding and access to better trained operators. I hope I never have cause to be on your bad side.”

“Good luck, Captain,” she says, and raises the glass she never once drank from.

Batman arrives at the prison on his cycle wearing a new cape and cowl. He interacts with a screen in his gauntlet, checking that his security measures are working. “There’s still time to call in the family,” Alfred says over his radio. “Batgirl and Nightwing are less than three miles out.”

“No. These people are too dangerous, even if I had time to prep them.”

“And if your reinforcements don’t show? Master Bruce… you barely escaped your last encounter intact.”

“I’ve got a radar ping, Alfred. Keep the kids away from here. Keep them safe.”

“As you wish, sir. Godspeed.”

The wind blows past him, and then an invisible jet lands. Wonder Woman leaps out of the cockpit, and shakes Batman’s hand.

“I thought about inviting you to a charity fundraiser,” he tells her.

“I bet they’d pay millions just to see the two of us dance.”

“I meant out of costume.”

“I bet they’d pay double for that,” she says with a glint in her eye.

“She’s funny,” Flash is there an instant later. “I knew she’d be intimidating. But funny? I bet you had the Batman blushing.” Flash runs up to Bruce, only to realize he’s towering over him, and comedically lurching back. “Though I could be mistaken.”

“I’m glad you came,” Batman says before turning around.

“I had to,” we hear him before we see him, Superman flying majestically into their midst. “My mom would kill me if I refused a polite invitation from Batman. Unless I sent one of those little cards, but I can never remember the right etiquette for those. Easier just to show.”

Could she kill you?” Batman asks. “Does she have access to the right minerals?”

“Huh,” Superman says. “I can’t tell if you’re joking. I usually can. Microexpressions, heart-rate fluctuations, even tell-tale changes in cerebral blood-flow or neuronal activity.”

“He isn’t joking,” Martian Manhunter says. “He rarely does. Though he does remember how.”

“Stay out of my head,” Batman growls.

“You probably shouldn’t be ornery with the Martian,” Hal Jordan says, landing next to John. “He was the one who convinced me to trust you.”

“Oh yeah,” Flash says, as if the thought is only dawning on him now. “This could have been a trap.”

“No,” Aquaman says, rising out of the reservoir beneath the prison. “I don’t believe anyone else could have found us all.”

“I’m not so sure,” Batman says. “Victor, you might as well come out.”

For a moment we join Cyborg in the shadows. “You can totally do this. You’re a fricking Cyborg.” He walks out of the shadows.

“I was hoping he was with you,” Superman says with a smile. “I… heard the pep-talk you were giving yourself. I’m sure you’ll do fine, son.”

“Don’t say ‘son,’” he replies, largely doing a bit.

“Oh, sorry,” Superman says, genuinely taken aback. “I didn’t mean to imply a patriarchal imbalance; I know you’re younger because I can see your telomeres, but-”

“I just thought we were doing a bit- wait, you can see my telomeres?” Cyborg looks down at his arm, and his cybernetic eye scans it. “Weird. So can I. Why didn’t I ever think of that?”

“Presumably because you already know how old you are,” Flash says, suddenly standing in front of Cyborg, “I’m Flash, by the way.” He puts out his hand at superspeed.

“I think introductions can wait,” Wonder Woman says. “You were about to describe the threat.”

Batman drops a metal ball on the ground which projects an image of Amanda Waller. “She’s basically me, if I worked for the government, was a complete sociopath and had been recruiting the most dangerous criminals we’d ever fought to weaponize against us.”

“If she’s basically you the suit quite effectively shapes your thunder,” Flash says.

“And it kind of washes you out,” Cyborg adds.

“Quiet, children, the adults are speaking,” Arthur says.

“Dude, you’re like thirty, not Arthurian.”

Arthur’s confused. “My name is actually Arthur.”

“That’s no excuse for talking like a Shakespearean character.”

“Touche.”

“Clever,” Flash rolls his eyes, “because Le Morte d’Arthur was written in ye olde English.”

Batman gets an alarm on his gauntlet. “We don’t have time for any of this,” Batman interrupts, “or any time for me to prep you. They’re on their way.”

“You’re leading them here,” Superman says, turning towards Batman, suddenly short.

“Like I said, we fight them here, they can’t hurt civilians- or use the fact we’ll protect innocent people against us. I asked all of you here for two reasons- one, there’s someone coming here each of you has fought before. Two, I think we share the same goal- saving innocent lives. You want to hate me after, you want to kick the hell out of me after, you can.”

“Something tells me he gives a similar speech on dates,” Flash says to Cyborg.

“Man, I’m just happy to be included,” Cyborg replies. “I’ve fought precisely one costumed weirdo. Usually somebody’d slap an ‘S’ on my chest and make me a sidekick, or put me on the JV squad.”

“We aren’t a team,” Batman continues. “We don’t know one another. Our best bet is to continue to work alone, fan out across this place. I’ve built in automated defenses; all of you have been white listed. But knowing the people coming, my traps will only soften them up.”

Cyborg raises his hand. “Yeah, as the one Black guy in the spooky, derelict prison, I think I’d be remiss in not objecting to us splitting up.”

“Anybody want to pair off with Stone?” Batman asks. “You’re welcome to. I’d suggest refraining from sleeping with him, though-”

“No reason to tempt the Gods?” Wonder Woman asks wryly.

“I will,” Flash says, before stopping himself, “go with you, I mean, not sleep with- I have a girlfriend.”

Cyborg puts up his hands. “No one asked, man.”

“So it’s a no questions asked situation?” Aquaman asks Wonder Woman.

“I heard that,” Cyborg says. “And we’re the children,” he says

“I mean you are like ten,” Flash deadpans, waits a beat, then adds, “Kidding; I can’t see telomeres, and you’re also mostly a robot. Though you do have a very youthful cheek.”

“I moisturize.”

“It’s working for you.”

Superman and Batman pair off, mostly because Clark doesn’t trust him (which makes Bruce like him more), and because he wants to try to keep the vulnerable human alive (which makes Bruce like him less). But Batman has his own plans, and takes him to his control room.

“You really trust this Bat-guy?” Green Lantern asks.

“Trust isn’t a concept in my culture. Agendas, subterfuge, are only possible for short durations, and usually by means of rogue technology. I know who he is; I know what he wants, and what he needs. He has been honest with us, to a point.”

“It’s that caveat that has my Lantern senses tingling.”

Manhunter reconsiders. “He would die to protect any one of us, without hesitating. He involved us only reluctantly, after nearly dying twice earlier this evening.”

“I’m beginning to feel like all of us are metaphorically naked around you.”

“Your ring provides rudimentary telepathic defenses. And it’s not polite to pry. I did look into the man, before we came. I’m a father; I can’t risk myself recklessly.”

Batman comes over the loudspeaker. “They’ll likely let the White Martian take point, in the hopes he can disable some of our defenses. He’s easily the largest threat. He’s a telepath. He could shut us all down from a distance without John.”

“So I’m your shield,” Hal says.

“Did I not mention that?” John asks wryly. “Although you won’t need to be for long. He’s here.”

John telepathically tells Flash and Cyborg where the Martian is. John has Cyborg scan to locate him despite him being invisible, and has Flash attack him with a whirl-wind, which John tells them will disrupt his ability to control his atoms- especially after Batman’s attack. Then he attacks the Martian’s mind.

For a moment Martian Manhunter and the White Martian posture, turning into vast webs of limbs and weapons, before John lowers his weapons. “You aren’t like the others. No bomb in your neck; I suppose you could phase out of it the second you wanted. What did they use to leash you?”

The White Martian lowers his weapons. “Megan. They threatened her- to drop thermobaric bombs on her, her school, your apartment. I couldn’t chance it.”

“No. I wouldn’t ask you to. But your heart’s not in this fight. Yield, and I will make it painless. You will tell them you were injured, and lost.”

He takes John’s hand. “Keep our daughter safe.” John shuts down the White Martian’s mind, and John tells Flash to stop, and the Martian falls.

Suddenly we’re in a different control room. Somewhat subtly, to start, it’s the same basic décor as Batman’s. “Martian’s down,” Flag says, as they watch on cameras.

“With time to spare,” Waller says with a smile, as she watches the Suicide Squad make their way through the halls. “He bought us our in.”

“I’m still not happy to have you on-site. You’re what we refer to as a high-value target, and we brought you into the lion’s den.”

“Had to be done,” she says. “This billionaire playboy has tech even DARPA doesn’t understand. The only way I could control this battlefield without being noticed and digitally cut off was to be on site, hard-wired into the system- a lot of which is our system.”

Waller takes control of a security panel, and tells it to target the Flash, before stopping herself, because he’s too fast to shoot. So she’ll give the hero a chance to save someone, and instead targets Cyborg with an automated gun. Flash tries to save Cyborg from as many bullets as he can, but takes several shots in the legs; Cyborg is able to build a metal shield with his tech that’s able to sop up bullets- though clearly the gun is slowly cutting pieces from it.

Back in the control room, Superman stands over Batman, both staring at a monitor. “Stop shooting at them,” he menaces.

“That’s not my gun. I don’t do guns.” There’s a flash of understanding on Superman’s face; he had an idea of who Batman was under the cowl, but that confirms it for him. “Someone else installed it. And they control it.”

“Then I’ll-”

Wait.”

“Can’t you hack into it?” Flash asks, as Cyborg protects him behind a shrinking shield.

“I can’t. It’s hard-wired,” he says, distracted by the gunfire.

“Then hard-wire.”

“Right.” Cyborg scans the nearest wall, finding the right cable, and punches into it, ripping the wiring out and inserting it into a port in his arm. The gun dies. “Whooh!” Cyborg says, raising his arms before collapsing with Flash. “Think I’ll lay back and have a little celebratory heart attack.”

“S’cool,” Flash says dazedly, largely laying in Cyborg’s arms. “I’m just gonna lay here trying to regrow my legs. I feel safe here, as the little spoon. Don’t tell Iris.”

We cut to Batman’s control room. “You’re not, are you?” Superman asks. “Going to tell her?”

“Only with a compelling reason,” Batman says.

“I assume you have one, for keeping me here, for why I’m not fighting with others.”

“I’ve seen the footage, from your coming out party, at Kansas State.”

“That’s not what it was.”

“I wanted you here because you’re vulnerable, in a way most of the team isn’t.”

“I thought you said we weren’t a team.”

“Teams train together. They trust one another. I don’t see either of those happening.”

“You really have trust issues, don’t you Bruce?”

“What?” Batman menaces. Superman is already a blur, but he’s back an instant later.

“God,” Superman says, putting his hand on Batman’s shoulder. “I’m so sorry. I know what it’s like to lose parents too young…”

Don’t.”

“It’s not healthy to stay this closed off.”

“I mean don’t get distracted.” Batman is focused on a camera, and we zoom into it.

Black Manta is advancing on Aquaman. “I thought for sure they would have sprung Orm,” Arthur says. “Or at least found a Colossal Squid salty I kicked it or something. Those diving suits are cool, but this is going to feel a lot like punching do-” Black Manta blasts Aquaman off his feet. Aquaman is wheezing, struggling as he tries to gets up. A little nozzle telescopes out of a wall, and hits him with a comedically large spray of water.

Superman grins, watching Aquaman knocked back on a jet of water. “And they think you have no sense of humor.”

“I’m about 90% sure that his powers are in part water-based, and judging from the heat coming off that blast, it dehydrated him.”

“Any defenses you were planning on using on the bad guys?” Superman asks, as Manta continues to advance. A different device telescopes out of the floor, and sprays oil onto it.

Manta’s suit gives him a warning, about low-friction, right before he starts sliding, kicking his legs wildly before doing a full Home Alone fall on his back. “Nyuck nyuck,” Superman says.

“Quiet,” Batman replies.

Aquaman punches Manta, but the suit is hardened, originally to withstand crushing ocean depths, and then redesigned to withstand Aquaman’s punches, so it barely dents. Manta tries to blast him from the ground, with Aquaman diving out of the way. “Remove the helmet,” Batman says through a speaker.

“Oh, right,” Aquaman says. He rolls out of the way of another blast. Manta tries to stand, but is even more oily than before, and falls face-down. Aquaman gets a knee into his back, and uses the leverage to tear Manta’s helmet off him. Suddenly seeing David, he feels a pang of remorse. “David, I-”

Manta punches him, knocking him back.

“You want me to-” Superman gestures in that direction.

“No,” Batman says, holding up his hand.

Aquaman lunges, reeling back to throw a punch, but Manta has ample time to punch him in the face. Manta freezes, and we see that Aquaman wasn’t throwing a punch at all, but delivering an octopus, one holding a small glass vial, sitting on Manta’s shoulder.

“I imagine you’re familiar with box jellyfish.” The octopus holds the vial up so that Manta can see there’s a little baby jellyfish inside. “Their tentacles are covered in microscopic cells that function like hypodermic needles. I’ve been working with Percy to get the dosing right; too much venom can cause cardiac arrest, but the right dose leads to paralysis. Because I don’t want to hurt you, David; I didn’t want to hurt your dad, either. You can blame me for his death, if you want; but he made a choice, not to look out for himself, or for you. He risked himself for profit. But… I am sorry. I know I played a role in his death. I was rash, and angry, and I lashed out. It was the first time someone tried to kill me, and I didn’t react well. But we don’t have to do this. You don’t have to take your obvious genius and bend it to hurt people. You could extend humanity’s reach into the deepest parts of the ocean, and further into the reaches of space. I hope you choose something better than this.” He turns to go. “Oh, the octopus is going to stay. He’ll give you a couple of injections. The first is a cocktail, some Atlantean medicine, spiked with some cholestorol agonists. It should prevent any long-term damage from the venom. He’ll also give you a dose of tranquilizer.” The octopus produces a syringe, and hovers the needle over Manta’s eye. “It doesn’t go in the eye, though.” Arthur leans in. “He’s not really a sadist; he just has a warped sense of humor.” The octopus flips Aquaman off as he walks away. “I saw that.” The octopus looms over Manta, wringing his tentacles menacingly.

“Diana,” we hear Aquaman call. Then we cut to him searching. “Diana!”

We cut to Diana parrying a strike from Cheetah. “We don’t have to do this, Barbara.” She catches another blow on her bracelet, which clearly hurts Cheetah’s hand. “I have no desire to hurt you.”

“No,” Minerva scoffs. “You just want to protect the status quo, and all the predators that protects.”

Diana ponders a moment. “I don’t. I also don’t know who preyed on you, Barbara, but I would love to help you stop them- or stop those like him.”

Minerva weighs the offer. “You might even believe that. But they don’t.” Aquaman passes on the other side of two-sided glass, thick enough he can’t hear their fighting. “The men you’re fighting with. Men can’t accept strong women. You’ll find that out.”

“They don’t get to make my decisions for me.”

“You might believe that. I can’t.” Barbara unsheathes her claws. “I know I can’t beat you. You’re faster. Stronger. And you’ve been at this a hell of a lot longer than I have. In a fair fight, I’m catnip. So why fight fair?” She produces Flag’s sidearm, and fires slowly. She’s trying to lead Wonder Woman towards a Claymore mine she and Flag set.

“You should help her,” Batman barks.

“I’m not a dog you can order to attack.” He uses his x-ray vision to ascertain her location in the prison. “I have her- if she needs me.” There’s an awkward silence for a moment. “I do have a Kryptonian dog with similar powers… but he’s shorter, cuter, likes being scritched behind the ears.”

Batman pauses a beat. “What breed?” Batman asks, both because he’s genuinely trying, and because he actually likes dogs, or at least, he likes his.

“Uh, Kryptonian, I otherwise don’t know how to answer that.” He pauses, too, realizing what’s happening. “Yours?”

“German Shepherd. Smart, loyal. Alfred named him ‘Ace.’”

“I guess Krypto resembles a labrador, a white one. He’s smart, too.”

“Do you make him wear a cape?”

“He… gets really anxious if you try to take it off him. Yours?”

“I’m not a monster.”

Pause a beat.

“Have you ever called him your bat-hound?” Clark asks.

Awkward silence, before we cut back to Wonder Woman deflecting more bullets.

“I want you to know something, Barbara, that you taught me. I always saw these bracelets as a shield. I used them to protect myself, and my sisters. I was so focused on protecting people, that I didn’t realize, sometimes the best defense,” she turns her wrists, so a pair of Minerva’s bullets bounce off the bracelets, and ricochet to hit Minerva in the knees, and she goes down, “is offense.”

Barbara’s lying on the ground, holding her gunshot knees. “If I call that a sucker punch, do I have to admit you suckered me?”

Diana holds out a bit of cloth to bind the wounds. “I can’t make promises, Barbara, but I meant what I said. If I can help you, or help you help others, I will. And may the gods make room in Hades for the men who oppose me.”

Cheetah thinks a moment, before taking the cloth.

We cut back to Waller’s control room. “Damnit, I’ve lost visual on Quinn,” Flag says. “Should I blow her?”

“If it’s permission you’re asking for, I think it’s the lady who’d be the one to give it,” Boomerang says, tapping Harley’s monitor.

“No,” Waller says. “This place was a prison, built in the old Gotham mines. There’s feet of rock, concrete and ore in places. We still have audio.”

We cut to Harley, walking into Batman’s control room, holding a white flag in one hand and cue cards, the first of which reads, “Hiya, Bats!” with a little heart dotting the I. She quickly flips to the next card. “I’m bugged” (with a crudely drawn cockroach illustrating it). “And booby-trapped.” Her next card has two diagrams, one with an outline of a chest that’s Xed out, and the other with a circle at the neck.

Batman holds up his hand to stop Superman. We zoom in on his mouth, barely moving; we hear it as Superman does, a whisper, but LOUD. “X-rays might set it off.” Clark nods grimly.

Batman pulls a device with a needle and a scalpel from his utility belt, and Harley stumbles backward, falling back into a chair. Batman signs at Clark, and we subtitle it. “Distract her.”

Superman begins pantomiming, and Harley, confused, follows along. “Look? It’s a bird? No, a plane? No- ow, my neck,” Harley moans, as Batman jabs something into her neck.

“The device is inactive,” Batman says at full volume. “It’s probably safer not to remove it in the field.”

“So it’s safer to leave it in my neck?” Harley asks, springing to her feet.

We cut back to Waller. “Detonate,” she commands, and Flag hits the red button with her name on it. She waits a moment, listening for a detonation. “Shit.”

We’re back with Batman, Superman and Harley. “You could have been wrong,” Clark says.

“But I wasn’t,” Batman says. “Receiver was using a WayneTech chip. I removed it.”

Harley collapses back into her chair. “I really need anxiety meds.”

“Who’s left?” Batman asks, leaning threateningly over her, tilting her chair to put her even more ill-at-ease.

“I’d tell him,” Superman says. “He’s really not rational when he’s like this.”

“Who is left?” he asks again.

“When I left the other control room, there was Boomer, Flag, and Waller.”

“Waller’s on site,” Batman says. “And Flag has a fractured rib; should take some of the fight out of him. Should have broken his trigger fingers while I was at it. That’s all?”

“That, and ‘the big guy’ who was apparently a big fan of eating hearts, and the only one who spooked the guards more than Mistah J.” Metallo crashes through the rear wall, and immediately the shielding around his kryptonite core slides away. “Oh, and that guy.”

“Damnit, Quinn,” Batman says, ducking under one of Metallo’s arms even as he connects with Superman, knocking him into the opposite wall.

Batman starts kicking one of the console panels. “What are you doing?” Quinn asks.

“These systems are all water-cooled.” The panel bends inward, and he’s able to tear it loose, and slices through a hose with a batarang in his fist.

“Heh,” Harley chuckles to herself, “his water broke.” The water crests against Metallo’s metal feet, where he’s using Superman, embedded in the rock at this point, as a punching bag. Batman climbs on the chair with her. “Hey, what gives?”

“We’re improvising. Lift your feet.” She does, as he flings several batarangs at some insulated cords along the wall, slicing through them. One strikes the water, electrifying the floor, frying Metallo, freezing him. Superman, no longer held in place by the force of punches, slides to the floor, where he starts being electrocuted. He struggles to the cable, and picks it up, stopping the flow of current.

“That hurts more than you might think,” Superman says.

“We improvised,” Harley says, as Batman sprints across the room. “You should have listened when he said to lift your feet.”

“I’m sure he’s shielded, we’re probably just waiting for his processors to boot back up,” Batman says as he welds a piece of lead-lining from an x-ray protection gown in Metallo’s chest. “That should help,” he says. “Just don’t hit him in the chest.” Metallo grabs Batman by the throat, but Superman is there in an instant, and knocks him back.

“You okay?” Superman asks.

“I’m fine.”

“A choking like that won’t do any more than a day of vigorous growling,” Harley says, as Metallo and Superman punch each other in the face. “It’s kinda like rock ‘em sock ‘em robots,” Harley says, having to leap out of the way as Metallo throws Superman.

“Sorry, ma’am,” he says, before flying at Metallo.

“Ma’am me again and I’ll make you sorry,” she says, kicking at the empty air where he’d been. Batman grabs hold of her chair and rolls her into the hall as a man-shaped dent appears in the door behind them.

“I think we’re safer out here,” Batman says.

“Unless they’ve got some kind of redundancies in the arming mechanism,” Harley says.

“Fair point. Stick close.”

“Yeah. Nobody wants to die alone if they can take someone else with them.”

“If they need line of sight to set off any redundancies, they have to expose themselves.”

“Ew,” Harley says, making a face.

“Now this is awkward,” a voice echoes menacingly through the halls.

“Run,” Batman says, but Harley stands her ground.

“I never thought I’d find you rubbing another man’s rhubarb,” Joker says, stepping out of the shadows with a large gun.

“I thought the emoji was an eggplant,” Harley says.

“I just can’t decide who to shoot first,” he laughs to himself, before jamming a drum magazine onto his gun. “But I’m not Dent- I don’t have to choose- I can just shoot everone!” he cackles gleefully, filling the hallway with gunfire that doesn’t quite drown out the sound of his laughter (or last as long).

Batman shoves Harley down, taking the brunt of the shots in his armor, protecting her. They’re both lying on the floor, unmoving, Batman with his face covered by a few inches of water.

Joker walks slowly, reloading as he speaks. “Of all the girls I shoved to the floor, I never thought I’d find you sleeping with the enemy, though so long as you’re both sleeping with the fish, who am I to com-” close on Joker’s feet, as we see he’s tripped a wire. Joker stops dead in his tracks, and says, “heh, booby,” before an explosion knocks him into the far wall.

Batman sits up gasping for air. “My hero!” Harley says, wrapping her arms around him. Batman is clearly uncomfortable with the affection, and stands stiffly up.

“I knew he had to be hurting you, too. It’s who he is.”

“It is who he is,” she says indignantly, stamping over to Joker and beginning to kick him.

“Ow, my heart,” he says pathetically, as Batman lifts her up and puts her down away from Joker. Batman lifts him up, and Harley kicks him back down. Batman raises a stern finger to her, and she puts up her hands. Batman gets him up enough to cuff him to a metal bar, then turns to leave, before stopping.

“You know, we’d all be safer if he was unconscious.” Unbridled joy spreads across Harley’s face.

“You wouldn’t hit a guy with glasses, would you?” Joker asks, putting on a pair.

“Those are mine!” she squeals indignantly, kicking him, taking the glasses, and then scissor kicking him into the bar with a gloriously satisfying clang. “I just use ‘em for reading,” Harley says, folding them and putting them in a pocket.

We cut back to Waller and Flag. “Given I can hear the thunder of steel men’s fists, I take it Corben’s still in the fight,” Waller says.

“That’s a bad sign,” Flag says. “He’s not supposed to go toe-to-toe. His edge was the surprise. Longer the fight goes, the better the odds it doesn’t go our way.”

“Then let’s stop dicking around,” Waller says. “Time to put our big gun in play.”

“I’m not sure how wise that is. He might decide to just kill the two of us and leave.”

“Captain, if I stopped every time a man might decide to kill me, I wouldn’t have made it past elementary school.” She cues up a mic. “Do it.” She opens a channel into a cell. “I know we’re still getting to know one another. I know you’re still considering whether to just slaughter your way free. But I have a counter-offer. Kill one of these ‘heroes’ for me, and I’ll see all Earthly records of your time and crimes here expunged. Kill a second, and you’re free. Kill them all, and I’ll tell you where I have William Hand stashed away. Whatever you decide to do with him, it will be like he never existed. Oh, and the first ‘hero’ you get to kill is a Green Lantern.”

We see sharp teeth smiling in the dark cell, lit very faintly by a red light. “With blood and rage of crimson red,” the large alien’s foot stomps, shaking his cage as Waller’s soldiers run.Ripped from a corpse so freshly dead,” his other foot stomps as he tears off his shackles, sending the metal chains flying at camera, “Together with my hellish hate,” he smashes his metal cell, and the doors and all of the walls and even the ceiling fly off in different directions, “I’ll burn you all, That is your fate!” Atrocitus screams, the final words of his oath, as a red lantern symbol burns behind him.

“So… that’s bad,” Hal says. “I thought Sinestro removed him from the planet.”

“Apparently he was stopped by the Earth authorities,” John says, gleaning that much from a superficial reading of Waller’s fleeing soldiers.

Hal’s ring fills them in. “His ring assessed that human casualties sustained in retaining custody of the prisoner were unacceptable, not to mention that the odds of the prisoner escaping during any conflict approached the 90th percentile.”

“John can you-” Hal doesn’t finish the thought before he’s knocked back by one of Atrocitus’ projections.

“No,” John says, phasing through another. “Like your ring, his provides a degree of telepathic shielding. This calls for a more direct approach.” John phases through Atrocitus’ force-field.

“Martian, huh?” Atrocitus says, almost a laugh. “Burn.”

John is engulfed in a burning red flame, before Hal is able to douse him with green foam to put him out. John is able to phase back through the field. “That hurt like fire,” John says.

“You know what else burns like fire?” we hear the words as Flash blurs by. He vibrates through Atrocitus’ shield, and punches him a thousand times, before Atrocitus stumbles backward. Flash vibrates back out. “That’s right: getting punched like a thousand times in a second. You know what that answer wins you?”

“Another thousand punches?” Atrocitus asks wearily as Flash vibrates back through his force-field. This time, however, he’s met with a second, growing field, that shoves him back, screaming, through the first.

“Okay, John, you were right,” Flash says, “that does burn like fire. Vic, you got anything?”

“Yeah,” Cyborg says, “just didn’t want to step on your moment.” He’s got the sonic canon he used on Deathstroke, only now it’s fancy and sleek, and he blasts Atrocitus with it. It looks, from the outside, like the force-field absorbs it without anything happening, but Vic explains, “See, I scanned the frequency of his field, and calibrated my sonics to harmonize with it, turning his field into one big echo chamber.” For a second we pop back inside the field, where the noise is hard to take. Atrocitus drops the field for a moment, to let the sound out. In the moment his field is down, he’s hit in the chest with a batarang that explodes. He stumbles backward, into Diana’s lasso, which she yanks, sending into to the ground, where we see that on his back is the octopuss.

“You know what else burns like fire?” Aquaman asks.

“I can’t be the only one who’s expecting him to say gonorrhea,” Flash interjects.

“Box jellyfish venom.” We zoom on the octopus injecting atrocitus. “Lantern?”

“I got you, little guy,” Green Lantern says, pulling both the jellyfish and octopus away from Atrocitus in a little protective bubble.

Atrocitus scream. “I don’t imagine it’ll cause paralysis in your species, which presumably come from another planet. But sounds like it’s still unpleasant.”

“Fools!” Atrocitus screams, lashing out in all directions with a wave of energy and weapons and flames, knocking them all to the ground. “I will peel the flesh from your skulls and eat it.”

At that precise moment, a human face barely sticking to a metal exoskeleton impacts with Atrocitus’ force-field; it’s Metallo, thrown by Superman. “I wouldn’t start with that one,” Flash says. “I’m pretty sure it’s artificial. I’m sure it would do lousy things to whatever your equivalent of a colon is.”

“Fast-men, stress his shield,” Batman says. Superman and Flash run circles around Atrocitus, pummeling his force-field. “Diana, put the squeeze on him.” She lassos his field and tightens it.

“Lantern, let John in; make sure he can’t surprise us.” We zoom in. Martian Manhunter and Green Lantern are, in effect, standing on the sheath of energy around Atrocitus’ body (the one that’s inside his larger force-field bubble). They see armies of red energy monsters form and unform.

John explains that, “The rings anticipate you; they try to be prepared for whatever you might need. I have connected you, so that whatever he attempts you will counter, automatically.” Another army rises, but this time, they’re joined in battle by a tiny green one.

“Cyborg,” Batman says. “I need the opposite of what you did before- a frequency that will cancel his field. I need a hole.”

“Then call me Dr. Stone,” Vic says, before adding, “kidding, ‘Doctor Stone’ is my father.” He blasts the field, slicing a hole in it.

“Shuck him like an oyster,” Batman commands. He manages to get a batarang in the hole, and pulls, himself, as the others grab on the hole in the field and pull. Atrocitus tries to create a red energy tentacle, but it’s caught by a green glove, he creates a battery of missiles, only for a green ramp to aim the missiles directly into his own face.

“John? I’m pretty sure he’s not fire on the inside,” Batman says.

John smiles. “You terrible, clever man.”

John oozes through the hole into the force-field, then phases past the energy sheath around his body, poring into his mouth and disappearing. “Would you like to do the honors?” John asks in Batman’s head, as Atrocitus’ sheath dissipates.

“John knows everything about your species that you or the Green Lanterns do. Like where to put pressure to bisect your spinal cord.” Atrocitus’ legs go limp, and he crashes onto his stomach. “Drop the ring, and yield, and it stops. Or John and I start getting creative.”

“Bastards,” Atrocitus yelps, peeling off the ring.

“Lantern?” Batman asks.

Hal picks up the ring in a green energy box, and his ring tells them it’s an authentic ring, that Atrocitus is unarmed. “You can come back out, John.” Manhunter phases out of Atrocitus, which lets him leave all of his bodily fluids where they had been.

“I thought he smelled bad on the outside,” John says. “Is that a reference humans still make? I’m… making a list.”

Quinn arrives with the Squad Members, and Waller in tow. Waller has a boomerang sticking out of her forearm. “Tell them what you told me, B-man,” Harley says.

“I can disarm the bombs in their necks, Waller. But you’re going to let them go.”

“Really?” Waller asks, shoulder-checking Harley as she steps to the front of the group. “From where I’m standing you’re holding an exceedingly weak hand. I know who all of you are, under the masks. Two of you are aliens. Two others aren’t human. One is in thrall to an alien military force, another a threat to modern society, and the other a threat to the very fabric of reality. This is one fight you can’t win, B-man.” She leans on the “B” in a way to make clear she considered calling him “Bruce.”

“That’s your problem. You don’t realize you’ve already lost.” Batman has footage from her control room, played holographically. Harley breaks in. Waller is nearer to the door, and tries to slow her down.

“Her bomb is disabled,” Waller barks. “She stops, or we start blowing the other Task Force members.”

“I’m not killing random people for you, Amanda,” Flag says, stepping away from the control panel.

She hits Harley with her gun, and pushes past him, “Then I’ll do it.”

Boomerang hits her with a boomerang in the arm (the one still embedded in the meat), and Harley punches her in the face. Flag puts up his hands.

The footage cuts to Waller training a gun on Cyborg, shooting Flash, shows Waller ordering Atrocitus to attack them.

“I’ll spell out for you what I have, Waller: it’s an agent of the government weaponizing a criminal army on US soil against citizens, none of whom have been accused of a crime. Worse, two of your targets are diplomatic envoys from sovereign nations. And,” documents flash across the screen, “here are the contracts for the tech you hoped to steal and then have replicated. So door number 1 is the end of your career, and your seedy little Suicide Squad.”

“Then what’s the carrot?”

“You live to fight another day. But your indentured army goes free. And so do we. An end to hostilities against anyone in this room. You still get to operate in the shadows, you just stop using us as your proving ground. There will be no reprisals- not from any of us, and not from you, or I go public, and the chips fall where they may.”

“You trust them?” she asks of the Squad.

“I trust that they understand their situation. Right now, I’m the lesser of two evils. But I’ll worry about that. This agreement is between you and me. Of course, you can always try to renegotiate with them.” Flag and Harley in particular are staring daggers at her, but Cheetah understands she could have been the one Waller tried to kill despite their agreement.

“Fine.” She shakes his hand. Waller leaves. Flag stays behind.

“You sure I can’t just kill her on her way out?” Cheetah asks.

“No,” Batman says. “But I do have an offer I’d like to make to all of you.”

“I should make sure she doesn’t make a beeline for the control room,” Flash says, zooming away.

We cut to later. “I’m not sure how I feel about you hiring yourself a mercenary army,” Superman says.

“We’ll have plenty to talk about that, though I view it more as an unorthodox rehabilitation program,” Batman says, but holds up his hand. Batman says, “Mask of Zorro,” into a bit of rock wall, and a piece of cave slides away, revealing a number pad. He removes his glove, and taps in a code, his fingerprints providing the biometric portion of the lock. The cave wall slides away, revealing a sleek black train. “All aboard.”

The ride is smooth, and doesn’t last very long, before they arrive in the Batcave. Alfred has prepared a feast for them, and set a table and chairs out for them to eat. “What is all this?” Superman asks. “You said yourself we aren’t a team.”

“No,” Batman says, “but maybe we need to be. Waller isn’t going away. I’ve known her kind. She may not be this brazen again, but she isn’t done testing us. And she’s far from the worst threat waiting in the wings. I haven’t changed my mind- not completely; I’m not ready to build a hall of justice and schedule regular meetings of our justice…”

“Family,” Superman suggests.

“Corps,” Green Lantern tries.

“Titans,” Cyborg adds.

“Legion?” Wonder Woman says.

“League?” Aquaman offers.

“Avengers?” Flash asks.

“I’m regretting this already,” Batman says. “But for tonight, we endured. For tonight, I need to say,” he removes his mask, “thank you for coming.” He can’t quite bring himself to admit that they came to his rescue, that they saved him, but they did, and they all understand- and understand that each and every one of them would have done the same for them, but also for anyone. That whether or not they say it tonight, they have built something, something that will endure.

We roll credits.

Mid-credits scene: “There’s a bloody morals clause?” Boomerang asks.

“And a death waiver,” Harley adds.

“It’s a liability waiver,” Flag says. “Death, dismemberment, other injury. Benefits are generous; life insurance if we’re killed, full disability insurance if we’re injured on the job. The morals clause just says we punch who we’re supposed to; looks to be modeled on a military code of conduct.”

“It was,” Batman says, walking into their midst. “But like I said, you don’t want to sign, you’re free to walk. You stay, you work for me. I put a team of high-priced lawyers on any prior issues you’ve had, and compensate you handsomely for your time and talents. Unlike Waller, I don’t view any loss of life as acceptable- especially my people’s lives.”

“How handsomely?” Quinn flips to a different page for Boomerang.

“Monthly?”

“Annually.”

Boomerang scoffs. “I got that much in a single day from hitting Central City Bank.”

“And how much of it did you get to keep?” Batman asks. “Scratch that. How deep in the hole were you, between boomerangs and dental work after Flash was done with you? 10 thousand? More?” He pivots away from Boomerang, who is a little pissed, but Harley puts her hand on his arm and he chills. “There are also bonuses. I anticipate us hitting criminal enterprises. Drugs and weapons we destroy, but we keep cash or anything else. Fifty percent goes towards operating costs- with the hope of reaching sustainability- the rest is yours to split evenly. So that figure is guaranteed base pay; you step on a landmine two steps into your first mission and lose a foot, you get that to live on- maybe more, if the rest of the team keeps paying out your portion of the bonuses. Oh, and if you stay on, you train.”

A woman with short red hair and military workout gear drops her bags. This is Batwoman, though we aren’t going to see her in costume for a while yet.

More credits, then one final end credits scene. Bruce Wayne is walking Ace on the grounds of Wayne Manor. He bends over to pet the dog’s head as a gust of wind blows, and the dog whimpers. “It’s okay, boy,” he whispers. “What are you doing here?” he asks without turning around.

“There’s someone I thought you needed to meet,” Superman says, before floating aside, revealing his flying dog, Krypto! The dog lands beside Ace, and they smell each other. “And you must be Ace,” Superman puts his hand out, and Ace sniffs it. Ace looks to Bruce for approval. Bruce gives a little nod, and the dog responds happily, and rubs his face into Clark’s hand.

“Krypto, meet Bruce.” Krypto floats in front of him.

“Does he shake?” Bruce asks. Krypto shakes like he was covered in water, and stares at him with a dopey dog smile on his face.

“Told you he was smart. And yes. If you put out your paw, he’ll shake.”

“How smart?” Bruce asks, putting out his hand. Krypto shakes it.

“I don’t have a precise answer; smarter than an Earth dog, not as smart as a human. The sun affects him the same way it has me.”

“Strong as you?” Bruce pulls the dog forward by the paw, and it rolls, flipping him over. He rolls, landing gracefully.

“Proportionally, at least.”

“Hmm,” Bruce says, eyeing the dog. “That might make him, pound for pound, the most dangerous thing on the planet.” Bruce turns back towards Ace. “I hope he’s a good boy.”

“You said the magic word,” Clark says, as Bruce is mauled by Krypto’s tongue, giving him dozens of slightly too-fast face licks. “Who’s a good boy?” Clark asks, and Krypto flies to him next.

“I think that depends on what you value,” Bruce says, snapping, and Ace sits at attention. Bruce gives him a treat. An instant later Krypto is sitting next to Ace, sitting just as behaved and attentive. “Touche,” he says, and tosses Krypto a treat of his own.

“Wait,” Superman says, “what’s he got in his mouth?” Ace is holding a small plush of an impish figure in an ill-fitting Batman costume.

“Damnit,” Batman says. “That’s his Bat-Mite.”

“Bat-Mite?”

“Alfred found it on a trip to India. As far as we can tell, the name is a corruption. One of the meanings of ‘man’ is ‘value,’ which can translate to “mite” in Urdu. I’m not sure how he keeps finding the damn thing; I keep hiding it.”

Ace holds it out, and Krypto sniffs it, before licking the doll’s face. We don’t see it, and neither do our heroes, but Krypto notices the imp wink at him, and tilts his head in that confused way dogs do.

End

Unsuck Heroes: Martian Manhunter

Unsuck Heroes is a series about making characters who suck not suck, as explained here:

I’ve always liked the Martian Manhunter. Superman is what happens with an extrovert starting over blissfully unaware he’s the last of his kind; Manhunter is an introvert who witnessed his people’s last gasp and knows what he lost. He’s an empath whose whole existence has been a trauma, but he’s still trying to make the world better… even as he struggles to truly be a part of it. But I’m also not making the argument that he doesn’t suck. He does, most of the time, despite all of this potential.

1) Calling him the ‘Martian Manhunter’ makes as much sense as calling Superman the ‘Kryptonian Plumber.’ Sure, he’s probably fixed a toilet or two in his day, but that’s… really not what he does. So we fix that by making John… a manhunter by trade. At one point, the Oan Manhunters reached as far as Mars. While the Manhunters were marginally in charge of the sector, the Oans had discovered they lacked social graces, and sometimes partnering with locals meant that they could more easily handle cases requiring nuance and tact. Depending on the timeline, John can either be one of these who partnered with the Manhunters, or just someone brought up in the same traditions- that all sort of hinges on how old you want your Green Lantern Corps. to be. John was on one of these manhunting missions off-world, on Earth, actually, when the Martian cataclysm occurred. He returned, to try to help, but was powerless to stop it, and forced to watch his family’s demise. He tracked the origins of the cataclysm back to Earth, where an unethical scientist accidentally created the psychic virus that killed every other Martian. John wonders if he’s immune, which brings the horrifying realization that he might have been the carrier that transmitted the virus home.

2) Because he’s a second-stringer, he’s always being sidelined for Superman. But some of this inevitably comes from the fact that he’s been a second-stringer, and therefore never got his own rogues, which leads to a spiral- no archnemesis of note means no starring role and down and down we go. This is helped by the backstory in 1. That unethical scientist is a Luthor type. But unlike Lex, having his own resources to fall back on, he’s a con man- smart enough to fleece people to fund his research, and then disappear before the check comes due. This also makes it necessary for John to hunt for him- especially since his first invention upon meeting John was a helmet that shields him from John’s telepathy.

3) Fire bad. Okay… this one’s going to be a bumpy ride. Because the thing is, the one thing guaranteed to be at literally every superhero fight, is fire. He might as well be vulnerable to oxygen. But… I have a solve- courtesy of Batman. Wayne was working on new heat-absorbing panels for a next-gen shuttle; they’re meant to function like scale armor, or a phalanx’s shields, interlocking in such a way to minimize heat leakage between them. John essentially carries some of these in his body at all times, and can assemble them in such a way that he can make himself somewhat fireproof; he can’t phase them, and holding them in place would essentially require all his shapeshifting concentration, so they would greatly reduce his ability to move or pass through matter, but it means that he can at least withstand some fire temporarily. It’s not a complete fix… but honestly, I wouldn’t want one. John’s already the Superman problem times 20- he has a superpower for literally every situation and only the one, largely silly vulnerability. We have to give the villains at least a little bit of a chance.

4) Personality-wise, though… John sucks. This is honestly probably where he sucks the absolute most. Because his entire character is essentially locked in as a perpetual outsider. It’s lazy, and worse, nonsensical. He’s a telepath, skilled at manhunting, which involves at least some ability to blend into a native population. Sure, at some core level, he’d struggle as one of the last Martians. But he can read minds, he’s empathic even when he’s being portrayed as cold. I think this calls for a whole arc, frankly. John starts pissed at being alone, the last of his kind. He hunts down the scientist responsible for his specie’s near-extinction… but along the way realizes how many people are just as vulnerable and deserving of care and protection as his family. John goes from wanting to burn the world and the entire species responsible for his loss, to wanting to hold the scientist responsible according to the Earth’s laws, while working to help humanity embrace its better nature, and his own.

DCNu Pitch: Martian Manhunter

Since the DCEU is rebooting, I’m pitching my own reboot here. I’ll likely continue on with my older pitches, too, but given that the Snyderverse is as dead as Kevin Costner’s Jonathan Kent (um, spoilers, I guess, if you somehow missed the first movie in the Snyderverse, but also still care about details from a 10 year old movie), my focus will likely shift to these. To differentiate continuities, the new ones will be given a DCNu tag.

I think I’m going to continue to ladle out details of my overarching plans, but I’m scheduling things to take advantage of the fact that we have a lot of well-known, even successful franchises and also a lot of question marks. By padding the more questionable stories between more known quantities, you aren’t going to accidentally derail the entire project if say Martian Manhunter doesn’t catch on with the public- because it might not, for the same reason that projects like “Black Adam” or even “Blue Beetle” might not.

Martian Manhunter

This will draw on the write-up I did for John as an Unsuck Hero, but will hew more towards narrative.

We start on Mars. The man who will eventually be called the Martian Manhunter is just called John. He’s preparing to leave again, and his wife is uneasy. For years he’s been on the trail of a White Martian terrorist responsible for igniting a civil war between Green and White Martians that’s still raging. John hopes that by bringing the terrorist to justice, the war can finally end, and their family can be finally safe. His wife shifts, her skin turning White. She’s afraid, afraid his efforts could see them targeted, afraid of being exposed as a White Martian, afraid for their son and daughter. John shifts into his uniform; it’s not quite the one we know, and is somewhere between that and the Oan Manhunters.

In this continuity, the Oan Manhunters spread as far as Mars. However, they were ill-equipped to deal with a civilization that had no spoken language or even body language, relying entirely on telepathy, and so recruited locals to interface with the population, which eventually became a Martian Manhunter Corps., essentially their police force. The Oan machines have since been recalled, but the Manhunter Corps. continues in the same tradition, even keeping the name for its protectors.

John’s wife is an extra skilled telepath; the Manhunters usually employ them for long-range recon, but because she’s a White Martian she couldn’t pass their security checks, so she scans for John under the table. She’s the one who found the terrorist, hiding on Earth.

Manhunter pilots a ship from Mars. He talks to his superior in the Manhunters, who tells him he’s going out on a limb, because there haven’t been any unauthorized launches since the terrorist was last seen on Mars. John feels confident, which leads to the superior probing for information on his CI, but John plays coy, saying only that he trusts the informant with his life- and the superior warns that he could be- John wouldn’t be the first Manhunter caught in a separatist trap, tortured for intel then set on fire.

John lands, and scans the local population for information on what they look like, eventually settling on a detective, blue trench coat with an exceedingly high collar and a hat (I think his eventual uniform will incorporate elements of this disguise and his Manhunter uniform; you could even give him a red vest and a red belt). The people in his immediate area are predominantly watching a detective movie on the TV, the lead played by the actor playing John, so when he makes himself look human, he resembles that actor (I’d probably have the TV version wearing some prosthetics, just so it’s not too 1:1, otherwise he’d be in disguise as relatively well-known actor- someone likely to draw attention).

We’re going to do a riff on a noir story, here. There’s a femme fatale waiting in his office, and she pounces on him, kissing him passionately. He pulls her away. “Shiera, I said this can’t happen.” She corrects him, that he said it can’t happen again. “I know what I said,” he says coldly. She softens, asks if things are okay at home. He remains cold, because he’s angry at himself, and snaps at her that he didn’t go back home for gossip, he went to find a lead- and he did. She asks if she should get her wings, or even call in her people.

He tells her this is his fight- that if his intel is good, he’ll call for backup- that it’s too dangerous a fight for her- or really anyone who isn’t Martian.

John can’t just scan for his target; the separatists have developed a method of hiding from telepathy, something that is strictly illegal in their society. But his wife’s scan puts him on the trail, and he’ll have to track him the old fashioned way. He finds an apartment the White Martian had been using, which gets him known associates, leading eventually to the discovery of the terrorist himself- unfortunately he ‘feels’ John at that moment, and runs, so John pursues him on foot for a fun little chase through the rain, before their confrontation.

Their fight appears to be a massive shapeshifting battle, until the terrorist realizes the entire thing is happening in their minds, that John is trying to limit the fallout and exposure to the native Terrans. The terrorist tries to lash out in the real world, but splitting his concentration just makes him vulnerable in his own mind, and John’s able to subdue him.

John stops back at his office to say goodbye, to Shiera, to Earth, to this whole assignment. Shiera doesn’t want him to stay gone, and tries to justify their affair, largely to herself; deployed so far from home, she has an agreement with Katar. John says he doesn’t have that kind of relationship, nor is Mars as distant as her home world; he understands how all of this is different for her, but he’s betrayed the woman he loves. Shiera is smart, though; she tells him some part of him felt betrayed by his wife. If it wasn’t for her White Martian heritage, for her ties to the terrorist he’s been hunting- his eyes flash red and she doesn’t finish.

On his ship, the terrorist teases John. I think I’d make them both rivals for John’s wife’s affections- that before she married John, she was in a relationship with the terrorist, finally leaving when his extremism and the danger that placed them in became clear. He reads John’s guilt over the affair, something John takes as a threat to tell her. “John, she has one of the strongest minds I’ve ever encountered. She already knows. She’s just waiting for you to be honest with her. She deserves at least that.” John says he doesn’t think he should be taking relationship advice from a terrorist. “Remember, I know her at least as well as you do.” John delivers him to a cell.

John confronts his wife with the truth of his affair. She’s… very understanding, all things considered. She knows their life together was never easy, but as the civil war mounted, she became consumed with her fear. She knew hiding her put a strain on him, but she could barely contain her own fears over their children. She left him alone in their relationship, just as surely as he left her on his missions. It’s not a justification, but she is keenly aware of their circumstances.

On Mars a psychic disease quickly becomes a pandemic. The infection pattern first makes the Manhunters believe it’s a deliberate attack, until they isolate it down to psychic contact with John’s prisoner- but given the nearly constant contact of Martian telepathy, universal spread occurs quickly. Most horrifically, the disease burns out the Martian host- literally using the Martian’s powers to set fire to the body, utilizing the species long-standing fear of their vulnerability to fire as the catalyst, taking over control of their shapeshifting to move their cells together to set them alight.

John’s wife starts to smoke first, but their son is behind her only a moment. John holds them, and their daughter, and as they burst into flames, he screams out.

We cut to later, John walking onto the planet’s surface. Every building has fire and smoke rising out of it. He flies to his headquarters, smashing through the walls and into the cell of the terrorist. At first the terrorist is confused, then reads it on John’s face, and says he would never do anything to harm John’s wife. Then he makes the mistake of asking John what he did. John flips out, and punches him a few miles, catching him even before he can impact the surface and tackling him into a mountain. The terrorist is grief-stricken in his own way, and as John hits him tells him how he got to Earth, that he was pulled there by a scientist, the same scientist who created their telepathic blocks, who was working with them on a weapon to kill Green Martians. He’s horrified at the realization that he was that weapon- that his hubris was used to infect his own people, too.

The only Martian population untouched by the plague are the separatists living underground in hiding- the terrorist’s people. John tells the White Martian that suspended animation is the only plausible cure- that he knows they have the tech, and the separatist agrees to safeguard his people while John deals with the double-crossing scientist.

John goes to Earth, to hunt down the man he now believes responsible. First he stops back at his office, and talks to Shiera. This is where we reveal that his daughter survived- though technically, while he raised her, she’s biologically the separatist’s spawn. He tells Shiera to protect Megan with her life, and she agrees to. After he leaves, Megan asks if she’s going to die like her mother and brother. Shiera tells her that according to her scans, both she and John have a subtle mutation- one she learned from him, that made them impervious to the psychic virus- but that they’re carriers, that the disease could mutate itself and attack them anew at any moment.

John tracks down our mad scientist. I know in my previous write-up I suggested creating someone new, but I may have a more elegant solution, here: the mad scientist is Vandal Savage. At first he tried to partner with the White Martian separatist, thinking he could use them as his own army of supermen, but it quickly became obvious that the White Martians viewed the Greens as their inferiors- that if they ever came to Earth it would be as conquerors. So he decided to wipe the Martians off the board completely, aware that he had an easy scapegoat in the separatist, and very little likelihood of blowback.

We cut back, to the White Martian using the machinery to put the rest of the White Martians into suspended animation remotely. He hallucinates John’s wife. She tells him to go into suspended animation. He’s worried that he might accidentally infect the other White Martians. She starts to burn in front of him; he tries to apologize. She tells him it doesn’t matter; she’s dead, he’s just trying to assuage his own guilt. “You don’t need to,” she says. “You didn’t do this.” He says he knows who did. We see a Martian ship launch, and cut back to John and Vandal.

They have a quick dust-up, but the nature of the fight changes when Vandal discovers John was exposed and survived, as Vandal’s curiosity leads him to ask questions even as he’s using a combination of science and magic to keep John (barely) at bay- and John realizes Vandal might be able to cure Megan, so she isn’t a ticking time bomb, and he starts counter-interrogating to that effect, and it starts to look like they might be able to come to some kind of agreement- until the White Martian bursts through the wall, his fury dwarfing John’s. A desperate three way fight ensues, John and Vandal barely able to hold back the White Martian’s assault. He’s hurt and confused by John’s intervention, cursing the fact that he’s the other last Martian projecting his guilt onto John for failing to save the woman they both loved.

“We are not the last,” John says, and telepathically connects the Separatist to Megan, and the antagonist drops to his knees, whispering his daughter’s name. “He lives, so she can.”

So now the White Martian is going to play bad cop with Savage. “You heard the Manhunter. You’re going to develop a cure, and give us two doses, which we’ll administer at random, so if your cure doesn’t work, or harms us, there will be one of us left to end you. And if it’s me, I’m killing everyone sharing even a single strand of your DNA- your line burned off the face of the planet. And the ones who knew you, remembered you fondly, they’ll die screaming.”

“I’m not sure it would be any great loss. Most of my children weren’t worth the hour it took to make them.”

“Not even Cassandra or Scandal? To say nothing of the fact that, by your own estimates, a full ten percent of the population bear some small part of you.”

“Okay,” John says, “I think he gets the idea.”

“So you’re the good cop, then?” Savage asks.

John spins on him, predatory and alien. “I am a father. You killed one of my children, and the mother to both. And the authority that might have checked my anger died when you killed my world.”

“So you’re both terrorists, now?” Savage asks with a smile. “No judgment. I’ve been on the weaker end of a conflict; you use the tools you have at your disposal. Your proposal is acceptable. And…. for whatever it is worth, I, too, have been on the losing side of genocide. I am truly sorry to have given you that pain.”

After they leave, John tells the White Martian Megan isn’t getting either dose- they’re going to synthesize it and test it on the White Martians in suspended animation. The Separatist bristles, at first; but John points out two things: one, they’re not using their daughter as a guinea pig, and two, the White Martian survivors survived only because they were terrorists hiding out. He offers it as their penance- that as far as he’s concerned they’re still at war, and the war ends once the White Martians ensure it is safe for them to be released from their suspended animation.

“The other option,” John says, “is that the war continues. That you and I fight, here and now, and if I win, I’ll put you into suspension with the others, and I’ll ensure you never wake up.”

“You wouldn’t.”

“My mind is open. Tell me I’m lying.”

“You would.” He stops. “You’re right. Not about all of it. With Savage we have to be strategic… and I couldn’t be the reason Megan lost her father, too.”

John flies back to Megan and Shiera. “I need to tell you something, something your mother and I hoped to tell you together one day. About your father.”

“I’ll… make tea,” Shiera says, as an excuse to leave.

“The only thing I’ve ever needed to know about my father was that you loved me.” She grabs onto him. “You kicked his ass, right?”

“I did. But things have changed. You and I are the last Green Martians, and the only White Martians who survived were terrorists. I’m sorry. I hoped to give you a better, safer world.”

“It’s okay,” she says. “It just means I get to help you make it, instead,” and shifts into a female version of his costume.

Pitchgiving 2021, part 9: Elseworlds

I view these as largely low-budget films done with largely practical, period effects suitable to the type of movie they’re aping (excepting, of course, where modern tech can make something safer and/or cheaper). Doing them this way, you could probably continue the Elseworlds franchise indefinitely, like James Bond, and I have literally a dozen synopses already. I may pitch only the sequels that make sense for a trilogy, but I might also do all 12. Kind of depends on how I’m feeling.

The franchise would nominally star the Martian Manhunter, though he would mostly only appear in the beginning and end, maybe here or there once in a while, and even then largely CGed, so even he could largely be recast movie to movie. Because the series involves altered timelines it would also permit the leads to be recast between pictures, too, which would both help keep budgets down and also guarantee that just because someone makes sense as cyberpunk Batman, that doesn’t mean we have to sit through his groan-inducing medieval Batman and also opens opportunities for race, gender and other diversity-bending.

For those of you unaware, the last remaining Martian, John Jones, can shape-shift, read minds, is as strong as Superman, can control his density, become invisible. He could single-handedly take down the rest of the Justice League… provided no one accidentally caused a spark. Yeah, his weakness is to fire… which is a pretty ridiculous weakness to still have modern day (probably trumped only by Green Lantern’s weakness to yellow; side note, I want to give that weakness to JSA GL, and then have the Trickster have a flash mob pelt him with bananas- because it’s funny).

This movie starts during a fight with the immortal Vandal Savage. Probably to keep the budget down, we could just imply the rest of the Justice League are there, have Batman’s cape billow in from off-screen, show some heat vision blasting in, Wonder Woman’s lasso whipping a guy across the room. That kind of thing. John grabs Savage just as he’s trying to use a device to send him to a different time to escape them (I’d probably set it up through some narration as Batman deducing that Savage had been engineering evil throughout the millennia- that that was the reason Batman was after the image of Wonder Woman, too, looking for proof of Savage’s influence- including collaborating with Hitler (he helped Nazism get off the ground). John grabs him, but they’re separated by the machine, and flung into the past. Or a past, really, since the machine had really only be calibrated to work with Savage’s DNA, and was thrown for a loop by the addition of John.

We comedically dump John through a portal into pastoral England. The trauma of the machine reassembling John from atoms knocks him out every time. This time, it happens to be in the presence of the Green Hood (Green Arrow by way of Robin Hood). John comes to in Sherwood Forest. John has spent years honing his abilities, and to prevent detection amongst humans, has trained his body to revert to a human form when he is unconscious. This John just happens to be rather large, a veritable giant of a man. Hood says that there are men who would burn him for a witch for that, which likely means he’s arrived at an opportune moment.

We cut to court, where Lord Lexington (a bald Luthor in a suit of plate mail painted in the colors of his battle suit, so purple and green), as the Sheriff of Nottingham, presides. Savage is there, in the background, working as Nottingham’s advisor. One of the other nobles expresses confusion, why this one is different. They’ve been holding ‘King’ Arthur for a fortnight, but this Themysciran ambassador arrived in town only yesterday. They don’t understand why Lex is in such a hurry to burn her at the stake. Lex says that Arthur’s claims are worth investigating. If he is indeed a king, even one in exile, his execution could bring them into conflict with the kingdom of Atlantis, and there are only rumors a peasant woman saw him trying to commune with fish. He might just be one more in-bred noble.

Whereas no one’s heard of Themyscira, the ‘ambassador’ flew in view of several members of the city guard, and who on earth has ever heard of a woman ambassador. He pounds the table, and demands that she and the other witch must both be burnt at the stake before they are able to ensorcel them all (the Sheriff has declared all metahumans witches and enemies of the realm). At that moment, the younger, handsome noble to one side of Luthor collapses forward, knocking over his wine onto Luthor’s lap, apparently having fallen asleep at the meeting. He stirs, muttering about not likely missing anything important. 

“Not at all, Wayne, by all means, sleep the day away,” an irritated Lex grumbles. It’s subtle, but Wayne pockets a key.

We cut to later that day, as John and Hood sneak into the castle. The square is filled with people, there to watch as an executioner in gray plate armor reminiscent of Firefly lights a torch, preparing to set the pyres two women are tied to alight.

“Fire is… bad,” John says.

“Yes, my simple friend,” Hood says, and claps him on the back. “That is why we must rescue these fair damsels from it, and preserve England from the stain of having murdered an ambassador in the process. I just have to figure out how…”

We cut back to the women. One is Lady Diana, the ambassador in question. Her garb is strange, with a Greek, togic influence, and some variation on the red, blue and gold color scheme. The other is the witch Zatanna, smartly dressed as a courtesan reminiscent of the purple and white costume with the cape she wore in the comics; she has a rag tied across her mouth preventing her from speaking. Diana snaps her bonds, and then tears the gag from Zatanna. Immediately the witch begins to chant, bidding the flame to jump from the torch onto Firefly.

We cut back to John and Hood, with John asking. “Part of your plan?”

Hood rises, drawing his bow, and firing into Firefly, who ignores the fire engulfing his armor and lifts an executioner’s ax above his head. “Ours is apparently a supporting role in this play.” Hood fires, managing to strike Firefly in the joints of his armor, causing him to fall. John flings a stone torn from the castle wall into another guard that was sneaking towards Zatanna as she removed her bonds. Zatanna and Diana fly over the castle wall. John leaps over it, not wanting to draw more attention to himself than necessary. “Little help?” Hood calls to the escaping women, and an exasperated Zatanna mutters something that lifts him after them by his shorts (it is a flying wedgie) and he exclaims, “Ah, my pantaloons!”

We cut to the dungeons, panning past two cells that had held Diana and Zatanna but are not open, stopping on one occupied by a crowned nobleman with an orange and green color scheme to his attire. In the immediate foreground, a black-gloved hand inserts a key- the same stolen from the Sheriff earlier. Arthur sits up, and turns towards his rescuer. It’s Lord Wayne. “You may find this peculiar, but a school of fish passed a message by code to me this morning, by a method I learned in my travels through Arabia. The message stated that there would be a distraction at this hour, affording you an opportunity to bloodlessly escape.” Wayne unfurls a green cloak with an Arabic influence to it, perhaps even letters around the hood in Cyrillic reciting a period/culture-appropriate variation of the Green Lantern oath. “If anyone questions, you are my Moorish servant, mute to the English tongue, and ill-tempered from a bout of disease his physicians are nearly certain isn’t leprosy.”

Arthur smiles, telling him that, “Lord Wayne, the rumors did not do you justice.”

Wayne is impatient. “Come. My carriage awaits.” We cut to the exterior, as they rush into the carriage. It is, for all intents and purposes, the Batmobile as a carriage, black, gothic, and bat-winged. It is driven by Wayne’s squire, Gareth.

Hood and John arrive back at his place in Sherwood. There’s an awkward moment, as, seeing there’s only the one bed, the assumption Hood has brought them back to be, er, bedded, is obvious. Until a woman in a black cloak with blond hair arrives, laying down her lute (she is, roughly, a bard). “I ride to the next town, and you can’t help yourself but bring home other women.”

“They were going to be burned at the stake by Nottingham,” Hood complains.

Diana intervenes. “I assure you, madame, that we have no designs on your gentleman’s attentions.” This Wonder Woman is openly sapphic- and only has eyes for Zatanna. Even though they only just met.

Canary reacts with frustration, that Nottingham is increasing his aggression, that they need to do something, and quickly. It is then that a Moor, dressed in the same robe that Arthur was given in the previous scene, enters into the already crowded hut. “I’m here to extend an invitation from a gentleman who is very much of the same sentiment.” They react with fear; they believed themselves secreted away in the forest, but he found them. While his presence is intriguing, they fear he’s leading them into a trap. He is the Green Lamp, even if he does not introduce himself as such.

“From what I saw this afternoon, I don’t imagine there’s a martial force, including the Sheriff’s, that could stand against those in this room. However, to take on Nottingham in a fair conflict would see him threaten the peasantry- he holds the entire citizenry hostage to his ambitions. If, like my ‘master’, you would not only see Nottingham removed, but removed with as little damage to those least prepared to weather his wrath, I would bid you follow me. I assure you my master’s secrets are equal, at least, to your own, and when all is revealed you will be equally at one another’s mercy.” They’re conflicted. It’s John who reads the Moor; when he does, the lamp he clutches to his chest glows with green flame, and he tells John he knows he’s trying to read him, and he’ll permit it, and the flame extinguishes. John tells them he recognizes his master (he doesn’t tell them that he’s Batman, or this world’s Batman), but he says that he trusts him with his life. That he will go, and if the others would stay they can stay. But he knows the man by reputation, and they will need his mettle before the end. This cascades, with Hood not being comfortable letting his simple friend take the risk alone, Canary resolving to keep her own simple ‘friend’ safe, Zatanna casting some bones to verify that she should trust them, and Diana following her.

As they leave the hut, there’s a gust of wind, and a man in red robes and chain mail with a rapier stands in front of them. “Sorry I’m late,” Flash says with a grin.

“I heard no horses,” Hood says.

“I walked,” he beams.

“How?” Canary asks. “It’s a day’s ride. And you said you had business to attend to before you could follow me.”

“I did. I’m quite swift.”

“Very well. This is Sir Jareth, a swordsman said to be the equal of a thousand men.”

“A mercenary?” Hood asks, indignant. He liked having the most swash in his buckle and is hurt Canary brought home someone else.

“No, sir,” Jareth says. “I heft my sword when justice demands it of me.”

“Sir Jareth,” Green Lamp says, putting out his hand, “You’ve spared me a ride. It’s a pleasure, your reputation as a man of honor precedes you, despite your speed.” Jareth shakes his hand. This is actually a pretty big moment, as a nobleman taking a Moor’s hand as an equal is a pretty big deal- but we don’t make a big deal out of it, because that’s not the kind of guy Jareth is.

“Well met, sir.”

“Ah, yes, if you’ll permit me,” the Green Lamp holds his lamp out, and forms a glowing coach with horses out of the ground. The door pops open.

“What witchcraft is this?” Hood asks, walking around the coach and kicking one of its wheels to see that it’s solid.

“You quarrel with witchcraft?” Zatanna asks, with an edge of menace to it.

“Quarrel? No. Trust entirely with my person, not entirely.”

“You’re more than welcome to ride with us, Sir Jareth. No need to run alongside us,” the Green Lamp offers.

“I suppose I could do for the company.” They all get inside, with GL sitting outside to drive, to keep up appearance. The glow dissipates, to draw less attention as they begin.

“I do have one last stop to make. It’s along the way. I’m afraid he insisted I permit him to provide one last service before I collected him.” The pull up to a small parish.

“Ah, a church, if anyone has sins to confess, or needs to use the Lady’s facilities,” Hood says.

A friar exits the parish. His robes are overlarge and ill-fitting, very plain, very bare; he lives as a pauper, because he puts every penny he scrapes together to help the poor. We likely get flashes of what he wears beneath it, chainmail colored like his classic suit, with the red and yellow symbol on his chest. It arrived with him from the far-flung land of his parents birth, and is the only clothing in existence strong enough to withstand the same damage as him. He addresses the Green Lamp as “Alihan,” and shakes his hand warmly, and objects when he stands on ceremony to refer to him as Friar Kent, and insists that he call him Clark. Hood asks after it, and the friar tells him that the name means “Hand of God,” and that they get along very well, because he lives up to it.

They ride off, as the world becomes dark. They see the castle, roughly in the shape of the top half of the bat symbol as it cuts across the moon. Hood recognizes it. “This is Wayne Manor. My family visited once, when I was a child. Young Bruce was churlish and stuffy, even for a nobleman’s son- even for a physician’s son.”

“And he would know from stuffy,” Canary adds. Lamp drives their coach beyond the manor, into a series of caves. Depending on budget, it can be quite a harrowing ride over caverns and jumps, or it can simply be through a waterfall. 

Lamp opens the coach door for them, and tells them, “Welcome to Lord Wayne’s world.” Referencing a Mike Meyer’s movie isn’t the only reason I’m writing this pitch. It’s just a perk. The cave is wonderous, filled with falling water and lit by torches. It takes the breath away. Wayne, in his Dark Knight plate armor, descends a spiral staircase carved into the rock. He bids them join him at a rounded table with a bat symbol (and also the Wayne family’s crest) carved into it.

Wayne relates that he has a spy on the inside of Lexington’s circle, a courtesan named Lady Kyle, who has been watching Luthor. She informs him that Lexington moves against Arthur and Diana are part of a larger thirst for power, that Nottingham plans to seize nearby lands for his own, under the pretext that he will protect them. If he can grab up enough new land before King Richard’s return, from the crusades, the gentry will be forced to decide if they would accept a smaller slice of a lesser pie, or to serve under Lexington.

Lady Diana interrupts, to explain what her ambassadorial mission was- to pass a message, and express condolences: that Lexington’s man within Richard’s circle, the Yellow Knight, had succeeded in killing Richard, and laying blame for it at the feet of the Amazons. She came with proof of his ill-deeds, but it was seized along with her- and not through martial means. She believes Lexington is involved with sorcery. Flash relates that the business he concluded before arriving likely relates- that he scuttled a group of sellswords hired by Eobard Thawn, at what he now believes was Lexington’s bidding, to attack the township, in order to press them to request the protection of Nottingham.

Wayne tells them Lexington is setting about creating reasons to expand their territory, first within and then beyond England, that his game is already afoot, and they have only one chance to depose him. They talk about who should replace Lexington. Some think it should be Wayne, and while he believes himself a capable commander in the field, he is not a ruler. Arthur, however, is. King Arthur is of course reluctant, because he’s already lost one kingdom. Eventually it’s Wayne who interrupts them to say, “We storm a castle held by superior forces, with sorcery and corruption at their command. Those of us who survive can bicker over who must take the reigns after.” They agree to table the question of who will sit the throne until such time as it is won, and agree to depose Lexington.

Most of them pile back into Lamp’s coach, which expands to accommodate them- including Lamp himself, as Wayne’s squire takes the reigns. Wayne himself climbs atop a black steed (named Ace) with black armor of its own, resembling his, including its own billowing cape. “I believe the party is on, Lord Wayne,” Wayne’s squire says.

“The party is on, Squire Gareth.” Shut up. Don’t judge me.

They ride to the square where Diana and Zatanna were nearly burned earlier in the day. On the scaffolding, Lady Kyle is bound at the wrists, hanging from the ropes. The Squire leaps from his seat, and starts towards her. Wayne stops him. “Wait,” he says, then “Hood, if you’d be so kind as to free her.” Clear of the coach, he looses an arrow, that slices through her bonds, and she lands gracefully. At the same moment, Sir Slade, in his trademark orange and black armor, fires an arrow at Wayne, who deflects it with his cloak (I’m going to say its slats of armor, and so can be used somewhat like a shield).

Other members of Lexington’s council emerge, now revealing their gimmicks that identify them as analogs to supervillains: Deathstroke, Zoom, Sinestro, Circe, Cheetah and Harley Quinn. Also there is Black Manta, who was not part of the council, but is in this incarnation, an Atlantean assassin, garbed mostly in black, tasked by Arthur’s brother to kill him and end the threat to his rule. Cheetah, while dressed in cheetah-skin robes (I might consider making her of African descent, and patterning the cheetah skins to traditional garb from the region, both to explain how it’s there and increase the diversity a bit) is actually a werewolf (werecat, if we really must). Lexington’s jester is, for all intents and purposes, a bawdy-joke-telling Harley Quinn. If it doesn’t overstuff things, she’s got her own agenda, to avenge the death of Lexington’s previous jester, her Joker, who Lex just couldn’t find the humor in- which is why she face turns towards the end. The heroes and villains face off.

Superman Lexington
Flash Eobard Thawn
Green Lantern The Yellow Knight
Wonder Woman Lady Circe
Batman Sir Slade
Aquaman Black Manta
Martian Manhunter Savage
Green Arrow Deadshot
Black Canary Harley Quinn
Lady Kyle Lady Minerva

About the midway point, we reveal that Thawn is from the future, and brought back advanced tech with him, which Lex took to like a fish to water (“Arthur knows precisely what I mean about that”) giving the villains an even further advantage. But the heroes persevere, overcoming even these long odds, only for Lex to hit them with a blast of arcane energy, maybe stating that magic and science are separated only by one’s own rational understanding, that the idea of a separate “witchcraft” is therefore the province of small minds. Now, if you want to keep it to the relatively cheaper model I described, Lex just gets slightly powered up by magic before being defeated with an assist from Harley. But if you want some bombast, Lexington demonstrates the ability to resurrect Solomon Grundy to fight them. John catches Savage trying to sneak away, and they’re both sucked into another portal.

It’s Arthur who lands the final blow on his assassin, who makes one final attempt as Lexington is defeated. Arthur, pleased with himself asks, “So, King Wayne, what will your first decree be,” realizing as he turns that the rest of them are already kneeling before him, Wayne included.

Wayne smiles beneath his helmet. “I believe you’ve misspoken, sire, for as you can plainly see, your subjects humbly await your command.”

“Oh, bother,” Arthur says, and we roll credits. We only do the main cast, before we do a mid-credits scene:

The League of Justice sits around the round table in the Batcave. Lord Wayne addresses them. “I’ve asked you to come here to answer a question, one I cannot answer for all of you. We united, to provide justice within Nottingham, to right that single wrong. But were we a League of Justice once, or are we a League of Justice for all?” They all stand together, as the music stirs.

One does not. It’s Arthur, and as he rises, he explains why, that while he has reluctantly accepted a crown in England, he refuses one here.

That suits Wayne just fine, who continues. ”One among us has had his kingdom stolen, usurped by a brother who believes right can be usurped by a will to power. I ask you not to stand for a divine right to rule, but on the cause Atlantis is a kingdom on the brink, because this usurper has proved unfit to wield the power he has stolen. I have it on authority that this self-proclaimed Master of the Ocean would rather sink Atlantis than relinquish his grasp.” On the one hand, maybe it’s cruel to set up a sequel we won’t actually make… on the other, you could totally make those sequels.

Mid-credits Scene

It’s quiet, as we pan through Lexington’s dungeon, past the cells that housed Diana, Arthur and Zatanna. Only this time we pan down, through the floor, into an underground workshop; it is one-half Dr. Frankenstein, one-half necromancer’s laboratory. But we stop on an iron-gated doorway with metal barbs carved into the bars.

We hear quiet, anxious laughter, and the single tinkle of the last remaining bell on a jester’s collar. Then a voice, first timid, asking, “Lex?” Peppered laughter, now louder, more assertive. “Oh Lexy-pooh? Sheriff of Rottingham?” An unhinged, gleeful, aggressive, angry fit of uncontrollable laughter bursts forward, until a man with white skin, wearing a green and purple jester’s costume, lunges into the door, the barbs cutting into his hands, but not making him grip the door any less firmly. “While the sheriff’s away, the jester will play,” he says, and whistles a version of the animated Joker theme song as he traces a rune onto the lock, which opens it with a sizzle. The door swings open as he walks out, continuing to whistle. This Joker is both the result of Lex’s occult and chemical experimentation, and also his apprentice (not that Lex intended to teach those kinds of secrets to such a madman- but he could see enough from his cell to become truly deadly).

End Credits Scene It’s a dark and stormy night on the seas during the golden age of piracy, a family (boy, mother and father) acrobatically jump amongst the rigging, so acrobatic and graceful you forget for a moment it isn’t a performance. The rigging Richard is on breaks, and he grabs another piece, which breaks. Mary swings to save him and for an instant they share a smile, before that rope, too, breaks. Their son, young Dick, swings on another rope to save them, but he’s too late- and while his rope, too, breaks, it breaks at the end of his arc, and he’s able to land on some rigging opposite, and climbs down to where his parents fell. The men gather around as the boy weeps beside his dead parents. We hear murmurs from them not to wake the Captain. We see a wooden door swing open, and hear a shudder go through the crowd as offscreen the Captain says, “He’s up.” All we see of him is a black boot coming to rest just behind a boy, next to a rat that is subtly green and whose eyes glow red. The Captain’s black glove lights on the boy’s shoulder where he weeps. We pan up but also out, climbing the mast as we show more of the ship. In a flash of lightning we see a black pirate’s flag, but the skull is incorporated into a bat symbol.

Pitchgiving 2020, Part 11: Justice League: Interplanetary

Lobo has been hired by Darkseid to snatch up Kryptonians. He manages to get Superboy in the prologue, listening to a voicemail from Clark in San Francisco. “I know we haven’t known each other long, and I know you don’t always feel Kryptonian, but you’re family. Whether you’re living in Kansas with mom, or if you decide to stay in Titans Tower in California, if there’s anything I can help with, let me know.”

He makes quick work of it, sticking mostly to the shadows (I suspect his has a kryptonite hook on his chain to help). Cut to Martha Kent, calling Clark. She hasn’t heard from Connor and is getting concerned. Clark is fighting Metallo, talking on a Bluetooth headset. He suggests Martha send Kara (Supergirl) to try and find him, and tells her to call if she finds anything strange, and he’ll be there in the blink of an eye. We dissolve to Kara, landing in San Francisco, touching a footprint where Connor stood, noticing the brick where his heat vision scorched it. We notice Lobo’s silhouette in the alley behind her, punctuated by a pair of red eyes, then he leaps out and we cut.

Superman flies through the air as a message from Martha plays in the background. “Clark. Kara still hasn’t checked in, and I checked her phone. She made a call to you that didn’t go through. I’m getting worried.” Superman lands in the alleyway. We see red eyes behind him as a dramatic sting plays. Out of the alley steps the Martian Manhunter. “Power Girl was taken from her home, following a struggle. I followed the energy signature of an alien craft here. I think someone has been collecting Kryptonians.”

“Manhunter. Good to have you along.” A chunk of the first act is a hard-boiled mystery being investigated by Clark, an investigative reporter, and John, a detective. Things get worse with the arrival of a Green Lantern (I’d go with Hal, personally, as I think he fits most into this scene, but Stewart could work, too- either way playing the part of more an official policeman). He’s tracking a New God, who he believes has violated treaties not to interfere with the Earth that both they and Apokalips have signed. Really, Scott Free is there because intelligence pointed to a plot to kidnap and turn Kryptonians into an asset for Darkseid, who he believes has taken Barda, as well. The Hawks show up, largely because they view themselves as a rival influence to the Lanterns, and don’t want to give the Corps too much sway over Earth affairs. I imagine Blackfire shows up, frustrated that Tamaran is being excluded from this now intergalactic meeting. Essentially, there are supposed to be non-interference treaties they’ve all signed, which they all think the others are violating. There’s a big old brawl, mostly destroying Clark’s orbital Fortress of Solitude. Lobo returns, fights Superman basically to a standstill; the fight is bombastic enough the others stop fighting, and start watching. Superman eventually asks for help, and Lobo gets walloped by the rest of the assembly.

Lobo puts in a call to his boss, and a Boom Tube opens up, dropping Granny Goodness (it all but has to be Kathy Bates, right? Offer her all of the Aquaman money, it will be worth it) and a selection of Furies, including Supergirl, Power Girl and Big Barda (Superboy is acting as Granny’s personal protection). Superman and Mr. Miracle plead with them not to hurt their friends, and try to talk down the Furies. They fail, and a new fight ensues. They’re pretty evenly matched, but Lobo, fighting the Martian Manhunter, overhears Superman trying to reason with Connor (Lobo buys himself a moment spitting a liquor fireball lit on his cigar at John, who recoils in horror at the flame). Connor’s trying to fight his programming, but it’s clear he’s terrified, that he didn’t fit before, and now, after all this, there’s no way he won’t be an outcast. “You’re family, Connor. You have a home, with us. People who care about you, and who know that it doesn’t matter if you screw up- what matters is that you try to do better, to be better, every day. We want you back, but you have to want to be back.”   

“Ah, what the frag,” Lobo says, shrugging, and face turns, smacking Superboy from behind with his hook. He and Superman share a moment. With Lobo on their side, the fight turns, and Granny’s forced to crawl off, humiliated. But obviously there’s a huge, looming threat from off-world that none of them can ignore. The New Gods argue that they should all join war against Apokalips, but the rest largely argue for containment; they need to be able to protect themselves against Apokalips, and form an alliance to that affect, but aren’t ready to declare an interplanetary war (I’m sure you all see where this is going, though). If there’s too much overlap between this and DuVerne’s New Gods, you can swap in Mongul and War World with relatively little fuss (we’d just have to increase his power levels accordingly).

There’s a tense moment at the end, where no one is sure what to do about Lobo. He’s kind of stand offish, before asking, quietly, if Superman meant what he said. “Bout having a home. The main man hasn’t had a home since Czarnia.” Superman puts out his hand, and Lobo shakes it.

“It’s a big universe. If you want to help us keep it safe, you’ll always be welcome here.” Lobo walks into the living room and drops onto the couch, putting big, gross boots up on the coffee table, and drinking the rest of his bottle of booze. A subplot going forward will be an Odd Couple dynamic between Clark and Lobo at the Fortress, because that should be funny.

Bonus: In part 2, Mongul is used by Darkseid to start a proxy war with Earth’s heroes, scooping most of the Interplanetary League up to join his games. They free Battleworld and end Mongul’s reign, in the process recruiting Adam Strange and freeing the planet Rann, and discover Darkseid’s influence, teeing up part 3. In 3, we feint towards Brainiac, but he’s really just working with Darkseid (as he has since the destruction of Krypton), and weakens our heroes in preparation for Darkseid’s invasion. The movie ends with Superman shoving Darkseid through a Boom Tube, and being swallowed up with him, lost, presumably on Apokalips. Part 4 would be an invasion of Apokalips to liberate the planet, as well as rescue Superman; I would expect this to be an Avengers 3/4  style crossover with the New Gods, likely bringing in even more of Earth’s heroes for at least cameos for part 4.