DC Reboot Pitches: Justice League vs. the Suicide Squad

The Deal: this is the ninth in a series of pitches for the rebooted DC Movies, and the end of Phase One. I’m leaning on AI art to mock-up these pitches, because it adds a layer of humor and weirdness.

The Pitch

Our story begins en media res. The screen is black, and we hear, heavy, human breathing, the sounds of someone running in the rain, and narration, as black boots go crashing through puddles before cutting back to black. “People believe I’m arrogant. That I believe I belong standing shoulder to shoulder with Gods.” It’s Batman speaking, which becomes clear when we see Metallo, just his metal skeleton, the glowing kryptonite powering it exposed, strolling out of the burning wreckage of the Batmobile.

“His car is gone,” Metallo says.

Black Manta floats out of the water. “His sub is gone.” A burning boat floats on the top of the water behind him.

“And I killed his drone,” Cheetah says, watching through a scope as a bat-shaped drone falls from the sky. Her rifle is actually a long-distance taser, single-use, because Flag doesn’t trust her with a firearm.

Batman is running, turns and throws three batarangs, each colliding with one of Boomerang’s boomerangs before continuing to run. “He’s still on the move,” Boomerang says.

“It isn’t about where I belong, it’s that someone has to stand up.” Batman stops, and allows Joker to strafe his cape with a tommy gun to protect a ‘child’ in the middle of the alley. “And in Gotham, not many do.” Batman rises to his full height. The ‘child,’ it turns out, is just a doll stuffed with C4, and Batman has to resume running, rather than confront Joker, as it explodes behind him.

“I told you Amanda,” Joker taunts over their radios in a sing-song.

“You keep these comms clear, or I’ll blow that bomb in your neck just to get your voice out of my head,” Waller barks.

“She’s going to be disappointed when she finds out it’ll take more than that,” Harley says. “Like electroshock. But I wouldn’t rule out a lobotomy.”

“Quinn,” Flag says, and she drops into a side street, keeping Batman going down the alley. But he slices left, and hops a fence on the opposite side of the alley, just over the boards and under a sheet of industrial metal siding. “Damnit,” Flag says, catching up with Quinn. “Are we funneling him, or is he funneling us?” She leaps through the same hole.

“Just keep to the plan, Flag,” Waller says, watching events from a monitoring room through a series of drones and satellites.

Batman gets into the open, and fires his grapnel to the top of an apartment building. Harley and Flag are just behind him, climbing up a fire escape.

“No way,” Harley says, stopping just outside a rooftop door. “I seen Mr. J make this mistake too many times. Never follow the bat into a cave.”

“It’s an apartment building,” Flag says.

“And it was a metaphor. There’s no place he’s more dangerous than when you think he’s trapped.”

“Quinn, there’s two buses out of here, and one goes to the cemetery.”

“Ooh, field trip!” she squeals happily. “I love the cemetery.”

“Just get in there,” Flag shoves Harley through the open door, into darkness.

“Aw, nuts,” she says from inside, before being kicked back out, over the edge of the building. In the same moment, a batarang, carrying a wire, loops around her feet, so she doesn’t go far, and swings down and hits her head against the side of the building. “I feel like I should remember whether you can get a double-concussion,” Quinn says, before passing out.

“I’m going to need backup,” Flag says into his comms.

“This suit was designed for deep sea submersion; it doesn’t fly,” Manta tells him from the street.

“And Luthor didn’t give me rocket boots,” Metallo snipes, running up beside Manta.

“Fine,” Flag says, “Team Full of Density and Excuses, start on the bottom floor. We’ll sweep from the top. You flush him, holler.”

“I’m with you,” Cheetah says, landing in a catlike sprawl after climbing the exterior of the building. “Though I still say I’d be more effective if you let me have a sidearm.”

“He eats mercs for breakfast.”

“I’m here as well,” says the White Martian, “and he doesn’t have to be a telepath to know you’d use the gun on him at the first opportunity.”

Cheetah sticks her tongue out at the Martian. Flag leads the way inside the building. “It’s quiet,” Flag says.

“Too quiet?” Cheetah asks with an edge to it.

“He’s correct,” the Martian says. “The building is empty. In fact, I don’t even see-” liquid dribbles from the ceiling, onto the Martian, and an instant later the liquid ignites as Batman drops down on him, kicking him out of the door and back onto the roof.

Batman takes on Flag and Cheetah hand to hand; they’re both military-trained, so their styles mesh well, for a moment, until Batman compensates. He knocks the wind out of Cheetah, then smashes Flag face-first into a door-jam; Flag does manage to get a shot off, and it pancakes against the back of Batman’s cowl.

Cheetah gets up, slowly, having taken a knife Flag dropped in the fight. Instead, Batman hands her his cape, and points outside, at the screaming Martian. “He’s coated in a napalm derivative; smother the fire, deprive it of oxygen for a few minutes, and it will go out.”

She pauses, and calls in to Waller. “Orders?”

“Damnit,” Waller mutters. “Stand down. Aid the Martian asset.”

She drops the knife, and takes the cape.

Batman only gets a few steps in before Black Manta collapses a wall on his left while Metallo collapses a walls on his right. One goes high, the other low, and Batman is able to leap down the middle, and they clang together, loudly. “Ah,” Manta says. “Clearly I need better sound-dampening.”

“Or a smaller head,” Metallo says. Both give chase. At the end of the hallway, Boomerang turns out of a door. He flings four boomerangs; Batman does, too. Three of the batarangs knock the boomerangs out of the air; the fourth smacks Boomerang in the head, so that he’s falling as Batman runs past. Boomerang’s last projectile detonates as it flies past Metallo and Black Manta, knocking them into Boomerang. As he rounds the end of the hall and into a stairwell Batman slaps an oval slab of plastique with a bat-symbol detonator in the center onto the wall. It detonates as he leaps down the stairwell, catching Boomerang, Manta and Metallo in a pressure wave and sending them flying in the opposite direction from the initial explosion.

The stairwell collapses behind Batman. “I really did tell her,” an eerie voice echoes, through the stairwell, “but no one listens to the jester.” Joker leaps from the shadows and slashes Batman with a knife, managing to cut him, though superficially- mostly because Batman slipped out of his cowl, leaving Joker holding it as he notices a rope hanging over the edge of the stairs. He cuts it, and cranes his neck, holding his hand to his ear, hoping for a thud, but instead hears a door open, and shut. Joker crosses his arms and harumphs, then starts to put the cowl on himself, though we cut away before it’s clear what’s happening.

We see Batman from behind, without his cowl or cape, through a rifle scope. “I’ve got your target in my sights. Advise.”

“I want him identifiable. We have to be able to put a face to this. Give me a realistic assessment of whether you can give me that.”

Batman leaps over and onto a motorcycle, and very swiftly speeds away. At this distance, with Batman moving quickly, armored save for his head, it would be a shot in the dark, at best. “No shot,” the sniper says, and lowers the rifle. Those who saw Cyborg will recognize the voice as belonging to Deathstroke, but shh…

Flag comes to to someone in a Batman cowl slapping him across the face, then in his best Bale Batman voice howling, “Who do you work for?” Flag yelps, and draws, trying to fire an empty gun into the Joker’s chin as he scrabbles to get out from under him.

“See?” Harley says, handing Flag back his magazine and bullet, “funnier with an empty gun.”

“It’s barely a joke if no one lands in the hospital,” Joker pouts from under the cowl.

“I’ve got a broken rib, if that tickles your funny bone,” Cheetah says.

“Me-ow,” Joker says.

“Can the Martian pick him back up?” Waller asks over comms.

“The Martian’s currently extra-crispy,” Cheetah says. He’s mostly off-screen, but we can see a charred limb raised out of Batman’s cape, and hear him moaning.

“Fall back,” Waller says. “We’ll regroup.” She throws her headset across the room.

We cut to black, and show white text: One hour earlier.

Joker is wrapped in a cape from a Phantom of the Opera Halloween costume and leaps over the end of a table, singing “Kill the bat!”, ending what was clearly an energetic song and dance number, most likely to the tune of “Kill the Beast” from Beauty and the Beast. “Come on,” Joker says, “it’s worth whatever we have to pay Disney.” Harley leans into him and whispers in his ear. “They wanted that much? And they call me a villain?” He cackles uproariously, before adding. “I’m joking– we’re both monsters.”

Flag drags Joker off the table by the cape. “Let me just say, this team was designed in the hopes of overwhelming a demonstrably superior force with intel from previous encounters. But you two are the only pair with largely duplicative knowledge.”

“Then why are we both here?” Harley asks.

“Both your psych profiles indicate an unwillingness to play well with others. And since we happened to sweep you both up on the same night, Waller let me have a spare, in case one of you goes boom.” He pantomimes the bomb at the base of their skull exploding.

“Not it,” Harley says, putting a finger to her nose.

Waller clears her throat. “Captain,” she says, before leading Flag away. “Any luck with the alien, Flag?”

“This time it only took 10,000 volts to get him to stop trying to eat my men’s hearts… but I don’t think he’s giving up the goods.”

“That’s fine. We don’t have to get buy-in. We just have to get him in the room with the right one of these do-gooders, and his anger will take care of the rest.”

“What about the Bat?”

“If we need the big guns to take down an industrialist with too much man-pain, you need to find another line of work.”

Batman is driving his, at this point still functional, Batmobile through Gotham. The interior lights turn red, right before Alfred calls over the radio. “Sir, sensors show you’re being shadowed by multiple aerial drones, as well as an armored personnel carrier.”

“Insignia?” Batman asks, taking a turn sharply.

“No known government markings, sir.”

“I’m diverting to site 21.”

“Would you like assistance?”

“At this stage, I’m not willing to risk anyone else.”

“Very good, sir. Happy hunting.”

Lights go from a low red to bright red, with alarms blaring loudly as Metallo leaps from a building down towards the car. In slow motion, we see Batman’s ejector seat send him hurtling just out of the reach of Metallo’s clawed fingers as his feet crumple the Batmobile’s cockpit. The ejector seat fires a small rocket burst before loosing a parachute. Almost immediately, the parachute’s wires are cut by several boomerangs, and Batman bounds off of a nearby wall, kicking free as the chair explodes. He’s able to use the cape to slow his descent enough for him to land, albeit roughly, in a roll. Batman touches his belt to cue his comms. “It was an ambush. Send a drone and the submersible to my location.”

“The bike?”

“Set it to circle the site. I might need a quick egress.”

And we’re now caught up to the beginning, matching one of the shots of his boots running, then, where that shot cuts to black, we stay at black, and put up white text: Now.

We go back to the Task Force X HQ. Waller, trying to save face, pivots, saying Batman is maybe the most dangerous of them, that he’s managed to survive on grit and wit, that they need to take out his potential allies to keep him exposed and vulnerable. Joker actually confronts Waller- accusing her of letting Batman go in the hopes of drawing in all these other players, and their weaponizable tech- Martian, Kryptonian, Amazonian, Atlantean, etc.. Waller won’t confirm or deny, but it’s clear there’s some truth to it- that him figuring that out almost gives her a grudging respect for him. He storms off, seemingly in a reasonably normal huff, stating he agreed to kill the Bat, not this suicide mission. Flag tells two of his operatives to follow Joker. He loses contact with them thirty seconds later. Waller triggers Joker’s bomb, and the guard nearest Waller’s head explodes. “Shirt,” she demands of Flag, and he strips it off. She uses it to wipe her guard’s blood off her face. “I told you the clown was too dangerous.”

“And I told you your security was sloppy,” Flag says, sliding the shirt back on. They each think Flag continuing to wear the shirt is a middle finger to the other, proof of the other’s screw-up.

“Uh,” Harley points out the cowl Joker left behind is playing a message on repeat- the same message he’s sent to the rest of the Justice League.

The message continues, as we show a montage, proving that Batman has secreted beacons in each of the League member’s homes, that activate, first showing a holographic bat signal, then playing his message. “These aren’t the circumstances I was hoping to contact you in. In fact, I was hoping I’d never need to. I was content to confine my activities to Gotham, and leave you to your own. That option’s off the table. A rogue government operative has assembled a team of our foes. Tonight they’re hunting me, and I have no doubt, they’ll hunt all of you, next. Divided, we’re easy prey. Together… we might stand a chance. I’ve cleared out the old Gotham Penitentiary. I was going to use it as a training facility, but I also realized a time might come when I needed a hardened site for an assault, isolated enough to prevent civilian casualties. Meet me there. And be careful. Waller has resources and cunning.”

We’re back with Waller and Flag at her HQ. He asks to see her without the guards. “I think there’s something you’re not telling me, Amanda. If you really wanted a military team, you’d have gone with the team I suggested. Or at least let me put these clowns through boot. This is barely a step up from that Central City amateur hour.”

“If there’s anything you need to know, I’ll let you know it.”

“You don’t get to pull that chain of command crap with me. I don’t work for you- that’s our deal.”

She smiles. “I know. But you’re fun when you’re angry.” She pours herself a drink, and doesn’t offer him one. “I did ask. The answer was ‘no’ on both fronts. Eiling. Never said a word to me, but he’s the only one in a position to make a case against us. Fear was we’d be creating better, more disciplined criminals; best-case scenario, we’d be replacing slap-dash heroes with trained ones- who would be that much harder to depose if they ever went rogue, and already have a history of doing just that.”

“And that’s why you let us screw up with the Bat.”

“Oh, he’s good. And I did not put my thumb on the scale. But I also didn’t go all in on that mission, either.”

“Because if we can’t take this ‘Justice League’ without training our operators, maybe they’ll let us do that.”

“Or even give us clearance to start recruiting ex-military, like Deathstroke and Deadshot.”

“Didn’t know Deadshot-”

“Yeah, he was one of ours. Second-most decorated sniper in history. Until we found out he was taking private contracts on the side- and wasn’t picky about whose side they were on. We wiped his identity, and there’s been a Presidential kill order for him ever since. I imagine he’d be willing to do some work for us, to have that rescinded.”

“Deathstroke, though… he doesn’t come cheap.”

“I didn’t say anything about hiring him.”

“I don’t think he’s broken any laws.”

“Mercs always break laws. And even if he was so clean he squeaked, there’s more than one way to skin a cat.”

“This is why I don’t work for you.”

“Keep talking like that, and I’ll find a way to make you.”

He ignores the threat. “So either we win, you get your proof of concept and your green light, or we lose, and you get proof you need more funding and access to better trained operators. I hope I never have cause to be on your bad side.”

“Good luck, Captain,” she says, and raises the glass she never once drank from.

Batman arrives at the prison on his cycle wearing a new cape and cowl. He interacts with a screen in his gauntlet, checking that his security measures are working. “There’s still time to call in the family,” Alfred says over his radio. “Batgirl and Nightwing are less than three miles out.”

“No. These people are too dangerous, even if I had time to prep them.”

“And if your reinforcements don’t show? Master Bruce… you barely escaped your last encounter intact.”

“I’ve got a radar ping, Alfred. Keep the kids away from here. Keep them safe.”

“As you wish, sir. Godspeed.”

The wind blows past him, and then an invisible jet lands. Wonder Woman leaps out of the cockpit, and shakes Batman’s hand.

“I thought about inviting you to a charity fundraiser,” he tells her.

“I bet they’d pay millions just to see the two of us dance.”

“I meant out of costume.”

“I bet they’d pay double for that,” she says with a glint in her eye.

“She’s funny,” Flash is there an instant later. “I knew she’d be intimidating. But funny? I bet you had the Batman blushing.” Flash runs up to Bruce, only to realize he’s towering over him, and comedically lurching back. “Though I could be mistaken.”

“I’m glad you came,” Batman says before turning around.

“I had to,” we hear him before we see him, Superman flying majestically into their midst. “My mom would kill me if I refused a polite invitation from Batman. Unless I sent one of those little cards, but I can never remember the right etiquette for those. Easier just to show.”

Could she kill you?” Batman asks. “Does she have access to the right minerals?”

“Huh,” Superman says. “I can’t tell if you’re joking. I usually can. Microexpressions, heart-rate fluctuations, even tell-tale changes in cerebral blood-flow or neuronal activity.”

“He isn’t joking,” Martian Manhunter says. “He rarely does. Though he does remember how.”

“Stay out of my head,” Batman growls.

“You probably shouldn’t be ornery with the Martian,” Hal Jordan says, landing next to John. “He was the one who convinced me to trust you.”

“Oh yeah,” Flash says, as if the thought is only dawning on him now. “This could have been a trap.”

“No,” Aquaman says, rising out of the reservoir beneath the prison. “I don’t believe anyone else could have found us all.”

“I’m not so sure,” Batman says. “Victor, you might as well come out.”

For a moment we join Cyborg in the shadows. “You can totally do this. You’re a fricking Cyborg.” He walks out of the shadows.

“I was hoping he was with you,” Superman says with a smile. “I… heard the pep-talk you were giving yourself. I’m sure you’ll do fine, son.”

“Don’t say ‘son,’” he replies, largely doing a bit.

“Oh, sorry,” Superman says, genuinely taken aback. “I didn’t mean to imply a patriarchal imbalance; I know you’re younger because I can see your telomeres, but-”

“I just thought we were doing a bit- wait, you can see my telomeres?” Cyborg looks down at his arm, and his cybernetic eye scans it. “Weird. So can I. Why didn’t I ever think of that?”

“Presumably because you already know how old you are,” Flash says, suddenly standing in front of Cyborg, “I’m Flash, by the way.” He puts out his hand at superspeed.

“I think introductions can wait,” Wonder Woman says. “You were about to describe the threat.”

Batman drops a metal ball on the ground which projects an image of Amanda Waller. “She’s basically me, if I worked for the government, was a complete sociopath and had been recruiting the most dangerous criminals we’d ever fought to weaponize against us.”

“If she’s basically you the suit quite effectively shapes your thunder,” Flash says.

“And it kind of washes you out,” Cyborg adds.

“Quiet, children, the adults are speaking,” Arthur says.

“Dude, you’re like thirty, not Arthurian.”

Arthur’s confused. “My name is actually Arthur.”

“That’s no excuse for talking like a Shakespearean character.”

“Touche.”

“Clever,” Flash rolls his eyes, “because Le Morte d’Arthur was written in ye olde English.”

Batman gets an alarm on his gauntlet. “We don’t have time for any of this,” Batman interrupts, “or any time for me to prep you. They’re on their way.”

“You’re leading them here,” Superman says, turning towards Batman, suddenly short.

“Like I said, we fight them here, they can’t hurt civilians- or use the fact we’ll protect innocent people against us. I asked all of you here for two reasons- one, there’s someone coming here each of you has fought before. Two, I think we share the same goal- saving innocent lives. You want to hate me after, you want to kick the hell out of me after, you can.”

“Something tells me he gives a similar speech on dates,” Flash says to Cyborg.

“Man, I’m just happy to be included,” Cyborg replies. “I’ve fought precisely one costumed weirdo. Usually somebody’d slap an ‘S’ on my chest and make me a sidekick, or put me on the JV squad.”

“We aren’t a team,” Batman continues. “We don’t know one another. Our best bet is to continue to work alone, fan out across this place. I’ve built in automated defenses; all of you have been white listed. But knowing the people coming, my traps will only soften them up.”

Cyborg raises his hand. “Yeah, as the one Black guy in the spooky, derelict prison, I think I’d be remiss in not objecting to us splitting up.”

“Anybody want to pair off with Stone?” Batman asks. “You’re welcome to. I’d suggest refraining from sleeping with him, though-”

“No reason to tempt the Gods?” Wonder Woman asks wryly.

“I will,” Flash says, before stopping himself, “go with you, I mean, not sleep with- I have a girlfriend.”

Cyborg puts up his hands. “No one asked, man.”

“So it’s a no questions asked situation?” Aquaman asks Wonder Woman.

“I heard that,” Cyborg says. “And we’re the children,” he says

“I mean you are like ten,” Flash deadpans, waits a beat, then adds, “Kidding; I can’t see telomeres, and you’re also mostly a robot. Though you do have a very youthful cheek.”

“I moisturize.”

“It’s working for you.”

Superman and Batman pair off, mostly because Clark doesn’t trust him (which makes Bruce like him more), and because he wants to try to keep the vulnerable human alive (which makes Bruce like him less). But Batman has his own plans, and takes him to his control room.

“You really trust this Bat-guy?” Green Lantern asks.

“Trust isn’t a concept in my culture. Agendas, subterfuge, are only possible for short durations, and usually by means of rogue technology. I know who he is; I know what he wants, and what he needs. He has been honest with us, to a point.”

“It’s that caveat that has my Lantern senses tingling.”

Manhunter reconsiders. “He would die to protect any one of us, without hesitating. He involved us only reluctantly, after nearly dying twice earlier this evening.”

“I’m beginning to feel like all of us are metaphorically naked around you.”

“Your ring provides rudimentary telepathic defenses. And it’s not polite to pry. I did look into the man, before we came. I’m a father; I can’t risk myself recklessly.”

Batman comes over the loudspeaker. “They’ll likely let the White Martian take point, in the hopes he can disable some of our defenses. He’s easily the largest threat. He’s a telepath. He could shut us all down from a distance without John.”

“So I’m your shield,” Hal says.

“Did I not mention that?” John asks wryly. “Although you won’t need to be for long. He’s here.”

John telepathically tells Flash and Cyborg where the Martian is. John has Cyborg scan to locate him despite him being invisible, and has Flash attack him with a whirl-wind, which John tells them will disrupt his ability to control his atoms- especially after Batman’s attack. Then he attacks the Martian’s mind.

For a moment Martian Manhunter and the White Martian posture, turning into vast webs of limbs and weapons, before John lowers his weapons. “You aren’t like the others. No bomb in your neck; I suppose you could phase out of it the second you wanted. What did they use to leash you?”

The White Martian lowers his weapons. “Megan. They threatened her- to drop thermobaric bombs on her, her school, your apartment. I couldn’t chance it.”

“No. I wouldn’t ask you to. But your heart’s not in this fight. Yield, and I will make it painless. You will tell them you were injured, and lost.”

He takes John’s hand. “Keep our daughter safe.” John shuts down the White Martian’s mind, and John tells Flash to stop, and the Martian falls.

Suddenly we’re in a different control room. Somewhat subtly, to start, it’s the same basic décor as Batman’s. “Martian’s down,” Flag says, as they watch on cameras.

“With time to spare,” Waller says with a smile, as she watches the Suicide Squad make their way through the halls. “He bought us our in.”

“I’m still not happy to have you on-site. You’re what we refer to as a high-value target, and we brought you into the lion’s den.”

“Had to be done,” she says. “This billionaire playboy has tech even DARPA doesn’t understand. The only way I could control this battlefield without being noticed and digitally cut off was to be on site, hard-wired into the system- a lot of which is our system.”

Waller takes control of a security panel, and tells it to target the Flash, before stopping herself, because he’s too fast to shoot. So she’ll give the hero a chance to save someone, and instead targets Cyborg with an automated gun. Flash tries to save Cyborg from as many bullets as he can, but takes several shots in the legs; Cyborg is able to build a metal shield with his tech that’s able to sop up bullets- though clearly the gun is slowly cutting pieces from it.

Back in the control room, Superman stands over Batman, both staring at a monitor. “Stop shooting at them,” he menaces.

“That’s not my gun. I don’t do guns.” There’s a flash of understanding on Superman’s face; he had an idea of who Batman was under the cowl, but that confirms it for him. “Someone else installed it. And they control it.”

“Then I’ll-”

Wait.”

“Can’t you hack into it?” Flash asks, as Cyborg protects him behind a shrinking shield.

“I can’t. It’s hard-wired,” he says, distracted by the gunfire.

“Then hard-wire.”

“Right.” Cyborg scans the nearest wall, finding the right cable, and punches into it, ripping the wiring out and inserting it into a port in his arm. The gun dies. “Whooh!” Cyborg says, raising his arms before collapsing with Flash. “Think I’ll lay back and have a little celebratory heart attack.”

“S’cool,” Flash says dazedly, largely laying in Cyborg’s arms. “I’m just gonna lay here trying to regrow my legs. I feel safe here, as the little spoon. Don’t tell Iris.”

We cut to Batman’s control room. “You’re not, are you?” Superman asks. “Going to tell her?”

“Only with a compelling reason,” Batman says.

“I assume you have one, for keeping me here, for why I’m not fighting with others.”

“I’ve seen the footage, from your coming out party, at Kansas State.”

“That’s not what it was.”

“I wanted you here because you’re vulnerable, in a way most of the team isn’t.”

“I thought you said we weren’t a team.”

“Teams train together. They trust one another. I don’t see either of those happening.”

“You really have trust issues, don’t you Bruce?”

“What?” Batman menaces. Superman is already a blur, but he’s back an instant later.

“God,” Superman says, putting his hand on Batman’s shoulder. “I’m so sorry. I know what it’s like to lose parents too young…”

Don’t.”

“It’s not healthy to stay this closed off.”

“I mean don’t get distracted.” Batman is focused on a camera, and we zoom into it.

Black Manta is advancing on Aquaman. “I thought for sure they would have sprung Orm,” Arthur says. “Or at least found a Colossal Squid salty I kicked it or something. Those diving suits are cool, but this is going to feel a lot like punching do-” Black Manta blasts Aquaman off his feet. Aquaman is wheezing, struggling as he tries to gets up. A little nozzle telescopes out of a wall, and hits him with a comedically large spray of water.

Superman grins, watching Aquaman knocked back on a jet of water. “And they think you have no sense of humor.”

“I’m about 90% sure that his powers are in part water-based, and judging from the heat coming off that blast, it dehydrated him.”

“Any defenses you were planning on using on the bad guys?” Superman asks, as Manta continues to advance. A different device telescopes out of the floor, and sprays oil onto it.

Manta’s suit gives him a warning, about low-friction, right before he starts sliding, kicking his legs wildly before doing a full Home Alone fall on his back. “Nyuck nyuck,” Superman says.

“Quiet,” Batman replies.

Aquaman punches Manta, but the suit is hardened, originally to withstand crushing ocean depths, and then redesigned to withstand Aquaman’s punches, so it barely dents. Manta tries to blast him from the ground, with Aquaman diving out of the way. “Remove the helmet,” Batman says through a speaker.

“Oh, right,” Aquaman says. He rolls out of the way of another blast. Manta tries to stand, but is even more oily than before, and falls face-down. Aquaman gets a knee into his back, and uses the leverage to tear Manta’s helmet off him. Suddenly seeing David, he feels a pang of remorse. “David, I-”

Manta punches him, knocking him back.

“You want me to-” Superman gestures in that direction.

“No,” Batman says, holding up his hand.

Aquaman lunges, reeling back to throw a punch, but Manta has ample time to punch him in the face. Manta freezes, and we see that Aquaman wasn’t throwing a punch at all, but delivering an octopus, one holding a small glass vial, sitting on Manta’s shoulder.

“I imagine you’re familiar with box jellyfish.” The octopus holds the vial up so that Manta can see there’s a little baby jellyfish inside. “Their tentacles are covered in microscopic cells that function like hypodermic needles. I’ve been working with Percy to get the dosing right; too much venom can cause cardiac arrest, but the right dose leads to paralysis. Because I don’t want to hurt you, David; I didn’t want to hurt your dad, either. You can blame me for his death, if you want; but he made a choice, not to look out for himself, or for you. He risked himself for profit. But… I am sorry. I know I played a role in his death. I was rash, and angry, and I lashed out. It was the first time someone tried to kill me, and I didn’t react well. But we don’t have to do this. You don’t have to take your obvious genius and bend it to hurt people. You could extend humanity’s reach into the deepest parts of the ocean, and further into the reaches of space. I hope you choose something better than this.” He turns to go. “Oh, the octopus is going to stay. He’ll give you a couple of injections. The first is a cocktail, some Atlantean medicine, spiked with some cholestorol agonists. It should prevent any long-term damage from the venom. He’ll also give you a dose of tranquilizer.” The octopus produces a syringe, and hovers the needle over Manta’s eye. “It doesn’t go in the eye, though.” Arthur leans in. “He’s not really a sadist; he just has a warped sense of humor.” The octopus flips Aquaman off as he walks away. “I saw that.” The octopus looms over Manta, wringing his tentacles menacingly.

“Diana,” we hear Aquaman call. Then we cut to him searching. “Diana!”

We cut to Diana parrying a strike from Cheetah. “We don’t have to do this, Barbara.” She catches another blow on her bracelet, which clearly hurts Cheetah’s hand. “I have no desire to hurt you.”

“No,” Minerva scoffs. “You just want to protect the status quo, and all the predators that protects.”

Diana ponders a moment. “I don’t. I also don’t know who preyed on you, Barbara, but I would love to help you stop them- or stop those like him.”

Minerva weighs the offer. “You might even believe that. But they don’t.” Aquaman passes on the other side of two-sided glass, thick enough he can’t hear their fighting. “The men you’re fighting with. Men can’t accept strong women. You’ll find that out.”

“They don’t get to make my decisions for me.”

“You might believe that. I can’t.” Barbara unsheathes her claws. “I know I can’t beat you. You’re faster. Stronger. And you’ve been at this a hell of a lot longer than I have. In a fair fight, I’m catnip. So why fight fair?” She produces Flag’s sidearm, and fires slowly. She’s trying to lead Wonder Woman towards a Claymore mine she and Flag set.

“You should help her,” Batman barks.

“I’m not a dog you can order to attack.” He uses his x-ray vision to ascertain her location in the prison. “I have her- if she needs me.” There’s an awkward silence for a moment. “I do have a Kryptonian dog with similar powers… but he’s shorter, cuter, likes being scritched behind the ears.”

Batman pauses a beat. “What breed?” Batman asks, both because he’s genuinely trying, and because he actually likes dogs, or at least, he likes his.

“Uh, Kryptonian, I otherwise don’t know how to answer that.” He pauses, too, realizing what’s happening. “Yours?”

“German Shepherd. Smart, loyal. Alfred named him ‘Ace.’”

“I guess Krypto resembles a labrador, a white one. He’s smart, too.”

“Do you make him wear a cape?”

“He… gets really anxious if you try to take it off him. Yours?”

“I’m not a monster.”

Pause a beat.

“Have you ever called him your bat-hound?” Clark asks.

Awkward silence, before we cut back to Wonder Woman deflecting more bullets.

“I want you to know something, Barbara, that you taught me. I always saw these bracelets as a shield. I used them to protect myself, and my sisters. I was so focused on protecting people, that I didn’t realize, sometimes the best defense,” she turns her wrists, so a pair of Minerva’s bullets bounce off the bracelets, and ricochet to hit Minerva in the knees, and she goes down, “is offense.”

Barbara’s lying on the ground, holding her gunshot knees. “If I call that a sucker punch, do I have to admit you suckered me?”

Diana holds out a bit of cloth to bind the wounds. “I can’t make promises, Barbara, but I meant what I said. If I can help you, or help you help others, I will. And may the gods make room in Hades for the men who oppose me.”

Cheetah thinks a moment, before taking the cloth.

We cut back to Waller’s control room. “Damnit, I’ve lost visual on Quinn,” Flag says. “Should I blow her?”

“If it’s permission you’re asking for, I think it’s the lady who’d be the one to give it,” Boomerang says, tapping Harley’s monitor.

“No,” Waller says. “This place was a prison, built in the old Gotham mines. There’s feet of rock, concrete and ore in places. We still have audio.”

We cut to Harley, walking into Batman’s control room, holding a white flag in one hand and cue cards, the first of which reads, “Hiya, Bats!” with a little heart dotting the I. She quickly flips to the next card. “I’m bugged” (with a crudely drawn cockroach illustrating it). “And booby-trapped.” Her next card has two diagrams, one with an outline of a chest that’s Xed out, and the other with a circle at the neck.

Batman holds up his hand to stop Superman. We zoom in on his mouth, barely moving; we hear it as Superman does, a whisper, but LOUD. “X-rays might set it off.” Clark nods grimly.

Batman pulls a device with a needle and a scalpel from his utility belt, and Harley stumbles backward, falling back into a chair. Batman signs at Clark, and we subtitle it. “Distract her.”

Superman begins pantomiming, and Harley, confused, follows along. “Look? It’s a bird? No, a plane? No- ow, my neck,” Harley moans, as Batman jabs something into her neck.

“The device is inactive,” Batman says at full volume. “It’s probably safer not to remove it in the field.”

“So it’s safer to leave it in my neck?” Harley asks, springing to her feet.

We cut back to Waller. “Detonate,” she commands, and Flag hits the red button with her name on it. She waits a moment, listening for a detonation. “Shit.”

We’re back with Batman, Superman and Harley. “You could have been wrong,” Clark says.

“But I wasn’t,” Batman says. “Receiver was using a WayneTech chip. I removed it.”

Harley collapses back into her chair. “I really need anxiety meds.”

“Who’s left?” Batman asks, leaning threateningly over her, tilting her chair to put her even more ill-at-ease.

“I’d tell him,” Superman says. “He’s really not rational when he’s like this.”

“Who is left?” he asks again.

“When I left the other control room, there was Boomer, Flag, and Waller.”

“Waller’s on site,” Batman says. “And Flag has a fractured rib; should take some of the fight out of him. Should have broken his trigger fingers while I was at it. That’s all?”

“That, and ‘the big guy’ who was apparently a big fan of eating hearts, and the only one who spooked the guards more than Mistah J.” Metallo crashes through the rear wall, and immediately the shielding around his kryptonite core slides away. “Oh, and that guy.”

“Damnit, Quinn,” Batman says, ducking under one of Metallo’s arms even as he connects with Superman, knocking him into the opposite wall.

Batman starts kicking one of the console panels. “What are you doing?” Quinn asks.

“These systems are all water-cooled.” The panel bends inward, and he’s able to tear it loose, and slices through a hose with a batarang in his fist.

“Heh,” Harley chuckles to herself, “his water broke.” The water crests against Metallo’s metal feet, where he’s using Superman, embedded in the rock at this point, as a punching bag. Batman climbs on the chair with her. “Hey, what gives?”

“We’re improvising. Lift your feet.” She does, as he flings several batarangs at some insulated cords along the wall, slicing through them. One strikes the water, electrifying the floor, frying Metallo, freezing him. Superman, no longer held in place by the force of punches, slides to the floor, where he starts being electrocuted. He struggles to the cable, and picks it up, stopping the flow of current.

“That hurts more than you might think,” Superman says.

“We improvised,” Harley says, as Batman sprints across the room. “You should have listened when he said to lift your feet.”

“I’m sure he’s shielded, we’re probably just waiting for his processors to boot back up,” Batman says as he welds a piece of lead-lining from an x-ray protection gown in Metallo’s chest. “That should help,” he says. “Just don’t hit him in the chest.” Metallo grabs Batman by the throat, but Superman is there in an instant, and knocks him back.

“You okay?” Superman asks.

“I’m fine.”

“A choking like that won’t do any more than a day of vigorous growling,” Harley says, as Metallo and Superman punch each other in the face. “It’s kinda like rock ‘em sock ‘em robots,” Harley says, having to leap out of the way as Metallo throws Superman.

“Sorry, ma’am,” he says, before flying at Metallo.

“Ma’am me again and I’ll make you sorry,” she says, kicking at the empty air where he’d been. Batman grabs hold of her chair and rolls her into the hall as a man-shaped dent appears in the door behind them.

“I think we’re safer out here,” Batman says.

“Unless they’ve got some kind of redundancies in the arming mechanism,” Harley says.

“Fair point. Stick close.”

“Yeah. Nobody wants to die alone if they can take someone else with them.”

“If they need line of sight to set off any redundancies, they have to expose themselves.”

“Ew,” Harley says, making a face.

“Now this is awkward,” a voice echoes menacingly through the halls.

“Run,” Batman says, but Harley stands her ground.

“I never thought I’d find you rubbing another man’s rhubarb,” Joker says, stepping out of the shadows with a large gun.

“I thought the emoji was an eggplant,” Harley says.

“I just can’t decide who to shoot first,” he laughs to himself, before jamming a drum magazine onto his gun. “But I’m not Dent- I don’t have to choose- I can just shoot everone!” he cackles gleefully, filling the hallway with gunfire that doesn’t quite drown out the sound of his laughter (or last as long).

Batman shoves Harley down, taking the brunt of the shots in his armor, protecting her. They’re both lying on the floor, unmoving, Batman with his face covered by a few inches of water.

Joker walks slowly, reloading as he speaks. “Of all the girls I shoved to the floor, I never thought I’d find you sleeping with the enemy, though so long as you’re both sleeping with the fish, who am I to com-” close on Joker’s feet, as we see he’s tripped a wire. Joker stops dead in his tracks, and says, “heh, booby,” before an explosion knocks him into the far wall.

Batman sits up gasping for air. “My hero!” Harley says, wrapping her arms around him. Batman is clearly uncomfortable with the affection, and stands stiffly up.

“I knew he had to be hurting you, too. It’s who he is.”

“It is who he is,” she says indignantly, stamping over to Joker and beginning to kick him.

“Ow, my heart,” he says pathetically, as Batman lifts her up and puts her down away from Joker. Batman lifts him up, and Harley kicks him back down. Batman raises a stern finger to her, and she puts up her hands. Batman gets him up enough to cuff him to a metal bar, then turns to leave, before stopping.

“You know, we’d all be safer if he was unconscious.” Unbridled joy spreads across Harley’s face.

“You wouldn’t hit a guy with glasses, would you?” Joker asks, putting on a pair.

“Those are mine!” she squeals indignantly, kicking him, taking the glasses, and then scissor kicking him into the bar with a gloriously satisfying clang. “I just use ‘em for reading,” Harley says, folding them and putting them in a pocket.

We cut back to Waller and Flag. “Given I can hear the thunder of steel men’s fists, I take it Corben’s still in the fight,” Waller says.

“That’s a bad sign,” Flag says. “He’s not supposed to go toe-to-toe. His edge was the surprise. Longer the fight goes, the better the odds it doesn’t go our way.”

“Then let’s stop dicking around,” Waller says. “Time to put our big gun in play.”

“I’m not sure how wise that is. He might decide to just kill the two of us and leave.”

“Captain, if I stopped every time a man might decide to kill me, I wouldn’t have made it past elementary school.” She cues up a mic. “Do it.” She opens a channel into a cell. “I know we’re still getting to know one another. I know you’re still considering whether to just slaughter your way free. But I have a counter-offer. Kill one of these ‘heroes’ for me, and I’ll see all Earthly records of your time and crimes here expunged. Kill a second, and you’re free. Kill them all, and I’ll tell you where I have William Hand stashed away. Whatever you decide to do with him, it will be like he never existed. Oh, and the first ‘hero’ you get to kill is a Green Lantern.”

We see sharp teeth smiling in the dark cell, lit very faintly by a red light. “With blood and rage of crimson red,” the large alien’s foot stomps, shaking his cage as Waller’s soldiers run.Ripped from a corpse so freshly dead,” his other foot stomps as he tears off his shackles, sending the metal chains flying at camera, “Together with my hellish hate,” he smashes his metal cell, and the doors and all of the walls and even the ceiling fly off in different directions, “I’ll burn you all, That is your fate!” Atrocitus screams, the final words of his oath, as a red lantern symbol burns behind him.

“So… that’s bad,” Hal says. “I thought Sinestro removed him from the planet.”

“Apparently he was stopped by the Earth authorities,” John says, gleaning that much from a superficial reading of Waller’s fleeing soldiers.

Hal’s ring fills them in. “His ring assessed that human casualties sustained in retaining custody of the prisoner were unacceptable, not to mention that the odds of the prisoner escaping during any conflict approached the 90th percentile.”

“John can you-” Hal doesn’t finish the thought before he’s knocked back by one of Atrocitus’ projections.

“No,” John says, phasing through another. “Like your ring, his provides a degree of telepathic shielding. This calls for a more direct approach.” John phases through Atrocitus’ force-field.

“Martian, huh?” Atrocitus says, almost a laugh. “Burn.”

John is engulfed in a burning red flame, before Hal is able to douse him with green foam to put him out. John is able to phase back through the field. “That hurt like fire,” John says.

“You know what else burns like fire?” we hear the words as Flash blurs by. He vibrates through Atrocitus’ shield, and punches him a thousand times, before Atrocitus stumbles backward. Flash vibrates back out. “That’s right: getting punched like a thousand times in a second. You know what that answer wins you?”

“Another thousand punches?” Atrocitus asks wearily as Flash vibrates back through his force-field. This time, however, he’s met with a second, growing field, that shoves him back, screaming, through the first.

“Okay, John, you were right,” Flash says, “that does burn like fire. Vic, you got anything?”

“Yeah,” Cyborg says, “just didn’t want to step on your moment.” He’s got the sonic canon he used on Deathstroke, only now it’s fancy and sleek, and he blasts Atrocitus with it. It looks, from the outside, like the force-field absorbs it without anything happening, but Vic explains, “See, I scanned the frequency of his field, and calibrated my sonics to harmonize with it, turning his field into one big echo chamber.” For a second we pop back inside the field, where the noise is hard to take. Atrocitus drops the field for a moment, to let the sound out. In the moment his field is down, he’s hit in the chest with a batarang that explodes. He stumbles backward, into Diana’s lasso, which she yanks, sending into to the ground, where we see that on his back is the octopuss.

“You know what else burns like fire?” Aquaman asks.

“I can’t be the only one who’s expecting him to say gonorrhea,” Flash interjects.

“Box jellyfish venom.” We zoom on the octopus injecting atrocitus. “Lantern?”

“I got you, little guy,” Green Lantern says, pulling both the jellyfish and octopus away from Atrocitus in a little protective bubble.

Atrocitus scream. “I don’t imagine it’ll cause paralysis in your species, which presumably come from another planet. But sounds like it’s still unpleasant.”

“Fools!” Atrocitus screams, lashing out in all directions with a wave of energy and weapons and flames, knocking them all to the ground. “I will peel the flesh from your skulls and eat it.”

At that precise moment, a human face barely sticking to a metal exoskeleton impacts with Atrocitus’ force-field; it’s Metallo, thrown by Superman. “I wouldn’t start with that one,” Flash says. “I’m pretty sure it’s artificial. I’m sure it would do lousy things to whatever your equivalent of a colon is.”

“Fast-men, stress his shield,” Batman says. Superman and Flash run circles around Atrocitus, pummeling his force-field. “Diana, put the squeeze on him.” She lassos his field and tightens it.

“Lantern, let John in; make sure he can’t surprise us.” We zoom in. Martian Manhunter and Green Lantern are, in effect, standing on the sheath of energy around Atrocitus’ body (the one that’s inside his larger force-field bubble). They see armies of red energy monsters form and unform.

John explains that, “The rings anticipate you; they try to be prepared for whatever you might need. I have connected you, so that whatever he attempts you will counter, automatically.” Another army rises, but this time, they’re joined in battle by a tiny green one.

“Cyborg,” Batman says. “I need the opposite of what you did before- a frequency that will cancel his field. I need a hole.”

“Then call me Dr. Stone,” Vic says, before adding, “kidding, ‘Doctor Stone’ is my father.” He blasts the field, slicing a hole in it.

“Shuck him like an oyster,” Batman commands. He manages to get a batarang in the hole, and pulls, himself, as the others grab on the hole in the field and pull. Atrocitus tries to create a red energy tentacle, but it’s caught by a green glove, he creates a battery of missiles, only for a green ramp to aim the missiles directly into his own face.

“John? I’m pretty sure he’s not fire on the inside,” Batman says.

John smiles. “You terrible, clever man.”

John oozes through the hole into the force-field, then phases past the energy sheath around his body, poring into his mouth and disappearing. “Would you like to do the honors?” John asks in Batman’s head, as Atrocitus’ sheath dissipates.

“John knows everything about your species that you or the Green Lanterns do. Like where to put pressure to bisect your spinal cord.” Atrocitus’ legs go limp, and he crashes onto his stomach. “Drop the ring, and yield, and it stops. Or John and I start getting creative.”

“Bastards,” Atrocitus yelps, peeling off the ring.

“Lantern?” Batman asks.

Hal picks up the ring in a green energy box, and his ring tells them it’s an authentic ring, that Atrocitus is unarmed. “You can come back out, John.” Manhunter phases out of Atrocitus, which lets him leave all of his bodily fluids where they had been.

“I thought he smelled bad on the outside,” John says. “Is that a reference humans still make? I’m… making a list.”

Quinn arrives with the Squad Members, and Waller in tow. Waller has a boomerang sticking out of her forearm. “Tell them what you told me, B-man,” Harley says.

“I can disarm the bombs in their necks, Waller. But you’re going to let them go.”

“Really?” Waller asks, shoulder-checking Harley as she steps to the front of the group. “From where I’m standing you’re holding an exceedingly weak hand. I know who all of you are, under the masks. Two of you are aliens. Two others aren’t human. One is in thrall to an alien military force, another a threat to modern society, and the other a threat to the very fabric of reality. This is one fight you can’t win, B-man.” She leans on the “B” in a way to make clear she considered calling him “Bruce.”

“That’s your problem. You don’t realize you’ve already lost.” Batman has footage from her control room, played holographically. Harley breaks in. Waller is nearer to the door, and tries to slow her down.

“Her bomb is disabled,” Waller barks. “She stops, or we start blowing the other Task Force members.”

“I’m not killing random people for you, Amanda,” Flag says, stepping away from the control panel.

She hits Harley with her gun, and pushes past him, “Then I’ll do it.”

Boomerang hits her with a boomerang in the arm (the one still embedded in the meat), and Harley punches her in the face. Flag puts up his hands.

The footage cuts to Waller training a gun on Cyborg, shooting Flash, shows Waller ordering Atrocitus to attack them.

“I’ll spell out for you what I have, Waller: it’s an agent of the government weaponizing a criminal army on US soil against citizens, none of whom have been accused of a crime. Worse, two of your targets are diplomatic envoys from sovereign nations. And,” documents flash across the screen, “here are the contracts for the tech you hoped to steal and then have replicated. So door number 1 is the end of your career, and your seedy little Suicide Squad.”

“Then what’s the carrot?”

“You live to fight another day. But your indentured army goes free. And so do we. An end to hostilities against anyone in this room. You still get to operate in the shadows, you just stop using us as your proving ground. There will be no reprisals- not from any of us, and not from you, or I go public, and the chips fall where they may.”

“You trust them?” she asks of the Squad.

“I trust that they understand their situation. Right now, I’m the lesser of two evils. But I’ll worry about that. This agreement is between you and me. Of course, you can always try to renegotiate with them.” Flag and Harley in particular are staring daggers at her, but Cheetah understands she could have been the one Waller tried to kill despite their agreement.

“Fine.” She shakes his hand. Waller leaves. Flag stays behind.

“You sure I can’t just kill her on her way out?” Cheetah asks.

“No,” Batman says. “But I do have an offer I’d like to make to all of you.”

“I should make sure she doesn’t make a beeline for the control room,” Flash says, zooming away.

We cut to later. “I’m not sure how I feel about you hiring yourself a mercenary army,” Superman says.

“We’ll have plenty to talk about that, though I view it more as an unorthodox rehabilitation program,” Batman says, but holds up his hand. Batman says, “Mask of Zorro,” into a bit of rock wall, and a piece of cave slides away, revealing a number pad. He removes his glove, and taps in a code, his fingerprints providing the biometric portion of the lock. The cave wall slides away, revealing a sleek black train. “All aboard.”

The ride is smooth, and doesn’t last very long, before they arrive in the Batcave. Alfred has prepared a feast for them, and set a table and chairs out for them to eat. “What is all this?” Superman asks. “You said yourself we aren’t a team.”

“No,” Batman says, “but maybe we need to be. Waller isn’t going away. I’ve known her kind. She may not be this brazen again, but she isn’t done testing us. And she’s far from the worst threat waiting in the wings. I haven’t changed my mind- not completely; I’m not ready to build a hall of justice and schedule regular meetings of our justice…”

“Family,” Superman suggests.

“Corps,” Green Lantern tries.

“Titans,” Cyborg adds.

“Legion?” Wonder Woman says.

“League?” Aquaman offers.

“Avengers?” Flash asks.

“I’m regretting this already,” Batman says. “But for tonight, we endured. For tonight, I need to say,” he removes his mask, “thank you for coming.” He can’t quite bring himself to admit that they came to his rescue, that they saved him, but they did, and they all understand- and understand that each and every one of them would have done the same for them, but also for anyone. That whether or not they say it tonight, they have built something, something that will endure.

We roll credits.

Mid-credits scene: “There’s a bloody morals clause?” Boomerang asks.

“And a death waiver,” Harley adds.

“It’s a liability waiver,” Flag says. “Death, dismemberment, other injury. Benefits are generous; life insurance if we’re killed, full disability insurance if we’re injured on the job. The morals clause just says we punch who we’re supposed to; looks to be modeled on a military code of conduct.”

“It was,” Batman says, walking into their midst. “But like I said, you don’t want to sign, you’re free to walk. You stay, you work for me. I put a team of high-priced lawyers on any prior issues you’ve had, and compensate you handsomely for your time and talents. Unlike Waller, I don’t view any loss of life as acceptable- especially my people’s lives.”

“How handsomely?” Quinn flips to a different page for Boomerang.

“Monthly?”

“Annually.”

Boomerang scoffs. “I got that much in a single day from hitting Central City Bank.”

“And how much of it did you get to keep?” Batman asks. “Scratch that. How deep in the hole were you, between boomerangs and dental work after Flash was done with you? 10 thousand? More?” He pivots away from Boomerang, who is a little pissed, but Harley puts her hand on his arm and he chills. “There are also bonuses. I anticipate us hitting criminal enterprises. Drugs and weapons we destroy, but we keep cash or anything else. Fifty percent goes towards operating costs- with the hope of reaching sustainability- the rest is yours to split evenly. So that figure is guaranteed base pay; you step on a landmine two steps into your first mission and lose a foot, you get that to live on- maybe more, if the rest of the team keeps paying out your portion of the bonuses. Oh, and if you stay on, you train.”

A woman with short red hair and military workout gear drops her bags. This is Batwoman, though we aren’t going to see her in costume for a while yet.

More credits, then one final end credits scene. Bruce Wayne is walking Ace on the grounds of Wayne Manor. He bends over to pet the dog’s head as a gust of wind blows, and the dog whimpers. “It’s okay, boy,” he whispers. “What are you doing here?” he asks without turning around.

“There’s someone I thought you needed to meet,” Superman says, before floating aside, revealing his flying dog, Krypto! The dog lands beside Ace, and they smell each other. “And you must be Ace,” Superman puts his hand out, and Ace sniffs it. Ace looks to Bruce for approval. Bruce gives a little nod, and the dog responds happily, and rubs his face into Clark’s hand.

“Krypto, meet Bruce.” Krypto floats in front of him.

“Does he shake?” Bruce asks. Krypto shakes like he was covered in water, and stares at him with a dopey dog smile on his face.

“Told you he was smart. And yes. If you put out your paw, he’ll shake.”

“How smart?” Bruce asks, putting out his hand. Krypto shakes it.

“I don’t have a precise answer; smarter than an Earth dog, not as smart as a human. The sun affects him the same way it has me.”

“Strong as you?” Bruce pulls the dog forward by the paw, and it rolls, flipping him over. He rolls, landing gracefully.

“Proportionally, at least.”

“Hmm,” Bruce says, eyeing the dog. “That might make him, pound for pound, the most dangerous thing on the planet.” Bruce turns back towards Ace. “I hope he’s a good boy.”

“You said the magic word,” Clark says, as Bruce is mauled by Krypto’s tongue, giving him dozens of slightly too-fast face licks. “Who’s a good boy?” Clark asks, and Krypto flies to him next.

“I think that depends on what you value,” Bruce says, snapping, and Ace sits at attention. Bruce gives him a treat. An instant later Krypto is sitting next to Ace, sitting just as behaved and attentive. “Touche,” he says, and tosses Krypto a treat of his own.

“Wait,” Superman says, “what’s he got in his mouth?” Ace is holding a small plush of an impish figure in an ill-fitting Batman costume.

“Damnit,” Batman says. “That’s his Bat-Mite.”

“Bat-Mite?”

“Alfred found it on a trip to India. As far as we can tell, the name is a corruption. One of the meanings of ‘man’ is ‘value,’ which can translate to “mite” in Urdu. I’m not sure how he keeps finding the damn thing; I keep hiding it.”

Ace holds it out, and Krypto sniffs it, before licking the doll’s face. We don’t see it, and neither do our heroes, but Krypto notices the imp wink at him, and tilts his head in that confused way dogs do.

End

DC Reboot Pitch: Batman: Love in Madness

The Deal: this is the sixth in a series of pitches for the rebooted DC Movies. I’m using AI art to mock-up these pitches, because it really adds to the madness, and especially for this pitch, we need all the madness we can get.

Batman is maybe the toughest nut to crack, because there have been so many Batman movies, and we’re going to stay away from origins for the most part. And that’s why we’re going to follow the Deadpool route, and make this a Valentine’s date movie.

The Pitch

We start in Arkham. I think the Arkham games found a good compromise, between the spooky, gothic architecture and the fact that there’s still plenty of real-world hospital infrastructure in place, too, so think a spooky castle retrofitted with bland tile and easy to clean hospital walls. We follow Dr. Quinzel, her hair already in twin tails, wearing a red and black corset beneath her buttoned up lab coat, humming the Joker’s theme song from the Batman Animated Series, because he’s too good a character not to have his own iconic theme.

She enters a secured room. She’s firm but kind as she hands over the plant. She put her job on the line vouching for Ivy- but if she attempts to use the plant to break out they’ll use the defoliant sprinklers. Ivy ignores the threat- which is old hat at this point. She’s transfixed with the plant; she’s basically a mother reunited with her child. Both glow under the grow light- which Ivy also credits Harley for. She thanks Harley, for being the one doctor in here who isn’t just putting her under the microscope, but who listens. In exchange she offers her own advice: “The clown isn’t good enough for you. He chews people up and spits them out, not to prove any kind of point, but because he thinks it’s funny. You’re as special as this blossom,” she gently strokes the plant’s petals, “and you shouldn’t settle for anyone who can’t see that.”

We cut to the DC title sequence.

We’re in the Gotham subway system at night. A gang, calling themselves the “Mutants,” dressed in that strange 80s punk aesthetic from the Dark Knight Returns, menace first a black street musician named Milan, and then a woman waiting for the last train of the night. One of them pulls out a switchblade, and is about to mug her, when Batman swoops in and starts fighting them. The street musician starts playing Wesley Willis’ “I Whupped Batman’s Ass,” but as the fight goes on, he changes it to, “Batman Kicked My Ass” (which would be a slight variation on Willis’ “Birdman Kicked My Ass.” As he’s about to leave, Batman retrieves a green batarang from his belt, and throws it into the musician’s open case; the musician unfolds it, to find it’s an origami $100 bill. He looks up to thank Batman, but he’s gone.

Batman slides into his car, and roars off. Alfred calls over a built-in radio. “Commissioner Gordon has requested your presence. A break-in at WayneTech. Security footage shows the clown in the anaesthesia lab. They’re reporting a casualty.” The Batmobile’s engine growls as he increases speed.

We start in on a Wayne security guard with a rictus grin, with the name plate Owens. Batman is studying him, while an EMT assures him they used the anti-toxin Batman distributed to the city’s ambulance companies- but it hasn’t had an effect. “He’s using a new formula.” Batman has a booster in his utility belt. The smile softens somewhat. “He may experience facial paralysis. He’ll need to consult a plastic surgeon; there may be tissue damage.” Batman hands him the card of a good one, that Wayne’s insurance will cover. The EMT promises to tell him.

Batman walks to the lab where the majority of the damage was done. Commissioner Gordon is overseeing the case; he personally oversees any case involving the Joker. Gordon doesn’t know what Joker was after. “An experimental tranquilizer,” Batman says. “Gotham has a high proportion of meta humans and mutations. Typical tranquilizers don’t work on all of them, or even the same way. I consulted, and shared some tissue samples. Every other work station is smashed. But he was careful with this one. He knew what he wanted, and that it was fragile. If he has that, he’ll be able to reproduce it. He’s a chemical savant- that’s why we have such trouble keeping up with his Joker toxins.” Gordon goes to ask him a question, but he’s gone.

Batman swings down to his Batmobile. The lights come on as he approahes, and we’ll think he just has it remote controlled, until it peels away. He grapnels onto the top of the car. It’s not responding to the controls in his gauntlet. The driver swerves, nearly knocking him off. He manages to get the edge of a batarang jammed into the sliding top, and uses his cape to direct a gas grenade’s contents inside the car. The car crashes somewhat languidly into a light pole. Batman wrenches the roof open, to find an early teen asleep at the wheel.

The teen wakes in the batcave. It’s mostly dark, lit only by the instrument panel in the Batmobile. “Jason Todd, in and out of foster homes and orphanages since you could crawl,” Batman’s voice booms, coming from everywhere at once, augmented by the cave’s sound system. “I won’t bore you with your history, all the reasons you spent time in juvey, but your record indicates you’re on track for life in prison by your twenty-third birthday.” Suddenly Batman is behind him, and tears him out of the car with one hand. “So why did you steal my car?”

(somehow, this was the best one)

At first Jason is defiant. He’s been living on the streets, fending off all kinds of predators, for most of his young life. Batman tries to intimidate him, but Jason pivots, and says, “You’re not going to beat on me. In a way, that makes this cave safer than most of the foster homes I’ve been in.” Batman tells him he’s put 37 juveniles in the hospital. “Yeah, in self-defense, or protecting other people. And I tried to take your car because while I can’t steal a home, I can live in a car, and that seems like a pretty safe one to live in.” Batman comments that he managed not to damage the security measures getting inside. “Of course not. Wouldn’t be very safe anymore if I did.” Jason sees his opening. “You were faster, this time. Usually, crime scene investigation involving the Joker, and someone he poisoned, I should have had another 48 seconds.”

“You’ve been tailing me.” Jason’s stomach growls. “You’re hungry.”

As if on cue, Alfred arrives, with a sandwich, cut in half. His eyebrow raises. “Taking in strays again?”

“Kid needs a place to stay, and we do have extra rooms,” Batman says.

“Very good, sir,” Alfred offers the sandwiches first to Jason, who hesitates for only a moment before tearing into one.

We cut to Harley is sneaking in very Scooby Doo fashion into an overgrown plant sanctuary on the outskirts of town with a bottle of ether and a rag. She’s caught, almost immediately, and held by plant vines. “Heya, Red,” she says. Ivy tells Harley she’s immune to poisons- ether included, and Harley says “Oops, I forgot,” and drops both. Ivy’s skeptical- Harley didn’t forget- this is something else.

Harley exuberantly tells her she was going to kidnap her to create a rose garden that grows in a bat symbol- a bat symbol Joker could destroy that would then replenish itself, so he could destroy it all over again. Harley tells Ivy she wants the roses to have blackberry genes, so whatever Mister J throws at them, they’ll spring back. “Oh, Harley,” Ivy says, recognizing that the resilience she’s seeking in the plants is what she’s needed to survive him, and that her gift idea is to find something else to absorb his abuse.

She tricks Harley, telling her they’ll need some supplies. Instead they go shopping. They run into Bruce Wayne, and Ivy uses her pheremones to kidnap him and bring him along on their spree to pay for everything. Harley is focused on things to please Joker, but Ivy keeps steering her towards things that make her feel good, too- emphasizing that Joker should want to make her happy, too, that what makes her happy should make him happy.

Alfred, who witnesses the kidnapping, calls Batgirl. She calls Dick Grayson. At first he’s excited to hear from her. “I know you and Bruce aren’t on the best of terms, right now…” she says, and his face falls, “but someone kidnapped him, off the street. I could use the back-up.” He shows up not in his Robin gear, but as Nightwing. She comments that it looks good- and that he couldn’t dress like a Lost Boy his whole life.

Alfred keeps tabs on Bruce and his kidnappers, so it doesn’t take long for them to catch up. Batgirl and Nightwing have a will-they-won’t-they kind of romance; Batgirl has something of a crush on Bruce, but it’s a schoolgirl and her professor thing, and he views her as a surrogate daughter. They manage to free Bruce. Harley and Ivy get away, and Bruce is convinced their plans don’t have anything to do with the Joker’s.

On the police scanner, they hear about two crimes, a break-in at the bat research center, and one at Arkham. Batman takes the bat center, because he’s still a little worse for wear after being poisoned by Ivy, while the other two take Arkham.

One of the scientists working at the bat research center, Dr. Karl Lykos, has been taken. No ransom yet. An overweight detective, Harvey Bullock, is working the scene, sweating profusely. At one point he decides to sit in a chair, not noticing the whoopie cushion on it. Batman does, and tackles him out of the way, as it explodes violently.

At Arkham, Batgirl delivers an anti-toxin to an orderly named Westen. He’s able to wheeze out that Joker spent several minutes agitated, talking to Freeze, before leaving emtpy-handed. Freeze coldly refuses to speak to them. They’re skeptical, but call Batman. He thinks the victims’ names are a clue- that either Joker is hiding out at Low Pharmaceuticals, or the defunct owl sanctuary. Batman is closer to the owl sancutary, and they’ll take Low. Barbara lingers behind, feeling there’s more investigative work to be done.

Ivy creates the box garden Harley asked for, and grows a bat symbol out of it, offering to help her deliver it to the Joker. But she hesitates, then offers her thoughts, because she’d rather not give something beautiful to a man who doesn’t appreciate it, and will ultimately destroy it. This time, Ivy cups Harley’s cheek, to guide her gaze to meet hers, so Harley can’t ignore that Ivy is talking about her. “Because I’d rather this go to someone who appreciates its beauty.” Ivy waves her hand, and the blossoms change, instead becoming Harley’s black and red diamond pattern. Ivy kisses Harley, and it’s at first a beautiful moment… but then Harley pulls back. She’s still with Joker, still feels like she can’t do this, and leaves.

Batman arrives at the owl sanctuary. There are rose petals cut into the shape of bat symbols adorning the walkway. The large, open room is initially dark, until Joker is lit with a spotlight. Joker’s dressed sharply, think the date night version of what he usually wears, hair slicked back. One side of his head is conspicuously bandaged in what feels like both an homage to Two-Face and Hush. Joker gives a speech about their relationship, how important they are to one another, how he is the ying to Batman’s yoni.

The entire thing should read in Joker’s mind as affectionate bordering on romantic, and to the rest of the world as incredibly creepy. He reveals his grand gesture, Man-Bat, suspended by chains with his wings spread and lit with spotlights to resemble the Bat Signal. His chest has been cut open, the tissue pinned back to form a wet, pink heart in the center. It should be gruesome for a moment, until Batman says, “That isn’t Lykos.” He doesn’t wait for confirmation, but wings a batarang at the ‘Man-Bat’s’ wing, which tears away in a strange, wet clump.

Now we’re with Nightwing. He’s discovered a sonic emitter, and disables it. He’s not sure he understands it. It was broadcasting at a frequency that only dogs could hear, and not loud enough to cause any real damage. He’s attacked by Man-Bat, who was drawn by the signal.

We’re back at Arkham with Batgirl. She’s stopped at Clayface’s cell, noticing that the window looks different than the others. She opens his cell, but he ignores her. She reaches for him, and her hand sinks into his chest. It’s hollow. She pulls back her hand as Clayface attacks; she leaps out of the way, and closes the cell back up. She left an explosive inside Clayface, and detonates it, splattering him across the walls of his cell. Clayface’s window melts; it was made of clay, too, covering the hole through which the rest of him escaped. Barbara calls to the others that Clayface is loose.

We’re back with Batman, as ‘Man-Bat’ reverts to clay and falls from the ceiling, engulfing Batman. As he fruitlessly struggles, Joker admits that he must not have given Lykos enough tranquilizer earlier, so he escaped, and Joker had to improvise. Clayface was going to be a chocolate fountain immortalizing Batman pushing him into a vat of acid that attacked him once he got close. He also wanted an ice sculpture that would shatter into ice shrapnel, but Freeze refused to exchange it for his freedom, and didn’t even budge when Joker threatened Nora.

And that is when Harley enters. She’s furious, realizing she has been trying to build out a romantic Valentine’s Day for Joker, and he wasn’t even giving her a second thought, because he was busy obsessing over Batman. It’s Harley who kicks Joker’s ass while Batman fends off Clayface.

Nightwing throws a batarang on a line around Man-Bat, then gets dragged along into the air, literally only able to hold on for dear life. It’s not until Batgirl arrives that they can manage to wrangle the beast enough to give it the serum that counters his transformation. They manage to catch all three of them with ropes, and end up dangling precariously upside-down a moment, during which they share a brief little upside-down kiss. Nightwing is somewhat anxious, realizing he hopes that was romantic, and not him making their working relationship uncomfortable. “I’m pretty sure I got saliva up my nose,” she says, “and I’m just praying it was yours or mine, and not his.” Man-Bat is drooling profusely hanging above them; Batgirl realizes now she’s making it awkward, and gives him a second peck. “But totally worth it. We should just get down before things gets a lot slimier.”

Harley returns to Ivy. Ivy’s apologetic. She shouldn’t have kissed her like that. Harley’s apologetic, too. She’s been in an abusive relationship so long she couldn’t recognize real affection when it was staring lovingly into her eyes. But she taps the breaks. Because with the Joker’s spell over her broken, she recognizes she doesn’t want a rebound fling. She needs to figure out who Harleen Quinnzel is without Joker, before she can try to figure out who she should be in a healthy relationship. She’s very clear. “This is not a soft ‘No,’ Ivy. When I’m ready, if you want the first dance, I’ll save it for you. And if you find another dance partner before then, I truly hope they sweep you off your feet, because you deserve that.” They embrace.

We cut to Dick and Bruce riding silently home in the Batmobile. “So,” Dick says with a smile, “I imagine that wasn’t the Valentine’s Day you expected.”

“I had hoped to take Vesper to dinner. Tell Joker you have plans, and he laughs.”

“And you’re sure you haven’t done anything to encourage his twisted affections?”

“He’s a stalker, more dangerous for his self-importance. Nothing more.” For a moment they’re quiet, but Batman notices something in Dick. He’s happier than usual, even for him. “What about you?”

Dick can’t help but grin. “It was not what I was expecting, and yet.. one of the better Valentine’s I can remember.” Dick’s smile fades as they’re greeted in the batcave by Jason Todd in a Robin costume. “Bruce, this is a terrible idea.”

“I know,” he says. “That’s why you should train him. Because you survived me, and Gotham. You understand my faults in a way I’m too close to see. And you understand better than anyone what it takes to be Robin.”

“And if I’m certain there shouldn’t be one?”

“That’s between you and the kid. I might agree with you- there’s a reason I haven’t tried to replace you.. But convincing him is the rub.”

“You’re a real prick, you know that?” Dick asks, but he’s smiling.

“So you’ve told me,” Bruce says, grim, but behind it, he’s happier than he’s been in quite some time, and finally feels like his little family is whole again. Credits.

DC Ten Year Plan

Introduction

For those of you who may not have heard, James Gunn and Peter Safran, new heads of DC’s movieverse, are putting together a ten year plan. So I thought I’d pitch my own.

Assumptions

1. We’re playing it where it lies. That means no rewriting 2023’s The Flash to get rid of Ezra Miller, or assuming he’ll be killed in the final five minutes (he might be… but that’s a much easier thing to fix in my pitch than the reverse).

2. Budget is now one of the names of the game. So we’re a lot less likely to see the kinds of big-budget ensembles I prefer for my comic movies, (as you can tell from my other pitches). But I still expect team-ups and duos to be the norm.

3. Covid makes some movie failures an open question. WW2 could have been a winner at the box office, even if it wasn’t a great movie. For that reason I expect sequels to be greenlit that wouldn’t otherwise (you wouldn’t normally do a Suicide Squad 3 after that kind of a box office drop… but the pandemic creates this odd uncertainty- so I expect sequels to happen if only to keep the talent happy).

4. We’re assuming none of these balls get dropped, which is a big assumption. No one expected Black Adam to thud quite as hard as it did; it was supposed to build out the Justice Society, but it won’t get a sequel, and I suspect the Society won’t get a spin-off, either, at least not in its current state.

5. I’m assuming 3 movies per year. I know next year will have 4, but I think that’s entirely because DC blinked and moved Aquaman off of Avatar 2’s weekend- no reason to give up $100+ million just to play chicken with Disney- maybe a lot more, if Avatar is well-received and Aquaman isn’t. I expect 3 movies is the max DC will try to do on average; anything else risks glutting the market and stretching their producers too thin. It’s possible that changes; if they can consistently produce 3 per year without major duds, they might step up to 4… but I suspect savvy executives would recognize Marvel’s quality has slipped somewhat due to Feige being stretched thin, and try to avoid that.

6. I’m assuming we stop at trilogies. Marvel are experimenting with Thor 4 and Cap 4, but that happened later; for now we’re assuming after trilogies that things evolve.

7. You could read the statement about not having 4 Batmen as meaning literally that… but I think it points to a collapse of the multiverse- a Crisis on Infinite Earths as dictated by corporate fiat. Which we can work with.

TWIST

Given that reports have put Wonder Woman 3 as getting the ax, Momoa being out as Aquaman and Gunn rebooting Superman without Cavill… it looks like they’re aiming for more of a tabula rasa than I initially assumed. Because my procrastination is an onion of infinite leaf, I will still pitch my original version below, and then also pitch a wide open, blue sky version after that here. Honestly, I think a clean slate is the way to go… but I’m frankly a little shocked Warner/Discovery are moving ahead with it.

2024

I figure this is kind of a rebuilding year. So I’m only pitching one project, the only one I think has a chance of getting greenlit and made in time to come out in the same year as Joker 2.

Wonder Woman 3: War of the Realms

I’ve seen the reporting. I don’t believe the sequel is dead; the first one made $800 million, and the sequel suffered because of the pandemic. So it’s getting a sequel, and it’s one of very few projects that might make a 2024 deadline at this point.. To me the main question is whether or not Patty Jenkins will be involved. The next is whether or not they want to recast Gal Gadot- which is far riskier (most people don’t know Jenkins, but they know the actress in the role).

I think 1984 got made largely because after the first one blew up, Jenkins had too much clout. They thought the Wondertrain could never be derailed, so they might as well keep milking prequels, and if it ever did, you could just start making modern sequels. I think it’s time to pull that rip-cord.

This one takes place in the aftermath of Justice League. Wonder Woman has come full-circle, rejoining the world as well as now essentially leading the League. So it’s going to involve at least a little of her role as part of the world. I’d lean into it, make her ambassador from both Themyscira and also from the Hall of Justice- so she represents her people and the Justice League to the United Nations. That also neatly sets up an arc for her, in that there’s bound to be tension between the League and her nation.

The other big narrative thread we have lingering is Steve. She needs to get over Steve. Personally, I prefer the Frozen route; she’s the world’s premier superheroine, so it’s not great if her movies are all about the boy she likes (and we can’t even lean into her sex-positivity of the first film because she’s been portrayed at this point as being an emotional shut-in after Steve’s death). So I’d introduce Artemis. I’d make her literally Diana’s little sister, bratty, brash, spoiled and snotty, in all the ways a second child to the perfect first can be. She’s also incredibly hurt that Diana abandoned her, and the Amazons.

Perhaps that’s why, when there’s a minor territorial scuffle with Atlantis, Artemis fans its flames into outright war. Now, obviously, this sequel would be more financially viable if you get Momoa as Aquaman. But you could also do Mera, running Atlantis in his stead while he attends to League business, perhaps settling up a cool, strange superheroine cat fight. Or you could have it be Orm, Black Manta, the bench of, “briefly took over Atlantis to cause trouble” villains is reasonably deep (this pun is intentional).

Regardless, it becomes clear to everyone, the Amazons and the world, that she can’t both be their ambassador for peace and a part of the world’s unofficial superhero justice department. She has to choose. I’d have her speak to Athena (because again, the Gods are real in her world), and the Goddess of wisdom says that she can be a true and faithful sister to her people- or she can embrace the world as her people, and be faithful to them, and leave rule and representation of the Amazons to those without a foot in both worlds.

So she helps put an end to the conflict, first, then resigns as the Amazonian ambassador, because she can’t be both a peacekeeper and a peacemaker- and her heart and her skills are more in the one than the other. And at the same time she reconnects with her love for her sister- with her love for all of her sisters- and realizes that at some point Steve became a symbol for the loss of all of them, as well.

2025

The Batman 2: Hush

I’m assuming Matt Reeves maintains largely full control, but I can’t pass up a chance to pitch some Batman, and it’s taking up space in my schedule, anyway, so loosely tracking the comic story, in the same way that The Batman loosely tracked a few different stories; Joker is treated like Hannibal Lecter in Silence of the Lambs in the original story. We could go a step further, keeping him in shadow for most of the runtime. That would allow us to, if Joker 2 makes anywhere near what the first did, have a cameo from Phoenix, canonizing his Joker as the post-Flashpoint Joker (or at least one of them). Because we’d need Dick around, and because I think the idea of Robert Pattinson trying to foster a child would be funny, one of the segments of the story involves the death of the Graysons and Bruce taking Dick in- then immediately realizing he’s an emotionally stunted adolescent, and in no way ready for a kid.

The Suicide Squads

Sequel box office is usually a referendum on audience enjoyment of the previous film; it can be helped by marketing, but only so much. People were intrigued by Squad 1, then let down, so they were less keen to be bit a second time- even by a superior product. But this superior product was also the baby of the new boss of DC, or at least one of them, so I expect it to get a third entry.

I assume James Gunn would be writing and likely directing this one himself. As the name implies, it’s Squad 1 vs. Squad 2. Amanda Waller re-recruits her first squad to go after her rogue squad, headlined by Redemption Tour Will Smith. She wants them dead or back on her leash, and their leverage destroyed. How can you not salivate at the idea of Deadshot vs. Bloodsport, King Shark vs. Killer Croc, Harley and her Spear vs. Kitana and her Kitana? It might even be fun to do Ratcatcher 2 vs. Enchantress.

Given the casualties 1 suffered, we could either add characters. My preference would be to recruit Clayface, but a brainwashed Clayface who believes he’s Steve Trevor, and that he’s been serving as a deep cover black operative since his ‘death,’ with the aim of eventually putting him and Wonder Woman together for some emotional fireworks. Or you cold just have Peacemaker show up and join their squad. Either way, 2 is outmatched and things look dire… until Harley cashes in a favor from the Birds of Prey! Waller is lead away in cuffs (handed off to General Wade Eiling), and Task Force X is officially disbanded, with both squads freed.

Of course… that just means Waller and her special project go deeper underground… but that’s a concern for another day.

Green Lantern Corps.

Not to be confused with my more pie in the sky version I pitched before, this would be smaller.

Given that Ryan Reynolds was essentially doing a variation on Guy Gardner’s personality, and I’m assuming we’re going to be doing this as small-scale as you can do something like this, we have two human main characters, and they’ll be John Stewart and Kyle Rayner. John’s been around the block, and Kyle’s the rookie.

We play the GL Corps. almost like a police department, that kind of bureaucracy, codes of conduct, etc. Assuming we want to make this as cost-effective as possible, we can do it almost like Men in Black, that there’s essentially a sector house stationed on Earth, that they work out of. The front office is staffed by humans, or at least shapeshifters and humanoids. As they get deeper in, their coworkers get weirder. Then John leads him into an interrogation room.

Stewart tells him they’re at war. One of their own, Sinestro, has been recruiting. Their rings run on willpower. Sinstro’s runs on fear. His theory, the same of many petty dictators, is that fear is more powerful than will. And Kyle’s there because, right now, they’re losing that war, and doesn’t want to talk about what happened to Hal. He asks Kyle to tell him how they got there.

Kyle was a graphic designer. Mostly freelance. Hard to keep a single gig going in this economy. Between gigs he liked to station himself at a coffee shop and sketch, to keep his design skills limber.

A Sinestro member crashes through the shop. Kyle’s slashed with a piece of broken glass. The Sinestro is blasted by green light, and we see that he landed on a Green Lantern. It holds out its ring to Kyle, and tells him to take it- take it and run.

We see Kyle running down the street as yellow energy flies past him. Someone vulnerable is frozen in his path, a child, maybe a stroller or an elder person. Kyle turns, the ring clutched in his hand, and holds up his arms and closes his eyes- he can’t let someone else get hurt because of him.

We’re back in the interrogation. “For the record, that blast would have incinerated both of you. For the same record- I’ve never seen a civilian activate a ring, let alone one they were only holding.” We’re back. Kyle opens his eyes, and sees the green bubble he created. The Sinestro starts to punch it, and the bubble cracks. Kyle tries to reinforce it with his mind, a flurry of motion as he imagines intricate defenses, but they’re too weak to hold the creature back, it’s going to break through.

A green burst of energy knocks him down and back, and Stewart lands in front of Kyle. In the interrogation room, Stewart asks for the ring, and says they can’t be taken. Kyle says it was given to him. “Be that as it may, the odds of you getting it to work again are astronomical, and even if you do, you won’t have a way to recharge it. Unless I swear you in.”

They talk about what joining the Lanterns means, and eventually has him repeat the oath after him, then has him slide on the ring, and he transforms into a Green Lantern.

We meet Sinestro. We’re going to do something different, here. The Sinestros are mostly working on Earth. They’ve taken over a Central American cartel- converting some of them with rings, killing others. They did this for access to their chemical processing and networks. And the reason is that they’ve partnered with a human with expertise in creating fear chemically, Dr. Jonathan Crane, and they intend to use his chemicals to amplify their strength a hundred fold and crush the Green Lanterns, first on Earth, but eventually on Oa.

So you can do a lower key, earth-based crime story with the Lanterns for a lower budget, but with the promise of potential space-based chicanery to come- but depending on box office you can keep the action mostly Earth-based- so it doesn’t have to be a Star Wars to justify sequels.

2026

Flash 2/Earth 2

I’m assuming that with as risk-averse as WB-Discovery has been, they don’t want to keep Ezra Miller around. In light of that, I expect they’ll recast- maybe a cameo of Ezra, but replace him, maybe with Wally from a different universe, the future, whatever.

So at the end of Flashpoint (I’m assuming they keep him through that- if only because they want him around, at least theoretically, for press), Barry emerges on Earth 2. At first he doesn’t understand it- he’s never emerged in the wrong universe before. We play up the similarities between this world and the Snyderverse, hinting hard in promo material that Flash will actually be returning to Snyder’s DCEU.

I’d honestly keep that going as long as possible. Flash is captured by people who look a lot like his Justice League… only they aren’t. And they’ve also captured another Flash, a Wally West. He came with his Barry here, summoned by some kind of mad science that pulls those in touch with the Speed Force there. Because this Earth is dying. It’s a wrong Earth. They want to use the Flashes to escape it before it’s destroyed.

The two Flashes are able to escape together. They have a conversation at superspeed, Wally at first thrilled to see Barry, before the realization hits him- he isn’t his Barry, which means his Barry really is dead. The Crime Syndicate are just behind them. Barry realizes they can’t both get away- and sacrifices himself so Wally can make it out- because I’m a sucker for the classics, I’d have his death happen like it did in Crisis on Infinite Earths. Suddenly Wally is our lead.

He’s found by Lex Luthor- this planet’s greatest hero. They team up with a heroic version of the Joker, called the Jester, to destroy the stolen LexTech that is drawing Flashes. While the Syndicate were distracted looking for their own way out, Lex evacuated the rest of the Earth- but he and Jester stayed behind to make sure the Syndicate didn’t follow- or escape to some other unsuspecting Earth.

The pair fall fighting the Crime Syndicate, and Flash both manages to destroy the Flash lure, and escape back to Barry’s original timeline. If we can wangle the cameos, Flash goes to the Justice League. Most of them just assume he’s Barry. But Batman sees through him. He waits until the others have given them distance. “You aren’t Barry. Just who the hell are you?”

Aquaman 3: Return of the King

I’ll assume James Wan (or at least his bank account) are pissed at the cancellation of The Trench. But that was a silly idea- an unbranded Aquaman spin-off designed around… Black Manta? But there’s no reason the concept, and the production design has to go to waste. I’m assuming from the synopsis that it’s Black Manta Aquaman will be teaming with in 2, otherwise he would be the main villain here. If he’s in 2, then we’ll swap in Charybdis… and we’re going to do a lot of foreshadowing about severed hands- but we’re probably not going to chop off his hand… no matter how big of a fan of the Evil Dead movies I am (though if we do, we aren’t giving him a hook- we’ll give him a turbine hand). But if we do do Charybdis… I’d have him claim to be the rightful king of the seven seas, with the Trench’s legions at his back to enforce the claim.

This would be, overall, a much darker story. The creatures of the Trench have been riled by a new leader, promising that their old foes, the Atlanteans, the Amazons and the Lost Kingdomians can no longer hold back their strength. And… they win, around the halfway mark. The terrible creatures of the Trench overrun Atlantis, which is forced to evacuate, half of their forces going to Paradise Island, the other to the Lost Kingdom. I’m just… going to assume that Arthur’s arc is accepting his role and responsibility as Atlantis’ ruler, which means Atlantis falls in part when Arthur refuses to lead, expecting the generals and army to handle things. He fights with them, even at the head- but he is not their figurehead.

I’ll assume including Aquaman, or at minimum Aquaman elements, in Wonder Woman 3, will have both cemented a connection between the two places, and helped juice box office. So I’d say the reverse would work here, and also, Wondy sort of owes Arthur a return of the favor. The Amazons sustain casualties as part of the evacuation, leading Diana to lead the Amazon forces. She’s a natural at it, something that awes Arthur (it’s one thing to command seven heroes, another to command an army and a nation without breaking stride). She gives him the tough love pep talk he needs, inspiring him to be the leader Atlantis needs. As part of that he pleads to let the Atlanteans take the first line- they were beaten back, but not broken. They need to reclaim their dignity nearly as much as they need to reclaim their home. The Amazon generals are reluctant; if their front line doesn’t hold their defenses overall weaken- the Atlanteans could lead to the fall of the Amazons if they can’t hold long enough. Arthur is adamant they’ll hold. He gives his warriors a Braveheart speech, and they drive the Trench warriors back into the sea.

They continue the fighting all the way back to Atlantis, and retake the city. Atlantis’ generals argue for driving them back into the trench, then mining the cliffs; that will close the passage, and collapse the trench, killing most of them, and sealing the rest away. But Aquaman, during the evacuation, saw some of Atlantis’ worse-off, those left behind by previous regimes, and sees the parallels. At first he resists, and the generals press harder, assuming, from his inexperience, that he can be cowed, until finally he bellows, “No. They are angry because we have, again and again, made them lesser. We are not their betters- we are their brothers. I am not the king of the beautiful parts of the ocean, I am king of the seas, and they are my people, too.” So Arthur sues for peace, and with a little humility, is able to end the conflict without bloodshed, reuniting the two kingdoms under his rule.

Shazam vs Black Adam

Yes, this essentially functions as Shazam 3 and Black Adam 2, and is probably the smart bet whether or not Shazam 2 is a breakout sequel. Black Adam is one of his big antagonists; one of the other two is a telepathic caterpillar… so I’m going with the one played by the Rock (although I now desperately want Vin Diesel to voice Mr. Mind at some point).

Now… I’ll admit, I haven’t seen Black Adam yet. I don’t know whether or not he retakes his country in that film or not… but that’s a minor detail, because that’s how this movie begins. He remakes the ancient city-state of Kahndaq. This bugs the crap out of Shazam, because people assume it’s him, because they both have a lightning bolt chest. I just imagine Zachary Levi, exasperated, telling an old woman he saved from being hit by a truck and is now beating him mercilessly with her purse pointing to a TV in a shop window bearing news footage of Black Adam rampaging, telling her, as she hits him, “I look nothing like the guy. I have hair. And a cape!” She starts swinging underhand, and while the swing goes off screen, we can tell she’s whacking him in the crotch. “Stop that,” he says, catching the purse.

Shazam convenes the rest of the Marvel family. They discuss; most of them argue for cooler heads; but Billy’s really struggling, here. He wanted to be like Superman, but he’s becoming, “Thanks for saving me, I guess, but screw you, man!” So Billy goes off on his own to fight Black Adam… and has his clock pretty thoroughly cleaned.

I imagine there’s a lot of comedy to be had, excitable Zach Levi trying to convince Black Adam that his relatively naïve and idealistic morality is superior… and Black Adam just really not having any patience for this child in a man’s body.

The Marvels arrive to rescue Billy, and they start to have a big superhero fight… before Billy realizes the damage they’re doing, and all to salve his ego. He realizes what’s really important- the little people, the ones who can’t stop tank shells. Billy convinces the Marvels to stop fighting.

Just then, the warlords Black Adam took Kahndaq back from, counter-attack, seeing the Marvels’ intervention as an exploitable crisis. And they’ve upped their game, getting some magically infused tank shells that actually do hurt him. Billy recognizes that the warlords are the worse of the two evils, so they team up with Black Adam.

At the end, the Marvels tell Adam to leave Kahndaq alone. “No.” He tells them the only way they can pry his home from him is with a war that will level the country- and he knows they wouldn’t do that.

Billy’s angry, but recognizes Adam has a point. “Today, you’re the lesser of the evils. The day that changes, I’m dragging you out of here myself.”

Now… if Shazam 2 is a breakout sequel, you might be able to get money enough for a Justice Society cameo. Say the tanks, given that they’re specifically designed with Shazams in mind, could be a problem for all of our heroes… until the Justice Society show up to help out. This could foster good will with the Marvels, and pave the way for Shazam to continue as a part of the Justice Society.

2027

Justice League: Dark

Okay… this one is wild, even for me. It starts as we’d expect, Constantine, Zatanna, Swamp Thing, and Tim Hunter, dealing with a magical threat. Because I’m trying to save Justice League movies the way Marvel does for Avengers events, and Wonder Woman’s series ended at 3… she ends up here, to add some star power to the line-up. The magical threat ends up shunting them off into a different DC Universe- essentially a thinly veiled Snyderverse. Something is deeply wrong with a world where Batman is gunning people down on the streets from the safety of his own personal tank. Flash (paralleling Ezra Miller’s real-life problems) is having mental crises faster than anyone can think up solutions. Superman, after the death of Lois Lane, is going full-on fascist. So the characters are caught in this dark, increasingly dystopian world, and have to figure out if they can save it, and if they can’t, whether or not they can at least escape it. Depending on how it plays, this could lay the groundwork for Injustice Lords or the Injustice universe. This exists both because the concept has been a high priority for adaptation, and because elements within WB/Discovery really want to bring back the Snyderverse in some capacity, and presents an opportunity to have your cake and eat it, too. When they finally escape, the end up in the Batcave.

The 3 Jokers

Okay… assuming everything is going to plan, we need to square why we have 2 Jokers running around, and also multiple Harleys. So here’s how we do it, by roughly adapting the 3 Jokers story. Phoenix has a run-in; depending on whether or not a Batman shows up in Joker 2, it can just be with police or a rival mob. Harley saves him, narrowly. She’s concerned for his safety. So they hatch a plan to create more Jokers. He starts experimenting with psychoactive drugs on people they kidnap.

One will, eventually, be the gangster version from Suicide Squad.

This also involves Batman, who at the end of the story captures the Joker, and puts him in Arkham- where he is in Hush.

Personally, I’d also make the original Joker the only one aware of the shifting timelines, first after Flashpoint, then after Wally takes Barry’s place (time rewrites, so that Wally was always their Flash- Batman seems to be the only one who remembered Barry).

Blue Beetle 2: Justice for All

Similar, but distinct from my Justice League: International pitch.

Assuming Blue Beetle does well, it will likely in part be attributed to it catering to the Latino audience in the way that Black Panther’s success was partly attributed to the underserved Black audience (and given the success of Coco is likely a savvy move). So the next logical step is to put him on the International Justice League. Wonder Woman resigning her post as dual Amazon ambassador and Justice League ambassador leaves the UN feeling vulnerable. She’s still their liaison, but in effect it has made the League more independent. So they request the right to build their own League, an international one that can cater to the world’s needs, not just whatever the gods among them deign to intervene in. Some of this is prompted by Russia fielding their own hero team, the Rocket Reds, think a team of Russian Iron Men, and China their own. The world is getting nervous.

Given Blue Beetle has already had one success, and he’s both an American with Latin American roots, he’s viewed as an ideal candidate to lead the team. We want to be as international as possible, so I’d bring in Fire from Brazil, Ice from Iceland, Vixen from somewhere in Africa, Dr. Light (Dr. Hoshi version) from Japan.

I’m thinking a goodly portion of the story is assembling the team, finding and convincing them to work together. Then a crisis occurs, as the Chinese superteam and Russian one combine forces to take over Mongolia, with the stated aim of dividing the country between them. Just as the JLI are about to go fight the good fight, their new handler, Max Lord, pulls Beetle aside. They’ve been waiting for this eventuality. They had warning. From a visitor claiming to be from the future.

He’s been kept in a bunker, a UN safe house that’s essentially its own little Gitmo in New York. Beetle goes to the heart of it, and meets Booster Gold. He told them three things would happen, and two have come to pass. The third is the combining of the Russian and Chinese teams. He’s told them that without him, the conflict will escalate to a full-scale nuclear war. As part of his intake, Max asked Booster why a man from the future would let them catch him. “You’ll let me out. When you need to.”

So the JLI fight the combined forces. They’re tough, but the JLI prove tougher… except Booster stops them. He knows the Russians and Chinese can’t lose face like this- if they can’t compete in the next arms race, they’ll rattle their sabers in the old one… but their fear will lead to launches, and nuclear devastation. But the real truth is they aren’t the aggressors here. Someone is pulling their strings.

There are a lot of directions you can go from here. Any number of telepaths, mind controllers, etc. Whoever it is, I’d make their plan a part of the Anti-Monitor’s plan, meant to soften the Earth up so it provides less resistance- in the same way he guided Sinestro to Earth to weaken the GLs, and eventually Oa. Despero might be the best option, because he can both control some of the characters, but also provide a good boss fight at the end.

Booster’s future tech is able to detect the hidden adversary, and he attacks them, freeing the 3 super teams to fight together and end the conflict.

2028

The Batman 3: Knightfall

I’m pitching this one as much because I get the sense that Reeves just kind of wants to play with all the toys, and this would let him put his imprint on whoever was left. Bane cracks Arkham wide open. This sets up a gauntlet for Batman, who has to capture as many of the inmates before they hurt innocent people as he can. All the while, Bane keeps taking shots at him, to weaken him more and more. But unlike prior, crappier adaptations… Batman doesn’t get his back broken. You could do that in the comics and spend a year on that storyline. But for a film, even a 3 hour one, that makes for a lousy story. So instead… Batman figures out Bane’s plan. It takes a toll on him, true. But he prepares for the moment Bane’s going to attack him, and puts Dick Grayson in the costume; he’s been champing at the bit the entire movie, wanting to help while Batman held him off. It’s for this moment. Bane trashes Dick. He’s brutal, and with the venom Dick can’t win. Bane hoists him over his head, and we hear the sound of a bataring whip through the air. It doesn’t stop Bane from smashing his knee into Dick’s back, but it does cut him off from his venom supply. The real Batman emerges from the shadows, and beats Bane, who slices open his veins to jam the venom line directly into his arm. This fight’s harder, but Bane gets tripped up by Dick from the floor, and Batman knocks him out. Batman asks Dick if he’s all right. “First thing they teach you in the circus is how to fall…ow…”

Green Lantern Corps: Parallax

The Green Lanterns managed to beat Sinestro. As he’s being transported to a launch facility for escort back to Oa, his convoy is attacked. It’s part of a series of raids and attacks the Lanterns are dealing with from a terrorist group calling themselves Parallax. They’ve been targeting Green Lantern support staff and allies, those without rings themselves, bombing their cars, their homes. Energy signatures at the crime scenes indicate presence of both Sinestro and Green Lantern rings- leading to paranoia about who among them have turned, causing Kyle and John to not be able to trust anyone.

What takes them longer to understand is that the terrorists are also targeting remainders of Sinestro’s cartel. This is somewhat hidden, because they take their rings after death, a missing finger being the only indication there was ever a ring there to begin with.

The leader of this ring-powered terrorist organization turns out to be none other than Hal Jordan. He blames both the Green Lantern Corps. and the Sinestros for the destruction of his home town of Coast City. He’s holding Sinestro prisoner, and using his ring as part of the attacks as he makes Sinestro watch his empire crumble.

Kyle and John find and free Sinestro, but are caught by Hal. They prove incapable of defeating him, until Sinestro puts his hand on Stewart’s, adding his will to John’s ring. Together, the three are able to forcibly extract Parallax, the fear entity, from Jordan, and he’s horrified about what he did under its influence.

Sinestro testifies in Jordan’s defense, telling them that under the Parallax entities’ control there’s very little a host can do to resist, that while he certainly aided the entity willingly, Jordan did not.

Batgirl and Supergirl: World’s Finest

We’re at the point where extrapolating from what is to what could be gets… interesting. Because I’m trying to pull together what nearly got made as a gauge of corporate interest… despite management changes wildly altering that interest several times over.

But presumably, there’s confidence in some kind of a Batgirl project. We’re also, if we’re building towards a Crisis, going to need a Supergirl. So I figure combine the two. Give it to whoever the current equivalent to Juno-era Diablo Cody is, maybe Emerald Fennel.

Kara Zor-El arrives on Earth. Jor-El sent his brother on the colony an identical ship to launch Kara, and he did so. But her ship was damaged enroute, and had to use orbital sling-shotting to arrive at Earth. Because she spent more time at near-light speeds, she incurred more time dilation, and Clark’s older cousin is now his younger cousin.

What neither of them know, however, is that the Kandor colony didn’t suffer Krypton’s fate. They were bottled at the last minute by Brainiac… but he considers the city incomplete, given that one survivor managed to escape. He tracks her to Earth, intent on shrinking her down as part of his collection.

Meanwhile, Batman tasks Batgirl with being Supergirl’s handler. He figures she’s good at blending, but can also protect her in a pinch. This leads Batgirl to training Supergirl to fight; she’s only absorbed a small amount of solar radiation, so she’s a lot more vulnerable right now than she will be.

I’m assuming it would kill the budget to actually show the Justice League, but we could have a news broadcast showing that the League, including the entire Hall of Justice, has been frozen in a solid block of ice. The ice seems to be mildly radioactive, so attempts to break free would spread radioactive dust across the city- Batman confirms to Batgirl via radio that the isotope is Kryptonite, that someone knew about the League and how they would be vulnerable. Batgirl doesn’t think it’s a coincidence this is happening right after the arrival of Supergirl.

Their paranoia proves correct, when both girls are kidnapped and brought aboard Brainiac’s ship. He largely ignores Barbara, thinking her to be a human, and of absolutely no consequence, casually threatening her before ignoring her completely to monologue at Kara. Batgirl manages to break the encryption on Brainiac’s computers, waging technologic war on him as he tries to fight Supergirl. It’s a tough fight, since she’s still mostly relying on the self-defense Barbara taught her. Eventually they force Brainiac to flee, and get into an escape pod back to Earth.

2029

The 3 Flashes

Wally keeps getting shunted to alternate worlds. Whatever the Crime Syndicate did, it continues to pull him from reality to reality. He meets another Flash, an older one, named Jay Garrick. Garrick postulates that, as Hawking theorized, there’s a cosmic editor, putting things back to where they were, fixing impossible paradoxes- that the multiverse is trying to send him home.

Both Flashes get pulled to another dark timeline. During their down time, Wally reflects on his Barry, and how he was the better hero, and he would be able to save them. Jay tells him that he was one of the first heroes on his world- he didn’t have anyone to look up to- he had to be the hero he wished he could look up to- and just as crucially, learn to forgive himself when he fell short of that ideal.

They’re met by one of the Monitors. He explains that his people are ethe editors Hawking theorized- that when a tear in reality threatens all existence, they fix it.

This dark reality, however, is actually the future, or at least a possible one, run by Eobard Thawn, the Reverse Flash. His connection to the Speed Force is artificial. He created it with technology, forcing himself into it. He can only maintain that by draining the life of other Flashes, recreating tech created by Lex Luthor to do so. So presuming that Reverse Flash is the antagonist of the first Flash movie, this serves as his origin.

So we get a pretty wild superspeed fight, during which Zoom absorbs enough of the Speed Force to have a legit connection, leading to him going back in time to attack Wally (accidentally attacking Barry, due to the continuity bending that attack created).

The Monitor appears at the end, sheepish over having used them. Reality is safe, for the moment… but they’re also a step closer to a Crisis point. Because the existence of Monitors means the existence of Anti-Monitors, anti-matter, opposing forces from the dark multiverse. They feed on matter, converting entire realities into energy- and one has set his sights on their Earth.

Justice League: Dark Multiverse

Justice League Dark thought they were home- thought they finally found their own universe. We start in the Batcave, where the last film ended. Batman tells them that he’s glad to see them, he could use their help. Joker’s won. He united all of Gotham’s villains under his banner, killed half the police and forced the remainder to disband. With the help of a mysterious, ragged stranger, he erected a magical barrier that’s keeping Gotham separate from the other heroes. Worse, he systematically killed all of Batman’s allies, all his Robins, Batgirls… he’s the last one left. Now he’s executing parents. Every hour, on the hour, he’s killing parents in crime alley, orphaning their children. He says the only way he’ll stop is if Batman kills him. He’s been up for days, at this point, trying to figure out a way to beat Joker. He’s a shell of a man, but he’s terrified that if he kills Joker, he’ll never stop. He knows Joker’s a singular threat, but how do you justify drawing that line? He already crippled Joker… but he still won’t stop.

Wonder Woman offers to do it. He reveals that he knows Joker has a failsafe, that he’s secreted a more virulent version of his toxin in his body that will transform whoever kills him into him. Batman is just a man- he can be beaten- but a Joker with the power of Wonder Woman might not be.

Batman’s plan is to wage an all-out assault on Joker’s compound, hopefully long enough to distract the ragged man and let them remove his magical bubble. They barrier is pouring from a giant bat totem, and is protected by dragons with the Joker’s face. They fight their way to the barrier, as Batman fights his way to the Joker. Batman tries all kinds of things, but he just can’t outmaneuver the Joker. Turns out the Joker isn’t even there, he’s doing all of this by remote. But there is a teleporter, that takes Batman to him. They’re locked in a cage, with a minute to go before the next parents die. They’re related to some member of the Batcast, and the resemblance shakes him. He tries to find a way out of the cage, some way that he can escape after he kills the Joker, biding time, hoping the Dark League can manage to bring down the barrier in time to let the League rescue the family. They only need a second, a fraction of a second, for Flash or Superman to arrive. We watch the clock as he tries desperately to escape, with seconds left. We cut back to the Dark League, destroying the barrier. They realize the ragged figure is behind them, and in a haunting voice he tells them, “Too late,” before disappearing.

We cut back to the cage with Batman and the Joker in it. We can see that the timer stopped, and the family is still alive. We pull back, to see the cage is filled with gas, and the Joker, his neck snapped, hangs limply from Batman’s hands.

An instant later, Superman is there, about to punch a hole in the cage. “Don’t,” Batman says. “Can’t risk you getting exposed to this gas.”

Now… dependent on budget, I’d have the full League and Dark League with him in the cave, still sealed inside the cage, running diagnostics on him. He seems to be fine, and convinces them that he feels fine, and that if they’re going to counteract the poison he needs to be out there, with his equipment. It’s Superman who makes the call, because he’ll always trust Batman. The second he’s out, Batman activates the Babel protocol, countermeasures for the entire League as he systematically murders his way through them. He hadn’t planned on the Dark League being there, and being magic, they survive him a little longer- long enough to open a portal away. But he hitches a ride, coming through with them back into their universe (though that fact will only be revealed in the end credits).

Lobo

The Main Man takes a contract in a hive of scum and villainy. Seems that someone’s special captive got loose. She’s armed, extremely dangerous, and hiding out on Earth. During their first fight, she kicks his butt. Badly. Embarassingly so, to the degree the he never even manages to peel her out of a cloak. The last thing he sees is red glowing eyes.

In their second fight, he bushwhacks her, having finally read the brief provided by his employer. This time he brought kryptonite to the party. For a moment we’ll assume he’s after Supergirl… and you’d be half right- he’s caught Power Girl. Now… to try not to give you a nosebleed, but also tie her into the multiversal shenanigans we’re building up… she is originally from an alternate Earth. However, when her rocket managed to shatter through to a different universe, the Monitors rewrote her history, to be a clone of Kara created by her parents in the bottle city of Kandor to replace the daughter they lost. During the fight in World’s Finest, a little of Earth’s radiation managed to break through into the bottle city, giving Kara enough power to escape, vowing to marshal forces to free them all.

Lobo returns to Brainiac with his prize. Brainiac notices something amiss, and accuses Lobo of playing a fast one. Her signature is wrong… but she is genetically the Kara he was seeking. He deems it worthy of further study, then turns his attentions to Lobo.

See, Lobo is the last Czarnian, a worthy addition to Brainiac’s collection. He captures him, and houses him in a place he doubts very much Lobo will want to escape from.

It is a civilization consisting entirely of prostitution, gambling, liquor and cigar production. Lobo’s eyes light up, and we fade to black. We put up white text. “Fifty black-outs later…” Lobo is drinking alone. An alien prostitute makes a pass, but he’s melancholy. It’s a world catered entirely to his whims… except for his lust for violence and conflict. He’s getting restless. Even tiny, Lobo is able to crack his bottle. But once free, he realizes that without being able to fly, he’s not going to be able to make himself big. On the one hand, that means he can get hammered for pennies. On the other, it means only insect hookers for the rest of his days. He decides to bust out Power Girl. They make an uneasy alliance. She grows him first. He considers reneging, until she starts smacking him around as a superstrong fly- which should be very comical to watch. Finally he grows her. Lobo takes the shrink ray and the bottle he was trapped in. Kara takes the bottle city of Kandor.

I’m assuming Kara had been searching for Ray Palmer, the Atom, to help her try to regrow her city. He tells them that the cities have been shrunk too long; Brainiac’s tech can be reversed over a short period, but after that regrowing becomes impossible. But he promises to keep searching for a cure.

2030

Justice League: Crisis on Infinite Earths

The World Forger has been a busy little bee, creating a nigh-infinite multiverse. Feeling slighted that less attention seems to be paid to his dark, anti-matter universes, the Anti-Monitor devises a plan to consume the positive multiverse’s energy and usurp the World Forger, creating only dark universes.

With each destroyed universe, the Anti-Monitor becomes stronger, leaving the heroes with a single possible path to win: merging the multiverse into a single reality. They manage it, and then beat back the Anti-Monitor. Supergirl and Jay Garrick die in the offing.

Brianiac reports on the failure of the Anti-Monitor. Darkseid smiles. Brainiac doesn’t understand. “We exist beyond any universe While the wall between his realm and the universe remains intact, there is now a crack, through which we may directly influence events. Desaad proclaims, “Darkseid is coming. Darkseid is.”

Beyond

I mapped out three phases, the first ending in the Crisis, the second in defeating Darkseid, and the third ending in a fight with the Dark Knights.

Supergirl would have survived, encased in Kryptonian crystal and eventually revived by the Legion of Superheroes. The New Gods would have lost to Apokalips, as would the Greek Gods, before Darkseid laid siege to Earth

Batman would have paid Lobo to form the Outsiders into a nonlethal black ops team from remnants of Task Force X, who would eventually rebel against him, not realizing his plan was to convince them to use nonlethal means, not keeping them as Waller had.

Next

I’m going to work on my own DCNu movie universe, mostly because I’m jealous Gunn and Safran got that much leeway. Could take me a couple of weeks, but check back soon.

Pitchgiving 2021, part 12: Batwomen

Prologue

White text tells us this happened fifteen years ago.

Batwoman, recognizable because of her bright red hair, as a child, is sitting in the backseat of a car with her identical twin, Beth. Gabi Kane, their mother, is driving, dressed in military clothing. Side-pitch: since this is a women-focused story, but also just because it plays against type and I think it would add to the diversity of the DCmovieU, I’d suggest gender-swapping the parents. For the pitch I’ll assume we keep it as it has been, but I strongly feel that would be the better story.

“You need to tell them, Jacob,” Gabi insists to Kate’s father, who is in the passenger seat. “It’s the only way they can protect themselves.” He unbuckles his seatbelt, to lean back and talk to them. He hesitates, not knowing where to begin. Gabi intercedes. “Your father is doing important work. Bad people have been infiltrating the military, people who don’t think our country should be for all kinds of people, regardless of color, creed, or who they are.”

“Right,” Jacob takes over. “I’m heading up an investigation into those people. And because of the duty I’ve agreed to carry out, those bad people and their friends have been making threats. Against me, against your mother,” he has trouble forcing himself to say the next words, until Gabi takes his hand, “and against the two of you. And I didn’t, I haven’t known how to tell you. Because you’re too young to have to know how awful the world can be. But my first duty is to protect you, and the best way to do that is to tell you to be careful. These bad people can look just like you or me. They might come dressed in BDUs. They might talk the talk, they might even have a life of military service under their belt. But if you ever have a question, whether or not someone is safe, you ask me, you ask your mother, and we’ll tell you straight, even if the answer is we don’t know, and you need to be wary. Can I trust you girls to be on overwatch for me?”

The girls stiffen up, and tell them, “Yes, sir.” They barely get time to recognize his smile, because Gabi shoves him  back into his seat, and we now see a large dump truck barreling down on them before it hits. We see broken images, as Kate goes in and out of consciousness. Gunmen in black paramilitary gear violently open the car doors. One shoots Gabi Kane in the head as she resists (feebly, because she’s groggy from the airbag). On the other side, one of them tells Jacob he was told what would happen if he persisted, and Jacob is smacked in the face with the butt of a rifle. A bag is shoved over Kate’s head, and we cut to black, and modern day.  

It’s a dark, stormy night. Commissioner Gordon is speaking to the Mayor, trying to convince her that she’s going to be safe, that his men can handle, “a little weasel like Jervis Tetch.” He’s got half the S.W.A.T. team on the mansion grounds, anything short of Batman wouldn’t be able to- he stops, because two of the S.W.A.T. officers are suddenly there, deserting their posts on the perimeter. Gordon prepares to give them a dressing down, when he notices the vacant look in their eyes, and tells the Mayor to get behind him, as he pulls his gun.

We cut to the aftermath, as Batgirl and Batwoman patrol the scene, one-upping one another as they reconstruct the events from the evidence. There’s an added layer, as Batgirl is concerned about her missing father; the rivalry is mostly a distraction from that worry for her; for Batwoman, it’s very much that while she’s trained, and older, she’s also green, looking to prove herself. But we start at the point that Gordon put a bullet into the door frame. Batwoman insists he missed. Batgirl assumes, correctly, that the first was a warning shot, an attempt to roust them from their stupor. When it didn’t work, he gave each man a flesh wound. But there were more of them, other officers flooded into the room. Gordon put up a fight, trying to protect the Mayor long enough for her to get away, but that’s when Mad Hatter himself showed up (casting suggestion: Jack McBreyer, Kenneth from 30 Rock; watch him in the ’21 season of Nailed It, he’s a manic little chaos gremlin who would be perfect for the role and also kind of looks the part). Gordon was attacked by a new player, a woman, judging by the height difference, and the hole left in the drywall by her heel. Gordon was overwhelmed; blood on the scene is his type, but there’s not much of it- they were clearly trying to keep from hurting him there. He was carried off by two of the officers, along with the Mayor.

Batwoman is distracted, and she’s clearly thinking back to a different night, a different kidnapping. Text, fifteen years ago. We don’t see this flashback from Kate’s POV. Instead we’re focused on her father. He’s riding along with a police team, including Gordon, at that point a Sergeant. He’s wearing black, not his military uniform. Gordon notices Jacob is armed. “I was asked to let you ride along, but there is no way in hell I’m letting you inside with that firearm.”

“All respect due, Sergeant, if it were your little girl in there, would anything short of someone putting a bullet in you stop you?” We think it’s going to be a pissing contest, but Kane sees Gordon’s hand at his cuffs, and relents. “I’ll stay out of your way, scout’s honor. But the second I see my girls I’m getting between them and danger. I’m not failing them again.” It’s the pain in his voice that stops Gordon.

“That sidearm stays in its holster, unless and until it’s a matter of life and death. I don’t want them walking on a technicality.”

“I don’t want them walking, period- but it’s your rodeo.”

Gordon’s team kick in the doors. Kate is tied, blindfolded, propped against a wall. There’s another body, definitely dead, obscured by a hood but with a bloodied bullet hole in the head that everyone is going to assume is Beth. Gunfire erupts, with Kate caught in the middle of it, exposed out in the open. True to his word Jacob runs through the gunfire, and covers Kate with his body, taking a shot meant for her head in the meat of his arm.

Gordon hesitates for a moment, his team at a severe disadvantage with two civilians out in the open, before demanding the team deploy smoke and lay cover fire. It buys Jacob a window to lift Kate up. Her hood falls, and he begs her not to look as he runs back towards Gordon. We see one of the gunman has the police flanked, and is drawing on Gordon, when a shot rings out, and he drops. Gordon sees that Jacob is holding his daughter in one arm, and his sidearm in the other. Gordon tells Kane to get his daughter outside. For a moment, from Kate’s POV, we watch as she sees what she thinks is her sister’s body on the floor.

They return to the Clocktower, and consult with Batman over a video link. Also in the room with them are Black Bat, Oracle, Spoiler and Question (the Renee Montoya version from Birds of Prey). Batgirl thinks she’s in charge, having been at this longer and with less support. Batwoman, by dint of being former military and older, thinks she’s in charge. Spoiler’s just happy to be there- she’s only filled in for Robin a handful of times when they needed someone to double so Tim could be in the same place as Robin. Cassandra feels like she’s just thrilled to finally be on the team; she still loves Harley, but she’s crazy. A great friend, and if you can only have one person in your corner she would do literally insane things to protect you, but she’s not a role model, either. And Question is really just there because of Batwoman; they haven’t started dating, but each suspects the other is interested and they’re at that point of mutual interest.

Batman tells them they’re going to have to handle Jervis- that he and the other Batmen have been infected by the Fluoronic Man, that while he works on an antidote, he can’t trust any of them to leave the cave, so they’ll have to handle Mad Hatter. Oracle is able to hack the security cameras at the Mayor’s mansion, and from that they realize that ‘Alice’ is the one assisting the Mad Hatter. She looks, initially, like another of Mad Hatter’s automatons, until it comes to fighting Gordon- then she comes alive, and the results are brutal. They place a heart-shaped crown on the Mayor and on Gordon, before carrying them out.

Batwoman reasons that if they’re assembling the most powerful people in Gotham, there are some obvious next victims: Bruce Wayne might make the top 10, but next up is definitely going to be the Colonel in charge of the nearby military base. After forcefully making her case, Batwoman breaks away from the rest of them, to make a phone call, trying to raise her father. We start in on his phone, panning over his desk, including his name tag, including his rank. She whispers, “Pick up, dad.”

We cut to earlier, Kate, with her hair cut military-short, is wearing BDUs. She opens a door into a military office, a nice one, for the colonel in charge of her base. We flash white text that says “Ten years earlier” (though we’ll have to update that; the policy essentially changed in July 2011, on paper in September, so this needs to be set before that). She’s been summoned. Her father is sitting in the CO’s chair, and spins around. Kate says he’s not her CO. “Nope, kiddo. I’m here as a favor.” Kate assumes he means to the CO. “No. To you. Your CO isn’t supposed to ask. But the problem is, you aren’t leaving her room for plausible deniability that policy runs on.”

“It’s bad policy, dad.”

“No question. Impacts morale. Forces men and women of honor to live duplicitously. Creates fractured loyalty. But even a full-bird Colonel can’t change it- can’t even question it. I’m here, as  proud father, as a man who loves you more than any other ever will, asking, please, for your sake, to be discreet.”

“I can’t. Because my dad, and my mother, raised me better. To be proud. To be honest. And I can’t be both while following that policy. So maybe I can’t be here anymore.”

“I didn’t want it to go this way,” he says.

“But still, you knew it would.” She stands next to him, and puts her head on his shoulder. “Thanks for being here,” she says, as a tear rolls off her cheek and onto his collar. 

We pan across a similar office, to see some blood pooled on the corner of the desk. A hand grabs the blood, and a man pulls himself up. It’s the Colonel, wearing his military hat with a blank look on his face. He snaps to when Mad Hatter enters the room. Hatter snaps off a half-assed salute, and says he doesn’t stand on ceremony; he only cares that the military has access to the kinds of chemicals he needs. 

The Batwomen infiltrate the military base. Batgirl is a taskmaster, insisting that the military can’t know they’re there, that the bats essentially have a détente with the American government, including its shadier operators like Amanda Waller- and those shadier elements in particular are just looking for an excuse to put Gotham under martial law. Depending on where we are in the President Luthor storyline, we might well mention that part of why he got so much support from the military was his tendency to elevate them as the preferred alternative to superheroes. Batwoman bristles at a lot of this, instinctively feeling like she belongs on the other side of that line- even though she’s clearly on the vigilante side, now.

They manage to arrive at the worst possible moment, as the villains make off with a stolen plane, full of chemical weapons. The Batwomen end up stealing a plane of their own to hide their identities as the military swoop in. Batwoman is able to baffle them with bullshit over the radio- with just enough military and Colonel Kane knowledge to talk them out of shooting down the plane, calling it a military requisition, one tacitly approved by Colonel Kane himself, telling the officer to call him and ask- which he should be doing before shooting down a military plane as it stands. Kate insists Barbara land the bird, now, because it bought them seconds, not minutes, and the military will shoot them down.

They scatter, and meet back up at the Clocktower later. Oracle managed to trace the tracker on the other plane; eventually it lost its mind, after it was hacked, because the tracker started flying in the opposite direction mid-air. Batwoman argues it wasn’t hacked; simpler explanation is that it’s Gotham, where impossible things just require doing a favor for the wrong kind of man. Oracle agrees to chase the box with a drone, and we’ll eventually see she was right, that it was Man-Bat who carried the tracker out of the plane mid-air. But it was already beginning a descent for a landing at a small airport outside the city. The Batwomen depart to intercept.

I think they manage to rescue all of Hatter’s kidnapped victims, but Alice has already abandoned him, having gotten what she came for, including chemical weapons and a plane. To get any useful intel, they have to deprogram Mad Hatter; see, they captured him, but they didn’t just want his cooperation, they encouraged obsession, obedience- Alice wrapped him so thoroughly around his little finger that he thought he was the one in charge, not her. Batwoman and the Colonel do the deprogramming, this not being his first rodeo with this kind of thing- in fact, he suspects and his theory is proven out that these are the same people he’s been fighting his whole career. That was why he got stationed in Gotham all these years, and why he’s resisted promotion or anything else that might take him away from the epicenter of their activity. He tells them it was easier, during the War on Terror, because the Church of Crime were basically Fundamentalist Terrorist, if their only religious precept was to do crimes. He also admits to Kate that he’s been trying to figure out for years how to apologize to her- that they contacted him before she was outed. They were the ones putting pressure on the Department of Defense to discipline her- that he was the reason she was forced out.

But there’s more to it than that. We get a montage, Batgirl followed a hunch, or really, Oracle followed Man-Bat back to his belfry, which turned out to be a Church of Crime stronghold. Batgirl drops a big, illustrated Bible down on the table. Man-Bat, when she dosed him with Batman’s curative agent, was similarly brain-washed. We get a quickie action scene flashback, the other Batwomen kicking their way through some lower-level churchies, before they take on Man-Bat. In close-quarters he’s at a disadvantage, and can’t fly, and Black Bat is able to sneak up on him and dose him before he can escape. Batgirl relates that Lykos wasn’t making any kind of sense, but he was pretty sure Batwoman had been on their radar for a lot longer than any of them realized. Batgirl opens to a page painted with a rendering of Batwoman. It’s more gothic, more theatric, also old. Batgirl, at least preliminarily, has tested the pages, and the chemicals react like it was painted more than a hundred years ago- they’ve been waiting for her, and if half of what Lykos said is accurate, they got tired of waiting, and decided to create her, instead.

Alice runs the Church of Crime (but outsiders call it the Cult of Crime). She’s essentially David Koresh, if he wanted Waco, but also if he expected to win Waco. That’s why she’s been gathering her army of cops and military men, and has been training others using them to be even more badass.

The Colonel breaks in to discuss his findings, that the Church began with white supremacists and other far-right groups, because it was where vulnerable, disaffected men were congregating. It was looking for a certain kind of moral flexibility, and encouraged those men to become police, military, anyone who could be of influence in their coming campaign.

So the finale is going to be showstopping, the Batwomen having to infiltrate, all while keeping the Batman rule in effect (no killing), because at least half of the military/police at the compound were abducted into it. Once they’ve secured the facility, the Colonel rides in with the full army, and secures them, but Alice has already gone, taken the chemical weapons she stole up in the plane for the next part of her plan. See, fully 2/3 of her agents have been returned to their former lives, and re-embedded in the military and police. She plans to activate them when the fighting starts. That’s how she plans to win. But the opening salvo is unleashing chemical death on Gotham, killing millions and making sure that the forces of order show up in force. The Batwomen take a plane up, one that Barbara can fly, so it’s Kate and Alice and the other bats on the plane. Eventually, Oracle is able to get the plane to return ‘home’ automatically, so Barbara can join the fight.

But the part that’s really a kick in the berries is Alice herself. See, she locks her and Batwoman in the hold of the plane, where the chemical weapons are, while her hench-people fight the others. She reveals to Kate that yes, they created her. They knew that a Bat needs a tragedy, but even losing her mother, losing her sister, wasn’t enough. Kate was too resilient, took too well to military discipline. She needed to be a rogue operator- so she had to be cut lose. She tells her it took years, a hundred little stumbles, a phone call here, a temptation there, a roadblock there, all to keep Kate pliable, self-destructive, angry. If they’d only known that her father lied to her all these years, it might have been easier; they had laid out her quest so carefully, and yet, Jacob refused to start her on her journey. Her sister wasn’t dead. The girl was just some collateral damage. But they had her sister for fifteen years, a lifetime, really. For years they wondered why Kate didn’t come looking for her… it was only when Alice took the Colonel that she finally learned the truth- that Kate didn’t know. This entire time they’re fighting, Kate becoming more unhinged, more angry, more brutal, closer to using lethal force. “All this time, I’ve been trying to twist the knife, without realizing I’d missed the mark.”

Kate stumbles back, Alice’s knife sticking out of her chest. “I’d started to think there was something about me, that maybe you just didn’t care enough to rescue me. Sins of the father, huh?” It’s Batgirl who manages to get the compartment open. Alice is convinced she’s won, that their prophecies state that after she cuts out the Batwoman’s heart, she’s unstoppable. It doesn’t matter what they do next- she’s already won.

“How’s our girl?” Batgirl asks.

“Woman,” Batwoman croaks.

Black Bat, who after getting shot in BoP2 has taken first aid really seriously, is seeing to her. “Stable. Heart rate’s steady, and from the sonagram it looks like the knife missed the heart.”

“Seems like trying to force your prophecy backfired.” Batgirl tosses a pair of cuffs at her feet. “You stabbed my friend. You put those on, and I’ll try to remember which side of the line I’m on.”

Spoiler, who is, still, pretty much just happy to be included, “I’m just happy for a chance to kick you.”

“Two on one doesn’t seem all that ‘right side of the line to me,’ Alice says, drawing two ornate pistols from under a large skirt. Batarangs hit her hands before she can aim them, and she drops them.

“You can still choose the cuffs; they’ll just hurt more now,” Batgirl tells her. Alice chooses instead to hit the button opening the rear of the plane.

Batgirl glances at the poison, and the two lines trailed from it to the open door.. “It’s a gravity feed,” she says. Pilot tilts this plane even a few more degrees and we’re going to start spraying poison.”

“But I wanted to kick her,” Spoiler groans. She runs out of the room. We follow her, through the body, with lots of henchpeople, a few of whom stir and she kicks back down. Then she gets to the cockpit door, which she wires with plastique and blows. Then she puts the sharpened edge of a batarang into the pilot’s throat, and tells him to keep it steady, or he’s drinking what’s left of the poison. He tells her he’d rather die than betray his mistress. She says he says that, but if she has to slit his throat, she’s pretty sure even she can keep a plane steady. Only difference is he’d be dead and Batman would scowl at her, and probably never let her be a Robin again- which she’s not sure she’s got the legs for anyway, frankly.

In the rear, Black Bat is trying to hurry Barbara along, because a few hour class from the Red Cross really doesn’t cover nearly-stabbed hearts. Batgirl fights, but what she doesn’t realize, initially, is that Alice isn’t focused on her, or the poison, but on Kate. She tears the batarangs from her hands and flings them at Kate, sticking Black Bat to the wall with one. She proves to have one more knife, and manages to get the upper hand with Barbara, preparing to stab her and saying idly that perhaps it will make a woman out of her- hoping that maybe killing Batgirl will count towards the prophecy, instead. Kate shoves her, knocking her to the lip of the plane. Kate is immediately, with a knife still in her chest, trying to help her up. “Beth. Please. Take my hand. We can fix this. We can be a family again. We can be whole.”

“The only way I can be whole,” Alice says, letting go of the door and reaching for the knife even as Kate tries to take her hand. Alice twists the knife, and Kate drops her, and she falls towards the harbor below. The plane lurches, and we watch poison start down the tube, before the plane rights itself, and our characters rush to the cockpit. Spoiler is sitting in the pilot seat, with the old pilot sprawled.

“I’m not really sure I can keep us level without hitting a building, so…”

Black Bat arrives. “Yeah, I closed the back door so the poison wouldn’t, you know, kill everyone.” Batgirl takes over flying. The Colonel calls them over the radio, and Batwoman discusses returning the plane. The military police want to take the bats into custody. The Colonel insists that they were never there at all, that it would wound morale to have it exposed that they lost chemical weapons to one of Gotham’s garden-variety crazies. Batwoman is extra cold to the Colonel as she leaves.

Later, the Colonel shows at her cave. “Best divers at the base couldn’t find her.”

“You told me she was dead.” Kate says, opening her door. He doesn’t play coy.

“That’s what I thought, at the time. The girl they mutilated, at least with her head missing, was a ringer for Beth. They fudged the blood work; fudged the DNA, too. But somehow… I still knew. I stole a sample myself, and paid to have it tested blind, at an independent lab. I tried to tell you, a hundred different times. But you found a way to be happy. I couldn’t snatch that way from you again- I couldn’t drag you back down into the hell I was trapped in.”

“We could have been there together,” she says. “And I will be blisteringly furious with you, for longer than may seem fair. But we’ll get through this like a family, too.” They rest their heads against one another. “I miss them.”

“Me, too, kiddo.”

Credits

Mid-credits scene: The Colonel pulls away from Batwoman. “But, uh, this wasn’t a social call. That, gas… I know some of your people were exposed, whether or not Batman wanted me to. But it’s spreading. I don’t know if it’s just a change in the wind, or they’re pumping more of it out into the streets. Gordon’s been trying to keep his men out of it; he lost a couple teams before they figured out how noxious it is, that it can enter through skin, air, water. We were lucky, the other day it was raining it stopped shy of the East Side, or it would be in the drinking water by now. That luck won’t hold. We have to do something.”

End-credits scene: Barbara is listening to a voicemail from her dad. “This has been a long-time coming, Barbara. I’ve turned a blind eye, pretended I wasn’t a cop, or a father.  And don’t get me wrong, the city owes you and your friends a debt, a dozen times over… but we need to talk.” She hangs up the message as she enters the Clocktower. Oracle tells her the caller waited to speak to her directly.

I’m largely agnostic as to which Siren we get. Marketing would dictate we get whoever is most popular (likely Harley). Budget would likely dictate we use whoever’s cheapest, and I’d say pinch those pennies, because we’re going to need every single one of them for the next one, because it’s basically Endgame for the ladies of the DCU (and we really should spend accordingly). So our Siren (I’m just going to assume that it’s Ivy) tells Batgirl they screwed up. They thought they could stop the Fluoronic Man themselves. But now it’s clear he’s working at the behest (or at least to the benefit) of the city’s male crime lords, turning anyone who is exposed to Ivy’s altered pheromones into a violent misogynist.

Bonus: Birds of Prey 3: Birds of a Feather

The Birds of Prey (along with the balance of the Batwomen) have to team up with the Gotham City Sirens, because the male crime-lords in town partnered with Jason Woodrue to use Ivy’s pheromones against all the men in the city (I’m thinking at least Penguin, Two-Face and the Ventriloquist will be our fodder villains for this one). To complicate things, before the Sirens sit down with the Birds of Prey, Ivy made a desperate plea to Alec Holland to try and stop Woodrue… only for him to fall under the spell of her purloined pheromones. We probably start the story en media res, with Harley, Catwoman and Black Bat managing to break Ivy out of the clutches of Woodrue. This leads Woodrue to unleash his altered pheromone into the city, where all of the men turn incredibly hostile- basically normal men on the street attack them. The crime bosses use this chaos to their advantage; Batman is able to quarantine Gotham’s male heroes in the cave while he works on an antidote… all while being a pretty demented bastard all the same on their video link. This leaves things up to the ladies to fix. I think the way we first introduce this, is Harley is sneaking off from Ivy to meet with Jason Todd. Black Bat knows that, because she also knows the context: Harley feels terrible for her part in kidnapping and torturing him. She’s trying to make amends, and at the same time there’s really no one else who understands what she went through like Jason does. It starts as a two-person support group, but will grow from there.

Harley is nervous being in the back of a plane again. The last time she was in one, everybody died, and she’s having flashbacks. It’s mostly an excuse to show a montage of moments from the Suicide Squad (I figure if we build it into our mythos eventually people will watch it enough for it to become profitable- and it is a fun movie- which is why next year I’ll pitch a follow-up… but shhh). The montage ends with Flag, and we cut back to Harley in the back of the plane, a tear sliding down her cheek, “I miss Milton.”

Black Bat notices, and sits beside her in the plane, and takes her hand, “Harley, it’s going to be okay.”

“Is it?” she asks, trauma clearly having taken the wheel. “At any second Waller might kick in the door and decide to try to kill me again. And this plant dick took Ivy… I don’t know what I’d do if anything happened to her.”

“I know,” Black Bat soothes, “we’re getting her back.”

“How’s our mental patient?” Catwoman asks, emerging from the cockpit.

“Still crazy after all these years,” Black Bat says. “But she’s good. Because she has to be.”

“She’s your responsibility. I’m getting Ivy out, because I don’t like owing favors. But the headcase is yours to babysit. If she goes to pieces, we may not have the space to put her back together.”

“I trust her. She’s just… her last time in a plane didn’t go so great.”

“We don’t have time for trauma. We need to jump in fifteen seconds.” Catwoman flings a parachute at Harley, and it flies past, before she raises her hand. Catwoman looks at Black Bat.

“She’s good,” Cassandra insists. “She’s rallying.”

Catwoman runs out of the plan and leaps gracefully into a leap past camera. Black Bat helps Harley into her parachute. “What if I can’t do this?” Harley asks.

“I’m pretty sure,” Black Bat glances at the cockpit, to see the stick is tied in place with a whip, “yeah, by engaging the autopilot Selena meant this stolen plane is going to crash as a distraction, so we don’t have much choice. Come on.” Black Bat takes her hand and pulls her to the door and jumps with her.

They’re buffeted by a bad wind, and separated, and Black Bat gets caught up in a tree as a patrol arrives. For a moment it looks bad. Then Harley pops up out of the grass and takes the patrol apart with swift, acrobatic efficiency. Catwoman’s already up in the tree and slices Black Bat out of her chute, and she falls with a somewhat comedic thud, before standing and brushing herself off.

“Jumping out of a perfectly functional plane is just crazy enough to be in my wheelhouse. What I meant was what if I’m not functional enough to save Ivy, to infiltrate this ‘compound,’ to be the kind of partner I’ve always wanted…”

“Harley,” Black Bat interrupts, “I love the brilliant, fucked up way your head works. But the reason I trust you, even now, with my life, is that when you follow your heart, I’ve never seen it steer you wrong. So when I say you can do this, I mean that you will, if you can just stay out of your own way. Okay?”

“Yeah,” Harley says.

“You two ever consider motivational speaking?” Catwoman asks, slinking down the tree. “Or getting your own Lifetime movie? Or maybe just starting a nationwide hug tour?”

“Ignore her,” Harley says, “she deflects genuine emotion because she’s worried if she doesn’t immediately bat it away people will understand how desperately she craves it, and to belong.”

Catwoman is not happy being analyzed; Black Bat puts up her hands. “You poked that bear.”

“Doing this for Ivy,” Catwoman says, annoyed. “Silver lining: maybe the two of you will get shot in the process.”

I’m assuming, since this is a big, ambitious swing already, that we should just montage them breaking in, taking out some guards, and rescuing Ivy, where we slow down again, because Harley wraps her arms around Ivy and kisses her. It needs to be a moment… but afterwards, it needs to not be a big deal, too (because I want them together, and happy, but if we make it too much of a thing then it’s like there’s something atypical about women finding love together… and there isn’t).

“What took you?” Ivy asks gently; she’s trying to keep it light, bantery, and not let on how scared she’s been, how much being used by Jason Woodrue has psychologically or physically taxed her, because she knows Harley has been merciless with herself, so she has to compensate by being kind.

“Traffic,” Harley says, half a laugh, half a sob.

“No crying,” Catwoman says, almost accusatory, but we can tell, too, it’s because it’s affecting her.

“In baseball?” Harley asks, raising her bat. The Sirens stomp together, as we do another quick montage (because we have so much story to get through on this one).

They get free, and we’re going to do a quick little flashback. Again, I don’t want to make a thing about them, like there’s anything odd about their pairing… but I like this moment. This is the moment it all comes out in the open.

“I didn’t look for you because you were probably the only person at Arkham who tried to understand me. I knew the tendency for a patient to put their doctor on a pedestal; I told myself you were doing a job, and doing it well, and that can be sexy, in its own right. I knew not to assume it meant anything, either about how I felt about you, or about how you felt about me.

“But then I saw you, with Cassie, and out in the world, as yourself, strong, confident, but with a heart so big and open that of course it flashed like a giant kick me sign to a monster like the Joker, but also… that showed just how warm, loving, and compassionate you were, how much you wanted for someone to love you like you love everyone. And that you could see people like us as… people. That’s a damning statement, to be sure, about our society, and the mental health profession, but you’ve always been a diamond,” she touches the diamond pattern on her right wrist, “and you’ve always deserved someone who saw that,” she kisses her.

Black Bat interrupts the story, and we reveal that Harley and Ivy are cuddling on a loveseat, while the other two are sitting in the same room. “I’m out. It’s like listening to 2 out of my 3 moms talk about making out. I’m out,” she reiterates as she leaves the room.

Catwoman sits quietly in her chair and stares.

“I had a cat like you,” Harley says. “Would just sit in the corner of my room and stair. Until I brought a guy home. Or a girl home. Or anyone else. And then, she’d lock eyes with me, and only then, she’d start to bathe.” Catwoman frowns, trying to  figure out her meaning, before just leaving the room.

“I don’t mind an audience, but a part of me did want you just for myself.” I want her to have that, too, so we’re going to fade to black.

We fade back in the next morning. I don’t care who wants what, but I really want to emphasize the humanity in this moment, the normalcy; one of them is snoring just buzzsaw loud, and the other has just left a puddle of drool on the other. And even this, I know, could be filmed with the male gaze in mind- but it shoudn’t. They should look like the room got hit with a hurricane, their hair should be mussed, as little makeup as possible (I mean, the characters are usually caked in it, so I’m genuinely not sure what’s supposed to be their skin and what’s makeup), but they are frumped to a degree that even Margot Robbie (and presumably Lake Bell, because that’s great casting) look like normal human beings. Black Bat knocks on the door, and comes in, keeping her arm over her eyes. “I really, really, hate to intrude on your love nest- like, I don’t know the words in English to express how much I don’t want to intrude,” (I like the idea of her spouting something in Mandarin or whatever to prove that the words exist, at least somewhere).

Harley wakes up, and feels self-conscious, picking up that Cass expects a sexed-up Adventureland, “Yep, the air is thick with the smells of sex and sensual oils and lubricants and just,” and tries to mop up the drool, wake up Ivy, all while making the both of them look a little more put together than they were (this should be silly and fun, not for gratification).

“Okay, whoa, already way more information than I would have ever wanted to know. But before I exit, you should know… it’s spreading. Ivy’s pheromones, Woodrue had enough of them that he’s blanketing the entire city. It isn’t just our neighborhood that’s a nightmare. It’s the entire city.”

“Let us get dressed.”

“Oh, God, no more,” Cassandra moans.

“We’ll be out in a minute.”

“Why didn’t you tell her the truth?” Ivy asks.

“What, that I took a beautiful woman to bed and then proceeded to drool all over her stomach? That I was snoring so loud it bugged me even in my own dreams. That despite my days being consumed with thoughts of sex and death the entire time you were missing, once you were back, all I could do was pass out next to you?”

Ivy, again, is gentle with her, recognizing Harley’s spiraling. “I didn’t know if I’d ever see you again. I just needed you to hold me.”

“And I couldn’t even do that right.”

“The drooling wasn’t exactly what I expected. But I slept like a baby. I felt safe with you. It was exactly what I needed.”

“Yeah?” Harley asked.

“Being with someone isn’t just about rocking their world sexually. You also want to be comfortable just being with them. Feeling safe, and secure and, and loved.”

“Yeah,” Harley says, realizing how much she needed to hear that, and cuddling up against her. “I love you, Ivy.”

“I love you, too, Harls.”

Damnit. Okay. That’s on me. I promise I’m going to try and stop being so damned enamored of the two of them together that I can get back to pitching. I think the best way to get this story moving again is to take a peek at the other side of the aisle, namely the ‘good’ guys.

We watch Barbara walk by her suit in the Clocktower; she’s wearing clothes for a run. She tells Oracle that she needs to pick up an assignment from school, but then she’ll be back, and asks if Oracle needs anything. She asks for a Yoohoo (or other product placement to be paid for later).

There’s something on the air as she puts in her earbuds and puts on some music. We’re going to leave the music on for most of her run, at least until the insanity gets to be so much she silences it, and suddenly is faced to confront exactly how screwed up the few blocks she’s ran are. I figure this is one long take (but possibly with some hidden cuts, if need be). First she runs by a man who is clearly screaming at her, partially dodging to avoid specks of spittle flying through the air. Unfortunately, this is Gotham, so angry men yelling at random women on the street is a thing, and doesn’t phase her. At a hot dog cart, a man and a woman with a baby in a stroller seem to be altercating, when the man raises his hand. Barbara grabs the hook of his elbow and uses it to roll him over her back without stopping. She runs a little further, and a man takes a swing at her. She puts him down without any problem, only for another man to attack her. And a third. She puts them all down with ease, but we pull back, to reveal that this has all happened on the same block. Barbara turns down her music and calls Oracle. “Oracle, what the hell is going on?”

“You know that weird fog on the waterfront that turned any man who came into contact into a woman-hating troll? Yeah, well, it’s spread across the whole city. It’s chaos. Figured you knew.”

“I slept in. I’m going to head back to the Clocktower. Something tells me we’re going to need to handle this.”

We cut to Batgirl arriving. “So I called Batman, like you asked. He’s aware, by the way. Um… I’m struggling. I know this isn’t a typical workplace or… anything approaching a normal situation. I guess I just never imagined I’d ever hear Batman call me a c-word.”

“What?”

“And he called you, uh, B-girl.”

“Well, that is my-” she realizes Oracle means the other B-girl.

Oh. I’m sorry you had to hear that.”

“It was more, comically surreal. But… he’s terrifying. Most of the time I don’t breathe when he calls. And I even noticed he noticed, and has tried to emote more, which should make me feel more comfortable, that he’s trying, but it’s like watching the Tin Man try to be more emotional by wearing Totos face. But it’s only right now, when I actually saw what he’s like when he’s threatening. And the idea that he could stay like this…”

“We’ll fix it.

“Almost makes me feel sorry for criminals. Not because of what he does do, but because… because of what he could do, what I now realize he might do. Gives me the feeling he is one day where they give him a shot of espresso instead of decaf from being Joker in a cowl.”

“Maybe that’s why he doesn’t drink caffeine at all- just doesn’t trust himself.”

“Really? Does he even sleep? And he still doesn’t touch caffeine? How does he stay up.”

“Obsession.”

“The Calvin Klein cologne? Does he chug it?”

“Will. Same way he’s still remaining functional, if a bit… jerkier than usual.”

“Feels like an understatement, but yeah, he’s still working, with all the other Robins, Nightwings, Red Hoods and whatevers in the cave with him. He’s isolated the compounds. Definitely bears some signatures worth being concerned over. Three names, at least trying to read between the lines; he was editorializing some, especially when it came to Ivy. But it was her pheromones. But they seemed altered, in a way that makes him suspect Swamp Thing and Jason Woodrue are involved.”

“That’s bad,” Batgirl reacts. “Really bad. Ivy on her own is trouble. Ivy and Woodrue are extinction level trouble. Swamp Thing would have been our go-to guy to help with it, but if he’s working with them, or they have him… call everybody.”

Everybody?”

“Let me rephrase. Everyone without a y chromosome. Anyone who can help, we need on standby, or here if they can swing it”

“What about Batwing?” Batgirl doesn’t follow. “They’re nonbinary.”

Barbara sighs. “I’ll text Batman. If this goes down to the chromosomal level, it might make sense to have Batwing sequester with the rest in the cave. But if not, it’s all hands on deck.”

We’re back in Ivy and Harley’s apartment. Ivy is wearing a shirt from Arkham (yeah, like she did in the first Arkham game), and is drinking coffee. “So… I’ve been talking to some of the houseplants.”

“You, too? They only seem to want to talk to me about celebrity butts. You?”

“That’s not them, hon, it’s a voice in your head. No, the plants tell me Alec was here.”

“Alec, Alec… why doesn’t that name ring a bell?”

“He was my ex. Is sort of dead. And a plant elemental.”

“You used to bang the plant guy?” Harley asks, amused, horrified, intrigued, confused. “I mean, there’s bumping uglies and then there’s bumping uglies.”

Harley.”

“I swear, I did not know, or I would have at least straightened up before he grew out of a few bags of fertilizer in the tub. He said it was the fastest way to get here from ‘the Swamp,’ which I really hadn’t expected to be all so literal. One of the bat people owed me a favor, got me his number, when you went missing. I thought plant guy, wearing a trench coat, he must be some kind of plant dick, and, not you know, your old plant d-”

“It was his friend who wore the trench coat. But it worked, I guess. You found me.”

“We did… just not at first. He led us into a trap. A trap for him, I think, or at least a trap for if he came looking for you.”

“Oh, no. A couple nights ago? When Woodrue’s experiments got a lot worse.”

“Yeah,” Harley says meekly. “But he did get us the lead that got you back.”

“For which I am grateful, but… do you understand what Alec Holland is?” Harley shrugs. “He is basically a plant god. Meaning, he could take my pheromones, and increase their potency. He could probably even reproduce them. That’s why Woodrue didn’t put up much of a fight when you came for me- because I was redundant. And now it’s a race against time, and we’re starting from behind.” She finishes her coffee and turns around. “How much pull do you have with these bat people?”

“Like I asked for a tour of the Batcave or for them to drive us around in the Batmobile while we made out in the back seat.”

“And they said ‘no?’”

“No back seat. The rest all depends. Are we asking to work with them, or trying to scam ‘em?”

“If you don’t at least leave the possibility of the latter open I’m never talking to either of you again,” Catwoman says, pouring herself a bowl of milk.

Ivy’s prepared. “I spoke with the city’s Economy Development Corporation, and they estimate there are half a million cats in Gotham City. I know cats are survivors and all, but what happens if jilted men decide to take their anger out on women’s cats, or worse, if my pheromones end up working just as well on male cats.”

Catwoman stops lapping at the bowl. “Can I at least steal something, when this is all over, so I don’t feel like a complete sap?”

“Sure,” they both say with a shrug.

Birds of Prey/Batwomen assemble at the tower, with the promise that the rest are dealing with a bigger threat outside of Gotham, but will be there as soon as they can wrap it up. Then they get the call from the Sirens, all agreeing to work together.

Oracle has been able to put together the records from all of their Woodrue-related locations so far. And it seems he’s been using places, money and resources from three separate crime families. Analysis of recent police surveillance has proven that the three seem to be working together, and that they need to hit all three crime bosses at once, to mop up as much of their men and resources as possible. They split into three teams, with Ivy’s team going to where they think Swamp Thing is/Penguin, Batgirl and the Birds of Prey going after Woodrue/Two-Face, and Batwoman and the other Batwomen going after the location where the pheromones are all stored to destroy them/Ventriloquist (he’s squatting on old Joker territory; he lost clout after fallout from BoP2, especially with his willingness to sacrifice his henchmen for a joke)- that meant the Ventriloquist had a lot of territory with abandoned chemical storage/disposal, perfect for the pheromones they pumped out of Ivy.  

The Batwomen easily deal with the Ventriloquist, Scarface and his vanilla mooks. Then they realize there was a lot more pheromone than they realized- acres of it. Batwoman calls her father. The base is still observing chemical weapons protocols, so they’re fine, if somewhat understaffed. He agrees to help her bomb the pheromone storage (I think he loads a plane with explosives and arranges for Kate to steal it, having learned since the last movie how to fly a plane… ish- the main sticking point being her landings are still mostly crashes in the simulator).

Ivy leads the Sirens to rescue Alec. Penguin, slightly impacted by the pheromones (but having always been a dick) gets the snot kicked out of him, and realizing how ridiculously powerful Ivy is, decide not to screw with them and leave without much of a fight. The true brawl, though, is with the Swamp Thing himself. He’s still under the influence of Ivy’s pheromones, only a stronger, more robust variant he helped concoct. Thankfully, midway through the fight Ivy realizes that the Swamp Thing they’re fighting isn’t Alec at all, that he essentially grew himself a bodyguard, so while the others fight him off (badly), Ivy reasons with Alec, that he’s a good man, the man she admired, the one she fell for. She kisses him, and it brings him out of his stupor, and then some. The bodyguard keeps fighting, but some of the life has gone out of it; this is amplified by the fact that Harley, seeing the kiss, goes berserk, and will hit him in the twig and berries frequently with her big-ass mallet. Alec’s still a little influenced by the pheromones, and clingy; Ivy says she thought he got engaged, and he says that’s complicated. Ivy tells him things are a lot less complicated for her- that she found someone who makes her happy, and looks over at Harley, practically glowing. Ivy uses the Swamp Thing’s arm to pull Harley to her, and kisses her. Harley stammers that she thought… before Ivy tells her she thinks too much, and kisses her. “I do.” And they kiss again.

Finally, Two-Face’s place is where the real fight happens. One half of his mansion is overgrown. The Birds of Prey split up, Batgirl leading one segment into the overgrown side, since she’s got all the weedkilling toys, and Question leading the other up the pristine side. Question and Huntress make short work of Two-Face, before wondering where all his goons are. Both Harveys smile. Woodrue knocks Batgirl and Canary through a door, rolling into the room. Harvey tells them the reason he didn’t see a point in putting his men in harm’s way tonight was that it was going to be a bloodbath- that they were just waiting for all the guests to arrive.

At that moment, the Sirens and the Batwomen arrive. Two-Face brags to Woodrue that his timing is impeccable. As you can see, we’ve got a ridiculous cast of women here already… but things are about to go just completely nuts. I wasn’t screwing with you when I said that this was Endgame for DC’s women. Well, here it goes.

I think for the ending we bring in a big Big Bad; personally, I’d swing for the fences and have it be Granny Goodness with a team of male furies; Granny Goodness has basically been taken to task by Darkseid. He thinks her Furies need to open up to male members, that she’s been artificially holding her elite soldiers back. So she’s testing his hypothesis, by recruiting a team of men. She explains that there’s a part of her rooting for the women, because they’ll prove her right if they win, not that she could ever gloat to Darkseid. But she wants her ladies back; she was the one who gave Woodrue the necessary upgrade to be able to adapt Ivy’s pheromones.

At first, the combined Birds of Prey are outmatched. But then… those other heroines we teased earlier on, who would show as soon as they wrapped up the bigger threat… they arrive. This loops in all of the most powerful of DC’s women for a fireworks finish as they beat a team of men under Granny’s control, before all of the rest of the women show up. This list is in no way all-inclusive, and will likely swell. But it should give you an idea of who’s punching who.

Wonder Woman Lobo
Big Barda Scott Free
Supergirl Granny Goodness
Power Girl Superboy
Zatanna Jason Blood/The Demon
Ivy Jason Woodrue
Catwoman/Black Bat (snatches Granny’s control rod)
Harley Quinn (souped up) Joker, like from the first Arkham game (can really be Clayface, if that’s too silly)
Batgirl Nightwing
Mary Marvel Black Adam
Fire  
Ice  
Huntress  
Mera  
Jesse Quick  
Natasha Irons  
Artemis  

Wherever possible/necessary, we can replace the menfolk with their CGI counterparts (having the Demon in a fight wouldn’t necessarily require paying Jason Blood to show; I’m all for paying him to show, mind, but I know some actors really hate showing up to film what is essentially a cameo, and it’s possible the budget on this will also be insane, so building in places where we can cut costs might be helpful).

But the women are winning. Granny is conflicted; she’s winning the moral argument even as she loses the fight. But she also knows that Darkseid doesn’t brook failure… she sees an opportunity to slink away, taking Jason Woodrue with her.

And, personally, I’d bring in at least 3 men, here: Batman, Superman, and whatever other male Justice Leaguer would be most impactful (could be Aquaman, given current box office). We start with whichever of them has the most recognizable voice, calling from offscreen. Camera pans, and we see those three, and think this is round 2 and it’s about to get brutal…. Only the men aren’t attacking. Or cursing. Batman explains that he’s synthesized an antidote, that he’s got Flashes spreading across the city administering doses.

Harley asks Wonder Woman if this means she’s in the Avengers- “I mean the Justice League, clearly you weren’t my safety squad.” Could be cute to have Ratcatcher 2 cameo, and Harley waves her off. Wonder Woman pretends not to have heard, and walks away. Harley is, for a moment, disappointed. But Batgirl is behind her. She tells her some people might look at them as minor league, but if Harley, Ivy, or Catwoman want, they always have a place in the, and before she says Birds of Prey, we go to black, and smash in the Birds of Prey logo. We quickly do the cast credits, before cutting back, immediately to the same scene.

Catwoman runs up to Harley and Ivy. “That thing I needed to do, it’s done, and we should go. Now.” She turns, and we can see she has a utility belt slung over her shoulder. It literally doesn’t matter which of the Batmen she took it from, but it’s slightly funnier if it’s a Robin and he has to hold his pants up. Batman bellows after Selena, and we cut again to black.

More credits. Then we’re on Apokalips. Jason Woodrue has seen better days. Clearly, he’s been tortured for a while. Desaad is overseeing that, but Darkseid is working with Woodrue’s figures. Desaad is becoming more concerned, that he’s been working with Woodrue’s information tirelessly, without speaking. Desaad is trying to get an answer from him, if the Antilife Equation is complete, if he’ll be able to mold the minds of men to his will. He’s not going to reply, but I would like to have him turn to camera, similar to Thanos at the end of the very first Avengers, and smile. But while that CGI Thanos looked a little cartoony, this one should be horrifying- and his smile should be a thing of nightmares. That Darkseid is happy at all should be something we’re all worried about.

Relevant Review: The Suicide Squad movie

It’s pretty good.

Crap.

You want to know more than that, don’t you? It mostly works.

First of all, I’m new to this, and I’ll likely spoil things, because I don’t have a good handle on what constitutes a spoiler to the broader audience. So if you want to go in fresh and covered in placenta like a newborn, don’t read further (I can’t help you with the placenta part, sorry); if you’re on the fence, trying to decide whether or not to watch it, well, I already told you your answer. I’ll try to be light on spoilers, but I’m going to discuss what works in the plot and the characterization, so I’m sure I’ll cross at least someone’s line about details. You’ve been warned.

What Doesn’t Work

I’ll start with the things that don’t quite work: the movie kills half its misfits within the first fifteen minutes. That means that you don’t get enough time with them to care about them, it means you don’t even really get to see what makes any of them tick. These characters function as a mislead, one that at least borders on mean-spirited. To be fair, I laughed a lot; for the first chunk of the movie, its black, bleak little heart was beating in time with mine. But ultimately at least some of these deaths feel flat; better executions of this part of the concept like Rogue One or the Dirty Dozen make you spend enough time with the characters to start to care about them, to make it hurt more when the characters meet an ignominious end. But there are worse executions, too, and it’s a balancing act: make us care too much and we’ll never forgive you for murdering our faves, and it’s probably better to cut their time short than break our hearts.

The other big, grinding piece is that the movie doesn’t quite congeal. There’s lots of really great little character beats and emotional moments, but it’s missing a pass or two on the script to have really made it feel like cohesive parts of a whole. I’m probably grading on a curve, here, because James Gunn is really good at this: every meticulous detail in his Guardians movies feel lovingly placed and necessary (aside from maybe the Gamora ‘whore’ ‘joke’ and possibly the odd prosthetics fixation of Rocket). It all flows together nicely, like a well-designed lazy river. And maybe that’s intentional; maybe as a war film this is supposed to be messy and chaotic, and what I’m noting is a design choice moreso than a flaw, so your mileage may indeed vary from mine.

I don’t think the face turn certain characters take work as well as they could have, too. The remaining characters are literally moving in the opposite direction and just kind of… stop, and decide to do the right thing. This could have been done through dialog, or through the parallels of team dynamics with their explicated family dynamics. Or relating the native Corto Malteseans to those families (Polka Dot Man seems explicitly formed for this, he literally sees his mother everywhere, and is a lunatic, so him stamping his feet in the dirt and emotionally bleating out, “I’m not letting her do to them what she did to me,” would have been a hell of a transition). It would have taken twenty seconds of snappy dialog* to convince the characters and the audience that this was a reasonable course, or even that it was the necessary one from a self-preservation standpoint, a “There’s no way this horror stays on this island” combined with an “and Earth is where I keep all my stuff.” Maybe Gunn didn’t want to belabor the point, and there are plenty of reasons (which may differ character to character) to choose to save the day. But it is a choice, one made at great personal risk of Waller’s immediate wrath, to say nothing of a fight they are almost certainly not all up to.

I’m not sure that Harley’s interlude works all that well, either; sure, it gives her kind of a quasi-arc, dealing with fallout from her relationship with the Joker… but the movie kind of grinds to a halt for it. It involves the nicer, more reasonable Presidente, and I even get that his exit from the movie is likely meant to be the ratcheting up of tension, as his less-hinged brother takes the reigns, but it feels like the movie makes you do that calculus yourself, in a way that didn’t feel paid off to me (maybe Gunn has started to believe his audience is smart enough to follow along, but if that’s the case, he forgets we’re also rats pressing buttons looking for the plot to reward our obsession with the occasional pellet or scritch on the head; an implicit part of the creator/audience dynamic is rewarding us for putting ideas together- while also delighting us with swerves we didn’t, but still add up). And it has its own pretty neat little action scene… but I don’t think it feels like it does enough, either for Harley or the movie’s plot, to justify the time it takes away from the central plot. I’m not saying you couldn’t have done something like this, but it feels like its own little Hobbs and Shaw in the middle of a larger Fast movie.

Polka Dot Man’s… condition. I can roll with him being screwy (even if his screwiness seems to overlap with Harley’s in ways that make both less unique). I’m even on board with the ways his relationship to his mother warps his relationship with his abilities and the world at large. But twice we see the ways his power seems to impact him physically… and it feels like it’s building either to pathos or a joke; it leans more towards the former, but it still doesn’t quite arc in a satisfying enough way to cash the substantial checks this character writes in the trailers (or maybe I just really wanted more Polka Dot Man).

Amanda Waller somehow not being in a straightjacket. Look, I adore the version of Waller in the Timmverse (I know Diniverse is a more clever/phonetically pleasing name, but it was Bruce Timm guiding it all those years, whereas Dini only worked in it sporadically). In that universe, Waller was cruel and efficient, Bond’s M if she’d been operating in black ops so long the lines between the good guys and the bad guys blurred to the point where she made no distinction, and accomplishing her mission was the only relevant conversation. Ayers’ version (at least in the released films) is a cartoon. She shoots half her staff because “they didn’t have clearance.” If they didn’t have clearance it’s because she let them work on a mission for which they didn’t have clearance… her fuck up, so her mass-murder is purely to cover her incompetence. It takes a character who was a “finish the mission at all costs for the greater good type” and makes her a petty, scheming bureaucrat. Which this movie, to its credit, hones in on like a laser. She spends lives pointlessly; fully half the deaths in the movie can be directly attributed to her being bad at her job while also refusing to loop in those better at it who are literally on the mission. Fully three of our leads have military experience, and yet her plan was to throw people into a woodchipper because that makes for a good distraction, right?   

What does work

Okay, so maybe starting with what doesn’t work makes me sound too negative on the movie, because overall I enjoyed it. I’d probably put it behind the two Guardians movies, and probably just ahead of Slither for his third best to date (sorry, Super, but it’s a strong filmography, and someone has to take up the rear). Some of that is honestly just what’s on the tin: Guardians is a feel-good found-family operatic-space/action movie set in perhaps the most cohesive shared universe around (sorry Star Wars). Suicide Squad is meaner and leaner, a war movie set in a DC Universe that kind of hates us for existing at this point, but still has some heart, and enough of that found-family vibe is earned to make it a lot better than the first one, and even better than most films in the genre overall.  

King Shark. Full stop. I loved the rendition of the soft-spoken but sweet-natured King Shark as voiced by Ron Funches on the Harley Quinn show (go watch it, damnit), but turning him into a full doofus (but just smart enough to be self-aware and want more) makes him basically Hulk if Hulk were interested primarily in eating those he smashes. His friendship with Ratcatcher feels adorable and genuine, and Sylvester Stallone asking, “Nom nom?” of vanquished foes is delightful in a way that I never thought I’d feel about cannibalism.

Peacemaker: he’s an extremist, but played completely to the hilt by John Cena. He feels like he’s going to be just another obnoxious ultra-right-wing d-bag- and he is also that- but he is the most glorious version of that that even though you should hate him, you will find yourself seriously considering watching his up-coming TV show, even knowing they are likely to turn the ultra-right-wing d-bag dial up to thirteen (from eleven, obviously). And his rivalry with Bloodsport is one of the highlights.

Ratcatcher’s paternal bond with Bloodsport. In the first movie, Harley and Deadshot had a weird relationship. Half of it was Deadshot warming to Harley as a surrogate for his daughter, but the other half was setting him up as a quasi-love-interest for her post-Joker life. I don’t think this was an Oscar Isaac in every scene of Star Wars, “wait, so now he’s going to be a love interest for whatever character he’s in this scene with, too, including his ball droid (no pun intended)?” or even leftover chemistry from the pair working together as a romantic partners in Focus. Quinn, as a shrink, would all but certainly have turned up her nose and diagnosed that confusion as an Elektra complex. But this movie makes Ratcatcher and Bloodsport work; she’s just sweet and naïve enough we understand how he’d see his daughter in her, and he’s just damaged enough that she can see her father in him, and both want to save the other, in more ways than one (just not that one, because it would be icky- and, no, I don’t mean in a taboo hot way, either , you weirdos).

The chapter breaks. Not only are they visually interesting, sometimes even beautiful, but they’re fun and keep the movie’s momentum going in ways that are inventive and entertaining.

The way the movie treats Waller. This one is likely the most spoilery I’m going to get, but when the movie finally steps back from Waller and basically says, “Maybe the real villain is standing in this room,” it works for the plot, it works for the characters involved, and it does the most heavy lifting bridging the continuity between movies as this quasi-sequel, sort-of reboot does. I wish it had gotten there earlier, but it happens when it needs to, in a way that might well have been forced by the very structure set up for it in the first Suicide Squad. Seriously, though, there’s no reasonable way a third movie happens after this; Waller’s mismanagement makes her casualty rate way too high. Either Waller needs to be full rogue at that point, and she’s the one the Squad goes after, maybe for running her own even more black ops variant of the Squad even further off the books and more corrupt, or they need to be offering a full pardon. Because ten years off what are for most of them multiple life sentences isn’t worth it if you’re told to walk through a wall of bullets, and increasingly that seems to be the case (her murder of Savant in particular seems exceedingly cruel and pointless).

But I want another Nom Nom. When?

*The snappy dialog that could have bettered the movie

You waded through my whole self-important, half-baked criticism, so you deserve a treat. I’ll warn you, just knowing who is alive at this point in the film is probably the biggest spoiler I’m posting, so don’t continue reading if that’s a problem for you.

***

***

***

***

***

The remaining members of the Suicide Squad are walking away from the menace, with a, “way above my paygrade” look on their faces. Close on the mud, as Polka Dot Man stamps his little white boot down.

POLKA DOT MAN
I’m not letting my mother do to them what she did to me.

Ratcatcher leans into Bloodsport.

RATCATCHER
It won’t stay confined to this island.

Bloodsport sighs, turning back towards the threat, glancing at the hard drive literally up his sleeve.

BLOODSPORT
It isn’t really saving my daughter if she gets her face eaten by a starfish.

The pair turn together and walk towards Polka Dot Man. King Shark realizes everyone but him and Harley have turned around and are walking in the opposite directions.

KING SHARK
Friends?

He runs towards them, with all the bounce of a child on a playground, despite his size.

HARLEY
You’re all nuts.

Harley chokes back emotion.

HARLEY (quieter)
I feel like I’ve found my people.

She runs after them. They line up for a dramatic shot, and exchange knowing glances.

***

And scene. I was ballparking 20 seconds, but that’s…. probably about right (might expand to a minute or so, depending on how long you let moments breath). Everyone gets a line, everyone gets their character beat in the moment… and the found family vibe only gets stronger.

If you want a little more from me, I reviewed the Jim Lee/Rob Williams Suicide Squad comic, or if you’re looking for more original fare, I pitched a sequel to Birds of Prey. And I should be back next Wednesday with another Relevant Review, this one about some What If issues.

Relevant Review: The Suicide Squad comic (2016)

“If Polka-Dot Man can have meaning, any of us can.” -James Gunn, to Fandom.com

James Gunn, the man whose career is single-handedly proving there are no bad ideas, only crummy executions, was given the Suicide Squad to retool at a low ebb, having temporarily lost the reigns of the Guardians of the Galaxy (it was a whole crappy saga of right-wing crybaby pants-wetting)- or maybe his talent is limited to alliterative comics thing. But his ‘secret’ really seems to be giving a crap about his characters in a way a lot of us don’t feel cared about, and in making his misfits loveable, he makes all of us misfits in the audience feel like we can be loved, too. But this isn’t a review of a movie I haven’t seen and isn’t even out here, yet.

This is a review of similar/related, “You liked X, what to try next” stripe. Everyone knew the idea behind Suicide Squad was cool, a supervillain deniable ops unit run by the shadiest of government operatives, oh, and always with a body count of colorful has-beens. Note, the 2021 Gunn film really shouldn’t be mistaken for David Ayers’ much less polished, We Really Wish This Hadn’t Been Suicide Squad from 2016 (in the year of our simulation crapping the bed 000001).

Suicide Squad Rebirth Deluxe Edition

There are certainly newer Suicide Squad things to cover, but both being budget conscious and being a book I snapped up a while back on sale, I’ve been looking for an excuse to read the Rob Williams/Jim Lee book, which is on Comixology Unlimited as well as DC Universe (no word yet on when it might be coming to Marvel Comics Unlimited- and yes, I will likely continue to make variations on this joke until forced to stop, so write my congressperson).

Okay, it’s genuinely bizarre that this book starts (after a prologue) with Obama shutting down Waller’s black ops supervillain ring (obviously it doesn’t take, or we wouldn’t have a book). But it’s hard not to imagine what would have happened under the other guy… imagine Orange Thanos with a More Pornographic Chin with his own villain hit squad; he’d basically become doughy and less honest about his comb-over Lex Luthor (and way, way dumber). There’s a plot bunny* there, is what I’m saying, one on super-steroids with cybernetic components (this plot bunny might have a further, nested plot bunny- Russian nested plot bunnies- which might in itself constitute another plot bunny).

Sadly, the interlude doesn’t last; I could genuinely have gone for a slightly angrier Obama getting pissy that his supervillain smart bombs were just as messy as drone strikes, maybe even build in an arc about how people were starting to protest, after their origins got leaked, and you could have done a version of the drone debate, but for the ethics of using supervillains as an elite strike force with a justifiable body count (both civilian and their own). I’m… really not sure if it’s a sign of quality that a work like this creates plot bunnies just as quickly as actual rabbits procreate, or if it’s a sign that it’s not fulfilling its promise that there seem to be so many of the little bastards.

But to the squad. This story introduces Hack, a Harley fangirl, which seems… dumb, at least within the world of DC Comics, because the horrific crimes of the Joker make her a party to mass-murder and potentially genocide, plus the abuse inherent in their relationship is on pretty stark display, and lionizing the Quinnpin of Crime because she’s ‘free,’ while showing she’s also free of the constraints of sanity… it just doesn’t serve to do anything other than make Hack seem either stupid or thinly written. She’s also massively overpowered; she’s a technopath, meaning she can talk to/control tech, can download the contents of secure computers into her memory, oh, and teleport groups of people across massive distances over the internet, but in doing so effectively scans them, allowing her the ability to basically xerox people and (potential spoiler) recreate them if they die. It’s… not great.

The team in the 2016 book seems like a less colorful version than even the ones we got in the Ayer movie- like the roster is similar, but they’re all doing variations on quipping action hero stereotypes whose butt-cheeks remain permanently clenched so tightly they can’t actually be witty or interesting, and Harley Quinn, who’s doing a nonsequitir but also not terribly interesting Coocoo’s Nest. 

I think even then, I might have liked the book if it was sticking the landing on serious realism (within the four-color comic reality), but it misses both the possibility of interpersonal drama and the pathos of the intrapersonal. Like, Enchantress and Killer Croc have a burgeoning relationship, largely because they both are treated like monsters but on the inside just want to be normal, decent people. They don’t deal with this in any real way, where June is kind of horrified that what is technically not bestiality but is really really close to it for comfort is part of that equation; it’s basically missing the interesting subtext of the beauty and the beast story it’s doing. And you might have even been able to justify it, if their eventual hook-up was played for a joke, even, the equivalent of a drunk one-night stand and waking up to someone you would not have chosen sober. But instead it just kind of… happens. It lands with a thud, no dramatic payoff, no pathos, no character having an interesting character moment, no romance, it just… exists. Story as shit happening, people quipping, but no one really caring (also known as the overly superficial read of the MCU’s house style).

Another example happens during the same story. Belle Reve prison (also the Squad’s HQ) has, through contrivance, had all of the people within essentially reverse polarities. That means most nice characters turn nasty, most sane ones turn homicidal, and Harley Quinn puts down her Coocoo Puffs. As essentially the only member of the Squad still capable, saving the day falls on her thin shoulders. This should have been a really interesting story for her, think Flowers for Algernon, but if, at the climax, the rat had to sacrifice his intelligence to save a bunch of people; it could have been both tragic and heroic, and cemented her as a character to be reckoned with (and Williams, too). And instead it’s mostly an excuse for Harley to put her hair up, wear a white coat and glasses, and use a little more strategy than her usually chaotic plans allow for. There’s if memory serves a line that tangentially mentions that another character is aware that she’ll be sacrificing something, but Harley isn’t even really conflicted, let alone devastated at what she’s about to lose.

I’ll spin this out into a separate blog, since it’s getting wordy, but the comic isn’t living up to its full dramatic potential. But it’s got good bones. Recognizing the story potential, and getting it most of the way there, isn’t the default. I wouldn’t be surprised if Rob Williams grows into one of the better comic story-tellers around. And of course, Jim Lee’s art, as always, is beautiful. High-tech, expressive, detailed and always very consistent.

I’d say at a minimum flip through it. If you’re looking for a place to start on Suicide Squad… I don’t know that I could suggest it be here. Maybe it’s just that, four years later, it feels very much like what it was, a companion to Ayer’s movie version: not as fun as it should be, not as smart as it could be, but also nowhere near as dark as is should be, either. Better, unequivocally (I made the mistake of rewatching the extended cut of the movie to prep for the sequel, and it’s… worse than I remembered, even though I remembered not liking it). For now, go see Birds of Prey, instead. I liked it enough I pitched a sequel, which no one will make, but hopefully you’ll get a kick out of. You’re welcome.

Pitchgiving 2020 Bonus: Birds of Prey 2

We open on a mugging/assault in an alley, filmed to remind of the opening of Batman 89, taking place on top of a rooftop. In swoops a younger woman in black, rubber armor, without Bat accoutrements. Underneath it is Cassandra Cain. The rescuer throws the attacker down, and the victim squeals while fleeing, and the camera follows her, revealing Harley, watching from the shadows, whispering, “You got this.”

Cassandra tries to make herself bigger with each word, building dramatically towards the ellipsis, “I am vengeance, I am the night, I am… still working on the name. What do you think of Bian-Fu?” The attacker turns his head, then dives at her, and they both roll over the edge of the roof.

Harley runs to the edge of the roof saying, “Shit shit shit shit shit.” There are two cracks, followed by the sound of zipping rope.

The attacker is suspended just above the concrete, close enough he could lick it, while Cassandra is holding onto a grapnel beside him. She drops down to the concrete. “You okay?” a woman asks from behind her. Cassandra spins to see Batgirl, looking really cool in her costume, but also confident and personable. Cassandra nods, a little starstruck. “I won’t be a hypocrite and tell you not to do this, but I will tell you it takes a lot of work, a lot of time and a lot of training. Give me a call some time, if you want some tips, or just somebody to talk to.” She gives her a card with a bat symbol and a phone number on it.

Harley, a freaking wreck, runs up as Batgirl grapnels away, huffing and bent over. “Y’okay?” she wheezes.

“So cool,” Cassandra says, barely aware of Harley’s presence.

Cut to Harley’s car, as they drive away.

“So I’ve been thinking about the name. My whole thing kind of keeps petering out. How about Bat-Woman?”

“I’m not sure the homage comes through if you’re one-upping her in the name. Plus there’s already one of them.”

“Bat… wing?”

“There’s already a guy. Or person.”

“Bat… Rock… the Lepper?

“That is the stupidest name I’ve ever heard. How about Black Bat?”

“But I’m not Black.”

“Aw, honey, it’s not the 60s anymore. Black heroes don’t have to put ‘black’ in their names just so the cops don’t shoot them.” Very quick cut to Bat Wing getting shot by cops (he’ll survive, because of the armor- but it still stings). “Right, Bat Wing got shot by the cops just last Thursday; should have went with Black Bat. But there aren’t a lot of ‘Bat’ names left. Unless you want to be a Bat Hound.”

They sing spontaneously together with an Elvisy twang, “You ain’t nothing but a Bat Hound- you ain’t never caught a Riddler and you ain’t no friend of mine,” and then go back to the conversation as if nothing happened.

Harley: “Or, you could choose to name yourself after another woman who selflessly saved your life.”

“Yeah. I could be Harley’s Hemorrhoid.”

“Turned out that was just Chipotle. I wonder if that counts as product placement?”

“That depends on where you put the Chipotle.”

Harley’s phone alarm goes off. “Oh, we’ve got to meet the girls.” Harley drives out into the Gotham Hills, to a plant sanctuary. They get out of the car, and Poison Ivy descends from an open window of a glass dome atrium, riding atop a magnificent, vicious looking plant, looking both elegant and terrifying (if you’re looking for a casting suggestion Lake Bell is great and voices her on the animated series- a nested suggestion: go watch the Harley Quinn animated series).

“Hey, Harles,” Ivy says.

“Great, she’s babysitting again,” Catwoman says, melting out of the shadows. Cassandra flips her the bird.

Harley leans in to Cass and whispers, “Okay, I see why you didn’t want to go with Cat Girl.”

“That, and the weeaboos would never leave me alone.”

“We ready?” Ivy asks.

Harley: “Joker’s taken so much- from all of us. I think it’s time we show him how loss feels.”

Actiony scene, where Catwoman sneaks in and disables the security alarms, Ivy infiltrates the guard station and subdues them, all while Harley and Cass create a distraction.

They all meet up inside the warehouse, planning to mop up, only for it to turn into a shoot out. See, the warehouse in question is a weapons cache- most of the Joker’s arms storage. So the few remaining goons are able to arm up, and quickly, so we get a high caliber fight scene.

“I thought if we cut off their weapons supplies, the rest would be easier,” Harley says as bullets whiz past her.

“I don’t think we should let her do the thinking anymore,” Catwoman says, whipping her way up into the rafters. She drops behind one of the shooters, taking him out. Ivy uses undercooked broccoli in one of the gunmen’s stomachs to grow, popping out of him like an Alien. Harley fires a novelty gun that shoots a boxing glove wrapped around a brick into the third shooter. There’s a fourth, surprise gunmen that Cass takes out before he can shoot Harley in the back.

Cut to later, the Birds of Prey surveying the damage. “We’re too late,” says the Question (Montoya); and yes, she is wearing the faceless mask. There are burnt crates of weapons and ammo still smoldering.

“What the hell happened here?” Canary asks.

“Arms smuggling seems a given,” a new voice says, as Batgirl lands right behind Huntress. Huntress reacts by spinning, and jabbing with a knife from her belt. Batgirl rolls her, peeling the knife away and dropping her on her back fluidly. “Didn’t mean to surprise you. But these guns have been illegally modified, and there are enough to assume this is more than just a personal stash. It’s enough to arm a small army. Or a gang. Name on the deed is Jack White-”

“The White Stripes guy?” Huntress asks, dusting herself off.

“It’s probably an alias.”

“So we assume these are gang related. Who would trash their weapons? A rival gang would take them for themselves.”

“That is the question, Question; your name is kind of confusing.” I’m suddenly hearing Rachel Brosnahan as Batgirl… and I really like that idea.

I think we stay with the Birds, as they try to figure out where the next strike on Mr. White’s holdings will be, back at Barbara’s Clocktower. It’s here we meet Oracle, Batgirl’s logistics expert (in a wheelchair, and I’ll reiterate my support for casting Kiera Allen from Run because she- and it- are amazing). Babs saved her, once upon a time; for my money, I think it’s more compelling if she was already in the chair. Oracle used her savvy with computers to track her back down to repay her- by saving her life (I think her original attack was designed by Joker to smoke Batgirl out- which Oracle figured out, preventing Joker from shooting her). Since then, she’s been feeding her, and to a lesser extent, the rest of the Bat Family, with leads, intel, research- whatever they need that she can provide remotely.

This includes an extensive web of Jack White’s holdings. She notes that Jack White doesn’t exist (Canary asks who wrote all the White Stripes’ music, then?), but that several of his businesses are definitely fronts for illegal activity. She theorizes that either he himself is dirty, or his anonymity or even his name are being used by someone as a shield. Oracle and Batgirl have figured out the five most likely targets, and each one of them is going to sit on one- not to engage, but to observe, and call in backup if and when anyone of interest shows. The targets are divided into the likeliest attackers: a rival gang would likely look to cripple White’s biggest money maker, a night club, on the assumption that it disrupts his legitimate cash flow, but also disrupts his ability to clean cash from his clandestine enterprises. A vigilante or rogue law enforcement would try to expose him as a criminal, which means hitting his shipping warehouse, likely the point of entry for the guns and also likely any other illicit substances. Anyway, they all take one, with Batgirl handing out assignments. Batgirl takes Ace Chemical, bought by White for pennies on the dollar after Harley Quinn destroyed it. Rumor has it that White uses it as a sort of de facto headquarters. She’s able to listen through the vibrations in an unbroken window to White making plans, but doesn’t see him, and is just about to confront him when Canary calls them in.

She admits she thought about taking Harley herself- until she saw her entourage, and thought maybe she’d need the backup, after all. They arrive after the fighting is done, as the Sirens are torching more of White’s merchandise (I’m going to say it’s a chemical supply company). The Sirens flee when the Birds arrive, and they give chase. The Sirens run into a sewer, and Montoya hopes they won’t have to fight any killer crocs down there, when a sewer plant grows to the size of a person (giving the middle finger), and blocks their entrance. Batgirl calls Oracle for a map of the sewers, but unfortunately they’re right at a junction point- the Sirens could have gone virtually anywhere. Batgirl, conspiratorially, asks Oracle how their tracker is working, and she says they’ve got a clear signal.

We zoom in on Black Bat’s new cape, black and fringed like Batgirl’s. There’s a tracker attached to it (with a blinking light, if it’s too subtle- but I otherwise want to be subtle with it). The Sirens are triumphant. They’ve not only knocked over two of the Joker’s places, but they managed to get away from Batgirl and ‘those other dorks’ (Harley’s words). They feel on top of the world.

Harley argues they go for the kill, now. If they keep nipping around at the edges, it’s only a matter of time before “Puddin’- I mean, Mistah J, sets us up an ugly surprise. He almost got the Bat a couple of times, with those surprises. He’s got a real knack for hurting people.” Catwoman argues the counter- wanting to be methodical. She wants to take his empire away a piece at a time, so that a broke, disarmed and alone Joker is their prey- and they don’t have to wade through an army of goons with guns. Black Bat sides with Harley, but Catwoman argues she’s a sidekick, and a trainee, and Harley’s Hemorrhoid, so she doesn’t get a say. So it all comes down to Ivy, who sides with Harley, because she knows him, and not just as a gross ex, but as a patient- about as intimately as a person can know someone like him. Catwoman refuses to get killed for their vendettas, and leaves. They ask Black Bat if she can handle Catwoman’s part of the plan; she reminds them she was a pickpocket and a thief.

Cut back to the Clocktower. Batgirl plays back audio for the rest of them of the end of the last line in the previous scene. She tells them she got a tracker on one of them, and Oracle picked up audio with a drone- that they can put an end to these break-ins if they work together. The Birds aren’t sure about her- especially her compartmentalizing, but reluctantly agree. Cut to later, them on an adjacent rooftop outside of Ace. They watch as Harley kicks in the front door, and we follow Harley inside. She doesn’t get far, before she’s picked out by a spotlight.

Jack White emerges, looking human for now, giving her a slow clap. He threatens her, not too subtly, pretty much confirming he’s who we think he is in the subtext, but with just enough gaslighting that we can’t know completely for sure. The lights go off, then all the lights come back up. White’s gone, and Ivy and Black Bat have arrived. They’re attacked by the Birds of Prey, who gain the upper hand until Catwoman emerges from the shadows to even the odds, telling Black Bat “Cats may seem fickle and disloyal- independence and stubbornness are in our nature. But we always come back for those we care about.” And they are very even, with Ivy as the only really super-powered one (Canary’s cry notwithstanding), it’s a very street-level fight; Barbara takes on Ivy, and has a bevy of gadgets Bruce has used on her in the past so she’s able to keep her at a manageable threat level.

Eventually, a disgusted Jack White emerges once more from the shadows on a gang plank. He’s having a good time, even if it’s clear he’s roiling with anger over the damage done to his operations. He tells his henchmen to end the stalemate and kill them all. There’s lots of possibilities, here, but probably I’d throw in Firefly (who I imagine fights Ivy and Batgirl), who’s always a colorful, visually interesting villain, and then some regular hench people for the rest of them to kick. When it looks like he’s winning, a triumphant White removes his mask to reveal that he is in fact the Joker.

Harley and Black Bat are able to break away from the fighting to chase him (because I like the idea that this mirrors the first BoP). He uses several joke shop gag weapons, all of which Harley is able to dodge while pursuing him. He stops, spins around, and says they’ve got him, only to drop into a folding chair, onto a whoopie cushion that fires a bullet in slow-mo into Black Bat. He tells her she can catch him- but her partner will bleed out by the time she gets back. She punches Joker, breaking his jaw (it dangles sickeningly in an exaggerated rictus grin). “That wasn’t funny,” he says overly seriously, standing by a hole in the wall that used to be a door leading to a fire exit. He grabs a life raft off the wall, steps to the ledge, and inflates it. It rips him into the air as it rapidly inflates with ultra light gases, carrying him away. He can’t help himself, laughing as he flees.

Harley attends to Black Bat. She can’t stop the bleeding herself- even her medical training can’t compensate for the fact that she doesn’t have any supplies and they’re in a filthy derelict chemical plant. Until Batgirl arrives. She has an adhesive to stop the bleeding, and one of Oracle’s drones is actually equipped with medical supplies; together they get Black Bat stable enough for transport to the hospital. As an ambulance arrives, Batgirl supplies them with one more item; a pair of surgical scissors. She tells them Cassandra Cain might have to explain a gunshot wound to the ER staff, but Black Bat would almost certainly be arrested on site. Black Bat says, “You knew?”

Batgirl says she knew the whole time, that she recognized her picture from juvenile records. She tells them both her secret is safe with her. Montoya comes in, barking orders at the medics, explaining the GSW. Batgirl swings Harley away from the police, dropping her off on the neighboring rooftop. Harley asks where that leaves them- are they going to fight now? Batgirl tells her she isn’t prepared to judge anyone else who chooses to fight for a better world- at least not while they’re picking worthy targets like the Joker. She says she likes her- and likes the kid even more- so she hopes they’re never going to be on opposite sides of that divide. As she swings away, Harley says she’s all right, for one of the bats. Then she realizes she’s been stranded on a rooftop, and looks over the edge and asks, “Wait, how do I get down?”

Back at the Clocktower, Huntress is annoyed she let them escape. Batgirl clarifies that they let Harley and Black Bat escape from the Funhouse (in the previous movie). Canary adds that they also let Catwoman and Ivy go, too. Batgirl smiles, and says she’s sure they’ll see them around. To black, with the text, “The Birds of Prey will return.”

Credits. Mid-credits scene. Ivy and Harley, in civilian clothes, are dragging a clearly uncomfortable Catwoman into the hospital. Cassandra’s eyes light up at the site of them. Harley’s got an oversized beaver for her, Ivy’s got a potted plant, and Catwoman has a jewel case, which she opens to reveal the Bertinelli Diamond from BoP1. “Helena’s going to be pissed,” Harley says. Things are kind of awkward, and it’s sort of clear Ivy and Catwoman are kind of looking for a reason to exit. Harley brings up their next big score. She says she’s been thinking, and the Penguin’s always been a dick. Last time she ate at the Iceberg Lounge, he pinched her ass- and not over the clothes, either, he got his flipper up her skirt. Prick’s just asking for it.

“The Arctic Bird does have a lot of nice ice,” Catwoman purrs.

“He bulldozed the only natural habitat for the Gotham Lilly to build his tacky little lounge,” Ivy says angrily.   

Camera pans to Cassandra, and the others are waiting for her reply. “Uh, I’m pretty sure he has fish-breath.”

Close on Harley. “Gotham City Sirens,” cut to black, as she says, quieter, “assemble.”

We’re going to play some games with text. First, white text on black: The Gotham City Sirens Will Be Back.

“We’re already here,” Ivy replies.

A red marker rearranges the sentence to, “Will The Gotham City Sirens Be Back?”

Harley: “Then it’s Clobberin’ time.”

“What does that mean?” Catwoman asks.

We do a circle zoom in on Cassandra. “Wait, I think I got it. Stop: Hammer Time.” Back to black. Over the rest of the credits, Harley, with her big mallet, Hammer Dances in Hammer pants to “Can’t Touch This.” You’re welcome.