Pitchgiving 2021, part 10: Justice Society 2: Marvelous

We start slice of life. We follow Billy Batson on a typical day as a young orphan. At one point, he daydreams, as he touches an invitation, embossed, fancy, old-fashioned, from the Justice Society inviting Captain Marvel to attend. After school, he talks with whichever of the other orphans it makes sense to bring along, mostly because I love Adam Brody, I’d make it Freddy. They start, as kids, discussing the opportunity/responsibility of being called by the Justice Society, then walk past a tree, and out of the other side stroll their superhero counterparts, continuing the conversation seamlessly.

Billy’s reluctant, but Freddy is excited, that these are the big leagues, and this isn’t like Mary hanging out with those Justice Losers, the society have been around for ages- and the old Shazam was one of them, there’s a legacy here.

We cut to the Justice Society’s hall, now returned to its former glory. Shazam strolls in, and before any of them can say anything else asks why they called his predecessor the Big Red Cheese. One of the old-timers explains, “Chuck was a kid in a man’s body, just as naïve as you’d imagine that would be. Smart, you know, wisdom of Solomon and all, but without the life experience. He spent a good ten years emulating heroes from radio serials, catch-phrases and all, squinting so he’d look like the old Fleischer heroes. I remember one time he pulled Power Girl out of the way of a falling building and she kissed him, and he turned beet red for a week; he was as red as his suit.”

Shazam, growing concerned, asks about references to him in the past tense. “Like I said. Chuck was a kid. He spent years transformed, because that was what the world needed. Then we lost half our team, dumped into the modern era, we know now, but back then… we thought they were gone. It broke him. For the first time in years he changed back. And he was still just a kid, a kid who could not handle that kind of personal tragedy; I wouldn’t be playing straight with you if I said any of us handled it well. And half of it was that we needed him, sure, but the other was he was too damned scared to change back, to have to face that world as an innocent little kid. Anyways, he decided to grow up. He still helped us, time and again, when the needs got big enough. But he got married. Think he had a couple girls. Been a long time since he said the magic word, kid. I imagine that’s why the wizard chose himself another champion. And it’s been too long since the Justice Society had a Captain Marvel knocking around.”

Billy frowns. He doesn’t like that name. He prefers “Shazam.”

Which leads to murmuring. “Like the Shaquille O’Neal genie movie?” One asks, while another says, “That was Kazaam.” And another asks if it’s like the app for recognizing a song.

Mister Terrific butts in. We’ll use this as an excuse to introduce at least the characters he mentions, with a title in the bottom of the screen for them when he mentions them. “Give the kid a break. We can’t all be named after a roller coaster (Wildcat), a 1970s prog-rock band (Flash), European folklore (Sandman), a semi-precious stone (Obsidian), or another semi-precious stone (Jade), or a color and a semi-random light-emitting object (Green Lantern). Or taking a vague descriptor and a quaintly old-fashioned gendered label (Power Girl), I guess we could suggest he go by Lightning Lad.” Stargirl makes a disapproving face (and we get to label her, too).

“I do like the rhyme-scheme of Mister Terrific,” Shazam says, “even if it does make you sound like a pro wrestler.”

“Oh yeah!” Terrific bellows in his best Macho Man voice; if Slim Jim are willing to pony up for the product placement, it would go here. Shazam says they’re all a bunch of lunatics, aren’t they, to which Terrific, again in his best Macho Man, says, “Oh yeah!” One of the ones who would have been around in the 80s asks if he’s doing Kool Aid Man. One that wasn’t, says they aren’t familiar with that superhero.

Terrific and Stargirl (because I still like the idea of the pair of them as a couple- plus I like them passing the torch of the wide-eyed POV character on to Shazam for this one) give him the tour. Terrific tells them the Society is just that, a society, one meant to last generations, carrying on the group’s ideals and legacies. The Hawks, for example, aren’t the same as the ones who were part of the team with his predecessor; they’re a pair of star-crossed lovers who reincarnate, find one another, die tragically and heroically, then reincarnate all over again- like if Romeo and Juliet could fly and had a penchant for smashing monsters with magic hammers. How even though Atom’s retired, he and his daughter, the current Black Canary, are always willing to lend a hand should anyone need it. Shazam asks how often they end up needing to call in all the reserves (with a hint that he has a few he can call in- oh yeah, for 3 we’re definitely calling in all the Marvels, er, Shazams).

Hanging around is a character related to someone wearing a costume similar to the Al Pratt Atom/Damage. The idea, here, is that Ray Palmer was the 2nd Atom, after Al, learning from him first as a physics student, before taking after him as a hero. It was Ray who pioneered the Atom’s shrinking gimmick, though. After the disruption of the Justice Society, Ray would work with Pratt’s grandson, who became Atom Smasher, as well as his son, the original Damage, as a mentor. While Damage died in the line of duty, it was always believed he had a son, and that son eventually emerges, and is here, largely in the background as we start. He is named David Reid. He focuses his powers through a lance, but he’s also had military training, rising to the position of Lance Corporal. He’s also got a glowing eye and a robot arm; so I’m not hiding the pea, here, David Reid will eventually become Magog over the course of the next two movies, even if right now he largely hasn’t adopted the Egyptian theming quite as much (it’s a process, owing to his near-death that led to his cybernetics)

I think there are already factions forming. Terrific plays coy, because Stargirl is there… because she’s leaning towards the more extremist faction, while he feels more constrained because he’s one of the leaders, towards the more compassionate side. But the tensions are palpable, and when David asks her to spar, she gladly joins him for some pretty brutal combat, also freeing Terrific to be candid with Shazam.

“To be honest, I’m glad you’re here. The old Marvel, he, they talk about him like he was the best of us. Our moral compass, that ‘Wisdom of Solomon’ thing wasn’t just marketing copy, he knew the right thing to do, not just for him, but for all of us. He was Superman, before he ever came to the planet.”

“And why do you need that? Isn’t Superman enough?”

“Lot of these people remember a world without a Superman- and I’m not just talking that siesta he took. The big blue boyscout’s a fine example for younger, less jaded recruits, but the old timers, or the hard-cases? He’s too ideal. When you’ve got that much power, you can spare some to show mercy. When you’re just an old kickboxer past his prime,”

“I heard that,” Wildcat grumbles.

“The reason we need you more than ever, is we’ve taken a lot of hits lately. Guy out there with the robot arm? Lost it a week ago. We were lucky he’s on loan from the Army; they had an in with LexCorp. on some experimental bionics. Some of ours have fared a hell of a lot worse. Some among us, they’re starting to wonder if the best defense isn’t a good offense. Might work to a point in basketball, but you start applying that to vigilante work and you’re attacking citizens before they commit a crime, you’re shooting people because you think they’re guilty, not because you have no other choice.” Terrific is tense enough he unconsciously calls those little floating balls to him.

Shazam is amused. “Phantasm, right?” Billy asks.

Terrific is puzzled. “I’ve heard of a fan-gasm before…”

“I don’t believe I want to know the context of that.”

Suddenly the lights go out. Terrific says it’ll only be a moment before they turn over to the solar-back-ups. They get power for a moment before it blacks out again. Terrific says the back-up batteries should kick on in a moment. Red emergency lights come on, and warnings start going off, as the Hall of Justice’s residents start chattering excited. Green Lantern starts barking orders, getting them to assemble into their emergency teams.  Terrific pulls Shazam aside and asks how he is with radiation. He says he got a sunburn once putting out fires in Brazil. He assigns Shazam to go with Power Girl, who will take point. There’s something wrong with the city’s nuclear plant.

Next Terrific starts talking to Green Lantern. He tells him they lost solar because the entire city has been covered by a canopy of fast-growing trees, showing him video of his surveillance being overgrown from several points across the city. Blotting out the sun is causing panic, so their first order of business is to cut down the trees, or at least arrest their growth. Green Lantern admits that he can’t handle that, because his magic doesn’t work on wood. Terrific is flabbergasted. “So a child with a miniature baseball bat is your kryptonite?” Green Lantern explains he could still stop the child directly. “Okay, but if he were wearing armor he whittled with a tiny little child pocket knife, then you would be powerless to stop him?” Green Lantern tries to pantomime as he explains he could pick up two cars, and try to pick up the child with them, like chopsticks. Terrific interrupts, “But if I got you some real sawblades, you could put those in some lantern contraption to then indirectly effect the wood, right? Flash. Stop by a hardware store.”

“Done,” Jay Garrick says, as a stack of sawblades appear next to him.

Terrific assigns Jay to lead the rest of their forces on clean up, crowd control, etc., just making sure things don’t get worse, and that Terrific will be on overwatch, just as soon as Jay gets the trees cleared enough for him to actually see anything.

Power Girl manages to get the power plant shut down; to make it slightly more dramatic, she’s exposed to enough nuclear radiation she passes out (her Kryptonian physiology will eventually convert the radiation to energy, she’s just temporarily overwhelmed), and Shazam has to carry her out. Terrific tests him to see if it’s done any damage- which, it had, but not so much that he’s worried.

Green Lantern gets the trees trimmed back, only to discover that the wood from them is alive, and starts attacking the citizens (think the brooms in Fantasia). Green Lantern’s team is in danger of being overrun, until Jay’s team arrive, and they’re able to handle the fighting.

However, there seem to be positive impacts of the growth, too; a cancer ward in the local hospital is overgrown with a rare plant specimen originally from the depths of the Amazon (and thusfar undiscovered by man). It halts the spread of the patients’ cancer, even puts some of them into remission. I think there’s a lush field outside of the hospital, on which Woodrue has the grass selectively brown to write a note, explaining he is a plant elemental and wants to help, even if his powers are… difficult to acclimiate to.

Terrific asks Specter and Dr. Fate to consult. They confirm that Woodrue isn’t a god, nor is he a true plant elemental like the Swamp Thing. He’s kind of an artificial version. Where Swamp Thing taps into the Green, and is both empowered by and entrusted as an emissary for all plantlife, and by extension, essentially the entire planet, Woodrue has basically hacked into and corrupted this power. Terrific asks if they can get Swamp Thing to help. Fate says they’ve been trying, but Justice League Dark seem to be indisposed at the moment, the Swamp Thing included, but he’ll keep trying to raise him.

Terrific puts out an offer to Woodrue, to help him with his outreach, to help channel his knowledge and skill into solutions for the greater good. Woodrue rebuffs the offer. This proves a fracture point. Magog, Power Girl and Stargirl want to deal with Woodrue now, when he’s clearly learning the ropes of nearly infinite power- that a wait and see approach may well leave them all exposed to a power they can’t stop. Battle lines get drawn, but Terrific maneuvers for all of them to slow down- that he’s taking a trust but verify approach to Woodrue- basically assuming that he is up to something, but that they need to understand what, so they can know how to stop him without losing all the benefits he brings. It’s a speech from Shazam that gets them all to agree to give Terrific space to let his plan play out.

Solomon Grundy gets reanimated. This largely distracts the Society, while forcing them to work together to stop him. It looks like Terrific is being naïve, but he secretly consults with Fate to confirm that Grundy’s revival was down to Woodrue’s dark magics, and that he’s getting stronger- really, they both are- that Woodrue made this new Grundy even stronger. Fate and Terrific together prove Woodrue’s plot, that he tainted the drinking water with algae, itself a relatively benign thing. But everyone in the city drinking tap water, showering, etc., now has that algae growing invasively inside of them. His goal is to make them into an extension of the Green, a power source that can’t be removed by the plant realm, and also functions like taking the entire city hostage, to prevent heroes from interfering with him, too. By the end of the day, his spell will be complete, and irreversible.

Even as the citizens laud Woodrue for the benefits his plants have given the city, the Society is forced to wage a very public assault on his citadel. Some of the first people to have come into contact with Woodrue (in particular patients from the cancer ward) have basically become plant/human hybrids, and savagely attack the society, proving to have some light, Swamp Thing-esque abilities.

The Society fight their way to the heart of the citadel. I think the movie ends, basically, with Terrific executing Woodrue. At the time he tells Power Girl the line was always stopping Woodrue without killing him if possible, and he didn’t see any other possible way, so he did what he had to. He admits in a mid-credits scene to Courtney that he really can’t be sure it was the right call, or whether he did it to preserve the Justice Society. She says she’s not sure that would be such a bad thing- but he recognizes the truth- that if he’s forced to compromise himself to keep the Society whole, it’s already in peril. I imagine Woodrue’s ‘death’ is pretty cool, Terrific injecting him with slightly-larger than nano scale versions of his orbs, that shred him from the inside out.

“He isn’t dead,” we hear in Swamp Thing’s rasp even before we cut away from black to see him standing where Woodrue ‘died.’ “Woodrue has become like me, no longer a physicial being, but a consciousness. I am sustained by the Green, at the behest of the Parliament of Trees. Woodrue is a contagion, a pollution, stealing strength from the plants around him. He has redoubts, wherever there is an attack on the natural; oil spills, dumped chemicals, radioactive waste. There I cannot follow; there he is safe.” “Not from us,” Power Girl says. She’s standing in front of Magog and Stargirl. Her eyes glow red when she says, “You tell us where this infection is and we’ll burn it out.” We cut to black.

Pitchgiving 2020, Part 11: Justice League: Interplanetary

Lobo has been hired by Darkseid to snatch up Kryptonians. He manages to get Superboy in the prologue, listening to a voicemail from Clark in San Francisco. “I know we haven’t known each other long, and I know you don’t always feel Kryptonian, but you’re family. Whether you’re living in Kansas with mom, or if you decide to stay in Titans Tower in California, if there’s anything I can help with, let me know.”

He makes quick work of it, sticking mostly to the shadows (I suspect his has a kryptonite hook on his chain to help). Cut to Martha Kent, calling Clark. She hasn’t heard from Connor and is getting concerned. Clark is fighting Metallo, talking on a Bluetooth headset. He suggests Martha send Kara (Supergirl) to try and find him, and tells her to call if she finds anything strange, and he’ll be there in the blink of an eye. We dissolve to Kara, landing in San Francisco, touching a footprint where Connor stood, noticing the brick where his heat vision scorched it. We notice Lobo’s silhouette in the alley behind her, punctuated by a pair of red eyes, then he leaps out and we cut.

Superman flies through the air as a message from Martha plays in the background. “Clark. Kara still hasn’t checked in, and I checked her phone. She made a call to you that didn’t go through. I’m getting worried.” Superman lands in the alleyway. We see red eyes behind him as a dramatic sting plays. Out of the alley steps the Martian Manhunter. “Power Girl was taken from her home, following a struggle. I followed the energy signature of an alien craft here. I think someone has been collecting Kryptonians.”

“Manhunter. Good to have you along.” A chunk of the first act is a hard-boiled mystery being investigated by Clark, an investigative reporter, and John, a detective. Things get worse with the arrival of a Green Lantern (I’d go with Hal, personally, as I think he fits most into this scene, but Stewart could work, too- either way playing the part of more an official policeman). He’s tracking a New God, who he believes has violated treaties not to interfere with the Earth that both they and Apokalips have signed. Really, Scott Free is there because intelligence pointed to a plot to kidnap and turn Kryptonians into an asset for Darkseid, who he believes has taken Barda, as well. The Hawks show up, largely because they view themselves as a rival influence to the Lanterns, and don’t want to give the Corps too much sway over Earth affairs. I imagine Blackfire shows up, frustrated that Tamaran is being excluded from this now intergalactic meeting. Essentially, there are supposed to be non-interference treaties they’ve all signed, which they all think the others are violating. There’s a big old brawl, mostly destroying Clark’s orbital Fortress of Solitude. Lobo returns, fights Superman basically to a standstill; the fight is bombastic enough the others stop fighting, and start watching. Superman eventually asks for help, and Lobo gets walloped by the rest of the assembly.

Lobo puts in a call to his boss, and a Boom Tube opens up, dropping Granny Goodness (it all but has to be Kathy Bates, right? Offer her all of the Aquaman money, it will be worth it) and a selection of Furies, including Supergirl, Power Girl and Big Barda (Superboy is acting as Granny’s personal protection). Superman and Mr. Miracle plead with them not to hurt their friends, and try to talk down the Furies. They fail, and a new fight ensues. They’re pretty evenly matched, but Lobo, fighting the Martian Manhunter, overhears Superman trying to reason with Connor (Lobo buys himself a moment spitting a liquor fireball lit on his cigar at John, who recoils in horror at the flame). Connor’s trying to fight his programming, but it’s clear he’s terrified, that he didn’t fit before, and now, after all this, there’s no way he won’t be an outcast. “You’re family, Connor. You have a home, with us. People who care about you, and who know that it doesn’t matter if you screw up- what matters is that you try to do better, to be better, every day. We want you back, but you have to want to be back.”   

“Ah, what the frag,” Lobo says, shrugging, and face turns, smacking Superboy from behind with his hook. He and Superman share a moment. With Lobo on their side, the fight turns, and Granny’s forced to crawl off, humiliated. But obviously there’s a huge, looming threat from off-world that none of them can ignore. The New Gods argue that they should all join war against Apokalips, but the rest largely argue for containment; they need to be able to protect themselves against Apokalips, and form an alliance to that affect, but aren’t ready to declare an interplanetary war (I’m sure you all see where this is going, though). If there’s too much overlap between this and DuVerne’s New Gods, you can swap in Mongul and War World with relatively little fuss (we’d just have to increase his power levels accordingly).

There’s a tense moment at the end, where no one is sure what to do about Lobo. He’s kind of stand offish, before asking, quietly, if Superman meant what he said. “Bout having a home. The main man hasn’t had a home since Czarnia.” Superman puts out his hand, and Lobo shakes it.

“It’s a big universe. If you want to help us keep it safe, you’ll always be welcome here.” Lobo walks into the living room and drops onto the couch, putting big, gross boots up on the coffee table, and drinking the rest of his bottle of booze. A subplot going forward will be an Odd Couple dynamic between Clark and Lobo at the Fortress, because that should be funny.

Bonus: In part 2, Mongul is used by Darkseid to start a proxy war with Earth’s heroes, scooping most of the Interplanetary League up to join his games. They free Battleworld and end Mongul’s reign, in the process recruiting Adam Strange and freeing the planet Rann, and discover Darkseid’s influence, teeing up part 3. In 3, we feint towards Brainiac, but he’s really just working with Darkseid (as he has since the destruction of Krypton), and weakens our heroes in preparation for Darkseid’s invasion. The movie ends with Superman shoving Darkseid through a Boom Tube, and being swallowed up with him, lost, presumably on Apokalips. Part 4 would be an invasion of Apokalips to liberate the planet, as well as rescue Superman; I would expect this to be an Avengers 3/4  style crossover with the New Gods, likely bringing in even more of Earth’s heroes for at least cameos for part 4.

Pitchgiving 2020, Part 6: Justice Society of America

Justice Society- period piece, set in the seventies; could be fun to Earth 2 it up a bit; I think at the end of the first movie they end up getting fish out of watered modern day like Captain America. The Justice Society had it’s heyday in the late 50s/early 60s, and now they’re feeling out of touch with the newer folks. To sort of nod to the history pre-retcon, Wildcat is going to take on a slightly more Batman role, a Captain Marvel (not Billy Batson- his predecessor in the role- and way cheesier and much closer to classic Captain Marvel) plays Superman, and Powergirl will mostly fill Wonder Woman’s boots, since the chronology is that she spent the intervening years “alone.”

We open on a dark, stormy night. Jason Woodrue and his hulking assistant Cyrus are traipsing through the swamp. Woodrue explains that he’s been studying the local flora for years and that the location seems to have once been the location of what some cultures call a Lazarus Pit, but it was overtaken by the swamp, and he’s found a combination of new flora and fauna in the immediate location second perhaps only to the cornucopia found in the rainforests. He says that especially during electrical storms, the swamp displays some fascinating properties that he’s eager to test firsthand. Suddenly, a rope falls around Cyrus’ neck and he’s pulled off his feet. Cut to close up on dead Cyrus later, as the rope’s cut and his corpse drops into the swamp. Woodrue, pleased with himself, says, “I’ll be back every morning to take tissue samples. I suspect this is going to be a very profitable partnership.” Lightning strikes, and with the flash, we cut to day.

We see the Justice Society’s Hall (I’d probably pattern it off the Hall of Justice, because I’m a geek). We hear audio overlayed as the Society gripe like your parents do, not understanding today’s kids, or their music, and their anti-war stances. They’re not even sure if the world they’re fighting for is in any real appreciable way their world. The younger crop: Mister Terrific, Power Girl, Atom & Canary. I’m swapping in the Ray Palmer Atom as the replacement for the previous one, because he got shunted out of JLI, so I’d give him a chance to shine, here. I’d pick a very young actor, because only half the society are getting time displaced, so he needs to survive into the present day in some fighting form. He and Black Canary are barely old enough to vote young. Subtly, I want to develop a background romance between Black Canary and Atom- with the implication that he’s modern Black Canary’s father (cause that could set up some cool interaction later). Mister Terrific is likewise a legacy of Terry Sloane. They, Stargirl and Power Girl represent the next generation of heroes, learning at the feet of the older ones. During the conversation, someone mentions the irony of Sandman continuing to complain about having bad dreams.

Stargirl is our POV character. She’s escorted by her uncle, Jack Knight, into JSA headquarters. He’s older, his age showing, and he tells them he’s come to a decision, that he’s stepping down as Starman, and he’s been grooming his niece Courtney as his successor. “Star… Girl?” Sandman asks.

Power Girl adjusts her gloves, annoyed. “We are not having this conversation again,” she says.

“Not objecting,” he puts up his hands, “just trying to figure out the naming scheme.” He moves his jaw like it’s sore, saying more quietly, “Learned my lesson on that one.”

“I didn’t even need Kryptonian super hearing to catch that,” she says, then smiles, their tension melting away; clearly they’ve had some contention but they’re now friendly.

Knight says that he’ll still be around, making sure that Courtney learns how to deal with the other codgers, as well as help her learn the ropes. “And of course, I wanted to see the lovebirds off.” Hawkman and Hawkwoman have just been married, and are planning on going off on their honeymoon. They mention they plan to be back, but that it doesn’t always happen like they plan. Life is short- especially for them, and sometimes it can be hard when they find one another to pull themselves away. They fly off.

I’m leaning towards Green Lantern taking a leadership role, but any of the old guard could, really. He says that while they’ve got everyone gathered, is there anything the others need to be made aware of. Canary and Atom eye each other conspiratorially, with a pinch of flirtation to it. But it’s Doctor Fate who speaks up. “There’s been a disturbance in the forest.” He, Spectre and Captain Marvel discuss the fact that they’ve been able to feel dark energies in the forest outside of town. Spectre clarifies that it’s coming from the swamp at the heart of the forest, where a murdered soul cries out for vengeance. The three make plans to investigate it, and Power Girl offers her services, too, since she brings a host of super senses.

After the meeting adjourns, Wildcat asks Mister Terrific why he didn’t speak up. He says he still feels like the new guy- admitting Courtney’s the newer girl- and it’s hard to trust his instincts. And really, it’s the theft of a handful of electronic components. Sure the MO is the same, but there are only a handful of people in the world smart enough to do anything with those components, and until he can figure it out- and rule out it being some kid building the world’s most sophisticated radio, he doesn’t want to embarrass himself. I think I’d probably set up a flirtation between Courtney and Mister Terrific, too; really, this being set in the 70s I can’t help but want to poke the race-mixing bear as much as possible; I’d probably go with the newer, gay incarnation of GL, too (bonus points if DC will let us make one of the other older JSAers his boyfriend). Wildcat tells the pair of them to work together- but warns them she’s a probationary member- they’re just observing to report things back to the full JSA.

We cut to the early morning hours at the swamp. Birds chirp, and Woodrue is in a great mood. He’s using trees to navigate to the precise spot he left Cyrus, only the body’s gone. He’s confused, at first. “Too big to be picked apart by scavengers,” he mutters. Then he’s picked up by a massive hand.

The hulking beast that had been Cyrus Gold recites the rhyme, “Solomon Grundy, born on a Monday…” and snaps Woodrue literally in half, dropping him in the very swamp he was left. Then he starts marching towards the city, reciting the rest of the rhyme as he walks. And as he goes, rain starts to fall, and by the time he reaches the edge of the forest, and the end of the rhyme, the sky is blotted with black clouds.

We cut back to Woodrue, still lying in the muck. Depending on how graphic we want to be, you can show that he is literally lying in two halves, “I feel… marvelous,” Woodrue says with a smile on his face.                                                                                             

So the seeming A story is the investigation of the swamp, leading to a big superhero brawl against Grundy. The B story that’s really the A story in disguise is investigating some tech thefts, eventually leading to the revelation of T.O. Morrow as the villain. To thwart him Mister Terrific steals the last rare component he needs to protect it at the Hall of Justice. Morrow attacks while half of the JSA are fighting Grundy. Morrow’s built a clunky, Iron Man Mk 1 esque Red Tornado to protect him, but the half of the JSA going against him (GL, Wildcat, Sandman, Hourman, Flash, Stargirl and Mister Terrific) find out too late that the robot was incidental to the plan. Stargirl disables the Red Tornado prototype, and says, “You can’t beat us.”

Morrow smiles, and says, “You’re right. I can’t beat you today. But I am going to beat you tomorrow.” They’re engulfed in a beam of light, and disappear. Morrow leaves his broken robot there. Power Girl, in the aftermath of the fight with Grundy, turns, hearing trouble at the Hall, and tells the others, before flying off. She finds what seems to be the charred remains of her friends. Cut to later. Power Girl and Marvel fly in. The others are discussing it, and they don’t understand it, but they can’t find a trace of Morrow. The former Mr. Terrific manages to get Morrow’s robot working enough to project what it saw- the projection appearing to show the deaths of their colleagues, disappearing in a flash of light.

“I need some solitude,” Power Girl says, and flies off. One by one, the other members of the JSA leave, Spectre to seek vengeance for their friends, Marvel because there has to be a cat up a tree somewhere. Dr. Fate disappears to his tower. Canary says she needs a drink, but Ray feels like he has to stay. “Someone should watch the monitors,” he says, and she leaves. Wonder Woman cameo: in honor of her being in the JSA, she shows, making a show of giving in. “I always told you to call me, and I feel I’ve been responsive in a crisis, but I think I made a decision. I think I’m tired of… being alone. So if the offer still stands…”

Atom peels off his mask. “Princess, you picked a real lousy time to change your mind. There is no more Justice Society.” We cut away before it becomes apparent whether he’s awash in grief or actively blaming her, to black.

We flash text that says “fifty years later.”  

The Hall has seen better days. It’s boarded up, covered in cobwebs and dust. Suddenly, the missing JSA members appear in a flash of light, the same age as when they disappeared. “For the record, I did not like whatever the hell that was,” Sandman complains. “Now where the hell are we?”

“This… looks like the Hall of Justice,” Stargirl says.

Terrific peers through the boards covering a broken window. “Uh, I think the question might be when the hell are we,” he says. Before we do anything else, the new, improved Red Tornado smashes in the wall and starts tossing them around. The speed and fury of the assault means he’s winning, even against a Green Lantern and a Flash. Morrow is there, gloating that with technology from this era it’s a simple thing to build an android up to the task of dismantling what remains of their Justice Society. Things look dire for them, in fact, until Power Girl lands, knocking the android into the far wall. “I told you I heard them,” Power Girl says.

The Ray Palmer Atom, quite old and past his prime, now, grows from where she dropped him on Morrow’s shoulder and knocks the mad scientist out with a punch. The JSA seems poised to destroy the Red Tornado when Dr. Fate reappears, and pacifies the robot instead, shutting it down magically. He and Mister Terrific are immediately on the same page- that Morrow’s villainy can become a boon to humanity if they can reprogram it for good. Palmer asks if the same is possible with Morrow, and Hourman says that people are a lot tougher to debug.

Cut to later, the heroes are straightening up while catching up with what they missed. Older Atom does most of the talking; Power Girl is stoic, but there’s going to come a moment when the damn bursts and she finally tells them she felt responsible for losing them, for them disappearing. Sandman tries to tell her it wasn’t her fault. “When you can do almost anything, everything feels like your fault,” she says. “I missed you all, so much. I can’t tell you how hard things have been without you.”

“Did you know Captain Marvel was a kid?” She tells them. “Well, eventually, he grew up, and… didn’t want to be a super hero anymore. The world just got to be… too much for him. I really never thought I’d identify so much with the Big Red Cheese.”

While straightening Canary’s chair, Courtney’s eyes flick to Atom, and he admits that, “Canary died in Gotham. Maybe if I hadn’t been so caught up in my work… she didn’t want me around. And she wasn’t wrong when she told me that I wasn’t there, even when I was. If I had been… I never could find her killer.”

Green Lantern gives a mini speech to soothe them both. “We all know the risks, when we lace up our boots. And we all know the pledge we make in doing so- to fight for each other with every atom in our beings, to lift our friends when they fall, to find them when they’re lost. You kept the home fires burning while we were gone; that was all we could ask, but I know you did more. And you don’t have to carry these weights for us anymore, we’re here to help you bear them. So please, let us.”

One last scene to put a bow on things. Courtney is staring at a phone, with her uncle’s obituary on it, sitting outside the Hall of Justice. Mister Terrific sits down next to her. “I’m 18, but also like 60; I’m the oldest teenager in the world.”

“And I am the oldest 19-year old on record. At least until your birthday,” he replies. “So we go get some coffee, and try to figure out our place in this world.”

“I’d like that,” she says. And we roll credits. Mid-credits scene: same as the last shot we had of Jason Woodrue. His body has largely been claimed by the swamp- or really, subtly, his body has become the swamp. He is a creature of mud and muck and plantlife in the shape of a man, still in the position we left him. We zoom, closer and closer until we’re on his closed eye, which opens, the green of its iris is moss. We cut quickly to black as we hear his line again, this time distorted and inhuman, “I feel… marvelous.” End credits scene: Montoya leads Canary (modern) into a diner and sits down. Canary pauses, noticing the table isn’t empty. “Who’s this?” she asks skeptically. Montoya explains it’s her biological father, and she’s brought them together because she’s been digging since Canary challenged her in Birds of Prey, and she thinks she’s found a solid lead on her mother’s killer. “I assume since you’re sitting across from him like nothing’s wrong it isn’t him.” Montoya tells him no, but that she was pretty sure they’re going to need the backup.