DC Reboot Pitches: Justice League vs. the Suicide Squad

The Deal: this is the ninth in a series of pitches for the rebooted DC Movies, and the end of Phase One. I’m leaning on AI art to mock-up these pitches, because it adds a layer of humor and weirdness.

The Pitch

Our story begins en media res. The screen is black, and we hear, heavy, human breathing, the sounds of someone running in the rain, and narration, as black boots go crashing through puddles before cutting back to black. “People believe I’m arrogant. That I believe I belong standing shoulder to shoulder with Gods.” It’s Batman speaking, which becomes clear when we see Metallo, just his metal skeleton, the glowing kryptonite powering it exposed, strolling out of the burning wreckage of the Batmobile.

“His car is gone,” Metallo says.

Black Manta floats out of the water. “His sub is gone.” A burning boat floats on the top of the water behind him.

“And I killed his drone,” Cheetah says, watching through a scope as a bat-shaped drone falls from the sky. Her rifle is actually a long-distance taser, single-use, because Flag doesn’t trust her with a firearm.

Batman is running, turns and throws three batarangs, each colliding with one of Boomerang’s boomerangs before continuing to run. “He’s still on the move,” Boomerang says.

“It isn’t about where I belong, it’s that someone has to stand up.” Batman stops, and allows Joker to strafe his cape with a tommy gun to protect a ‘child’ in the middle of the alley. “And in Gotham, not many do.” Batman rises to his full height. The ‘child,’ it turns out, is just a doll stuffed with C4, and Batman has to resume running, rather than confront Joker, as it explodes behind him.

“I told you Amanda,” Joker taunts over their radios in a sing-song.

“You keep these comms clear, or I’ll blow that bomb in your neck just to get your voice out of my head,” Waller barks.

“She’s going to be disappointed when she finds out it’ll take more than that,” Harley says. “Like electroshock. But I wouldn’t rule out a lobotomy.”

“Quinn,” Flag says, and she drops into a side street, keeping Batman going down the alley. But he slices left, and hops a fence on the opposite side of the alley, just over the boards and under a sheet of industrial metal siding. “Damnit,” Flag says, catching up with Quinn. “Are we funneling him, or is he funneling us?” She leaps through the same hole.

“Just keep to the plan, Flag,” Waller says, watching events from a monitoring room through a series of drones and satellites.

Batman gets into the open, and fires his grapnel to the top of an apartment building. Harley and Flag are just behind him, climbing up a fire escape.

“No way,” Harley says, stopping just outside a rooftop door. “I seen Mr. J make this mistake too many times. Never follow the bat into a cave.”

“It’s an apartment building,” Flag says.

“And it was a metaphor. There’s no place he’s more dangerous than when you think he’s trapped.”

“Quinn, there’s two buses out of here, and one goes to the cemetery.”

“Ooh, field trip!” she squeals happily. “I love the cemetery.”

“Just get in there,” Flag shoves Harley through the open door, into darkness.

“Aw, nuts,” she says from inside, before being kicked back out, over the edge of the building. In the same moment, a batarang, carrying a wire, loops around her feet, so she doesn’t go far, and swings down and hits her head against the side of the building. “I feel like I should remember whether you can get a double-concussion,” Quinn says, before passing out.

“I’m going to need backup,” Flag says into his comms.

“This suit was designed for deep sea submersion; it doesn’t fly,” Manta tells him from the street.

“And Luthor didn’t give me rocket boots,” Metallo snipes, running up beside Manta.

“Fine,” Flag says, “Team Full of Density and Excuses, start on the bottom floor. We’ll sweep from the top. You flush him, holler.”

“I’m with you,” Cheetah says, landing in a catlike sprawl after climbing the exterior of the building. “Though I still say I’d be more effective if you let me have a sidearm.”

“He eats mercs for breakfast.”

“I’m here as well,” says the White Martian, “and he doesn’t have to be a telepath to know you’d use the gun on him at the first opportunity.”

Cheetah sticks her tongue out at the Martian. Flag leads the way inside the building. “It’s quiet,” Flag says.

“Too quiet?” Cheetah asks with an edge to it.

“He’s correct,” the Martian says. “The building is empty. In fact, I don’t even see-” liquid dribbles from the ceiling, onto the Martian, and an instant later the liquid ignites as Batman drops down on him, kicking him out of the door and back onto the roof.

Batman takes on Flag and Cheetah hand to hand; they’re both military-trained, so their styles mesh well, for a moment, until Batman compensates. He knocks the wind out of Cheetah, then smashes Flag face-first into a door-jam; Flag does manage to get a shot off, and it pancakes against the back of Batman’s cowl.

Cheetah gets up, slowly, having taken a knife Flag dropped in the fight. Instead, Batman hands her his cape, and points outside, at the screaming Martian. “He’s coated in a napalm derivative; smother the fire, deprive it of oxygen for a few minutes, and it will go out.”

She pauses, and calls in to Waller. “Orders?”

“Damnit,” Waller mutters. “Stand down. Aid the Martian asset.”

She drops the knife, and takes the cape.

Batman only gets a few steps in before Black Manta collapses a wall on his left while Metallo collapses a walls on his right. One goes high, the other low, and Batman is able to leap down the middle, and they clang together, loudly. “Ah,” Manta says. “Clearly I need better sound-dampening.”

“Or a smaller head,” Metallo says. Both give chase. At the end of the hallway, Boomerang turns out of a door. He flings four boomerangs; Batman does, too. Three of the batarangs knock the boomerangs out of the air; the fourth smacks Boomerang in the head, so that he’s falling as Batman runs past. Boomerang’s last projectile detonates as it flies past Metallo and Black Manta, knocking them into Boomerang. As he rounds the end of the hall and into a stairwell Batman slaps an oval slab of plastique with a bat-symbol detonator in the center onto the wall. It detonates as he leaps down the stairwell, catching Boomerang, Manta and Metallo in a pressure wave and sending them flying in the opposite direction from the initial explosion.

The stairwell collapses behind Batman. “I really did tell her,” an eerie voice echoes, through the stairwell, “but no one listens to the jester.” Joker leaps from the shadows and slashes Batman with a knife, managing to cut him, though superficially- mostly because Batman slipped out of his cowl, leaving Joker holding it as he notices a rope hanging over the edge of the stairs. He cuts it, and cranes his neck, holding his hand to his ear, hoping for a thud, but instead hears a door open, and shut. Joker crosses his arms and harumphs, then starts to put the cowl on himself, though we cut away before it’s clear what’s happening.

We see Batman from behind, without his cowl or cape, through a rifle scope. “I’ve got your target in my sights. Advise.”

“I want him identifiable. We have to be able to put a face to this. Give me a realistic assessment of whether you can give me that.”

Batman leaps over and onto a motorcycle, and very swiftly speeds away. At this distance, with Batman moving quickly, armored save for his head, it would be a shot in the dark, at best. “No shot,” the sniper says, and lowers the rifle. Those who saw Cyborg will recognize the voice as belonging to Deathstroke, but shh…

Flag comes to to someone in a Batman cowl slapping him across the face, then in his best Bale Batman voice howling, “Who do you work for?” Flag yelps, and draws, trying to fire an empty gun into the Joker’s chin as he scrabbles to get out from under him.

“See?” Harley says, handing Flag back his magazine and bullet, “funnier with an empty gun.”

“It’s barely a joke if no one lands in the hospital,” Joker pouts from under the cowl.

“I’ve got a broken rib, if that tickles your funny bone,” Cheetah says.

“Me-ow,” Joker says.

“Can the Martian pick him back up?” Waller asks over comms.

“The Martian’s currently extra-crispy,” Cheetah says. He’s mostly off-screen, but we can see a charred limb raised out of Batman’s cape, and hear him moaning.

“Fall back,” Waller says. “We’ll regroup.” She throws her headset across the room.

We cut to black, and show white text: One hour earlier.

Joker is wrapped in a cape from a Phantom of the Opera Halloween costume and leaps over the end of a table, singing “Kill the bat!”, ending what was clearly an energetic song and dance number, most likely to the tune of “Kill the Beast” from Beauty and the Beast. “Come on,” Joker says, “it’s worth whatever we have to pay Disney.” Harley leans into him and whispers in his ear. “They wanted that much? And they call me a villain?” He cackles uproariously, before adding. “I’m joking– we’re both monsters.”

Flag drags Joker off the table by the cape. “Let me just say, this team was designed in the hopes of overwhelming a demonstrably superior force with intel from previous encounters. But you two are the only pair with largely duplicative knowledge.”

“Then why are we both here?” Harley asks.

“Both your psych profiles indicate an unwillingness to play well with others. And since we happened to sweep you both up on the same night, Waller let me have a spare, in case one of you goes boom.” He pantomimes the bomb at the base of their skull exploding.

“Not it,” Harley says, putting a finger to her nose.

Waller clears her throat. “Captain,” she says, before leading Flag away. “Any luck with the alien, Flag?”

“This time it only took 10,000 volts to get him to stop trying to eat my men’s hearts… but I don’t think he’s giving up the goods.”

“That’s fine. We don’t have to get buy-in. We just have to get him in the room with the right one of these do-gooders, and his anger will take care of the rest.”

“What about the Bat?”

“If we need the big guns to take down an industrialist with too much man-pain, you need to find another line of work.”

Batman is driving his, at this point still functional, Batmobile through Gotham. The interior lights turn red, right before Alfred calls over the radio. “Sir, sensors show you’re being shadowed by multiple aerial drones, as well as an armored personnel carrier.”

“Insignia?” Batman asks, taking a turn sharply.

“No known government markings, sir.”

“I’m diverting to site 21.”

“Would you like assistance?”

“At this stage, I’m not willing to risk anyone else.”

“Very good, sir. Happy hunting.”

Lights go from a low red to bright red, with alarms blaring loudly as Metallo leaps from a building down towards the car. In slow motion, we see Batman’s ejector seat send him hurtling just out of the reach of Metallo’s clawed fingers as his feet crumple the Batmobile’s cockpit. The ejector seat fires a small rocket burst before loosing a parachute. Almost immediately, the parachute’s wires are cut by several boomerangs, and Batman bounds off of a nearby wall, kicking free as the chair explodes. He’s able to use the cape to slow his descent enough for him to land, albeit roughly, in a roll. Batman touches his belt to cue his comms. “It was an ambush. Send a drone and the submersible to my location.”

“The bike?”

“Set it to circle the site. I might need a quick egress.”

And we’re now caught up to the beginning, matching one of the shots of his boots running, then, where that shot cuts to black, we stay at black, and put up white text: Now.

We go back to the Task Force X HQ. Waller, trying to save face, pivots, saying Batman is maybe the most dangerous of them, that he’s managed to survive on grit and wit, that they need to take out his potential allies to keep him exposed and vulnerable. Joker actually confronts Waller- accusing her of letting Batman go in the hopes of drawing in all these other players, and their weaponizable tech- Martian, Kryptonian, Amazonian, Atlantean, etc.. Waller won’t confirm or deny, but it’s clear there’s some truth to it- that him figuring that out almost gives her a grudging respect for him. He storms off, seemingly in a reasonably normal huff, stating he agreed to kill the Bat, not this suicide mission. Flag tells two of his operatives to follow Joker. He loses contact with them thirty seconds later. Waller triggers Joker’s bomb, and the guard nearest Waller’s head explodes. “Shirt,” she demands of Flag, and he strips it off. She uses it to wipe her guard’s blood off her face. “I told you the clown was too dangerous.”

“And I told you your security was sloppy,” Flag says, sliding the shirt back on. They each think Flag continuing to wear the shirt is a middle finger to the other, proof of the other’s screw-up.

“Uh,” Harley points out the cowl Joker left behind is playing a message on repeat- the same message he’s sent to the rest of the Justice League.

The message continues, as we show a montage, proving that Batman has secreted beacons in each of the League member’s homes, that activate, first showing a holographic bat signal, then playing his message. “These aren’t the circumstances I was hoping to contact you in. In fact, I was hoping I’d never need to. I was content to confine my activities to Gotham, and leave you to your own. That option’s off the table. A rogue government operative has assembled a team of our foes. Tonight they’re hunting me, and I have no doubt, they’ll hunt all of you, next. Divided, we’re easy prey. Together… we might stand a chance. I’ve cleared out the old Gotham Penitentiary. I was going to use it as a training facility, but I also realized a time might come when I needed a hardened site for an assault, isolated enough to prevent civilian casualties. Meet me there. And be careful. Waller has resources and cunning.”

We’re back with Waller and Flag at her HQ. He asks to see her without the guards. “I think there’s something you’re not telling me, Amanda. If you really wanted a military team, you’d have gone with the team I suggested. Or at least let me put these clowns through boot. This is barely a step up from that Central City amateur hour.”

“If there’s anything you need to know, I’ll let you know it.”

“You don’t get to pull that chain of command crap with me. I don’t work for you- that’s our deal.”

She smiles. “I know. But you’re fun when you’re angry.” She pours herself a drink, and doesn’t offer him one. “I did ask. The answer was ‘no’ on both fronts. Eiling. Never said a word to me, but he’s the only one in a position to make a case against us. Fear was we’d be creating better, more disciplined criminals; best-case scenario, we’d be replacing slap-dash heroes with trained ones- who would be that much harder to depose if they ever went rogue, and already have a history of doing just that.”

“And that’s why you let us screw up with the Bat.”

“Oh, he’s good. And I did not put my thumb on the scale. But I also didn’t go all in on that mission, either.”

“Because if we can’t take this ‘Justice League’ without training our operators, maybe they’ll let us do that.”

“Or even give us clearance to start recruiting ex-military, like Deathstroke and Deadshot.”

“Didn’t know Deadshot-”

“Yeah, he was one of ours. Second-most decorated sniper in history. Until we found out he was taking private contracts on the side- and wasn’t picky about whose side they were on. We wiped his identity, and there’s been a Presidential kill order for him ever since. I imagine he’d be willing to do some work for us, to have that rescinded.”

“Deathstroke, though… he doesn’t come cheap.”

“I didn’t say anything about hiring him.”

“I don’t think he’s broken any laws.”

“Mercs always break laws. And even if he was so clean he squeaked, there’s more than one way to skin a cat.”

“This is why I don’t work for you.”

“Keep talking like that, and I’ll find a way to make you.”

He ignores the threat. “So either we win, you get your proof of concept and your green light, or we lose, and you get proof you need more funding and access to better trained operators. I hope I never have cause to be on your bad side.”

“Good luck, Captain,” she says, and raises the glass she never once drank from.

Batman arrives at the prison on his cycle wearing a new cape and cowl. He interacts with a screen in his gauntlet, checking that his security measures are working. “There’s still time to call in the family,” Alfred says over his radio. “Batgirl and Nightwing are less than three miles out.”

“No. These people are too dangerous, even if I had time to prep them.”

“And if your reinforcements don’t show? Master Bruce… you barely escaped your last encounter intact.”

“I’ve got a radar ping, Alfred. Keep the kids away from here. Keep them safe.”

“As you wish, sir. Godspeed.”

The wind blows past him, and then an invisible jet lands. Wonder Woman leaps out of the cockpit, and shakes Batman’s hand.

“I thought about inviting you to a charity fundraiser,” he tells her.

“I bet they’d pay millions just to see the two of us dance.”

“I meant out of costume.”

“I bet they’d pay double for that,” she says with a glint in her eye.

“She’s funny,” Flash is there an instant later. “I knew she’d be intimidating. But funny? I bet you had the Batman blushing.” Flash runs up to Bruce, only to realize he’s towering over him, and comedically lurching back. “Though I could be mistaken.”

“I’m glad you came,” Batman says before turning around.

“I had to,” we hear him before we see him, Superman flying majestically into their midst. “My mom would kill me if I refused a polite invitation from Batman. Unless I sent one of those little cards, but I can never remember the right etiquette for those. Easier just to show.”

Could she kill you?” Batman asks. “Does she have access to the right minerals?”

“Huh,” Superman says. “I can’t tell if you’re joking. I usually can. Microexpressions, heart-rate fluctuations, even tell-tale changes in cerebral blood-flow or neuronal activity.”

“He isn’t joking,” Martian Manhunter says. “He rarely does. Though he does remember how.”

“Stay out of my head,” Batman growls.

“You probably shouldn’t be ornery with the Martian,” Hal Jordan says, landing next to John. “He was the one who convinced me to trust you.”

“Oh yeah,” Flash says, as if the thought is only dawning on him now. “This could have been a trap.”

“No,” Aquaman says, rising out of the reservoir beneath the prison. “I don’t believe anyone else could have found us all.”

“I’m not so sure,” Batman says. “Victor, you might as well come out.”

For a moment we join Cyborg in the shadows. “You can totally do this. You’re a fricking Cyborg.” He walks out of the shadows.

“I was hoping he was with you,” Superman says with a smile. “I… heard the pep-talk you were giving yourself. I’m sure you’ll do fine, son.”

“Don’t say ‘son,’” he replies, largely doing a bit.

“Oh, sorry,” Superman says, genuinely taken aback. “I didn’t mean to imply a patriarchal imbalance; I know you’re younger because I can see your telomeres, but-”

“I just thought we were doing a bit- wait, you can see my telomeres?” Cyborg looks down at his arm, and his cybernetic eye scans it. “Weird. So can I. Why didn’t I ever think of that?”

“Presumably because you already know how old you are,” Flash says, suddenly standing in front of Cyborg, “I’m Flash, by the way.” He puts out his hand at superspeed.

“I think introductions can wait,” Wonder Woman says. “You were about to describe the threat.”

Batman drops a metal ball on the ground which projects an image of Amanda Waller. “She’s basically me, if I worked for the government, was a complete sociopath and had been recruiting the most dangerous criminals we’d ever fought to weaponize against us.”

“If she’s basically you the suit quite effectively shapes your thunder,” Flash says.

“And it kind of washes you out,” Cyborg adds.

“Quiet, children, the adults are speaking,” Arthur says.

“Dude, you’re like thirty, not Arthurian.”

Arthur’s confused. “My name is actually Arthur.”

“That’s no excuse for talking like a Shakespearean character.”

“Touche.”

“Clever,” Flash rolls his eyes, “because Le Morte d’Arthur was written in ye olde English.”

Batman gets an alarm on his gauntlet. “We don’t have time for any of this,” Batman interrupts, “or any time for me to prep you. They’re on their way.”

“You’re leading them here,” Superman says, turning towards Batman, suddenly short.

“Like I said, we fight them here, they can’t hurt civilians- or use the fact we’ll protect innocent people against us. I asked all of you here for two reasons- one, there’s someone coming here each of you has fought before. Two, I think we share the same goal- saving innocent lives. You want to hate me after, you want to kick the hell out of me after, you can.”

“Something tells me he gives a similar speech on dates,” Flash says to Cyborg.

“Man, I’m just happy to be included,” Cyborg replies. “I’ve fought precisely one costumed weirdo. Usually somebody’d slap an ‘S’ on my chest and make me a sidekick, or put me on the JV squad.”

“We aren’t a team,” Batman continues. “We don’t know one another. Our best bet is to continue to work alone, fan out across this place. I’ve built in automated defenses; all of you have been white listed. But knowing the people coming, my traps will only soften them up.”

Cyborg raises his hand. “Yeah, as the one Black guy in the spooky, derelict prison, I think I’d be remiss in not objecting to us splitting up.”

“Anybody want to pair off with Stone?” Batman asks. “You’re welcome to. I’d suggest refraining from sleeping with him, though-”

“No reason to tempt the Gods?” Wonder Woman asks wryly.

“I will,” Flash says, before stopping himself, “go with you, I mean, not sleep with- I have a girlfriend.”

Cyborg puts up his hands. “No one asked, man.”

“So it’s a no questions asked situation?” Aquaman asks Wonder Woman.

“I heard that,” Cyborg says. “And we’re the children,” he says

“I mean you are like ten,” Flash deadpans, waits a beat, then adds, “Kidding; I can’t see telomeres, and you’re also mostly a robot. Though you do have a very youthful cheek.”

“I moisturize.”

“It’s working for you.”

Superman and Batman pair off, mostly because Clark doesn’t trust him (which makes Bruce like him more), and because he wants to try to keep the vulnerable human alive (which makes Bruce like him less). But Batman has his own plans, and takes him to his control room.

“You really trust this Bat-guy?” Green Lantern asks.

“Trust isn’t a concept in my culture. Agendas, subterfuge, are only possible for short durations, and usually by means of rogue technology. I know who he is; I know what he wants, and what he needs. He has been honest with us, to a point.”

“It’s that caveat that has my Lantern senses tingling.”

Manhunter reconsiders. “He would die to protect any one of us, without hesitating. He involved us only reluctantly, after nearly dying twice earlier this evening.”

“I’m beginning to feel like all of us are metaphorically naked around you.”

“Your ring provides rudimentary telepathic defenses. And it’s not polite to pry. I did look into the man, before we came. I’m a father; I can’t risk myself recklessly.”

Batman comes over the loudspeaker. “They’ll likely let the White Martian take point, in the hopes he can disable some of our defenses. He’s easily the largest threat. He’s a telepath. He could shut us all down from a distance without John.”

“So I’m your shield,” Hal says.

“Did I not mention that?” John asks wryly. “Although you won’t need to be for long. He’s here.”

John telepathically tells Flash and Cyborg where the Martian is. John has Cyborg scan to locate him despite him being invisible, and has Flash attack him with a whirl-wind, which John tells them will disrupt his ability to control his atoms- especially after Batman’s attack. Then he attacks the Martian’s mind.

For a moment Martian Manhunter and the White Martian posture, turning into vast webs of limbs and weapons, before John lowers his weapons. “You aren’t like the others. No bomb in your neck; I suppose you could phase out of it the second you wanted. What did they use to leash you?”

The White Martian lowers his weapons. “Megan. They threatened her- to drop thermobaric bombs on her, her school, your apartment. I couldn’t chance it.”

“No. I wouldn’t ask you to. But your heart’s not in this fight. Yield, and I will make it painless. You will tell them you were injured, and lost.”

He takes John’s hand. “Keep our daughter safe.” John shuts down the White Martian’s mind, and John tells Flash to stop, and the Martian falls.

Suddenly we’re in a different control room. Somewhat subtly, to start, it’s the same basic décor as Batman’s. “Martian’s down,” Flag says, as they watch on cameras.

“With time to spare,” Waller says with a smile, as she watches the Suicide Squad make their way through the halls. “He bought us our in.”

“I’m still not happy to have you on-site. You’re what we refer to as a high-value target, and we brought you into the lion’s den.”

“Had to be done,” she says. “This billionaire playboy has tech even DARPA doesn’t understand. The only way I could control this battlefield without being noticed and digitally cut off was to be on site, hard-wired into the system- a lot of which is our system.”

Waller takes control of a security panel, and tells it to target the Flash, before stopping herself, because he’s too fast to shoot. So she’ll give the hero a chance to save someone, and instead targets Cyborg with an automated gun. Flash tries to save Cyborg from as many bullets as he can, but takes several shots in the legs; Cyborg is able to build a metal shield with his tech that’s able to sop up bullets- though clearly the gun is slowly cutting pieces from it.

Back in the control room, Superman stands over Batman, both staring at a monitor. “Stop shooting at them,” he menaces.

“That’s not my gun. I don’t do guns.” There’s a flash of understanding on Superman’s face; he had an idea of who Batman was under the cowl, but that confirms it for him. “Someone else installed it. And they control it.”

“Then I’ll-”

Wait.”

“Can’t you hack into it?” Flash asks, as Cyborg protects him behind a shrinking shield.

“I can’t. It’s hard-wired,” he says, distracted by the gunfire.

“Then hard-wire.”

“Right.” Cyborg scans the nearest wall, finding the right cable, and punches into it, ripping the wiring out and inserting it into a port in his arm. The gun dies. “Whooh!” Cyborg says, raising his arms before collapsing with Flash. “Think I’ll lay back and have a little celebratory heart attack.”

“S’cool,” Flash says dazedly, largely laying in Cyborg’s arms. “I’m just gonna lay here trying to regrow my legs. I feel safe here, as the little spoon. Don’t tell Iris.”

We cut to Batman’s control room. “You’re not, are you?” Superman asks. “Going to tell her?”

“Only with a compelling reason,” Batman says.

“I assume you have one, for keeping me here, for why I’m not fighting with others.”

“I’ve seen the footage, from your coming out party, at Kansas State.”

“That’s not what it was.”

“I wanted you here because you’re vulnerable, in a way most of the team isn’t.”

“I thought you said we weren’t a team.”

“Teams train together. They trust one another. I don’t see either of those happening.”

“You really have trust issues, don’t you Bruce?”

“What?” Batman menaces. Superman is already a blur, but he’s back an instant later.

“God,” Superman says, putting his hand on Batman’s shoulder. “I’m so sorry. I know what it’s like to lose parents too young…”

Don’t.”

“It’s not healthy to stay this closed off.”

“I mean don’t get distracted.” Batman is focused on a camera, and we zoom into it.

Black Manta is advancing on Aquaman. “I thought for sure they would have sprung Orm,” Arthur says. “Or at least found a Colossal Squid salty I kicked it or something. Those diving suits are cool, but this is going to feel a lot like punching do-” Black Manta blasts Aquaman off his feet. Aquaman is wheezing, struggling as he tries to gets up. A little nozzle telescopes out of a wall, and hits him with a comedically large spray of water.

Superman grins, watching Aquaman knocked back on a jet of water. “And they think you have no sense of humor.”

“I’m about 90% sure that his powers are in part water-based, and judging from the heat coming off that blast, it dehydrated him.”

“Any defenses you were planning on using on the bad guys?” Superman asks, as Manta continues to advance. A different device telescopes out of the floor, and sprays oil onto it.

Manta’s suit gives him a warning, about low-friction, right before he starts sliding, kicking his legs wildly before doing a full Home Alone fall on his back. “Nyuck nyuck,” Superman says.

“Quiet,” Batman replies.

Aquaman punches Manta, but the suit is hardened, originally to withstand crushing ocean depths, and then redesigned to withstand Aquaman’s punches, so it barely dents. Manta tries to blast him from the ground, with Aquaman diving out of the way. “Remove the helmet,” Batman says through a speaker.

“Oh, right,” Aquaman says. He rolls out of the way of another blast. Manta tries to stand, but is even more oily than before, and falls face-down. Aquaman gets a knee into his back, and uses the leverage to tear Manta’s helmet off him. Suddenly seeing David, he feels a pang of remorse. “David, I-”

Manta punches him, knocking him back.

“You want me to-” Superman gestures in that direction.

“No,” Batman says, holding up his hand.

Aquaman lunges, reeling back to throw a punch, but Manta has ample time to punch him in the face. Manta freezes, and we see that Aquaman wasn’t throwing a punch at all, but delivering an octopus, one holding a small glass vial, sitting on Manta’s shoulder.

“I imagine you’re familiar with box jellyfish.” The octopus holds the vial up so that Manta can see there’s a little baby jellyfish inside. “Their tentacles are covered in microscopic cells that function like hypodermic needles. I’ve been working with Percy to get the dosing right; too much venom can cause cardiac arrest, but the right dose leads to paralysis. Because I don’t want to hurt you, David; I didn’t want to hurt your dad, either. You can blame me for his death, if you want; but he made a choice, not to look out for himself, or for you. He risked himself for profit. But… I am sorry. I know I played a role in his death. I was rash, and angry, and I lashed out. It was the first time someone tried to kill me, and I didn’t react well. But we don’t have to do this. You don’t have to take your obvious genius and bend it to hurt people. You could extend humanity’s reach into the deepest parts of the ocean, and further into the reaches of space. I hope you choose something better than this.” He turns to go. “Oh, the octopus is going to stay. He’ll give you a couple of injections. The first is a cocktail, some Atlantean medicine, spiked with some cholestorol agonists. It should prevent any long-term damage from the venom. He’ll also give you a dose of tranquilizer.” The octopus produces a syringe, and hovers the needle over Manta’s eye. “It doesn’t go in the eye, though.” Arthur leans in. “He’s not really a sadist; he just has a warped sense of humor.” The octopus flips Aquaman off as he walks away. “I saw that.” The octopus looms over Manta, wringing his tentacles menacingly.

“Diana,” we hear Aquaman call. Then we cut to him searching. “Diana!”

We cut to Diana parrying a strike from Cheetah. “We don’t have to do this, Barbara.” She catches another blow on her bracelet, which clearly hurts Cheetah’s hand. “I have no desire to hurt you.”

“No,” Minerva scoffs. “You just want to protect the status quo, and all the predators that protects.”

Diana ponders a moment. “I don’t. I also don’t know who preyed on you, Barbara, but I would love to help you stop them- or stop those like him.”

Minerva weighs the offer. “You might even believe that. But they don’t.” Aquaman passes on the other side of two-sided glass, thick enough he can’t hear their fighting. “The men you’re fighting with. Men can’t accept strong women. You’ll find that out.”

“They don’t get to make my decisions for me.”

“You might believe that. I can’t.” Barbara unsheathes her claws. “I know I can’t beat you. You’re faster. Stronger. And you’ve been at this a hell of a lot longer than I have. In a fair fight, I’m catnip. So why fight fair?” She produces Flag’s sidearm, and fires slowly. She’s trying to lead Wonder Woman towards a Claymore mine she and Flag set.

“You should help her,” Batman barks.

“I’m not a dog you can order to attack.” He uses his x-ray vision to ascertain her location in the prison. “I have her- if she needs me.” There’s an awkward silence for a moment. “I do have a Kryptonian dog with similar powers… but he’s shorter, cuter, likes being scritched behind the ears.”

Batman pauses a beat. “What breed?” Batman asks, both because he’s genuinely trying, and because he actually likes dogs, or at least, he likes his.

“Uh, Kryptonian, I otherwise don’t know how to answer that.” He pauses, too, realizing what’s happening. “Yours?”

“German Shepherd. Smart, loyal. Alfred named him ‘Ace.’”

“I guess Krypto resembles a labrador, a white one. He’s smart, too.”

“Do you make him wear a cape?”

“He… gets really anxious if you try to take it off him. Yours?”

“I’m not a monster.”

Pause a beat.

“Have you ever called him your bat-hound?” Clark asks.

Awkward silence, before we cut back to Wonder Woman deflecting more bullets.

“I want you to know something, Barbara, that you taught me. I always saw these bracelets as a shield. I used them to protect myself, and my sisters. I was so focused on protecting people, that I didn’t realize, sometimes the best defense,” she turns her wrists, so a pair of Minerva’s bullets bounce off the bracelets, and ricochet to hit Minerva in the knees, and she goes down, “is offense.”

Barbara’s lying on the ground, holding her gunshot knees. “If I call that a sucker punch, do I have to admit you suckered me?”

Diana holds out a bit of cloth to bind the wounds. “I can’t make promises, Barbara, but I meant what I said. If I can help you, or help you help others, I will. And may the gods make room in Hades for the men who oppose me.”

Cheetah thinks a moment, before taking the cloth.

We cut back to Waller’s control room. “Damnit, I’ve lost visual on Quinn,” Flag says. “Should I blow her?”

“If it’s permission you’re asking for, I think it’s the lady who’d be the one to give it,” Boomerang says, tapping Harley’s monitor.

“No,” Waller says. “This place was a prison, built in the old Gotham mines. There’s feet of rock, concrete and ore in places. We still have audio.”

We cut to Harley, walking into Batman’s control room, holding a white flag in one hand and cue cards, the first of which reads, “Hiya, Bats!” with a little heart dotting the I. She quickly flips to the next card. “I’m bugged” (with a crudely drawn cockroach illustrating it). “And booby-trapped.” Her next card has two diagrams, one with an outline of a chest that’s Xed out, and the other with a circle at the neck.

Batman holds up his hand to stop Superman. We zoom in on his mouth, barely moving; we hear it as Superman does, a whisper, but LOUD. “X-rays might set it off.” Clark nods grimly.

Batman pulls a device with a needle and a scalpel from his utility belt, and Harley stumbles backward, falling back into a chair. Batman signs at Clark, and we subtitle it. “Distract her.”

Superman begins pantomiming, and Harley, confused, follows along. “Look? It’s a bird? No, a plane? No- ow, my neck,” Harley moans, as Batman jabs something into her neck.

“The device is inactive,” Batman says at full volume. “It’s probably safer not to remove it in the field.”

“So it’s safer to leave it in my neck?” Harley asks, springing to her feet.

We cut back to Waller. “Detonate,” she commands, and Flag hits the red button with her name on it. She waits a moment, listening for a detonation. “Shit.”

We’re back with Batman, Superman and Harley. “You could have been wrong,” Clark says.

“But I wasn’t,” Batman says. “Receiver was using a WayneTech chip. I removed it.”

Harley collapses back into her chair. “I really need anxiety meds.”

“Who’s left?” Batman asks, leaning threateningly over her, tilting her chair to put her even more ill-at-ease.

“I’d tell him,” Superman says. “He’s really not rational when he’s like this.”

“Who is left?” he asks again.

“When I left the other control room, there was Boomer, Flag, and Waller.”

“Waller’s on site,” Batman says. “And Flag has a fractured rib; should take some of the fight out of him. Should have broken his trigger fingers while I was at it. That’s all?”

“That, and ‘the big guy’ who was apparently a big fan of eating hearts, and the only one who spooked the guards more than Mistah J.” Metallo crashes through the rear wall, and immediately the shielding around his kryptonite core slides away. “Oh, and that guy.”

“Damnit, Quinn,” Batman says, ducking under one of Metallo’s arms even as he connects with Superman, knocking him into the opposite wall.

Batman starts kicking one of the console panels. “What are you doing?” Quinn asks.

“These systems are all water-cooled.” The panel bends inward, and he’s able to tear it loose, and slices through a hose with a batarang in his fist.

“Heh,” Harley chuckles to herself, “his water broke.” The water crests against Metallo’s metal feet, where he’s using Superman, embedded in the rock at this point, as a punching bag. Batman climbs on the chair with her. “Hey, what gives?”

“We’re improvising. Lift your feet.” She does, as he flings several batarangs at some insulated cords along the wall, slicing through them. One strikes the water, electrifying the floor, frying Metallo, freezing him. Superman, no longer held in place by the force of punches, slides to the floor, where he starts being electrocuted. He struggles to the cable, and picks it up, stopping the flow of current.

“That hurts more than you might think,” Superman says.

“We improvised,” Harley says, as Batman sprints across the room. “You should have listened when he said to lift your feet.”

“I’m sure he’s shielded, we’re probably just waiting for his processors to boot back up,” Batman says as he welds a piece of lead-lining from an x-ray protection gown in Metallo’s chest. “That should help,” he says. “Just don’t hit him in the chest.” Metallo grabs Batman by the throat, but Superman is there in an instant, and knocks him back.

“You okay?” Superman asks.

“I’m fine.”

“A choking like that won’t do any more than a day of vigorous growling,” Harley says, as Metallo and Superman punch each other in the face. “It’s kinda like rock ‘em sock ‘em robots,” Harley says, having to leap out of the way as Metallo throws Superman.

“Sorry, ma’am,” he says, before flying at Metallo.

“Ma’am me again and I’ll make you sorry,” she says, kicking at the empty air where he’d been. Batman grabs hold of her chair and rolls her into the hall as a man-shaped dent appears in the door behind them.

“I think we’re safer out here,” Batman says.

“Unless they’ve got some kind of redundancies in the arming mechanism,” Harley says.

“Fair point. Stick close.”

“Yeah. Nobody wants to die alone if they can take someone else with them.”

“If they need line of sight to set off any redundancies, they have to expose themselves.”

“Ew,” Harley says, making a face.

“Now this is awkward,” a voice echoes menacingly through the halls.

“Run,” Batman says, but Harley stands her ground.

“I never thought I’d find you rubbing another man’s rhubarb,” Joker says, stepping out of the shadows with a large gun.

“I thought the emoji was an eggplant,” Harley says.

“I just can’t decide who to shoot first,” he laughs to himself, before jamming a drum magazine onto his gun. “But I’m not Dent- I don’t have to choose- I can just shoot everone!” he cackles gleefully, filling the hallway with gunfire that doesn’t quite drown out the sound of his laughter (or last as long).

Batman shoves Harley down, taking the brunt of the shots in his armor, protecting her. They’re both lying on the floor, unmoving, Batman with his face covered by a few inches of water.

Joker walks slowly, reloading as he speaks. “Of all the girls I shoved to the floor, I never thought I’d find you sleeping with the enemy, though so long as you’re both sleeping with the fish, who am I to com-” close on Joker’s feet, as we see he’s tripped a wire. Joker stops dead in his tracks, and says, “heh, booby,” before an explosion knocks him into the far wall.

Batman sits up gasping for air. “My hero!” Harley says, wrapping her arms around him. Batman is clearly uncomfortable with the affection, and stands stiffly up.

“I knew he had to be hurting you, too. It’s who he is.”

“It is who he is,” she says indignantly, stamping over to Joker and beginning to kick him.

“Ow, my heart,” he says pathetically, as Batman lifts her up and puts her down away from Joker. Batman lifts him up, and Harley kicks him back down. Batman raises a stern finger to her, and she puts up her hands. Batman gets him up enough to cuff him to a metal bar, then turns to leave, before stopping.

“You know, we’d all be safer if he was unconscious.” Unbridled joy spreads across Harley’s face.

“You wouldn’t hit a guy with glasses, would you?” Joker asks, putting on a pair.

“Those are mine!” she squeals indignantly, kicking him, taking the glasses, and then scissor kicking him into the bar with a gloriously satisfying clang. “I just use ‘em for reading,” Harley says, folding them and putting them in a pocket.

We cut back to Waller and Flag. “Given I can hear the thunder of steel men’s fists, I take it Corben’s still in the fight,” Waller says.

“That’s a bad sign,” Flag says. “He’s not supposed to go toe-to-toe. His edge was the surprise. Longer the fight goes, the better the odds it doesn’t go our way.”

“Then let’s stop dicking around,” Waller says. “Time to put our big gun in play.”

“I’m not sure how wise that is. He might decide to just kill the two of us and leave.”

“Captain, if I stopped every time a man might decide to kill me, I wouldn’t have made it past elementary school.” She cues up a mic. “Do it.” She opens a channel into a cell. “I know we’re still getting to know one another. I know you’re still considering whether to just slaughter your way free. But I have a counter-offer. Kill one of these ‘heroes’ for me, and I’ll see all Earthly records of your time and crimes here expunged. Kill a second, and you’re free. Kill them all, and I’ll tell you where I have William Hand stashed away. Whatever you decide to do with him, it will be like he never existed. Oh, and the first ‘hero’ you get to kill is a Green Lantern.”

We see sharp teeth smiling in the dark cell, lit very faintly by a red light. “With blood and rage of crimson red,” the large alien’s foot stomps, shaking his cage as Waller’s soldiers run.Ripped from a corpse so freshly dead,” his other foot stomps as he tears off his shackles, sending the metal chains flying at camera, “Together with my hellish hate,” he smashes his metal cell, and the doors and all of the walls and even the ceiling fly off in different directions, “I’ll burn you all, That is your fate!” Atrocitus screams, the final words of his oath, as a red lantern symbol burns behind him.

“So… that’s bad,” Hal says. “I thought Sinestro removed him from the planet.”

“Apparently he was stopped by the Earth authorities,” John says, gleaning that much from a superficial reading of Waller’s fleeing soldiers.

Hal’s ring fills them in. “His ring assessed that human casualties sustained in retaining custody of the prisoner were unacceptable, not to mention that the odds of the prisoner escaping during any conflict approached the 90th percentile.”

“John can you-” Hal doesn’t finish the thought before he’s knocked back by one of Atrocitus’ projections.

“No,” John says, phasing through another. “Like your ring, his provides a degree of telepathic shielding. This calls for a more direct approach.” John phases through Atrocitus’ force-field.

“Martian, huh?” Atrocitus says, almost a laugh. “Burn.”

John is engulfed in a burning red flame, before Hal is able to douse him with green foam to put him out. John is able to phase back through the field. “That hurt like fire,” John says.

“You know what else burns like fire?” we hear the words as Flash blurs by. He vibrates through Atrocitus’ shield, and punches him a thousand times, before Atrocitus stumbles backward. Flash vibrates back out. “That’s right: getting punched like a thousand times in a second. You know what that answer wins you?”

“Another thousand punches?” Atrocitus asks wearily as Flash vibrates back through his force-field. This time, however, he’s met with a second, growing field, that shoves him back, screaming, through the first.

“Okay, John, you were right,” Flash says, “that does burn like fire. Vic, you got anything?”

“Yeah,” Cyborg says, “just didn’t want to step on your moment.” He’s got the sonic canon he used on Deathstroke, only now it’s fancy and sleek, and he blasts Atrocitus with it. It looks, from the outside, like the force-field absorbs it without anything happening, but Vic explains, “See, I scanned the frequency of his field, and calibrated my sonics to harmonize with it, turning his field into one big echo chamber.” For a second we pop back inside the field, where the noise is hard to take. Atrocitus drops the field for a moment, to let the sound out. In the moment his field is down, he’s hit in the chest with a batarang that explodes. He stumbles backward, into Diana’s lasso, which she yanks, sending into to the ground, where we see that on his back is the octopuss.

“You know what else burns like fire?” Aquaman asks.

“I can’t be the only one who’s expecting him to say gonorrhea,” Flash interjects.

“Box jellyfish venom.” We zoom on the octopus injecting atrocitus. “Lantern?”

“I got you, little guy,” Green Lantern says, pulling both the jellyfish and octopus away from Atrocitus in a little protective bubble.

Atrocitus scream. “I don’t imagine it’ll cause paralysis in your species, which presumably come from another planet. But sounds like it’s still unpleasant.”

“Fools!” Atrocitus screams, lashing out in all directions with a wave of energy and weapons and flames, knocking them all to the ground. “I will peel the flesh from your skulls and eat it.”

At that precise moment, a human face barely sticking to a metal exoskeleton impacts with Atrocitus’ force-field; it’s Metallo, thrown by Superman. “I wouldn’t start with that one,” Flash says. “I’m pretty sure it’s artificial. I’m sure it would do lousy things to whatever your equivalent of a colon is.”

“Fast-men, stress his shield,” Batman says. Superman and Flash run circles around Atrocitus, pummeling his force-field. “Diana, put the squeeze on him.” She lassos his field and tightens it.

“Lantern, let John in; make sure he can’t surprise us.” We zoom in. Martian Manhunter and Green Lantern are, in effect, standing on the sheath of energy around Atrocitus’ body (the one that’s inside his larger force-field bubble). They see armies of red energy monsters form and unform.

John explains that, “The rings anticipate you; they try to be prepared for whatever you might need. I have connected you, so that whatever he attempts you will counter, automatically.” Another army rises, but this time, they’re joined in battle by a tiny green one.

“Cyborg,” Batman says. “I need the opposite of what you did before- a frequency that will cancel his field. I need a hole.”

“Then call me Dr. Stone,” Vic says, before adding, “kidding, ‘Doctor Stone’ is my father.” He blasts the field, slicing a hole in it.

“Shuck him like an oyster,” Batman commands. He manages to get a batarang in the hole, and pulls, himself, as the others grab on the hole in the field and pull. Atrocitus tries to create a red energy tentacle, but it’s caught by a green glove, he creates a battery of missiles, only for a green ramp to aim the missiles directly into his own face.

“John? I’m pretty sure he’s not fire on the inside,” Batman says.

John smiles. “You terrible, clever man.”

John oozes through the hole into the force-field, then phases past the energy sheath around his body, poring into his mouth and disappearing. “Would you like to do the honors?” John asks in Batman’s head, as Atrocitus’ sheath dissipates.

“John knows everything about your species that you or the Green Lanterns do. Like where to put pressure to bisect your spinal cord.” Atrocitus’ legs go limp, and he crashes onto his stomach. “Drop the ring, and yield, and it stops. Or John and I start getting creative.”

“Bastards,” Atrocitus yelps, peeling off the ring.

“Lantern?” Batman asks.

Hal picks up the ring in a green energy box, and his ring tells them it’s an authentic ring, that Atrocitus is unarmed. “You can come back out, John.” Manhunter phases out of Atrocitus, which lets him leave all of his bodily fluids where they had been.

“I thought he smelled bad on the outside,” John says. “Is that a reference humans still make? I’m… making a list.”

Quinn arrives with the Squad Members, and Waller in tow. Waller has a boomerang sticking out of her forearm. “Tell them what you told me, B-man,” Harley says.

“I can disarm the bombs in their necks, Waller. But you’re going to let them go.”

“Really?” Waller asks, shoulder-checking Harley as she steps to the front of the group. “From where I’m standing you’re holding an exceedingly weak hand. I know who all of you are, under the masks. Two of you are aliens. Two others aren’t human. One is in thrall to an alien military force, another a threat to modern society, and the other a threat to the very fabric of reality. This is one fight you can’t win, B-man.” She leans on the “B” in a way to make clear she considered calling him “Bruce.”

“That’s your problem. You don’t realize you’ve already lost.” Batman has footage from her control room, played holographically. Harley breaks in. Waller is nearer to the door, and tries to slow her down.

“Her bomb is disabled,” Waller barks. “She stops, or we start blowing the other Task Force members.”

“I’m not killing random people for you, Amanda,” Flag says, stepping away from the control panel.

She hits Harley with her gun, and pushes past him, “Then I’ll do it.”

Boomerang hits her with a boomerang in the arm (the one still embedded in the meat), and Harley punches her in the face. Flag puts up his hands.

The footage cuts to Waller training a gun on Cyborg, shooting Flash, shows Waller ordering Atrocitus to attack them.

“I’ll spell out for you what I have, Waller: it’s an agent of the government weaponizing a criminal army on US soil against citizens, none of whom have been accused of a crime. Worse, two of your targets are diplomatic envoys from sovereign nations. And,” documents flash across the screen, “here are the contracts for the tech you hoped to steal and then have replicated. So door number 1 is the end of your career, and your seedy little Suicide Squad.”

“Then what’s the carrot?”

“You live to fight another day. But your indentured army goes free. And so do we. An end to hostilities against anyone in this room. You still get to operate in the shadows, you just stop using us as your proving ground. There will be no reprisals- not from any of us, and not from you, or I go public, and the chips fall where they may.”

“You trust them?” she asks of the Squad.

“I trust that they understand their situation. Right now, I’m the lesser of two evils. But I’ll worry about that. This agreement is between you and me. Of course, you can always try to renegotiate with them.” Flag and Harley in particular are staring daggers at her, but Cheetah understands she could have been the one Waller tried to kill despite their agreement.

“Fine.” She shakes his hand. Waller leaves. Flag stays behind.

“You sure I can’t just kill her on her way out?” Cheetah asks.

“No,” Batman says. “But I do have an offer I’d like to make to all of you.”

“I should make sure she doesn’t make a beeline for the control room,” Flash says, zooming away.

We cut to later. “I’m not sure how I feel about you hiring yourself a mercenary army,” Superman says.

“We’ll have plenty to talk about that, though I view it more as an unorthodox rehabilitation program,” Batman says, but holds up his hand. Batman says, “Mask of Zorro,” into a bit of rock wall, and a piece of cave slides away, revealing a number pad. He removes his glove, and taps in a code, his fingerprints providing the biometric portion of the lock. The cave wall slides away, revealing a sleek black train. “All aboard.”

The ride is smooth, and doesn’t last very long, before they arrive in the Batcave. Alfred has prepared a feast for them, and set a table and chairs out for them to eat. “What is all this?” Superman asks. “You said yourself we aren’t a team.”

“No,” Batman says, “but maybe we need to be. Waller isn’t going away. I’ve known her kind. She may not be this brazen again, but she isn’t done testing us. And she’s far from the worst threat waiting in the wings. I haven’t changed my mind- not completely; I’m not ready to build a hall of justice and schedule regular meetings of our justice…”

“Family,” Superman suggests.

“Corps,” Green Lantern tries.

“Titans,” Cyborg adds.

“Legion?” Wonder Woman says.

“League?” Aquaman offers.

“Avengers?” Flash asks.

“I’m regretting this already,” Batman says. “But for tonight, we endured. For tonight, I need to say,” he removes his mask, “thank you for coming.” He can’t quite bring himself to admit that they came to his rescue, that they saved him, but they did, and they all understand- and understand that each and every one of them would have done the same for them, but also for anyone. That whether or not they say it tonight, they have built something, something that will endure.

We roll credits.

Mid-credits scene: “There’s a bloody morals clause?” Boomerang asks.

“And a death waiver,” Harley adds.

“It’s a liability waiver,” Flag says. “Death, dismemberment, other injury. Benefits are generous; life insurance if we’re killed, full disability insurance if we’re injured on the job. The morals clause just says we punch who we’re supposed to; looks to be modeled on a military code of conduct.”

“It was,” Batman says, walking into their midst. “But like I said, you don’t want to sign, you’re free to walk. You stay, you work for me. I put a team of high-priced lawyers on any prior issues you’ve had, and compensate you handsomely for your time and talents. Unlike Waller, I don’t view any loss of life as acceptable- especially my people’s lives.”

“How handsomely?” Quinn flips to a different page for Boomerang.

“Monthly?”

“Annually.”

Boomerang scoffs. “I got that much in a single day from hitting Central City Bank.”

“And how much of it did you get to keep?” Batman asks. “Scratch that. How deep in the hole were you, between boomerangs and dental work after Flash was done with you? 10 thousand? More?” He pivots away from Boomerang, who is a little pissed, but Harley puts her hand on his arm and he chills. “There are also bonuses. I anticipate us hitting criminal enterprises. Drugs and weapons we destroy, but we keep cash or anything else. Fifty percent goes towards operating costs- with the hope of reaching sustainability- the rest is yours to split evenly. So that figure is guaranteed base pay; you step on a landmine two steps into your first mission and lose a foot, you get that to live on- maybe more, if the rest of the team keeps paying out your portion of the bonuses. Oh, and if you stay on, you train.”

A woman with short red hair and military workout gear drops her bags. This is Batwoman, though we aren’t going to see her in costume for a while yet.

More credits, then one final end credits scene. Bruce Wayne is walking Ace on the grounds of Wayne Manor. He bends over to pet the dog’s head as a gust of wind blows, and the dog whimpers. “It’s okay, boy,” he whispers. “What are you doing here?” he asks without turning around.

“There’s someone I thought you needed to meet,” Superman says, before floating aside, revealing his flying dog, Krypto! The dog lands beside Ace, and they smell each other. “And you must be Ace,” Superman puts his hand out, and Ace sniffs it. Ace looks to Bruce for approval. Bruce gives a little nod, and the dog responds happily, and rubs his face into Clark’s hand.

“Krypto, meet Bruce.” Krypto floats in front of him.

“Does he shake?” Bruce asks. Krypto shakes like he was covered in water, and stares at him with a dopey dog smile on his face.

“Told you he was smart. And yes. If you put out your paw, he’ll shake.”

“How smart?” Bruce asks, putting out his hand. Krypto shakes it.

“I don’t have a precise answer; smarter than an Earth dog, not as smart as a human. The sun affects him the same way it has me.”

“Strong as you?” Bruce pulls the dog forward by the paw, and it rolls, flipping him over. He rolls, landing gracefully.

“Proportionally, at least.”

“Hmm,” Bruce says, eyeing the dog. “That might make him, pound for pound, the most dangerous thing on the planet.” Bruce turns back towards Ace. “I hope he’s a good boy.”

“You said the magic word,” Clark says, as Bruce is mauled by Krypto’s tongue, giving him dozens of slightly too-fast face licks. “Who’s a good boy?” Clark asks, and Krypto flies to him next.

“I think that depends on what you value,” Bruce says, snapping, and Ace sits at attention. Bruce gives him a treat. An instant later Krypto is sitting next to Ace, sitting just as behaved and attentive. “Touche,” he says, and tosses Krypto a treat of his own.

“Wait,” Superman says, “what’s he got in his mouth?” Ace is holding a small plush of an impish figure in an ill-fitting Batman costume.

“Damnit,” Batman says. “That’s his Bat-Mite.”

“Bat-Mite?”

“Alfred found it on a trip to India. As far as we can tell, the name is a corruption. One of the meanings of ‘man’ is ‘value,’ which can translate to “mite” in Urdu. I’m not sure how he keeps finding the damn thing; I keep hiding it.”

Ace holds it out, and Krypto sniffs it, before licking the doll’s face. We don’t see it, and neither do our heroes, but Krypto notices the imp wink at him, and tilts his head in that confused way dogs do.

End

DC Reboot Pitch: Cyborg

The Deal: this is the eighth in a series of pitches for the rebooted DC Movies. I’m leaning on AI art to mock-up these pitches, because it adds some truly glorious chaos into the mix. The usual caveats apply: a story about Black characters should be written and directed by Black creators; skill and empathy can only get you so far when trying to talk about experiences you haven’t had.

The Pitch

All due respect to Ray Fischer, he’s too old. Cyborg is a Teen Titan, or at least should be plausibly able to play 19 by the time that first Titans movie comes out, which I suspect will essentially be the Cyborg sequel.

Because we’re mostly avoiding origins, this will mostly not be one. But we are going to have some flashbacks, because I do want his past to influence this story- and because Cyborg is the rare hero whose origin isn’t well-trod in the public consciousness.

Cyborg narrates. “I was a guinea pig.” We start on a literal guinea pig in a cage in a classroom. The cage is sitting on an overburdened bookshelf, already tilting from the weight. Above it is a light, barely suspended by a set of fraying wires. We pull back, and see a young Black child staring sadly at it, almost communing with it. “My parents experimented on me, giving me a genius intellect. Too bad they didn’t test it on themselves, or they might have been smart enough to see where all of this was going lead.”

Victor flicks his pen, and it bounces off the wall, hitting the lamp, bouncing off the opened window and knocking off a plastic sprinkler head, causing a field filled with birds to get sprayed, making them all fly into the air, hundreds at once, pulling the kids of out of their seats, and the teacher out of hers to deal with them. The lamp falls, and the force is enough to overcome the bookshelf’s remaining strength, causing it to collapse, sliding the cage into the wall, where one of its glass walls shatters, allowing the guinea pig its freedom. The teacher glances back, but Victor is nowhere near any of the chaos on the other side of the room; she goes back to trying to get the rest of the children to calm down. But there’s one other student who didn’t get excited about the birds, and that’s because he saw what Victor did, and is giving him a thumbs up from the other side of the room. This is young Ron Evers.

“They weren’t satisfied stopping at the human limits of intelligence.” Young Victor is strapped into what’s basically a dentist chair as his parents, in surgical gear, install computer components into Victor’s head, now. “It started out simple; my motherboard, RAM and processors needed power, and coolant. There was a hard limit to the storage capacity of a human brain, so they installed 500 terabytes of flash memory into my back. But with the added weight, I couldn’t stand up straight, and modeling showed I’d need a metal rod in my back by 20- or an upgraded spine.

“I hated that they gave me enhanced hearing; with human ears I might not have heard every horrible thing they said, to each other, or about me. But I heard everything the night my mother died. Mom was drunk; she’s been drinking a lot, lately.

“I never should have let you do that to our son,” Elinore cries.

Let me?” Silas is angry, but a lot of it is at himself. They both have seen what their quest has done to their son, and neither know how to make it right, or process what they’ve done. “You were driving me.”

“We were driving each other, Silas. Farther than we ever should have gone. And I’m going to take him away from you. This has to stop.”

“You’ll take him? You’re a lush- one who gets so stupid when she’s drunk she doesn’t know not to drive. You honestly think any sane judge would give you custody of our son?”

“I think anyone who spent five minutes talking to you wouldn’t give you custody of anyone.”

“I’ll ruin you before I let you take him. Don’t forget- you were the authorizing physician for every procedure. You signed off on everything we did. Makes you at least as responsible as I am.”

“We’d both lose him.”

“Maybe we should,” he says, but it’s more out of cruelty than a moment of clarity.

She takes one last pull from a bottle, and storms out. Silas is upset, but doesn’t follow, until he hears her car start in the driveway, and tries to run after her. But Victor is two steps in front of him, in part because he is now more machine than man. “Mom!” he yells as she peels away. He tries running after her, but his metal skeleton wasn’t really designed for that kind of speed.

Silas catches up to him in his own car, and has Victor get in the car. Victor’s cold to him. “You didn’t have to talk to her like that,” he sulks.

Silas tries to explain that parents fight, that they both only want what’s best for him, and sometimes they don’t agree what that would be. But the important thing is making sure his mother doesn’t get herself into more trouble- or hurt. Just then, her taillights, which they’d been following, disappear.

She ran off the road. It needn’t be a terribly violent wreck, but she won’t survive it. She says goodbye to both of them tearfully, and it’s clear Victor will continue to blame his father for this night.

A week later, it’s raining. Victor, in a hood, is living on the street. “Victor, come home,” he hears his father’s voice in his ear. “Your mother wouldn’t want this.”

“And she’d want you hacking into my auditory processor like some manipulative Jiminy Cricket?”

“Please, Victor,” his dad’s breaking; he doesn’t want to have to bury his wife alone. “Help me say goodbye.” But Victor’s angry, some of it likely displacement from years of their experiments, but some of it justified, too.

“How about you do the world a favor, and jump in the hole with her?”

“Victor, I,” we see, “Message terminated” on Silas’ screen, and we linger with him as he whimpers. “I’m sorry. So sorry. For everything. Oh God…” his head falls onto his keyboard as the fact that he’s lost both his wife and his son overwhelms him.

Then we’re back with Victor, in the rain. It’s kind of miserable. It’s a weird angle, somewhat distant; it won’t be immediately obvious, but Victor’s being watched through a scope. “Hey,” someone says from the dark, and Victor moves. “Tough break- I heard, about your mom.”

“Ron?”

“You remember.” It’s his old friend, Ron Evers. He’s now running with a teenaged gang, and they’ve got a place up the street. Mostly they use it to hang, or occasionally, to store stuff they’re trying to hide or sell. But it’s dry, and has a TV, and, most importantly to Victor, wi-fi. See, Victor’s outgrown his implanted storage capacity, and has been remotely storing parts of his mind. It means when he’s connected to the internet he’s even smarter- and when he’s not, he feels the loss of that information, and that capacity, like he’s missing a part of himself. It also gives him access to do a lot of cool stuff; just as a note, I want to limit Cyborg to what’s actually possible- that means if it’s hooked to the internet, he can access it. If not, he can’t (so only access to government files available through say Interpol’s sharing network, but not things that wouldn’t be on a server). As Victor leaves with Ron, we cut back to the scope view, and see it lower, and the man holding the gun taking his finger off the trigger.

“Getting soft in your old age?” Ravager taunts Deathstroke over an earpiece. He chides her. She’s observing to learn, and one thing she needs to learn is discipline, and patience. Ron Evers, one of Victor Stone’s few known associates, is a local gang leader, one who the police keep tabs on. If he goes missing, the police will look into it, inviting more scrutiny than their employer wants on this job. He wants Stone to simply vanish- so that his father can believe that he used his implants to drop off the grid. It’s the only way to guarantee there won’t be a trail leading back to him.

The next day, Cyborg is woken as Ron and several other gang members arrive at their stash house with rival gang members in pursuit. Cyborg takes them down, in scenes that should feel vaguely RoboCop-esque. Ron tries to recruit him into the gang, but Cyborg refuses; he’ll stop bloodshed, but he’s not going to help them do anything illegal- including babysit whatever they stole. Ron wants him to stay, both genuinely, and because he has a plan, and agrees to move the stolen merchandise elsewhere.

That night, Cyborg is attacked by members of the rival gang again. He takes them apart, and is interrogating one, and finds Ron told them the stuff was there, that Victor took it from them and it was ripe for taking back. Just then, Cyborg is attacked from behind by Deathstroke, who uses an electrical device to short Cyborg out.

Cyborg restarts in safe mode, and an access panel for external memory opens up, and Slade jams in a thumb drive, which Cyborg boots from. Victor wakes in Deathstroke’s garage. Deathstroke tells him his parents were gifted surgeons and chemists, but some of the tech had to be made custom by experts- and his employer purchased plans from those. He’s now booted into debug mode, which should prevent Victor from being able to use any of his extra resources- leaving him with only his human components. Deathstroke gives him an option- if he agrees to assist his employer of his own free will, he’ll be compensated for his time until such time as they can reverse engineer his upgrades and how they interface with his organics.

Deathstroke takes a sample of Victor’s cerebral spinal fluid with a sci-fi needle, and when it turns blue, injects it into his own spinal cord. This was part of his compensation- upgrading his own mind the same way Vic’s is- at least the chemical portion- Slade isn’t comfortable with the idea of putting a bunch of metal crap inside himself- it would become an exploitable weakness.

Victor asks what the alternative is. Deathstroke tells him door number 2 is he cuts his implants out of him. His benefactor believes there may be organic portions that are integral to the system, that it would ultimately be faster to learn from the functional system as a whole- but isn’t willing to lose out on this kind of an advancement just because they can’t come to an agreement.

This pisses Victor off- he’s not willing to work with someone so barbaric. He stands up, snapping the restraint, and removing the thumb drive, clearly in control of all his faculties. He’s also connected up to the internet, and pulls up files on Deathstroke, a mercenary nicknamed ‘the Terminator’ because for years he specialized in ‘termination’ contracts- little more than assassinations. He’s worked, officially and unofficially, for a dozen world governments, though those files are all compartmentalized and kept far the hell away from an internet connection- but there’s enough publicly known to paint pretty nasty portrait of Deathstroke.

Deathstroke is smart, and planned a half-dozen ways to take Victor down. Unfortunately for him, Cyborg has been upgrading himself without his parents knowing- so Deathstroke’s intel is largely out of date. Quickly Deathstroke realizes he’s outmatched, especially with the upgrade only beginning to rewire his brain, and burns his safehouse literally, taking a go-bag that, and as he lifts it it pulls the pin on a series of white phosphorous grenades that set the entire place on fire, escaping.

Cyborg helps people on the nearby floors out of the burning building; a firefighter gives him one of their coats so he can sneak away as they cops arrive. Cyborg is walking back through the rainy streets when his ears, scanning passively for keywords like ‘cyborg’ pick up chatter from the rival gang. They know Deathstroke took him, so they’re planning on hitting Ron’s new safehouse while it’s vulnerable. Cyborg goes to help, but also feels manipulated by Ron. He stops the rival gang, but just as he’s about to pivot to deal with Ron, he’s attacked by Deathstroke again. This time Deathstroke isn’t using nonlethal weapons, having decided Vic’s going to force him to kill him anyway. Deathstroke tries to use Ron as a bargaining chip, but Cyborg lures him away, in part by calling the police to ensure Ron’s been caught with the stolen goods.

Cyborg takes on Deathstroke, who is getting smarter and more dangerous with every passing moment. Eventually, Cyborg jury-rigs some tech into a sonic cannon; given the amount of explosives and detonations Deathstroke has been involved with, he surmises he likely suffers from tinnitus, making the attack extra effective against Deathstroke. It’s effective enough Deathstroke retreats.

Cyborg drops in on the rival gang, to make sure they aren’t going to retaliate against Ron in prison. They appreciate him taking Ron off the street, but he still stole from them. They tell Cyborg it’s a two-fold problem: this rival gang is modeled on the Black Panthers, and they do a lot of community outreach, so the loss of that money hurts those who can least absorb it. Worse, Ron attacking them makes them look vulnerable, and will lead others to do the same.

Cyborg asks about the value of what was lost, then drops him a Venmo for three times that. The gang leader is concerned the money’s going to lead to federal scrutiny when some bank reports the money missing.

“I took one dollar from every person who used a racial slur on social media in the last minute.”

“We cool, then.”

Victor is about to leave, but turns. “A penny of that goes to guns or drugs, and I’ll make sure you get a cot a cell or two down from Ron.” The other man shrugs, and explains he sees them like the government; they’re basically an army and a safety net rolled into one. Drugs or more guns than it takes to keep the peace would make his neighborhood worse, not better- and that’s not what he’s about.

Victor returns home. His dad hugs him, but he’s still not ready to warm to him. “I understand,” Silas tells him. “I know how much I blame me. I can hardly imagine how much you do. I can’t undo any of it, and I know I’ll never make it right. But I can try to make it better than it is. If you’ll let me.”

“I can try,” Victor responds.

They attend Elinore’s funeral. It’s raining again. Silas tries to take Victor’s hand, and at first he pulls away, and Silas stops. But then, after a moment, Victor takes Silas’ hand, and squeezes, and we roll credits.

In an end credits scene with Deathstroke, we find that his employer is Lionel Luthor, who praises the Stones’s work as revolutionary. They refused to sell it, even in part. Luthor had hoped Elinore’s car accident would soften them up- but he would never have sanctioned her death, comparing it to burning da Vinci at the stake to get him to sell a painting. “I told you cutting somebody’s breaks is an inexact science,” Deathstroke says. “You choose between plausible deniability or predictability.”

“I didn’t call you to hear excuses,” Lionel calls him off; he’s seen news copter footage of Deathstroke trying to shoot Victor in the face, that they can’t take Stone’s opus through force, and instead need to try more finesse.

In one final credits scene, Victor finds a piece of tech in his home because it turns on. At first, it displays a holographic bat symbol, then we see Batman talking. “These aren’t the circumstances I was hoping to contact you in. In fact, I was hoping I’d never need to. I was content to confine my activities to Gotham, and leave you to your own. That option’s off the table.”

“What the hell?” Victor asks.

“Divided, we’re easy prey. Together… we might stand a chance.”

We cut to black, and white text appears, one line at a time:

Cyborg will return

in

Justice League

vs. the Suicide Squad

DC Reboot Pitch: The Flash

The Deal: this is the seventh in a series of pitches for the rebooted DC Movies. I’m using AI art to mock-up these pitches, because it’s fun, trust me.

The Pitch

We start in a poorly-lit bar. “Look, we’ve all had our asses handed to us by the scarlet speedster,” the speaker turns, and we see it’s Captain Boomerang. He’s speaking to four other Rogues.

“What I don’t get is why, if it’s your plan, it isn’t your team,” Heat-Wave says.

“I have an in, that’s all. Doesn’t change I’m not the leadership type.”

“Maybe calling yourself a ‘Captain’ is giving off confusing signals,” Heat-Wave says.

“Besides, we’ve got a fully capable leader-type right here,” Boomerang claps Captain Cold on the back, “and a bloody Captain to boot.”

“I still think I should lead,” Weather Wizard pouts sullenly.

“Mate,” Boomerang soothes, “Heat-Wave’s dating Golden Glider, and she’s Cold’s blooming sister. Right now, it’s a family team; I’m fun uncle Boomerang. A man smart as you claim ought to see the smart play is figuring out how you fit into this dynamic- not how they can fit around you, yeah?” Weather Wizard tries on a smile. “There’s a smile; careful, widen that any further, I might think you want me to make you me auntie.”

We cut to later, in the same bar. Boomerang is the only one of them left, and he’s drinking with Rick Flag. “That was defter handling than I’d have given you credit for,” Flag says, “enough to make me think this batshit plan of yours has more than a snowball’s chance in hell.”

“It’ll take a sight more than flattery and stale beer to get into my knickers, Captain.”

Flag slides a dossier across the table. “And you can keep the contents of your stale knickers to yourself.”

“It was the beer I said was stale-” he stops himself, “you’re flirting with me. Careful your lips don’t write checks your mouth won’t cash.” Flag glares, because that is not the idiom. He gets up to leave, and Boomerang grabs his wrist, insisting the Rogues don’t kill.

“That’s fine. This is a proof of concept. No one’s asking you to put a bullet in the Flash. You just got to put him down.”

“Right. And the unspoken bit isn’t that you’ll have a sniper ready the moment he’s moving slow enough to snipe? Because the Rogues may not kill- but that doesn’t mean they won’t kill me if I make them murderers.”

“My superiors wouldn’t go to this much trouble just to kill him- there are easier ways to do that.”

“I get a little excited and a little afraid when you say things like that.”

Flag starts to leave, but over his shoulder says, “That’s proof you’re not as stupid as you look, sound, act and dress.” Boomerang lets fly with a boomerang, slicing Flag’s shoulder holster strap right beside his neck so it falls off him; at the same time, Flag draws, spins and fires.

“Missed me,” Boomerang says, triumphantly, as Flag gathers the shredded remains of his holster.

“Did I?” Flag asks, as Boomerang becomes aware of a glug-glug noise. Boomerang moves his jacket, and sees the hole Flag blasted in his flask.

“Aw. My mom got me that flask last Christmas. Sewed the little boomerangs on herself.”

We’re going to montage the origin, mostly because I like the idea of Flash giving us a one-minute origin story only slightly sped-up, almost like a ‘last time on’ flash-back. “Okay, I know you’re really excited to get into the story, so we’ll do this really quick. I’m Barry Allen, crime scene tech and physicist- because physcisting doesn’t really pay the bills- and I kind of accidentally managed to breach the space-time barrier and end up infused with the Speed Force, which turned me into the fastest man alive, as in, can move at basically the speed of light. That gave me the time to do all of the things I’d always dreamed of, like learning how to sew my own costume and stop most crime in the city before anybody gets hurt. Also car accidents and a lot of other things. And no matter what Superman says, I always beat him in our races- except that one time he planned the route over every mountain range- I had to run several thousand more miles than he had to fly, how is that fair?”

Flash comes to a stop in the center of the frame, and peels off his mask. Iris enters, and kisses him. We have some lingering narration. “Oh, and this is Iris West. She’s amazing.” And we also meet Wally, a couple of years younger than them. “And that’s Wally. He’s… annoying, in the way all little brothers are.” I… like the idea of having Wally be a huge dork, as in when he knows Barry is coming over, he puts on his plastic-masked Batman costume, similar to what Hank wore in Venture Brothers.

“That was so cool,” Wally says, making a fwoosh sound as he runs back inside. Barry asks if he’s late, and she tells him he’s always right on time.

“No, really.” She admits he’s a few minutes late- but at this point they always assume he will be. He follows her inside, and continues his narrating. “The Wests kind of became my home away from home. After mom died… dad and I fell apart. We couldn’t save each other, but this family saved me.”

“What have we said?” Mrs. West chastises Barry.

He looks down, runs out of the room, and back in in civilian clothes. “No costumes at the dinner table,” he says dutifully. Wally clears his throat with a loud “Ahem.” “Except for Batman,” Barry adds, “because no one knows his secret identity.”

“You really don’t?” Mrs. West asks. “I thought you all knew each other.” It’s… clear she’s got a thing for tall, dark and mysterious men.

“Smells great,” Barry says.

“He’d have to, right?” she asks Iris, before realizing he meant the food, and pivoting sheepishly. “I made extra. I know how many calories you burn.” She butters a roll, before asking. “And how’s that father of yours?”

Barry takes a deep breath, before saying, “Drunk,” then running offscreen and back. “Yep. Still drunk. Passed out in his underwear. Wait.” He disappears again, and returns. “My underwear. I’ll just burn them.”

“I wish there was something we could do,” she says.

“Nadine…” Mr. West says.

“There really isn’t anything else to be done. They’ll never smell right again.”

“Ira…” she says in a similar tone, but it’s plain from her face she’s teasing him.

“It was a tragedy,” he says. “I don’t think I’d do any better, if anything happened to you,” he puts his hand over hers and the Wests share a tender moment, before he turns his attention back to Barry. “But I’ll stop in. See if I can’t get him to come out. Make a family day trip out of it.”

“You’re welcome to try,” Barry says. “Nothing I’ve done has worked. But half the time he tears up the moment he sees me, because I remind him of mom.”

“Batman demands peas,” Wally says darkly, slamming his fist on the table. Barry picks up a single pea from the central bowl, and flicks it at Wally, who blocks it with his spoon and exclaims, “Bat pea repellent.”

“If only his sheets had that,” Iris mutters.

Barry starts flicking faster, and Wally covers himself with a plastic cape, “Pea-proof cape,” as peas bounce off of it. Subtly, Barry is zipping to Wally after each, and catching them before they hit the ground.

“Boys,” Mrs. West says, “what have I said about starting food fights at the table?”

“Oh, no,” Mr. West says, hunkering lower.

“Give me a heads up so I can arm myself,” she says, grabbing the bowl of mashed potatoes. Chaos ensues. I kind of like the idea of doing similar to the Quicksilver FX scene from Days of Future Past, only it’s Barry saving as much of the food during the fight as he can while still allowing there to be a cathartic food fight.

We cut to the aftermath. “Barry, dear, did you manage to save enough for dinner, or should we order pizza?” A moment later and the food is miraculously replaced.

“Clearly, we’re wearing most of the mashed potatoes, and a handful of peas landed in Wally’s lap. I wasn’t touching those.”

Wally leaps onto the chair, and declares they should, “Eat my green pea-ness,” as he pelvic thrusts, sending a shower of green peas over the table- which Barry catches in a different bowl, which he sets on the ground for the dog.

“Yeah, no one should eat those,” Mr. West says.

Later that night, Barry arrives home. He’s try to be quiet as he goes inside. His dad is asleep on the couch, wearing underwear just a little too small for him and no pants, snoring drunkenly. Barry sighs, and goes to his room, and we linger there a moment. Barry brings out an Afghan, and covers his father with it. He stirs. “Nora?” he asks in the dim light.

“No, dad… mom’s… not coming home.”

“Oh. Right,” we hear his sadness in his voice as he rolls over. “Could use a drink.”

“No, dad,” Barry tucks the blanket around him. “Just go back to sleep.” Barry goes into his room and gets into bed, when his phone rings. They ask for him by last name, and if he’s awake. “Couldn’t sleep,” he says. They tell him they need him at a new crime scene.

We watch a sped-up version of the crime scene investigation, but it’s inverted; everyone in the background moves around fast, while Barry is very deliberate in his movements, and he narrates. “I think what I like most about crime scene investigation is I have to slow down. It’s meditative. Because moving at the speeds I normally do would disturb the evidence; the Speed Force curbs a lot of the impact of moving at superspeed- or people would hate me for all of the sonic booms as I crossed the sound barrier- but you can’t displace that much air that quickly without causing changes to airflow, displacing small piles of… whatever this is.” Barry is taking a sample of some grains of what look like sand.

Barry takes his samples back to the lab, and runs some experiments, before typing up a report on a mechanical typewriter (because a computer wouldn’t be able to handle him typing at that speed- and even then he pauses every page or so to use a bellows to cool the metal). He faxes that over to the detective, and heads home.

Barry’s dad isn’t on the couch anymore, but left a note on the Afghan, “Gone for beer.” “Great,” Barry sighs, “another bender. Guess I’ll see you in a week, pop.”

Barry is getting ready to try and take a nap when the doorbell rings. He winces and zips to it. “Hey, Jay. What’s up?” It’s his physicist mentor, Jay Garrick.

“I had a thought…” Jay says.

“At your age? Isn’t that dangerous?”

“Yuck it up, junior. You’ll have gray hair before you know it.”

“Your dangerous thought?”

“I think we’re close to a break-through.”

“Yeah. I remember our last break-through- it broke me through the rear wall of our lab. I still see stars when I cough.”

“Little cartoon five-pointers? Celebrities? Or just flashes of light.”

“You’re none of the kinds of doctor who could help, regardless.”

“No, but talking to any one of those might do you wonders. Seriously. My treat.”

“I’m fine, Jay. Sprained my shoulder, and it stopped hurting before my head hit the pillow that night. So this break-through…”

“I think I know where you went awry- similar to when I had my uh… blow up.”

“That’s a very low-key way of saying you personally burnt down an entire wing of the university labs.”

“Yeah, that’s why I’m ‘Uncle’ Jay, and not Professor Garrick. Though honestly, with all of the progress we’ve made since, I’m amazed I survived. My, uh, issue, was a couple of orders of magnitude bigger. And I think… maybe I finally cracked it.”

“Can it wait? I haven’t actually slept, yet.”

“And I’m not sure he’s about to,” Iris teases, pushing past Jay.

Jay puts up his hands. “I know when I’m beat; I can’t compete with that offer.”

“You sure? Maybe I prefer to be the little spoon,” Barry teases.

“You do?” she asks, her voice quivering.

“I prefer to spoon you,” he says, and pecks her on the cheek.

“I’m too old, and it’s too early for this kind of affection,” Jay says to himself, closing the door behind him.

Barry stumbles, and Iris supports him. “You okay?”

“I wasn’t exaggerating. Didn’t sleep a wink.”

“Can’t you just power through?”

“What do you think I already do? Even taking micronaps during the day, a regular day for me is like you being up for a month.”

“That sounds awful,” she says, leaning into him.Maybe I can massage some of that tension away.”

“That’s how exhausted I am. I know you’re flirting. Look, if my body responds, you’re welcome to make use of me.” She turns to close his bedroom door as he stumbles inside, “But I might…” and as she turns she finds him already completely passed out. She starts to wriggle his pants off, and he stirs. “Hmm?”

“You told me never to let you sleep in the costume. Nobody wants a hero to show up smelling like, and I quote, ‘sleep toots.’ I hate you for making me say, ‘sleep toots.’”

She curls up under his arm to nap. “You love my sleep toots.”

“The toots I don’t mind, I just don’t like the name.”

“Okay,” he says dreamily, and passes back out.

Barry wakes to his phone ringing. “Take the pants,” he says, “you be Flash today.”

“If I only took the pants I’d be a different kind of Flash,” Iris says. “And crime doesn’t call your phone.”

“Oh, right. While I answer this, see about getting me a crime phone. Red, that lights up. Ask Batman where he got his.” He picks up his phone. They ask for him by name, and he spends a moment staring at his wrist before saying, “I’m not wearing a watch.”

“I know. I haven’t slept, either. No rest for the wicked means no rest for those trying to catch them.”

“Overtime?”

“Yep. I told the Captain you’re as good as two techs, might as well pay you like it.”

“Damnit. I wanted to sleep. Had a whole speech. Threw in some creative swear words, to sell it.”

“I know. And I went and purchased your pride. If you’re not okay to drive I can send a car.”

“I’ll figure it out.”

Iris drops him off. “You need to take the box,” she says, pointing to a box for a dozen donuts.

“Or you’ll eat them all?”

“I know you already ate the rest. It’s why I’m driving with a bear claw in my hand.”

“Sorry,” Barry says sheepishly.

“It’s okay. I only wanted the one.” She pulls him close with her non-bear-claw hand, “but you are going to have to help me sweat it off later.” She kisses him, and lets him go.

“It’s a date.”

“It’s a date if you take me to dinner and a movie first,” she teases him. She’s mostly in good humor about it, but there’s still some part of her that would like him all to herself, at least every once in a while.

This time around, we do a quick montage, of Barry studying the scene. He pockets some of the evidence. He processes some of it in the public lab, then takes the rest to the crappy lab he and Jay rent together. Jay’s surprised to see him. “I figured I wouldn’t see you today, that you’d be sleeping, then, uh, not sleeping, then sleeping some more.”

“Just needed to borrow some of the equipment.”

“Oh?”

“Yeah. City only has so many centrifuges.”

He’s clearly looking at something on a slide. “That’s not a centrifuge…” Jay grumbles.

Barry’s moving a little too fast, a little too excited. “You’re right,” he tells Jay. “Wanted to double-check that I had labeled the slides correctly before the spin.” He throws a handful of vials into the centrifuge. “Hmm…” He turns to leave.

“Uh, shouldn’t you be taking the ‘evidence?’ You know, chain of custody, and all that?”

“Uh, right.” Barry shakes his head. “I should have mainlined a cappuccino before I came here; I’d forget my feet if they weren’t attached.” He haphazardly gathers his supplies, and as he turns to go, Jay stops him with a hand on his shoulder.

“Look, just, know if you find yourself in any kind of trouble, you can call me. I can help. I know- a has-been physicist with a bad back… but sometimes just having someone to bounce things off.”

“Sure, Jay. I appreciate it. And when I have a moment, we’ll push on your breakthrough, okay?”

Barry goes out to his car, and throws the evidence in the trunk, then parks a few blocks away, takes out his costume and speeds off. While running, he calls Iris. She’s between classes at the community college. “Were we doing lunch?” he asks.

“I know we talked about it yesterday, but you’ve been ping-ponging since last night so I assumed not. Why?”

“That case you dropped me off, was related to the one from last night, and between the deposits I found at each I think I know where they are now.”

“They?”

“Cold’s cold gun, it doesn’t just freeze, but leaves a distinct chemical signature in its wake. There were also scorches that tested positive for the accelerant that Heat-Wave uses. So at least two of the Rogues were working together- I think they were trying to cover their tracks.”

“And yet you found them.”

“Well, maybe. And I don’t know yet whether or not they want to be found. It could be a trap.”

It is a trap, which he figures out fairly quickly, finding a bomb welded to a metal post… it’s only then he realizes that the warehouse is used in part for overflow for several local pet adoption agencies, and there are dozens of animals in cages. “Oh, come on,” he says. He starts springing animals from cages and running them outside, as the timer ticks down its last few seconds, and says, “If none of you puke on me, I promise I’ll help you find good homes,” the words happening in the moments he pauses enough to open new cages.

Flash and the last turtle are inches away from the flames as they grow from the bomb. Flash is winded, and realizes he’s definitely been puked on. “Okay, new deal: if none of you tell anyone how much you puked on me, I won’t kick any of you into the ocean.”

“Does that deal go for us? Because I imagine that’s a promise I can’t keep,” Boomerang say.

“Oh,” Flash says, “the boomerang guy. I wondered why the shrapnel was all in the shape of little boomerangs. I appreciate your commitment to the gimmick.” Golden Glider slices him as she skates by. I’m going with the classic version, who was an ice skater, who had skates that basically used the same tech as her brother’s cold gun to create ice everywhere she skated. To make her a little more formidable, the streamers of her costume use similar, but basically have razor edges that are also at freezing temperatures- it’s one of those that cuts Barry.

Barry turns towards her, at once confused and uncertain how to pivot, before saying, “I’m not comfortable hitting a woman.”

That angers her, and she balls her fist, about to throw a punch, “That’s not mutual,” except her laces are tied together, and she trips onto her knee. “Ow. I scraped my knee, you wang.”

“I do feel bad about that.” He sets her on a park bench, and in a flash cleans and bandages the wound. “Less so about this,” he keeps ‘bandaging,’ until she’s a duct-tape mummy tied to the bench.

“Have you out in a tick, love,” Boomerang says, as the first of his boomerangs slices the piece of tape holding her upright.

She slowly tips, wiggling to try to right herself as she grunts, “No, no, no,” before thudding face first down onto the bench, “damnit.” The rest of Boomerang’s boomerangs fall harmlessly to the ground beside her, having been plucked out of the air by Flash.

He appears next to Boomerang, holding one up. “Fascinating construction. Lightweight alloy shaped to remain aerodynamically neutral, but with enough mass to be capable of a fair distance of flight. Sharp, too.”

One hits him in the back of the head and Boomerang is ready for a follow-up punch, catching Flash as he lurches forward. “Okay,” Flash says, picking himself up off the ground, “I did not see that one coming- which I guess is the strength of a boomerang.”

Boomerang looses a flurry of boomerangs, but Flash is nowhere near as they fly- and yet keeps closing the distance, eventually revealing that he’s got a big tree branch he’s been using to collect the boomerangs as they stick in it. “Weren’t you in the military? Hold on.” He’s gone a second, then back. “Nope, not that kind of Captain. Still. A bunch of those boomerangs were aimed at kids, moms, a blue jay, even your own partner.”

“They were all aimed at you.”

“You need to think about the possibility you can miss; you need to think about what’s behind your target.”

“I yield.”

“First smart thing you’ve done… I was going to say today, but you chose that gimmick, that name, and that outfit. This is quite the rare win for you, so I won’t make you watch my victory Flash dance.” (I understand, with that sentence, the immensity of the Chekov gun I have loaded- Flash must do a Flash dance over the credits). With Flash’s back turned, Boomerang goes for his last holdout boomerang, which looked like a belt-buckle. He reels back to throw it, only for it to be replaced by a banana, which boomerangs, hitting him in the face. Flash sighs, “Your streak continues.”

Flash drags Boomerang a little too quickly to the bench beside Glider, and zip-ties him to it. The speed has him dizzy, and he reels, before starting to heave. “Ladies and gentlemen, we apologize for the turbulence, but there are complimentary air or other sickness bags attached to your front compartment.” Flash tapes a brown paper bag to Boomerang. “Now we know you stopped having a choice of flying Air Flash the second you decided to be a criminal, but we’re glad you won’t have another chance for a while.”

While I haven’t mentioned it until now, every time Barry checks his phone, he has several emoji-choked texts from Wally. Wally is very excited that his sister is dating a superhero. Except this time, his phone is oddly quiet, quiet enough Barry calls Iris. “Everything okay over there? Wally hasn’t blown up my phone since lunchtime.”

“Huh?” Iris says. “He’s not home yet. And neither’s mom. I don’t think he had a game today. Dad?”

“No. They had their last game a few weeks ago. And track won’t start for another week.”

“Then where’s mom?” she asks as Barry walks through the door in his civilian clothes.

“No idea. She should have been home hours ago. And Wally should have been home on the bus. I’ll call her. You try your brother. Usually she’ll text if she’s giving him a ride or running an errand, but… I’m sure it’s nothing.”

“Want me to pick you up something to eat?” Barry asks.

“Hmm….” Mr. West says, “with your mom not home, there’s nothing stopping us from getting extra spicy Mongolian…”

“Except that she will eventually come home, and you’re terrified of the woman,” Iris replies.

“I’m not ‘terrified.’ I’m appropriately respectful. Half extra-spicy, half mild.”

Barry calls in the order; subtly, he is speaking Mongolian. “You remember where she said she’d stick the next pepper she found in her ‘mild’ Mongolian, right?”

“Actually, she was never very clear. It’s the not knowing that keeps me up at night.”

“Order’s in,” Barry says. “They said it’ll be ready in fifteen minutes.”

“So you’ll leave in fourteen?”

“Mongolia’s 6500 miles away, at a comfortable jogging speed, it’s about six seconds.”

“I’ll heat the oven,” Iris says.

Boomerang is alone in a dark holding cell. Flag saunters in. “Where’s Glider?” Boomerang asks.

“Yeah, they don’t book the men and the women together, for obvious reasons. Your plan seems to be all hitch.”

“A little snag- a contingency we planned for. Guy’s everywhere. The odds any one, two or four of us would get pinched were pretty high. Cold’ll come through.”

“Yeah, for his sister. You want to bet your liberty he’s coming for you?”

“I put a lot more than that on the line, here,” Boomerang says.

“Despite your obvious shortcomings- which are numerous- you’ve shown initiative. That goes a long way with me. I’m willing to bring you onto the Varsity squad. Or, you can keep playing JV ball here.”

“There isn’t a Varsity squad yet; right now this is the only game in town. I put this team together because I think they have what it takes.”

“Well, you ever get tired of life in that supervillain Guantanamo, you give me a ring- assuming you can find a way to do that from in there.” Just then, the wall behind Boomerang freezes, and Glider kicks it in. They’re not quite fast enough to vacate before the cops swarm in. Flag clothes-lines the first officer, keeping him from putting a bullet in Boomerang, then disarms the second, ejects the magazine and the chambered round before dropping the gun while showing the rest of the cops his government ID. “I wasn’t here,” he says, and walks out.

“Who was that?” Glider asks as she helps Boomerang out through the rubble.

“Spook. Trying to recruit me. Told him to sit on me boomerang and spin.”

“You kiss your mother with that mouth?” Flash asks, socking him in the jaw as he speeds by. “What would Ma Boomerang say?”

Boomerang is pissed, and gets up, rage in his eyes. “She’d call you a” we don’t hear the words, as Flash zips off.

“Huh,” Glider says. “I guess his weakness is Australian profanity.”

“No,” Cold says, pointing to the background as another explosion rocks the city. “He was responding to our distraction.”

“And you couldn’t have timed that so I didn’t get walloped in the jaw?”

“And spare you a wallaby wallopin’?” Heat-Wave jeers.

“I’m prepared, not psychic,” Cold says.

Bullets from the cops whiz by Boomerang’s head. “You didn’t prepare me a boomerang resupply, did you?”

“Glider,” Cold says.

Glider opens a case filled with his signature Boomerangs, and his eyes light up. “I could kiss you,” Boomerang says.

“Not it,” Cold and Glider say at the same time. We show the cops again, this time falling in droves as boomerangs jab into them. “You didn’t kill anybody, did you?”

Boomerang kisses one of his boomerangs. “Didn’t need to.”

“Rogues, let’s go.” I’m assuming that they drive some kind of armored vehicle, like a Humvee, using similar tech on the wheels as Glider’s skates.

We cut back to Flash. He narrates, as he gathers bombs from all over the warehouse district. “The Rogues don’t kill- they’re very proud of that- at least, not directly. The first bomb was only meant to get my attention- someone had cleared the area just before- but the rest, I suspect if someone did get killed, the Rogues would say I killed them. Negligence. Which… feels flimsy, but it beats dealing with Batman’s rogues.”

Back with the Rogues. Boomerang looks out of the back of their getaway vehicle, and sees the ice marks the tires leave- they’re leaving a trail. “I don’t want to look a gift horse in the mouth…”

“And yet I sense a big Australian ‘but’ coming,” Cold says from behind the wheel.

“Were leaving a frozen trail even a Flash could follow.” As if to prove his point, Flash shows up, on their tail. Cold hits a button on the steering wheel, and a cold gun built into the 0 on his custom “0-KELVIN” license plate blasts the road, turning it into a sheet of ice. Flash is moving too fast to stop, and skids on the ice, smashing into a “Stop” sign. To add insult to injury, Cold blasts him out the window, freezing him in a block of ice. Flash vibrates out of it, and puts a chunk of the ice to his head.

“That was humbling,” he says, and runs after the truck, but they’re gone.

We’re back with the Rogues. “Ah,” Boomerang says “We were the secondary distraction.”

“Weather Wizard’s a prima donna. He was definitely going to vamp while he grabbed the girl. Whole plan falls apart if Flash figures it out before all the pieces are in place. And now there’s just one more.” He pulls to a stop, and we recognize the exterior of Jay’s lab.

Watching on security cameras, Waller is pensive. “I don’t like it,” she says. “The intel gives them his friends and family. Anyone with half a brain could figure out his identity from that…” She smiles. “You don’t think they have the brains, do you? Just like you think the Rogues are a waste of time.”

She’s talking to Rick Flag. “You don’t try to turn lapdogs into attack dogs. A villain that won’t kill doesn’t serve as much of a deterrent.” He hesitates. “But what if they do manage to kill Allen?”

“Then they earn a shot at the big leagues. This job is never about being right or wrong, it’s about learning to use your failures and your successes to your future advantage.”

“And the civilian casualties?”

“There are always civilian casualties in war, Captain. But we’re not risking anyone we can’t afford to lose.”

Back with Flash, he gets a panicked call from Iris’ father, Ira. “Bastard took her.” He’s bleeding from the lip.

“Who?” Barry asks into the phone, but he beats the audio to the West home. Ira managed to capture video on his phone, he and Iris trying to fight back against Weather Wizard. Weather Wizard used lightning to carve a taunt into Iris’ wall, along with the address.

“I’m coming with you,” Ira says.

“You can’t keep up,” Flash says. “I’d just be bringing them another hostage. That might even be what they’re counting on- a hostage I’d feel extra responsible for putting in harm’s way. I’ll put you someplace safe- and I’ll bring your family back.”

“Barry, they don’t get to walk away from this.”

“I’m not killing anyone.”

“I said walk,” he says grimly.

“I’ll get them home safely,” he pats Ira on the shoulder. “Now close your eyes, exhale, and try not to think of food.”

“That’s going to be hard,” Ira says, “when it smells so…” he realizes he’s in Mongolia, at the restaurant they order take out from.

One of the servers puts down a plate in front of him. “The red man said you wanted extra spicy.”

We’re back with the Rogues. “We sure have an awful lot of Wests,” Glider says. “Your G-man say why?”

“I told him to piss off,” Boomerang lies.

“Yeah. You have a secret informant and a government stalker? You’re just not that interesting.”

Boomerang sighs. “Intel is need-to-know. All I know, is this group would hit him where he lives, soften him up, yeah? They fit a profile.”

“And we aren’t going to kill them?” she asks, louder, to her brother.

We won’t,” Cold says. “Excellent timing, as always,” he says, as Flash enters. “But this place is a death trap. Designed to slow you down, force you to make mistakes. If you do, innocent bystanders pay the price.” He reveals the others, tied, chained, whatever, to various high-tech torture devices. “Or… you kneel at my feet, take off the mask, and I cold-cock you with my gun. I’ve done the math. Even at your speed, you can’t save everyone- you’d need to be moving nearly three times the speed of light. I’ll give you a moment, if you want to double-check my figures.” As Cold monologues, we see Flash zip to the missing family members, including his father and Jay, and then pausing to indeed double-check Cold’s math. But when it comes to Jay, he winks- and not at human speed, but at Barry’s speed. Barry double-takes, and Jay vibrates free of his restraints, and they run outside to have a few nanosecond pow-wow.

Barry is stand-offish; whatever Jay has to say, he’s feeling betrayed and overwhelmed. “Here’s the thing, kiddo,” Jay starts.

“We don’t have time.”

“We do. You and I think, talk and move thousands of times faster than everyone else. We could have a day’s long argument and still have time to fix this.”

“What did you do?”

“You’re a brilliant physicist, better than I ever was, even in my prime. I literally stumbled into the Speed Force- I mean it, tripped on my damn laces and went head-over-tea-kettle. Working with you, I thought… I thought about all of the ways we could harness this speed- all of the ways we could use it to make people’s lives better. Crops that grow faster. Surgeries that are over in a blink and heal in seconds. Medicines moving so fast disease don’t have a chance to take root. And I thought… I thought I could protect you, make sure you didn’t make the same mistakes I did. And… you didn’t. You found your own damn way in. I took one night off to take Joan to a show, and… you made the breakthrough I never could. I was a fool. And I should have told you everything from the start. And I should have told you the day we started, and every day since. You deserved the truth.”

“You’re right. I did. It wouldn’t have changed anything. I still would have worked with you. But when it happened, I wouldn’t have had to feel alone.”

“Damn. I’m sorry I let you down.”

“Good. Because you’re about to get a chance to make it up to me. Time really is a problem here.”

“What do you mean?”

“I mean even at our speed, we can’t save the other four- not without slowing down- not without making ourselves vulnerable.”

“If somebody’s got to take the hit-”

“That’s not what I’m saying. What I am saying, is that we have to do the experiment again- one last time. We give one of them speed- three of us can fix this where two can’t.”

“Your dad, Iris’ mom, they’re too old. I got electrocuted, once, nearly stopped my heart. My accident was just like that- felt like I was in cardiac arrest. I was young, when I had my accident.. The codgers may not survive it.”

“So Wally and Iris are our only shots. I know she’d risk herself for her brother; and he’d die for her. I can’t… I can’t stand the thought of anything happening to either one of them. There’s no way I could choose.”

“Okay. So don’t play God.” Jay takes out a coin from his pocket. “Heads it’s Wally, tails, Iris.” He won’t wait for it to come back down, but catches it at the top of its arc and flips it into his palm. It comes up heads.

They rescue Wally first, then pull him into the Speed Force. While Jay sets up the experiment in the background, Barry explains what’s about to happen- that if he wants, they could try and pull in Iris, instead. But Wally wants to be a superhero- he loves the Flash, so the idea of being able to help, even just this once, he leaps at the chance, even knowing there’s a risk.

“Is it going to hurt?” Wally asks, and Barry winces. But his real question is, “Will it leave a scar? My dad says chicks dig scars.”

“Don’t call them ‘chicks.’ They hate that more than they like scars.”

“But if it’s that important, we’ll make sure you get a scar,” Jay says.

“Don’t help,” Barry says.

“We ready?” Barry nods, and so does Wally. Wally is engulfed in light and electricity. During the experiment, Barry runs out, and returns with an inverted version of his uniform, yellow instead of read, with a red lightning bolt insignia, for Wally. The light and electricity fade, and Wally is left smoking for a moment, before his eyes come open, and he zips immediately into the suit.

“Fits better than my batsuit,” he says.

“You get them and you get out,” Barry says. “The Rogues might be a few bananas short of a bunch, but they’re still dangerous, and I’ve dealt with them before.”

Barry charges at Cold, and a series of charges detonate as his approach, blowing him off his feet.

“You really don’t understand, do you?” Cold asks, standing above him. “I figured you’d save them. That was always part of my plan. The Rogues don’t kill people. But you don’t count.” He lowers his cold gun, and is about to fire. Jay knocks the gun up, so it discharges into the ceiling, while Wally smacks Cold in the stomach.

“Kid,” Jay says, “remember what I said about pulling your punches.”

“I was. I tried.”

Cold coughs up blood.

“There’s more than one?” Cold exclaims. “No wonder we couldn’t beat them!”

“The only thing you could beat is, uh,” Wally starts, hitting Cold again.

“A one-legged man-” Jay hits Cold.

“No,” Wally says, shaking his head after hitting Cold.

“A duckling,” Jay hits Cold.

Wally shakes his head approvingly, then adds, “in an ugly contest,” as he lands one last punch. Then he winces. “Especially until the swelling goes down.”

“At least he can put some cold on it,” Barry says, throwing an arm around each of them. “Thanks. For having my back.”

“Any time, kiddo,” Jay says. “Now, like a family.” The three Flashes square to the Rogues, whose plans fall apart at superspeed.

Barry wraps Glider’s streamers around a pipe, then guides her into a collision with Heatwave. Wally catches several boomerangs before sending them back on a collision course with Boomerang from the other direction. Jay spends a moment geeking out over the Weather Wizard’s tech, before turning it against him.

We cut to Boomerang, behind bars. “So,” Flag says, gloating. “Fifteen to life, or take what’s behind door ‘X’?”

Boomerang spits blood. “Suppose it’s time I stepped up to the bigs, then.”

Credits, and then, the Flash Dance.

More credits, then a mid-credits scene.

“Your task force not going well, Amanda?” General Wade Eiling gloats from behind his desk in a government office. “You’d still be happier working in that carnival freakshow in Gotham?”

“I argued for a handpicked team, but failing that, I could build something out of Gotham. Wetworks requires moral flexibility. You can train any man to kill, but you can’t make any man a killer.”

“I disagree.”

“I’m not talking about soldiers. Flag was a lousy soldier. But he does the job- whatever the job.” She snaps her fingers, and Flag brings in Harley’s hyenas, who growl and posture, making Eiling lurch back in his chair. He hands Waller the leash. “They only eat fish dosed in that Joker toxin.” She pets one of them. “I can leash a rabid beast, Wade, to get it to do what I need.”

“I take your point, Amanda; my report will reflect your objections, and I’ll back your next phase- provided you get those things away from me. And Amanda, next time, no theatrics. Or I put a bullet in each of your pets, and maybe you, too.”

“Wade, if I didn’t know you better, I’d say you were flirting.”

They share a smile.

More credits, and then one final scene. Barry, Jay and Barry’s dad are at the Wests, having a meal. Mrs. West pulls Barry to the side. “You… haven’t seen Ira, have you?” she asks, trying to hide her concern from the rest of them. He holds up his finger, that he’ll need one minute.

Ira is still in the Mongolian restaurant. He’s groaning, absolutely stuffed. “At first it was so good. And then… I kept eating, because I was worried… I think I’m more Mongolian food than man, now. Everyone okay?”

“Yep. And I have experience with this,” Barry says. “I’ll get you a cab, to a hotel. I can bring the missus to you. Cause if I move you… well, you’ll empty the contents of most of your GI tract all over both of us, and you’ll never really get the smell out of your clothes, or your nostrils.”

“Your experience? Your dad?”

“I’d rather not talk about it. But I’m not making that mistake again. Just, take it easy. No sudden movements.”

He heaves. “Don’t mention movements.” He heaves again, and we cut to black.

We hear Flash say, “Oh, God, I couldn’t get out of the way fast enough.”

DC Reboot Pitch: Batman: Love in Madness

The Deal: this is the sixth in a series of pitches for the rebooted DC Movies. I’m using AI art to mock-up these pitches, because it really adds to the madness, and especially for this pitch, we need all the madness we can get.

Batman is maybe the toughest nut to crack, because there have been so many Batman movies, and we’re going to stay away from origins for the most part. And that’s why we’re going to follow the Deadpool route, and make this a Valentine’s date movie.

The Pitch

We start in Arkham. I think the Arkham games found a good compromise, between the spooky, gothic architecture and the fact that there’s still plenty of real-world hospital infrastructure in place, too, so think a spooky castle retrofitted with bland tile and easy to clean hospital walls. We follow Dr. Quinzel, her hair already in twin tails, wearing a red and black corset beneath her buttoned up lab coat, humming the Joker’s theme song from the Batman Animated Series, because he’s too good a character not to have his own iconic theme.

She enters a secured room. She’s firm but kind as she hands over the plant. She put her job on the line vouching for Ivy- but if she attempts to use the plant to break out they’ll use the defoliant sprinklers. Ivy ignores the threat- which is old hat at this point. She’s transfixed with the plant; she’s basically a mother reunited with her child. Both glow under the grow light- which Ivy also credits Harley for. She thanks Harley, for being the one doctor in here who isn’t just putting her under the microscope, but who listens. In exchange she offers her own advice: “The clown isn’t good enough for you. He chews people up and spits them out, not to prove any kind of point, but because he thinks it’s funny. You’re as special as this blossom,” she gently strokes the plant’s petals, “and you shouldn’t settle for anyone who can’t see that.”

We cut to the DC title sequence.

We’re in the Gotham subway system at night. A gang, calling themselves the “Mutants,” dressed in that strange 80s punk aesthetic from the Dark Knight Returns, menace first a black street musician named Milan, and then a woman waiting for the last train of the night. One of them pulls out a switchblade, and is about to mug her, when Batman swoops in and starts fighting them. The street musician starts playing Wesley Willis’ “I Whupped Batman’s Ass,” but as the fight goes on, he changes it to, “Batman Kicked My Ass” (which would be a slight variation on Willis’ “Birdman Kicked My Ass.” As he’s about to leave, Batman retrieves a green batarang from his belt, and throws it into the musician’s open case; the musician unfolds it, to find it’s an origami $100 bill. He looks up to thank Batman, but he’s gone.

Batman slides into his car, and roars off. Alfred calls over a built-in radio. “Commissioner Gordon has requested your presence. A break-in at WayneTech. Security footage shows the clown in the anaesthesia lab. They’re reporting a casualty.” The Batmobile’s engine growls as he increases speed.

We start in on a Wayne security guard with a rictus grin, with the name plate Owens. Batman is studying him, while an EMT assures him they used the anti-toxin Batman distributed to the city’s ambulance companies- but it hasn’t had an effect. “He’s using a new formula.” Batman has a booster in his utility belt. The smile softens somewhat. “He may experience facial paralysis. He’ll need to consult a plastic surgeon; there may be tissue damage.” Batman hands him the card of a good one, that Wayne’s insurance will cover. The EMT promises to tell him.

Batman walks to the lab where the majority of the damage was done. Commissioner Gordon is overseeing the case; he personally oversees any case involving the Joker. Gordon doesn’t know what Joker was after. “An experimental tranquilizer,” Batman says. “Gotham has a high proportion of meta humans and mutations. Typical tranquilizers don’t work on all of them, or even the same way. I consulted, and shared some tissue samples. Every other work station is smashed. But he was careful with this one. He knew what he wanted, and that it was fragile. If he has that, he’ll be able to reproduce it. He’s a chemical savant- that’s why we have such trouble keeping up with his Joker toxins.” Gordon goes to ask him a question, but he’s gone.

Batman swings down to his Batmobile. The lights come on as he approahes, and we’ll think he just has it remote controlled, until it peels away. He grapnels onto the top of the car. It’s not responding to the controls in his gauntlet. The driver swerves, nearly knocking him off. He manages to get the edge of a batarang jammed into the sliding top, and uses his cape to direct a gas grenade’s contents inside the car. The car crashes somewhat languidly into a light pole. Batman wrenches the roof open, to find an early teen asleep at the wheel.

The teen wakes in the batcave. It’s mostly dark, lit only by the instrument panel in the Batmobile. “Jason Todd, in and out of foster homes and orphanages since you could crawl,” Batman’s voice booms, coming from everywhere at once, augmented by the cave’s sound system. “I won’t bore you with your history, all the reasons you spent time in juvey, but your record indicates you’re on track for life in prison by your twenty-third birthday.” Suddenly Batman is behind him, and tears him out of the car with one hand. “So why did you steal my car?”

(somehow, this was the best one)

At first Jason is defiant. He’s been living on the streets, fending off all kinds of predators, for most of his young life. Batman tries to intimidate him, but Jason pivots, and says, “You’re not going to beat on me. In a way, that makes this cave safer than most of the foster homes I’ve been in.” Batman tells him he’s put 37 juveniles in the hospital. “Yeah, in self-defense, or protecting other people. And I tried to take your car because while I can’t steal a home, I can live in a car, and that seems like a pretty safe one to live in.” Batman comments that he managed not to damage the security measures getting inside. “Of course not. Wouldn’t be very safe anymore if I did.” Jason sees his opening. “You were faster, this time. Usually, crime scene investigation involving the Joker, and someone he poisoned, I should have had another 48 seconds.”

“You’ve been tailing me.” Jason’s stomach growls. “You’re hungry.”

As if on cue, Alfred arrives, with a sandwich, cut in half. His eyebrow raises. “Taking in strays again?”

“Kid needs a place to stay, and we do have extra rooms,” Batman says.

“Very good, sir,” Alfred offers the sandwiches first to Jason, who hesitates for only a moment before tearing into one.

We cut to Harley is sneaking in very Scooby Doo fashion into an overgrown plant sanctuary on the outskirts of town with a bottle of ether and a rag. She’s caught, almost immediately, and held by plant vines. “Heya, Red,” she says. Ivy tells Harley she’s immune to poisons- ether included, and Harley says “Oops, I forgot,” and drops both. Ivy’s skeptical- Harley didn’t forget- this is something else.

Harley exuberantly tells her she was going to kidnap her to create a rose garden that grows in a bat symbol- a bat symbol Joker could destroy that would then replenish itself, so he could destroy it all over again. Harley tells Ivy she wants the roses to have blackberry genes, so whatever Mister J throws at them, they’ll spring back. “Oh, Harley,” Ivy says, recognizing that the resilience she’s seeking in the plants is what she’s needed to survive him, and that her gift idea is to find something else to absorb his abuse.

She tricks Harley, telling her they’ll need some supplies. Instead they go shopping. They run into Bruce Wayne, and Ivy uses her pheremones to kidnap him and bring him along on their spree to pay for everything. Harley is focused on things to please Joker, but Ivy keeps steering her towards things that make her feel good, too- emphasizing that Joker should want to make her happy, too, that what makes her happy should make him happy.

Alfred, who witnesses the kidnapping, calls Batgirl. She calls Dick Grayson. At first he’s excited to hear from her. “I know you and Bruce aren’t on the best of terms, right now…” she says, and his face falls, “but someone kidnapped him, off the street. I could use the back-up.” He shows up not in his Robin gear, but as Nightwing. She comments that it looks good- and that he couldn’t dress like a Lost Boy his whole life.

Alfred keeps tabs on Bruce and his kidnappers, so it doesn’t take long for them to catch up. Batgirl and Nightwing have a will-they-won’t-they kind of romance; Batgirl has something of a crush on Bruce, but it’s a schoolgirl and her professor thing, and he views her as a surrogate daughter. They manage to free Bruce. Harley and Ivy get away, and Bruce is convinced their plans don’t have anything to do with the Joker’s.

On the police scanner, they hear about two crimes, a break-in at the bat research center, and one at Arkham. Batman takes the bat center, because he’s still a little worse for wear after being poisoned by Ivy, while the other two take Arkham.

One of the scientists working at the bat research center, Dr. Karl Lykos, has been taken. No ransom yet. An overweight detective, Harvey Bullock, is working the scene, sweating profusely. At one point he decides to sit in a chair, not noticing the whoopie cushion on it. Batman does, and tackles him out of the way, as it explodes violently.

At Arkham, Batgirl delivers an anti-toxin to an orderly named Westen. He’s able to wheeze out that Joker spent several minutes agitated, talking to Freeze, before leaving emtpy-handed. Freeze coldly refuses to speak to them. They’re skeptical, but call Batman. He thinks the victims’ names are a clue- that either Joker is hiding out at Low Pharmaceuticals, or the defunct owl sanctuary. Batman is closer to the owl sancutary, and they’ll take Low. Barbara lingers behind, feeling there’s more investigative work to be done.

Ivy creates the box garden Harley asked for, and grows a bat symbol out of it, offering to help her deliver it to the Joker. But she hesitates, then offers her thoughts, because she’d rather not give something beautiful to a man who doesn’t appreciate it, and will ultimately destroy it. This time, Ivy cups Harley’s cheek, to guide her gaze to meet hers, so Harley can’t ignore that Ivy is talking about her. “Because I’d rather this go to someone who appreciates its beauty.” Ivy waves her hand, and the blossoms change, instead becoming Harley’s black and red diamond pattern. Ivy kisses Harley, and it’s at first a beautiful moment… but then Harley pulls back. She’s still with Joker, still feels like she can’t do this, and leaves.

Batman arrives at the owl sanctuary. There are rose petals cut into the shape of bat symbols adorning the walkway. The large, open room is initially dark, until Joker is lit with a spotlight. Joker’s dressed sharply, think the date night version of what he usually wears, hair slicked back. One side of his head is conspicuously bandaged in what feels like both an homage to Two-Face and Hush. Joker gives a speech about their relationship, how important they are to one another, how he is the ying to Batman’s yoni.

The entire thing should read in Joker’s mind as affectionate bordering on romantic, and to the rest of the world as incredibly creepy. He reveals his grand gesture, Man-Bat, suspended by chains with his wings spread and lit with spotlights to resemble the Bat Signal. His chest has been cut open, the tissue pinned back to form a wet, pink heart in the center. It should be gruesome for a moment, until Batman says, “That isn’t Lykos.” He doesn’t wait for confirmation, but wings a batarang at the ‘Man-Bat’s’ wing, which tears away in a strange, wet clump.

Now we’re with Nightwing. He’s discovered a sonic emitter, and disables it. He’s not sure he understands it. It was broadcasting at a frequency that only dogs could hear, and not loud enough to cause any real damage. He’s attacked by Man-Bat, who was drawn by the signal.

We’re back at Arkham with Batgirl. She’s stopped at Clayface’s cell, noticing that the window looks different than the others. She opens his cell, but he ignores her. She reaches for him, and her hand sinks into his chest. It’s hollow. She pulls back her hand as Clayface attacks; she leaps out of the way, and closes the cell back up. She left an explosive inside Clayface, and detonates it, splattering him across the walls of his cell. Clayface’s window melts; it was made of clay, too, covering the hole through which the rest of him escaped. Barbara calls to the others that Clayface is loose.

We’re back with Batman, as ‘Man-Bat’ reverts to clay and falls from the ceiling, engulfing Batman. As he fruitlessly struggles, Joker admits that he must not have given Lykos enough tranquilizer earlier, so he escaped, and Joker had to improvise. Clayface was going to be a chocolate fountain immortalizing Batman pushing him into a vat of acid that attacked him once he got close. He also wanted an ice sculpture that would shatter into ice shrapnel, but Freeze refused to exchange it for his freedom, and didn’t even budge when Joker threatened Nora.

And that is when Harley enters. She’s furious, realizing she has been trying to build out a romantic Valentine’s Day for Joker, and he wasn’t even giving her a second thought, because he was busy obsessing over Batman. It’s Harley who kicks Joker’s ass while Batman fends off Clayface.

Nightwing throws a batarang on a line around Man-Bat, then gets dragged along into the air, literally only able to hold on for dear life. It’s not until Batgirl arrives that they can manage to wrangle the beast enough to give it the serum that counters his transformation. They manage to catch all three of them with ropes, and end up dangling precariously upside-down a moment, during which they share a brief little upside-down kiss. Nightwing is somewhat anxious, realizing he hopes that was romantic, and not him making their working relationship uncomfortable. “I’m pretty sure I got saliva up my nose,” she says, “and I’m just praying it was yours or mine, and not his.” Man-Bat is drooling profusely hanging above them; Batgirl realizes now she’s making it awkward, and gives him a second peck. “But totally worth it. We should just get down before things gets a lot slimier.”

Harley returns to Ivy. Ivy’s apologetic. She shouldn’t have kissed her like that. Harley’s apologetic, too. She’s been in an abusive relationship so long she couldn’t recognize real affection when it was staring lovingly into her eyes. But she taps the breaks. Because with the Joker’s spell over her broken, she recognizes she doesn’t want a rebound fling. She needs to figure out who Harleen Quinnzel is without Joker, before she can try to figure out who she should be in a healthy relationship. She’s very clear. “This is not a soft ‘No,’ Ivy. When I’m ready, if you want the first dance, I’ll save it for you. And if you find another dance partner before then, I truly hope they sweep you off your feet, because you deserve that.” They embrace.

We cut to Dick and Bruce riding silently home in the Batmobile. “So,” Dick says with a smile, “I imagine that wasn’t the Valentine’s Day you expected.”

“I had hoped to take Vesper to dinner. Tell Joker you have plans, and he laughs.”

“And you’re sure you haven’t done anything to encourage his twisted affections?”

“He’s a stalker, more dangerous for his self-importance. Nothing more.” For a moment they’re quiet, but Batman notices something in Dick. He’s happier than usual, even for him. “What about you?”

Dick can’t help but grin. “It was not what I was expecting, and yet.. one of the better Valentine’s I can remember.” Dick’s smile fades as they’re greeted in the batcave by Jason Todd in a Robin costume. “Bruce, this is a terrible idea.”

“I know,” he says. “That’s why you should train him. Because you survived me, and Gotham. You understand my faults in a way I’m too close to see. And you understand better than anyone what it takes to be Robin.”

“And if I’m certain there shouldn’t be one?”

“That’s between you and the kid. I might agree with you- there’s a reason I haven’t tried to replace you.. But convincing him is the rub.”

“You’re a real prick, you know that?” Dick asks, but he’s smiling.

“So you’ve told me,” Bruce says, grim, but behind it, he’s happier than he’s been in quite some time, and finally feels like his little family is whole again. Credits.

MCU ’22 Bonus Pitch: Spider-Man: Attack of the Clones

Quick note: Okay, so I made a mistake, and thought I could take last week off. But I was forgetting that I’d been sitting on this pitch to release alongside the new Spider-Verse movie… so Batman will come out next Friday.

The Deal: I pitch movies set in the Marvel or DC cinematic universes. Also other things. And I’m using AI to generate images, with often silly results.

This one started as mostly a joke idea, until I realized, “Multiplicity, but with Spider-Man” was the pitch, and then… then I realized we could just do a straight-up comedy, and even loop in Michael Keaton’s Vulture as the straight man for it, and fell in love with the idea. This is the year of the Spider, so… why not? Oh, and we’re definitely pulling in Paul Rudd, who has his own similarly-themed Netflix show called Living with Yourself, and because I think his character would be a hilarious mentor to Peter, the angel on his shoulder to the devil that is the Vulture. Plus, the two of them have comedy chops that we could really lean into. You might even be able to get Adam McKay to come and do this one, with all of that talent and budget, and that would be fun madness.

To start, this movie would finally play up the “Peter can’t keep a job to save his skin” angle. I’m going to say he’s staying with Felicia Hardy in the apartment he used to share with May- that their relationship has progressed since Heroes for Hire 2. Felicia’s footing the bill, but since Peter insists they pay their bills legitimately, they’re in danger of losing the apartment, so he’s searching the want ads for something that isn’t going to interfere with his school, or his heroing, which he coyly refer to as his night school (because Felicia is worried he’s going to accidentally blurt out something Spider-Man to a classmate without thinking). “Last weekend you were up for three straight days. You forgot to put on pants the whole day- not that I’m complaining. But you ordered a pizza, and the delivery girl could definitely see your web sack.”

“Felicia!” She nods, and we see the sack of webbing where he keeps his Spider-Man gear, definitely in full view of the front door. “That sack; yeah, I need to be more careful about who sees my sack.”

There’s a knock at the door, and Peter forgets to hide his websack, even though they were just talking about it. Thankfully, it’s Miles, wanting to be trained (especially having seen firsthand a fight with an Inheritor in Edge of the Spider-Verse). It’s subtle, to start, but he’s acting like he and Peter have already had this conversation, that Peter already agreed to mentor him. Peter doesn’t feel ready for the responsibility. He tells Miles that part of being a mentor is having the maturity to know when you’re not ready to be a mentor- but that Dr. Connors helped him a lot when he was Miles’ age. Miles is unhappy, but mentions that Dr. Connors wanted him to pass a message, one that doesn’t make any sense to Peter. Felicia hands Peter his phone, telling him he missed a call; MJ leaves a message telling him it was really cool meeting him and she had fun at lunch.

The trouble is, he still hasn’t contacted her, and he didn’t take her to lunch- he was with Felicia. Things come to a head when Vulture brings a second Peter home. He’s expecting to deliver Peter to May and tell her to keep him away from his daughter.

I… don’t know what Vulture’s doing with his tongue. I… don’t think I want to know.

At that moment, Man-Spider (having taken the name Ben Reilly for himself) arrives, having had a thought. Realizing there are already two of them there, Ben tries to excuse himself, “Oh, I see we’re already here.”

“God, they’re multiplying,” Vulture says.

Felicia asks for a moment to talk to, “the supervillain standing in my foyer?” She leans into him. “He might have a problem with killing people like you. Look at him sideways in my apartment, and see if I have the same compunction.”

Felicia lets Vulture enter the room with the other three Peters. “Wait, how was he anywhere near Liz? I thought she moved to the West Coast,” our Peter asks.

“They’re in town. For a visit,” Vulture says.

Really?” Pete says, leering.

“Dude,” Ben says, “Felicia.”

“I was teasing him. That overprotective father thing is so… ten years ago.”

“And what do you have to say for yourself?” Ben asks the new Spider-Man Vulture delivered.

“It was innocent,” Casanova Spider says with a shrug. “I was swinging along, and-”

“Wait,” our Peter interrupts. “How were you swinging. I invented my web-shooters.”

“I remember. I remember everything up until you got caught by the Jackal.”

“Oh, crap,” Peter says.

“So I grabbed one of your extra costumes, and built some web shooters. And I knew MJ had gotten that internship, and I was in the area. She… wanted to play a game like we’d never met, but we got lunch. She’s a really great girl; she deserves to have some quiet time with you. But after that, I was swinging around on patrol, when my spider sense lit up. It was him.” He nods at Vulture. “I followed him, and he met up with Liz. Then left. And she looked so sad. And so sweet. And… we were just talking.”

“Your lips were literally on her ear,” Vulture says menacingly.

“We started talking. She’s- the move was really hard on her. The blip was really hard on her, too. Everything, really, has been hard on her. She just needed a friend… I guess I was maybe a little too sympathetic an ear.”

“And when did you visit Connors?” Ben asks.

“I haven’t seen Dr. Connors since… since I was you, I guess.”

“Crap,” Ben and Pete say at the same time.

Vulture drives them across town. The Peters chatter amongst themselves, a little too loudly; some suspect, as a Jackal associate, that Vulture might be involved, and they should keep their friends close but their enemies closer. “Was thinking the same thing,” Vulture says.

They find out from Connors that there’s another Spider-Man, a Nerd Spider (is Poindexter-Man too much?). “He was wearing glasses, like you used to, Peter, and kept complaining about his allergies. Apparently, sneezing in the mask is… a problem.”

They track him down at the public library, doing research. He has braces, for some reason, and is dressed like the 60s version of Peter. He has some theories about what’s going on. His original hypothesis was that Jackal had some kind of a master plan. But research of the Bugle archives has found a series of brutal murders. There was flesh torn from the bodies, and each was found with a hand-print friction burn on their face. Nerd Spider picks up a piece of graph paper and sticks to it with his hand, before peeling the paper away. We zoom in to see that some of the fibers stay on his hand. “When we stick to surfaces, we extend what is, in essence, a low-level gravity field, just enough Gs to hold up a little more than our body weight- roughly us plus a person, plus compensating for whatever momentum we reach the wall with. But imagine one of the clones came out… not exactly correctly. A mutation, an aberration, something that amplified this field. Then imagine applying that force to a human being’s face.”

“The first murder,” we flashback, “was a man neighbors knew as Jack.” It’s another Peter, this one with a shaved head, and a little shorter than the others. “I believe he was one of the Jackal’s first attempts at cloning Peter, and worked to assist him. He was found, murdered, wearing a green outfit similar to the one the Jackal wore, with that tell-tale handprint across his face.” And we’re back in the library. “That’s when I realized the truth: Warren lost control of his clones. Someone has been letting us out.”

“To what end?” Ben asks.

“That…. I don’t know. But at least one of them is a killer. A Spider-Murderer- and that should give all of us pause.”

We see some of New York’s finest walking a Peter in Spider-Man feety pajamas into Peter’s building. This Peter keeps repeating the address. I’m going to try and walk a line, here. In Multiplicity (hell, in virtually every story of this type), they do a ‘one of them came out wrong’ sort of joke. The character’s always some kind of handicapped, usually played for comedy. Obviously, that’s problematic, when the joke is that handicapped people are funny (as in the butt of the joke, not as in capable of being humorous). But I want to be able to have my cake and eat it, on this. So my thought, and were we to do this, we would absolutely consult with sensitivity professionals and stakeholders, is that one of the clones has trisomy 21, Down syndrome. This would be the one clone not played by Tom Holland, because we’d get someone with Down syndrome to play him. The cops knock on the door, and tell Felicia that this young man claims to be her nephew, that this is where he lives. Felicia invites him in (I’m going to call him Corky, after Chris Burke’s Life Goes On character; bit before my time, but at least Google seems to think he’s been a good advocate for that community), and calls Peter. Just as a note, this clone might be younger; I want him in adorable Spider-Man feety pajamas, but I want them appropriate to the character (which, I will note, he corrects people to call his “Petey Pajamas” because that’s adorable).

I think the only ‘joke’ we’d have, here, is largely a reference to Multiplicity. Vulture goes into a room where the extra Spider-Men, including this one, under the direction of Nerd Spider, are hard at work assembling web shooters for all of the Spider-Men. Vulture emerges a little shaken. “He said ‘she’ touched his peppy. If ‘she’ was my daughter, I’m killing them both.” Seeming to understand that sounds bad, even for a villain, he adds, “It’s not because he’s different. It’s that he’s 2. And one of you.”

“Can we postpone the filicide?” Original Pete asks.

“Because my daughter’s a filly?” he asks, glaring.

“From the Latin, fillia. I did take Latin in the first place to impress your daughter, though. That’s, basically a compliment. It takes studying Latin to impress her, even a little, and all I got from her was this little wiggle smile. Worth it, but, now I have a head full of murder- it could be a prolicide. She’s probably not technically a kid, anymore, or it could be a pedicide.”

“And what would killing a spider be?” Vulture menaces.

“Arachnicide. Oh.”

The punchline for the joke would occur in an end-credits scene. The clone with Down syndrome excitedly exclaims that, “She’s touching my peppy,” from the closed room. Vulture and Felicia both protectively barrel into the room, to find that Pizza Dog, yes, from the Hawkeye series, is licking his pizza- his pepperoni pizza. “She’s touching my peppy,” he says with a scowl, before closing the box, and sauntering off with it.

But also, he’s not just here for a joke. He’d be there, as part of the finale, suited up, part of the good Spider army fighting against the villains. I think, to make sure we’re being responsible, one of the other clones asks him if he’s up to the fight. He pulls on his mask. “Don’t worry about me,” he says, “I’m Spider-Man.”

But I’m getting ahead of myself. Realizing this is all getting out of hand, Peter starts calling his former mentors. Starting with Dr. Strange, then Nick Fury, then ringing through to Happy. Then he calls the Avengers line, and we see the call ring through to several others (to save money, we can always have the calls just show on a phone in the right setting. Finally, Ant Man answers, calling him “Peanut,” before realizing he isn’t his daughter; Peter doesn’t realize it’s not a pet name for him, and awkwardly calls him “Biscotti.” He agrees to help Peter, largely because Multiplicity is one of his favorite Harold Ramis movies. He and Michael Keaton will end up in an argument over which is the better execution to the idea, Multiplicity or Living with Myself, with each arguing for the other’s version (because that’s funnier).

Again and again, the story comes back down to Peter both feeling responsibility for his clones, but also feeling like they shouldn’t be his responsibility. That’s the secret weapon we have, here; Paul Rudd’s Ant-Man and Michael Keaton’s Vulture are both actually really devoted fathers, and despite themselves, will give him the kind of solid advice he’ll need.

I think they investigate a series of murders and break-ins, dead spiders, and tech stolen from former Parker mentors. That’s because the rogue spiders all share Peter’s memories, as well as his scientific acumen. So their goal is, largely, to make a New York where they won’t be freaks, where they can be normal, or at least where the only freakish thing will be that they’re clones. This leads to a confrontation, the good Peters convinced that it isn’t worth the risk- some people will die, especially the old, the sickly, the young- that they don’t have the right to force this evolution on people.

I imagine, to get a more personal show-down, the good clones each stake out a different final component, and it’s original Peter who is there when Kaine breaks in. Kaine… is not a fan of his, blaming him for a lot of what happened to all of them, for first letting himself be kidnapped by Jackal, by not rescuing the rest of them, by letting the Avengers make him their goofy kid mascot, rather than make it okay for mutants to be public with their mutations. Peter tries to reason with him; in a way, Kaine is his wayward son, and in others, he’s Peter if things had gone very badly for him.

But Kaine is full of rage, rage borne of pain, both physical and psychological, and he lashes out. He’s strong, stronger than Peter; for the uninitiated, Kaine is basically what happens when the spider powers end up turned to 11. Even though Peter is more experienced, he’s just not ready for Kaine’s unbridled fury; Ben shows up, and saves him. Kaine flees, but with the tech he needed (he was never really there for a fight, anyway). Peter manages to hit Kaine with a tracker, one that will allow them to confront him before he finishes his device.

To fill out the ranks of the Bad Spiders, we’re mostly going to use Kaine’s various personae over the years, Tarantula, Scarlet Spider (the black and red costume); it could be neat to have Otto side with the evil Spiders as Superior Spider-Man, maybe bring some spider robots into play (maybe having been injured during Sinister 7 and back to using his tech to puppeteer a clone- maybe one who suffers a head injury and ends up comatose?).

We do a big knock-down drag-out fight between the good and bad Spiders, including the triumphant arrival of Footy Pajama Spider-Man. He is completely competent as a Spider-Man; it’s possible, if there’s some fun to be had, in the idea that he’s different from how we’d expect from a typical Spider-Man, provided he’s not the butt of the joke, and provided he’s different, but in a way that totally works (see the Feety Pajamas); I am, likewise, toying with the idea that he has a pig stuffed animal that he sewed a matching costume for, so that we can sort of have Spider-Ham in this thing (though he will properly be in the next one, but shhh… you’re not supposed to know that yet).

Miles shows up at the final battle, in his own home-made costume, saying he couldn’t stand by and let other people fight, let other people get hurt. Peter takes a moment to apologize. “I’m the reason you got sucked into this insane world; I didn’t want that for you, and I certainly wouldn’t have chosen it, but I have a responsibility to help you be the best Spider-Man you can be; we all have a responsibility to make each other the best we can be. So stay alive, kid, and I’ll teach you,”

“How to stay alive?” Miles asks, ducking one of the Doppleganger’s talons.

“I guess that’s all I have to teach you. You’ve already got the patter down.”

We get a big fight, with everyone getting a moment to shine:

Casanova: “I’m really more of a lover than a fighter,” he says, as Superior advances on him. He webs Superior’s elbow to a gargoyle, then takes a step back. Superior lunges forward, before hitting the end of his leash- and then the web sproings the gargoyle into him.

Kaine confronts Feety Pajama Spider-Man: “You should be with us. We’re fighting for a world where mutants are treated with respect, and dignity.”

“Spider-Man isn’t evil. That’s what’s wrong with you.” He ducks a punch, webbing Kaine’s feet to the ground, before leaping over him and and delivering a crushing uppercut.

Miles, in his home-made black and red suit, confronts the Scarlet Spider, also in red and black. Peter’s nervous, because this one is nearly as deadly as Kaine. Peter keeps telling him to feel for the tingle, but Miles is having trouble sensing it, before his hand grazes Scarlet’s shoulder, and he zaps him with a venom blast. “Think I felt the tingle,” Miles says.

“I think we all felt that one,” Peter says, before spraying a web for another Spider-Man to knock an opponent over.

I think Ben fights a newly re-formed Doppleganger. (yes, from my Maximum Carnage pitch– though this time I’m assuming they put that symbiote on a different clone, so Ben can literally face his demons) I think he maybe gets his clock cleaned by it earlier, and so he refuses to take the serum Dr. Conners made for him, and at a dramatic moment in the fight, mentions Popeye, “except for me, it’s actually the opposite of eating my spinach.” His four extra arms tear their way out of his sides; it’s clear it’s pretty painful, but suddenly they’re evenly matched, in fact, maybe Ben is on top, and furnishes a syringe he shoots the Doppleganger up with. “That should help with the mutation, and I put in some tranquilizers, too.”

“I’ve been analyzing some of the tissue samples left behind by Electro, and realized some of the organic compounds they contained could bind with our webbing fluid.”

“You’re putting me to sleep, Poindexter,” Tarantula growls, swiping wildly.

“Yes. The point.” He hits him in the chest with a web that then zaps him. “Difficult to believe we emerged from the same gene pool,” he says over the smoking spider.

It’s only after defeating and unmasking Kaine that we find out the biggest reason he’s been pushing this fight so aggressively: the clones are defective. As the oldest clone, Kaine’s damage is the furthest progressed. He was hoping to make being a spider/clone okay, then to harness the sympathy and acceptance to try and get some of the MCU’s big brains to help save them. He wasn’t really a bad dude, just a desperate one, who felt responsible for the clones who came after him. On the one hand, this gives us an out, for why Peter isn’t the real villain, but it also gives us a way to hand-wave away the clones until/unless we want to bring them back- that they’ve been off curing/arresting the degeneration.

End Credits Scene:

Feety Pajama Spider-Man is still a little out of sorts, eating his pizza sticking to the side of a water tower, as Pizza Dog barks at him from the roof below. “My peppy,” he says, taking a bite from a slice. His stuffed Spider-Ham is webbed to the tower beside the pizza box.

A portal opens, energy and electricity scaring Pizza Dog, who barks at it. Petey drops his pizza, gobsmacked, and the dog snatches it and runs off. Petey’s not even paying attention, because he’s more interested in the portal. It starts off screen. I’m assuming he’s off screen, but we hear John Mulaney’s distinctive voice. “Hey, kid, how’s it hanging?”

“Hey Ham.”

“I told you, it’s Peter.”

I’m Peter.”

“Kid, we’re all Peter.” We finally reverse, and see that Spider-Ham is there, with Indian Spider-Man and Penni Parker. “Okay, so half of present company excluded. This place has got way too many spiders. It’s ringing the dinner bell before we’re ready to serve just desserts. So come with us. We’ve got a safe place to prepare. And, yeah, kid. You’re going to need your Petey Pajamas.”

We cut to black. White text appears one word at a time.

Feety Pajama Spider-Man

And Spider-Ham

Will Return

In The Spider-Verse

DC Reboot Pitch: Green Lantern

The Deal: this is the fifth in a series of pitches for the rebooted DC Movies. I’m using AI art to mock-up these pitches, which has proven to be more amusing than accurate.

The Pitch

Who knows what green lurks in the hearts of men? The Phantom knows. Wait…

We open on an experimental craft at an air show. The announcer tells us it’s Ferris’ newest innovation, flown by Coast City’s own Martin Jordan. His young son, Hal and his wife are there, saying goodbye and wishing him luck. She’s worried, and her fear is making Hal anxious, so Martin gives Hal his leather bomber jacket, then kisses his wife. He gives the audience a wave and then climbs into the plane.

The craft screams overhead. We’re making something of a play for that Top Gun audience, so we get some nifty flying shots before the engine blows. Jordan and Ferris communicate over the radio. Ferris wants him to bring the plane down safely, because of the investment it represents. Jordan tells him the plane’s coming down hard- and if he brings it down in front of the stands a lot of people are going to get hurt. We pan down, and see that he’s already tried to eject- and it’s malfunctioned- he’s made the decision to sacrifice himself to save other people.

We watch young Hal and Carol, transfixed, afraid, as they watch the craft descend. Carol grabs Hal’s hand tight, and we cut to the modern day.

Hal is a freelance astronaut, for all intents and purposes. He works for a Space-X competitor (technically sub-contracted through Ferris Air), run by Hector Hammond. Hammond is renowned (but also considered a kook) for his intensive personality testing in who he hires. That’s because his psionic abilities put him in touch, essentially subconsciously, with the emotional spectrum, and he can feel its power even if he hasn’t figured out how to use it.

That’s the reason in his employ Hammond has John Stewart working as an aeronautical engineer, Kyle Raynor working as a graphic designer, and even Guy Gardner as his chief of security, and William Hand as his chief technician, responsible for most of the builds. He puts the Ferris Air staff through the same process, which is why he works so closely with both Carol Ferris and Hal Jordan.

Gardner needs a little extra love just because his character usually… sucks. But he doesn’t have to. See, he was beaten by his alcoholic father as a kid, and as a result hated him, and hated booze. Seeking to help kids who were struggling through similar circumstances, he put himself through school, getting dual degrees in education and social work. And he was good at it. He was empathetic, and kind. But he was still angry. One kid reminded him too much of himself, and he was shaken; that might have been the end of it, but the kid’s father found out he was talking to the school’s counselor, and burst in. Guy didn’t see him there- he only saw his own father, only saw himself cowering, and beat the living hell out of him. He likely would have ended up in prison, except the ‘arresting’ officer was his brother. Guy had been an MP in the military; that paid for his schooling. His scores were off the chart, to the degree that police forces tried to recruit him when his time in the service was up. But he didn’t like that being an MP brought out his aggressive side, so he pursued education. His father, now a captain with the Boston Police Department, is able to broker a trade: Guy works with the Boston PD for a few years, they make the charges go away; this is viable because under questioning the father confesses to child abuse, and can’t remember whether he or Guy took the first swing. Guy is a pretty good cop, but it gives him the same opportunity for violence, also giving him a template for bravado covering up his pain. He’s recruited by Hammond, who gives him a dual role, working with his human resources in a hands-on capacity, but also running his security. In most instances, Guy is insulated from the day to day, but Hammond insists on Guy also being his personal security, too, often tasked with playing the heavy, bringing him directly into conflict with Hal, who has a history of belting authority figures.

Jordan and Stewart become fast friends. They’re both military men, ones who on balance enjoyed it. They become drinking bodies and confidantes. I’d model their relationship somewhat off of Tony and Rhodey.

They tolerate the dreamer who designs most of the graphics and handles the social media for Hammond, Kyle Raynor. He looks up to them; he’s kind of the Jimmy Olsen to Hal’s Superman.

And then there’s Carol. Hal’s always had an eye for Carol… and she’s never given him the time of day. The reason is the Ferris family views Martin’s death as their fault; Carol can’t see Hal, even now, and not see that little boy her family destroyed. This led them to be protective of Hal. They hired him when no one else would- after he washed out of the Air Force after hitting his superior officer. Hal always had trouble with authority, and that’s continued with the Ferrises. Hammond is pursuing Carol, but she’s reluctant, since at this point her company is reliant on his for its survival, so a relationship would put her in an uncomfortable position.

We establish all these relationships early, because once the plot starts moving, it’s going to be pretty nonstop. But it’s during one of these nights at the bar that John finally levels with Hal. Hal sees Carol as a cold ball-buster, and it’s clear from their conversation that some of what he feels about her is residual resentment over her family’s culpability in his father’s death. John’s getting more annoyed the more Hal complains, before finally slamming down his beer. “She fought like hell for you.” At first Hal’s confused. “After you washed out, the reason no one would touch you is insuring a wash-out is expensive. You’re a literal liability. But she fought for you. Fought Hammond, fought the board- raised enough of a stink that I heard it all the way in engineering. And you know why? Because she knows there’s more to you than your record. She knows why you decked that general- why you gave her and her father so much shit. She knows your story- your real story- not the one in your file, but the man you are between those lines.”

Kyle looks up from his doodling long enough to confirm he heard about her advocating in the marketing department, too. John hammers him a little more, about not knowing what all happened between them, but that he knows she was a kid when Hal’s father died- she isn’t who he’s pissed at.And that her father pulled strings for him, too; Hal’s scores were passable but not transcendent, so part of the reason Hal got to be a pilot was because of Ferris’ intervention.

You’ve got the wrong Atrocitus. The one you want is much uglier.

We cut to Abin Sur. He has a prisoner in his ship, one taunting him for not trusting his ring, needing the ship, that his fear makes him weak, that his terror at the coming Blackest Night will be his downfall. To demonstrate this, Atrocitus uses his red power ring to tear his way out of Sur’s energy prison and attack him as he’s flying.

Hal is sitting in the cockpit of a new fighter. He has a picture of his father taped to the instruments, and while waiting for a clear runway, talks to it. “I think John’s right. I think… I think I put a lot of blame on a lot of people over the years, because I couldn’t understand why you left us- and I couldn’t be mad at you for being gone. I made things harder on people who didn’t deserve it. That’s not the kind of man I want to be, pop.” He gets told over the radio that the runway is clear, and they’re go for the test-flight.

Essentially, now that there’s a space force, there’s a need for a space fighter. Jordan gets it to break atmosphere, the purpose of the test, but then sees the alien craft hit the atmosphere at the wrong angle, taking heat damage as a result. He radios in that he’s in pursuit of a crashing craft. Hammond tells him to leave it- he’s completed his task, and every second more risks everything. Hal knows whoever is piloting that craft is going to need assistance, and their only hope is getting help there as soon as possible- requiring accurate coordinates of the crash site, though he’s largely unable to articulate this past his anti-authority knee jerk. Carol is in the room with Hammond, and tries to explain that’s who Hal is. Hammond dismisses her as having a soft spot for Jordan. She’s still in denial, but Hammond sees that Jordan stands in the way of the future he wants with Carol. He asks her to leave, to let him talk to Jordan alone.

Sur and Atrocitus fight but it’s clear that Sur has already lost, and isn’t even able to protect himself as the ship crashes. Atrocitus wonders if he’ll be able to take Sur’s ring once he’s dead; Sur whispers something to his ring, and it flies off his finger as they crash.

Hammond tries one last time to convince Hal to come back, telling him he’s risking the entire project. When Jordan refuses, he hits a button beneath his desk, and Jordan’s engine explodes, sabotaging his ejector and landing gear as well. Hammond taunts Jordan with the reality of the situation- he can let the plane fly level, and hit Coast City, or he can ditch in the desert like his father. Hal points the jet at the desert, before catching his father’s photo out of the corner of his eye, and realizing he’s about to die like him. “I get it. You didn’t hesitate to do the right thing.” Something green flies into the cockpit, and onto Hal’s finger. “Hal Jordan, you have the ability to overcome great fear,” the ring tells him, and a green energy sheath enfolds him as the ship hits the sand.

Jordan opens his eyes a moment later, floating towards Sur’s wreckage. Sur is dying. Sur touches the ring, and calls to Sinestro to help capture his prisoner and stop the Blackest Night. A surge of energy engulfs Jordan as the signal is sent interstellar, and Jordan passes out. He wakes to find Sinestro there. Sinestro explains that the strain of that kind of communication can take a lot out of a Green Lantern- especially a fresh recruit. Sinestro offers to train him while they search for Atrocitus. Hal bristles at being under this new authority, but also kind of gets caught up in all of it, too.

Hal never believed his mother that if he kept making that face it would stay that way, until…

Atrocitus is mostly laying low. He knows the Earth is not without its own heroes, and hopes to locate his quarry without drawing attention, because while being the leader of a Corps., he hasn’t figured out how to recruit new members, so it’s just him, for now. It doesn’t take much; his ring is able to connect to the internet, and finds William Hand quickly.

Sinestro and Hal camp in the desert, where Sinestro preaches a parallel lesson, that to effectively combat an enemy, one must understand them. He gives Hal access to Atrocitus’ files in the Corps., usually blocked off without special permissions. Hal is horrified that the Guardians raised his sector, but Sinestro is cold about it- saying that they were a threat to all the sectors, and while the Manhunters were overzealous, hence their replacement by sentients- the war they fought was just.

The next day, Atrocitus attacks Hammond’s building; Hand’s employment there is public record, but his home address is not. That brings him into direct conflict with Guy Gardner. Atrocitus chews through the security staff, but his ring recognizes in Guy a potential recruit, and splits, one of the rings recruiting Guy. Guy, essentially in a fugue state of rage, leads Atrocitus directly to Hand, who was walking Carol and Hammond through a new innovation.

The battle between good and evil was always going to come down to rock paper scissors…

At that moment, Sinestro and Hal arrive. Hal wants to confront Hammond for trying to murder him, but goes to aid Sinestro, instead. Together they might be able to take Atrocitus, but the addition of Guy makes it too much. Hal peels off Guy, and then connects to all of his public records. We watch as pages flip past, as the ring scans information into Hal’s mind. “Wait,” Hal says to his ring. “It’s too much. It’s his whole life, but it’s also… the least important parts of his life. He isn’t… he’s more than that man on paper.”

To make it more dynamic for the audience we cut to a series of vignettes. We see Guy as a child with his father in a polceman’s uniform in his captain’s office. Guy has a black eye and a bleeding lip. “Rolly, you’re a great cop, but you got too much anger in you. You can’t take it home and take it out on your kids. This is the last time I look the other way. Understand?”

We cut to later, Guy, now an adult, a little ruffled, talking to a different cop. “Guy, you want to hit people, say the word; I can make this go away, and put you in a uniform. You’re my brother, and I love you, but a school counselor can’t go belting parents.”

“He was dad.”

“I know. I’ve seen the referrals to child protective services. He’s a real piece of work.”

“No. I didn’t see him. I saw dad. I was fighting back against our dad, the way we couldn’t when he’d hit us.”

“Christ. I know how he was, okay? And I know you took as many beatings for me as you could. But you gotta do something about this rage. Sometimes the only thing I can do is give it to the right people.”

“I don’t want to hurt anyone.”

“Look, I spoke to dad. He pulled strings. Charges dropped… but you got to come work with us.”

“Then lock me up.”

“Look. Dad still sucks. Still tries to make me think we made up all those times he beat on us. But this is it, your best bet. No school will touch you, now. But you do your time as a uniform, and maybe one will take you on as a resource officer, and you can go back to helping kids.”

Later, the both of them, a little older.

“I did my time,” Guy says angrily.

“You’re breaking dad’s heart.”

“I don’t believe he has one to break. And I’m done hurting people. I found a job that will let me connect, and not with my fist.” He grabs his brother’s shoulder. “Don’t be dad. Get out of this job while you still got enough of a soul to be something else.”

Back in the modern moment, Hal puts his hand on Guy’s shoulder. Guy punches him, and punches him between every line. “You don’t have to be your father. You don’t have to hurt people. You care- I get that now. You want to connect- and not with your fists.” Guy stops, and tears the red ring off his finger with a howl of unadulterated anger, sending it bouncing across the floor.

Sinestro is being beaten, badly, by Atrocitus, who is using the moment to preach to William Hand about his destiny, about his greatness, about the bleak havoc he will reek on a deserving universe (one he blames for allowing the Guardians to run rampant). Things change as Guy and Hal, now both wearing Green Lantern rings, burst in. The three Green Lanterns, even with two of them being relatively green (pun intended), make short work of Atrocitus, and recapture him.

50 Shades of Green: The 10-hour deleted scene where Kilowog teaches Sinestro the meaning of ‘submission.”

In the aftermath, Hal, now back in civilian clothes, finds Carol. Hammond has left, an extended sabbatical, leaving Carol in charge of his entire operation. Her head is swimming, and she’s freaked out by the increased responsibility. He puts his hand on her shoulder. “I don’t want to add to an already overfull plate, but… I know I’m not always the easiest man to know. So I wanted to thank you, and your family, for looking out for me. You didn’t have to. What happened with my dad, it was an accident; accidents happen, especially when you’re a test pilot on the bleeding edge. Dad loved being there, and he understood the risks, just like I do. And I know the risks you’ve taken with me, and I wanted to tell you I am so grateful for that, and so sorry for not being able to process all of this in a healthier way sooner, and for all the crap you took from me because of that. But there’s one last risk I’d love for you to take on me: would you let me take you to dinner?”

“No,” she says coldly. “But I’ll let you buy me coffee, and we’ll see how that goes.”

They don’t even realize Hector is lurking in the background. We follow him as he storms away, back to his room. He opens a safe, a lead-lined safe, and takes out a gleaming rock, and we see his head pulse.

We have two end-credits scenes. In the first, Hammond, still clutching his rock, visits Hand in his lab. He’s in possession of the Red Lantern ring Gardner removed- although he can no longer activate it. But during the fight his equipment got enough solid readings from them that he thinks he can reverse-engineer their power signature- he suspects his black ring can steal the energy of a Green Lantern ring and use it himself. Given enough time, he might even be able to figure out a way to power it himself. Hammond smiles.

In the second, Sinestro takes Hal to Oa, to speak with the Guardians. They tell him the first prophecy in the book of the Black has come true with the return of the first of the Five Inversions. They say they’re going to need to begin recruiting for the battles ahead, and Hal says he might know some good guys.

DC Reboot Pitch: Wonder Woman

This is the fourth in a series of pitches for the rebooted DC Movies.

Note: I got really excited at the prospect of using AI art to mock-up these pitches, cause real talk, a pitch with pictures is a thousand times more exciting than one with just words (I think that’s how the quote goes). And AI is largely not up to the task. But we can still have some weird fun as we roll with this punch.

I’m going to try not to duplicate myself, despite this not being my first Wonder Woman rodeo. Or my second, for that matter…

Pitch

Little known fact: Amazons fletched their arrows with plump worms, or their own torn-off fingers.

Wonder Woman begins with a hunt. The Amazons are tracking a sacred deer, hunted only once a year and slaughtered in honor of Artemis. We cut back and forth, to earlier in the day, where Hippolyta wants her daughter to participate in the hunt, to really participate, to compete. Diana doesn’t want to; she doesn’t want to use the advantage of her gifts over her sisters, and she doesn’t like killing. Hippolyta offers her what she’s wanted so desperately for over a century- permission to leave to intervene in Man’s world. If she wins. Diana leaves, angry at her mother’s attempts to control her.

Many Amazons loose their arrows, but it is eventually Diana who overtakes the beast. She lunges at it, deflecting her sisters’ arrows with her bracelets. She refuses to kill it, and lets it free. The other Amazons are in awe; most of them can’t hit it with an arrow, but Diana captured it by hand. We intercut with earlier; Antiope pulls Diana to the side, and says winning doesn’t have to involve killing- in fact, in winning she can make sure there isn’t any death. The Amazons stare in amazement at Diana. One murmurs about her being a hunter to rival the goddess Artemis herself.

We pull back, and Artemis, the goddess, slaps the reflecting pool she was watching the hunt through. Hera, her adoptive mother is there, and asks what troubles her. She’s angry, at the deer not being sacrificed to her, at the Amazons daring to compare Diana to a goddess. Hera asks if mercy, and forgoing its flesh, is not itself a sacrifice. Artemis angrily tells her that a hunt does not end in mercy, and storms off.

We flash back, to show Wonder Woman has been asking to intervene in the world of man since the first World War. Every time, her mother consulted Athena, and every time, the goddess of wisdom told the Amazons to stay hidden.

We cut to day. Steve Trevor and Barbara Minerva are in a dogfight in the skies near Paradise Island. Her tail has Cheetah stripes; she’s developed a reputation as a Cheetah, ripping scores from the jaws of meaner and hungrier predators. For that reason one of her prized possessions is a cheetah-skin wrap she was given after the completion of a successful job, and she’s rarely without it. He’s pursuing her, but they’re both gifted pilots. The fight lasts long enough to justify featuring in the trailer, so we can go after that Top Gun: Maverick money.

Minerva’s jet crashes into the island’s invisible bubble, which keeps the Amazons hidden, even from satellite, an instant before Steve’s does. Normally Barbara could take him hand to hand, but his landing was slightly softer, since he had a moment more to prepare for the crash, so Steve triumphs, and pockets a canister of microfiche she had.

The Amazons find him standing over a bloodied Minerva. Being naturally distrustful of men, they believe Barbara’s story that Steve is a spy she was hunting, and they hold him captive. She gets free reign of the island, and begins stealing artifacts and sizing up the Amazons defenses.

This Barbara Minerva’s stepfather abused her and her mother; he made her feel small, inconsequential, vulnerable, so she joined the military immediately after high school. She told everyone it was to pay for her degree in anthropology… but both were means to never having to feel like a bigger predator’s prey ever again. Since graduating she has been working as a mercenary in world conflicts to gain access to sacred sites to pillage them, occasionally passing intelligence between shady groups as a side hustle (because when in Rome). That’s why Steve was after her- she has information that could be vital to stopping a terror attack. It’s not a huge detail, but it’s being orchestrated by higher powers; it isn’t a coincidence she ended up on Paradise Island. Eventually she finds a shrine to Artemis. Sensing a kindred spirit, Artemis lures a cheetah to the shrine, and it attacks Minerva, shredding her fur. She kills it with her bare hands.

Clearly the Cheetah has broken her right arm so badly it’s facing the wrong direction.

Artemis blesses Barbara for her killer instinct with a boon, and turns her into her avatar on Earth- transforming her into the mystically powered Cheetah, in the hopes to use her new disciple to gain revenge for the snub during the hunt. She’s capable of transforming into a lethal cat woman and back at will- subterfuge being one of a hunter’s greatest strengths. She continues hunting for artifacts and intelligence, but also has new prey in her sights: Wonder Woman.

Diana wants desperately to leave the island. She knows with her gifts she could be doing so much good in the world, even if she’s naïve about what the world actually is. To that end, she splits her time between Barbara and Steve, trying to learn as much as she can, initially building a friendship with Barbara and a rivalry with Steve. But she personally knows the goddess of wisdom; eventually she starts to realize something isn’t right about Barbara, and that Steve maybe isn’t what her prejudices tell her.

Good God, what have they done to his hands? The monsters!

During the day, Trevor is interrogated brutally by Amazons. At night, Diana sneaks in, to question him about world conflicts she regrets them not intervening in, and the state of the world. He sees it as a technique; she’s keeping him from sleeping, while also playing good cop. Eventually he snaps and confronts her, and her naivete convinces him that she really is genuinely concerned about the damage their inaction makes them complicit in. He tells her he’s been through SERE school- Survive, Evade, Resist and Escape- that the first principle of interrogation is that all the prisoner has to do is hold out until his intelligence is no longer valuable. The problem is he’s on the other side of that equation- the intel he needs to get out to the world to stop harm is only useful for a very short, very set period of time. Minerva was the go-between, putting teams in place for a strike. She doesn’t know what it is, only that she needed a diverse team from certain groups, to make an assault look like a coordinated attack from the Axis of Evil, potentially touching off World War 3, but at a minimum hurting a lot of innocent people and sowing conflict.

Meanwhile, Hippolyta uses her tiara (which will eventually be part of Diana’s costume) to open a portal to Olympus. She asks Athena what they should do with Trevor. Athena tells the queen he must be executed- but not just any execution, it needs to be shown to the world, so that they know Amazonian sovereignty is not to be infringed on. Hippolyta is troubled by the demand, but has learned over the years not to question the Gods, and sets about making preparations.

Diana discusses with Trevor her reservations, finally resolving to confront her mother. But on the way she’s attacked by Minerva. She’s a fierce, formidable woman, now, even beyond her mercenary skills and training, and nearly kills Diana before Steve intervenes, having picked his restraints some time ago. After helping her chase off Cheetah, he willingly walks back into his cell and puts back on his chains. Diana tells him he should flee, that they plan to execute him. He says he knows- that she’s stayed because of him, but when she leaves she might be able to pass his intel to someone who can stop the attack- that the mission is more important than one man.

Diana goes to her mother. Hippolyta doesn’t take much convincing, and agrees to take Diana to speak with Athena, believing that a goddess of wisdom must see reason. Athena gives a speech, a sweeping one, about the old Gods not being respected, and the Amazons, as their chosen daughters, similarly not being respected, that the only way to place both in the esteem they deserve is with a sacrifice. Diana squares to Athena. “I was gifted wisdom by the goddess Athena, and he is no Athena,” her hand instinctively goes to her lasso, to telegraph that her next step is forcing the truth from him.

Ares laughs, ending his charade. “I overplayed, didn’t I? Ah, well, the deed is done. You’ve delayed Trevor’s mission long enough there is no stopping what comes next, and the nations of the world will still blame you.”

They leave, and Diana asks if they finished studying Steve and Minerva’s planes- it turns out the Amazons have been reverse-engineering them since the incursion. Hippolyta says yes. Diana tells her to feed the information into their invisible dome- a gift from the gods to keep them hidden- that if she can form it into a plane it might be able to get her there in time to stop Ares’ plan. Hippolyta objects, because that will leave their island exposed for all the world to see, and Diana says, “We are rejoining man’s world, mother; that decision has been taken from us by Ares. But we can still decide who we are when we do.” Hippolyta allows her to go.

Steve flies, since the plane is largely designed after his aircraft; as it takes off we see Minerva latch on to the underside, before all three of them and the plane disappear.

Steve gives Diana the microfiche, and she’s able to form one of the panels of the ship to make it readable. She studies it on the trip.

The attack is on Brussels, and the European Union seat. Three teams, one Baltic, one Middle Eastern, and one Asian, attack the EU. The perimeter guards aren’t up to fighting off this many trained infiltrators, who start setting bombs. Wonder Woman lands on one of the teams, and proceeds to systematically take the teams apart, knowing precisely where they’ll be and prepared for the fight thanks to Steve’s intel.

There’s a final fight with Cheetah, who ambushes her at an inopportune moment- say as a bomb is about to go off near a pair of wounded guards. Minerva baits her, believing she can force Wonder Woman to sacrifice herself to save the men- which would make her worse than prey- she’s a willing sacrifice for the men around her. Diana lets herself be knocked towards the bomb; an instant later it flies into the air, where it explodes relatively harmlessly. Diana catches Cheetah in the lasso, pulling her back for one last haymaker.

In retrospect, expecting it to paint me a were-cheetah might have been asking too much.

An EU security team descends on Diana, guns drawn. Steve arrives, shouting that he has an Interpol contact, that she’s with them, and they aren’t with the terrorists- they stopped them. They get confirmation quickly- Steve’s handler knew the attack was imminent and was waiting for his intel to try to stop the attack.

We pull back, and see that it’s Ares rewatching Diana through the watery portal. He’s smiling. “You’re in high spirits, considering you lost,” Artemis pouts.

“Did I?” he asks.

“Didn’t we both?” she sulks.

“I sowed chaos, forced the Amazons to reveal themselves, and their nature. You taught your most ardent believers not to take you for granted. We’re Gods. We don’t lose, we just evolve the game.”

Artemis is getting tired of him. “I think you are about to lose, some teeth, maybe an eye.” He doesn’t see what she does: Wonder Woman is behind him, and throws a punch that knocks his helm off, and sends its sliding across the floor.

“Where’s Athena?” she demands. Ares believes they can strike up a compromise, but Diana isn’t hearing it. “Produce her, or I’ll be the only one doing any striking.” Artemis is now actively amused, and taunts him that Athena is going to be very cross with him, idly wondering what happens when a God and Goddess of war go to war. Then Artemis, always on the hunt, goes for the kill, and taunts him that Athena is the goddess of wisdom- intelligent combat and strategy. He’s the god of drunken bar brawls and soccer riots. You can see how much it grinds Ares, because he knows she’s right.

We cut to Athena, Hippolyta and Diana later. Athena’s apologetic over Ares impersonating her, but also restrained- she knows what would come of a war with Ares. She also knows what Ares’ plots have cost them. Hippolyta is glad to have her wisdom back to guide the Amazons, especially now. Athena is more concerned; her wisdom tells her that the consequences of Ares’ plots are not yet complete- but recognizes that her absence has allowed one particular conflict to grow, and bids Hippolyta to tell her daughter the truth. Hippolyta tells Diana that she leaned on Athena not just for her wisdom, but because… “You raise a daughter, hoping to protect her from the world, knowing you will utterly fail. I couldn’t stand the thought of failing to protect you… which became a failure of a different kind.”

Diana puts a hand on her mother’s arm. “A mother’s task is not to protect her children, it’s to ensure they have the tools, strength, and courage to defend themselves, and the wisdom to know when to show mercy.” She pulls her mother close. “You’ve protected me long enough.” She lets her go. “Now it’s time for me to protect our sisters, our home, our world.”

“Our world,” Hippolyta says breathlessly. “I dreamed of a day the Amazons’ world would not be so small… now I worry it’s grown too wide and too wild.”

“Then it’s good I have so many sisters to help me keep her safe,” Diana says, throwing an arm around her mother.

Roll credits.

In an end-credits scene, Cheetah is being escorted away by Interpol in cuffs. They’re met by Amanda Waller, and a detachment from Task Force X to take her into custody. Minerva doesn’t look up at Waller, not until the very last word. “Dr. Minerva. You’re going to spend the rest of your natural life in prison- possibly an unnatural life- depending on what exactly Artemis did to you. There might be an alternative, though it’s not without risks. Some might even call it suicide.” Minerva fixes Waller with a glare; she’s practically feral, but we cut to black before she can snap her restraints.

END NOTE: Okay, so I feel I have to justify the image I shared this with. See, after attempts to get the AI to create a were-cheetah failed, I just had it create Wonder Woman fighting a werewolf. And for some reason, in one of them, the werewolf was wearing her costume. I don’t… know why. But it’s an amazing image. I couldn’t not use it (I don’t personally have that kind of restraint).

The Secret Bonus Wonder Woman Pitch

Back in 2013, I pitched this Wonder Woman movie. I still dig it, as a coming-of-age version of her story- a true origin for her.

The Wonder Woman Movie

In the Amazon throne room, Diana’s mother forces her to choose in a Solomon-like conflict between two Amazons. She finds a solution that seems to half-please all involved. Hippolyta gives 18-year old Diana a dressing down. She says her daughter has absorbed too much of the philosophical ideas about being an Amazon, without learning their practical application- that a leader must be prepared to be tough and ruthless. Diana is more concerned with what she saw as right, and storms off.

Cut to a US fighter jet. He’s flying in a joint NATO exercise over the Mediterranean, when one of the French planes breaks formation. Over the radio, the pilot, Steve Trevor, is informed that they can’t raise the pilot- he isn’t responding. A moment later, more excitedly, they explain that the plane has been ‘mistakenly’ armed with a nuclear warhead.

Trevor breaks formation to pursue the other craft. Over the radio, Trevor hears a command from an unknown source. “Kill the American.” The other French planes break formation, and attack him. Trevor manages to shoot down two of the planes, before his own jet is damaged to the point of being incapable of firing. Rather than let the rogue pilot escape with a nuclear warhead, he smashes his plane into him, and both planes go down.

Trevor wakes up on Paradise Island, surrounded by beautiful women. He asks if he’s in Heaven. Hippolyta tells him that for him, it’s closer to hell, and stomps him into unconsciousness. We cut to Trevor in a cell, looking haggard. He tells them what he can: his name, rank, and serial number.

Cut to Hippolyta, discussing with her inner circle the man’s presence and its implication- someone has discovered their island- and worse, he brought war to it. Both planes crashed on the island. The advisers tell Hippolyta there were casualties and she storms off, and into Trevor’s cell. She rages at Trevor for the deaths he caused. He’s visibly shaken by the news, and apologizes. He explains that the man he killed had stolen a weapon of great power- the kind of weapon no sane person wants to wield. “Peace through force,” she says, signaling a kind of understanding. But his presence is still troubling, and his methods still violent and imprecise. Hippolyta retires to think, but also calls her advisors.

Meanwhile, Diana converses with an Amazon of African descent a few years her junior named Lyta. Because of Diana’s mother, they know about Trevor, while it’s being kept secret from most of the Amazons at this point. And they’re fascinated. Diana admits that she’s always felt stifled on the island. She feels like she’s been a caged bird, or a fish in a tank, when she’s meant to swim and to fly. Her friend is skeptical, and tells her it must be terrible being the beautiful daughter and heir apparent to the most powerful and respected woman on the island. Diana asks if she’s never wanted to see more of the world. Lyta hesitates, because she knows that look: Diana is about to do something reckless.

Cut back to Hippolyta, now meeting with her advisors. The outside world has made contact. She knows they can’t maintain their isolation any longer. Her scouts tell her that US ships patrol the area near the mouth of the Mediterranean, where it meets the Atlantic, looking for Trevor, his ship, the French pilot or the bomb. Hippolyta discusses with her science and military advisors. Her scientists are skeptical that their cloaking tech will stand up to this kind of scrutiny. Moreso, they understand that while they’ve held a technical edge, they are going to lose it; a small island nation can’t continue to outpace an entire industrialized world. One military advisor, Antiope, wants to attack the ships, while the other, Philippus, says, “There will always be more ships.”

Hippolyta knows that there must be peace; perhaps through force- but peace is her ultimate goal. She tells her advisors that they need an ambassador. Antiope quietly tells her second in command, Drucilla, to interrogate the prisoner, to see what else he might know. Drucilla is about Diana’s age; she’s a mirror image of Diana, what the character might have turned out to be if she was a part of the Amazon’s military instead of its Princess. And yes, this is a stealth introduction of Donna Troy- Wonder Girl.

Diana sneaks into the prison where Trevor’s being held. She brings him food, and water. She asks him about his world. He assumes he’s being played- that she’s good cop, but he plays along. Diana hears Drucilla enter, and hides. She throws the food Diana brought him against the wall, then throws him into the wall after it. She sneers, and reels back to hit him. Diana intervenes, and uses a martial arts roll to redirect the attack and leave the lieutenant on her back. She’s stunned a moment, before realizing who attacked her. She knows she can’t brutalize the prisoner with Diana there, but needs to leave, quickly. “Your mother will hear of this,” she says, and storms off.

“And your commander will, too,” Diana hits back. 

Cut to the throne room again, and Hippolyta is holding back her daughter while Antiope holds back Drucilla; they’re arguing, but it’s moments from becoming a brawl. Hippolyta asks if it’s true, and the bickering continues, until she directs her glare to Antiope. She sighs, and admits that it is. Hippolyta says that she’ll overlook the indiscretion, so long as she and her second can be more discreet in the future. Then she instructs them to leave.

Hippolyta tells Diana that they’re going to nominate an ambassador, decided by a trial. Diana’s excited. She talks at a fast clip about how the island should share its advanced technologies and philosophy, of all the lives they could change and save. Her mother forbids her from participating; she says by right the position should be Diana’s, but that she’s proven that she isn’t ready for the weight of the responsibility- tonight being the most recent example.

Diana storms off. Lyta follows her to the beach, still scarred by the wreckage of Trevor’s plane. She sits on the shore, and stares at the ships patrolling just a little ways off. The friend talks about Diana, and how she’s special- particularly in that she’s not a clone, like most of the Amazons. But beyond that, she’s always known Diana was special, that she’d do special things. She hated it a little, because it also meant she’d leave her. But she never blamed Diana- she can’t blame birds for flying away, it’s simply who they are.

Hippolyta posts her personal guard outside Trevor’s cell to prevent further attempts to harm him. Drucilla is at first annoyed, because it means they can’t further interrogate him. Antiope sees it as an opportunity. Without her guards, Hippolyta is vulnerable. She tells Drucilla to assemble likeminded soldiers for a coup, set for the climax of the trials.

Hippolyta announces the nature of the trial. There will be three parts, centered around the most important values of their culture: strength, wisdom, and stamina. The first test is strength- personal combat. Diana defies her mother, and stands for the trial. Hippolyta tries to argue that her daughter should be disqualified. Philippus disagrees; if they gods favor her, who are they to disagree?

Diana is well-known for her fighting prowess, and the gathered Amazons quickly favor her with chanting and applause. But coming up on the other side of the bracket is a fighter whose brutality is difficult for the other warriors to cope with, named Artemis. During their climactic fight, Diana allows herself to be bested, while protecting an Amazon bystander from some environmental hazard caused by the fight (debris, a loose spear, whatever).

Hippolyta argues for her daughter to lose. The advisors, in this capacity also serving as judges, discuss it, and one of them announces that “Strength is not to be equated with unchecked violence. On occasion, that means having the strength to lose with grace, and the strength to protect others over ourselves.”

Diana is presented the tiara for winning, but is warned that because it increases her empathy, it could tilt the rest of the contest in her favor, in particular the next event. She wisely sets it down at the table in front of her mother, for safe keeping, a move that pleases the other judges, and annoys Hippolyta.

Next comes wisdom, an oral argument for each candidate’s place as the Amazonian ambassador. Artemis believes that “Man’s world” needs to be brought to heel. Diana argues persuasively that, “It isn’t man’s world. It’s ours. We’ve spent too much time living apart from it, pretending like we’re above it. We have failed this world with our silence. We can brook that failure no longer.”

Hippolyta is furious that she seems to have won the crowd. One of her advisors points out, “She’s every bit her mother’s daughter.” She’s still angry, but it’s hard for her not to look on her daughter with some pride.

Diana is awarded the bracelets, and is permitted to wear them, as they should have no bearing on the next contest. Hippolyta reminds all the candidates that the contest is not over. Her daughter’s awards for besting individual contests does not rule her the winner. Because the trial is about their conduct, how they maintain themselves in the face of odds, against dangers and adversity- particularly the adversity of defeat. She looks at Artemis when she says this.

Next is the stamina trial, to quest for a sacred lasso. It’s essentially a foot race, over the island. But the island is filled with dangers, and animals our world has never seen. Artemis plans out a trap for her. She captures Lyta, and uses her as bait, to lure Diana into a fight with a monstrous lizard. It’s doubly clever, because violence in this contest will cause Diana to lose instantly. Diana manages to evade the creature, while saving Lyta, only for Artemis to then be attacked by the lizard. Artemis panics, and assumes that she’s about to die, largely by her own hand, when Diana rescues her, and gets the lizard to trap itself beneath the roots of a large tree.

Diana gets Artemis to safety, then goes back to the lizard. Artemis doesn’t understand, but Lyta does. “You don’t get it, do you?” she asks.

“It will kill her,” Artemis says.

“And it will die if she doesn’t help.” Even while the lizard snaps at her, Diana works to free it from the tree. She manages to get its head loose, and it immediately attacks her. She runs for her life. Artemis notices that she’s being careful where she leads it, particularly away from the other contestants, and away from the city. “They could help her,” Artemis says.

“They’d kill it. And maybe some of our sisters would be hurt, too.”

Artemis goes back to the chase. We see her climb a rocky tower, intercut with Diana, running through the trees as the lizard tramples smaller trees chasing her, getting closer with every second. Artemis lays hands on the rope, which glows. Diana turns, and the lizard chomps on her bracelets, but can’t break through them. She scrambles out from underneath it, and runs again. We see her run between two trees. Suddenly, the golden rope is pulled taught between them, and catches the lizard in the jaw.

Artemis loosens the rope from the tree, and runs at the lizard, and manages to tie the rope the rest of the way around the lizard. Once it’s done, the rope glows brightly, and the lizard lays down, docile. She unties it. She walks to Diana, with the rope in hand. Then she kneels, and presents Diana the rope. “I was never worthy of it,” she says. Diana refuses to take it. “Worth is something proven, and earned.” She helps her rival stand. “We’re worth our measure only when we continue to strive to be better.”

Artemis holds onto the lasso, until they reach the arena. She places it on the table before Hippolyta, beside the tiara, to make it clear she believes the lasso to be Diana’s. Hippolyta is first confused by the gesture, then understands it. She recuses herself from the final judgment; she realizes that she’s been feuding with Diana as a daughter she wants to protect, not the woman she is.

Philippus delivers a speech, “That true leadership means inspiring the best in all of us, even from our rivals.” She commends everyone’s performance- and says that she has never been prouder to be an Amazon, and mentions in particular Artemis as a woman she wouldn’t want to stand on the other side of a spear from- or a lectern. Then she instructs Diana to rise, and join them on the podium.

That is when Antiope rises, and stands menacingly over Hippolyta. “Your daughter isn’t going to be ambassador. Our ambassador will be the point of a spear.” She levels one at Hippolyta.  At that moment, Drucilla runs Antiope through with a short sword. She’s heartbroken, and explains to Hippolyta that she tried to gently guide her away from her destructive path, but failed. It’s clear from the guards’ and soldiers’ reactions that the coup never went farther than her. Hippolyta asks Philippus to take the woman into custody, for debrief. Then she says that it’s her honor to name her daughter their ambassador.

In private, Hippolyta reveals two things to her daughter. One, the Amazons have reverse-engineered the two planes, and crafted one of their own. Second, as the Amazon’s champion, she is bestowed with additional gifts, bestowed by their gods: strength, speed, flight, hardiness.

Diana leaves the meeting with her mother. And then she runs, all the way across the island in the blink of an eye, overshooting, and running across the water, past one of the US ships, before taking to the air. A lookout on the US ship asks another seawoman what he just saw- a UFO. “I don’t think I saw anything,” she says, “and I don’t think you did, either.”

Cut to the exterior of the prison, where Diana lands somewhat roughly leaving an impact crater. She walks inside, and asks if Trevor’s ready for transport. One of the guards explains that the doctor hasn’t cleared him. Diana tells one of them to get the doctor right away.

The next day, she flies herself, Trevor, the remains of the two planes, and the bomb, in a stealth jet- based on the same tech that hides her island away. She tells him it’s her first flight, though it looks to be the same interface they use for all of their computer systems- which doesn’t make him feel at ease.

The plane cloaks as it leaves the island’s own cloaking shield, as Hippolyta watches from the throne room from the first scene. Cryptically, Philippus says to her, “You didn’t tell her.” Hippolyta says that her daughter has a world to protect- now isn’t the time to burden her with an Underworld, as well. Philippus is concerned- they’ll need her for the coming struggle. Hippolyta is convinced her daughter will come when the time dictates it. Essentially, Paradise Island sits on top of a Hellmouth- it’s the place on Earth where things from the Underworld can spill over. Gotta lay ground for that sequel.

As Diana’s plane approaches New York, Trevor implores her to let him contact his superiors. “You can’t just fly a nuclear bomb onto a US air field and expect to be greeted as anything other than a threat.” She lets him set up a landing at a US base.

They’re met by the entire base, including its commander, all pointing guns at Diana. He tries to arrest Diana. Trevor protests. “That woman’s an ambassador, from a nation so technologically advanced you can’t fathom it. They built that plane over the course of a week after looking at scraps of mine and the French one I shot down. You don’t want to start a war with the one nation we might not be able to beat.”

The commander hesitates a moment, before the US Ambassador to the UN walks out, and nods at him. He puts away the cuffs, and asks, “Is there anywhere I can escort you, madam ambassador?”

Cut to the UN. Diana is presented by the US Ambassador to the general assembly. Trevor is with them. She thanks Diana, and by extension her people, for returning the nuclear weapon, and for not proliferating their use- possibly getting in a dig about discussing international patent law over the tech in her plane. Diana looks uncomfortable at the applause she receives, as Trevor leans over to ask the ambassador how the hell the weapon ever got off the chain.

A diplomat sitting near them listens intently in his headphones. Through an unused set of headphones, Trevor hears the voice from earlier say, “He heard my voice.” The diplomat takes a pistol from his desk, and tries to shoot Trevor.  Diana steps between them, and blocks the bullets with her bracelets.

Diana uses her lasso on the would-be assassin. It breaks the diplomat from his hypnotic spell. Trevor and the US Ambassador convince the police to give her a moment with the diplomat. He explains that he saw a therapist, and that he heard that therapist’s voice a moment before he tried to shoot Trevor, and found it irresistible. He claimed not to know how the gun got there. Diana believes him, but the ambassador’s skeptical. Diana hands her a piece of the lasso. “Tell me something true you don’t want to.” “Your age and weight,” Trevor adds. Before she can, Diana takes the rope back. “I would have told you; I don’t even like that my doctor knows.”

Trevor accompanies her to find the diplomat’s therapist. He drives, remarking that he can’t believe all of this was caused by some, “Psycho Doctor,” (the character’s comic name is Dr. Psycho). She asks why a woman wouldn’t want to admit her age or weight. He explains that some people think women have a shelf life. He says he thinks they get better with age.

We see men on the military base. We hear what they hear over their radios: “Stop them.” Suddenly, a tank drives out into traffic in the streets ahead of Trevor’s car. Diana opens the door. “Don’t stop,” she says. He tries to tell her that’s a tank, as she rolls out of the car. The tank fires, and she’s engulfed in smoke and flame.

Music swells as the fireball dissipates, and the concussion from the blast carries the smoke away. Diana has her arms crossed in an x in front of her, where she blocked the shell with her bracelets. She reels back, in a fighting pose, then sprints toward the tank. A machine-gun mounted on the tank tries to track her, only managing to pepper the ground where she’d been with bullets- perhaps occasionally requiring her to deflect the odd one with her bracelet. She reaches the tank, and tears the turret away. An instant later she’s on top of the tank, and drops her lasso around the tank crew. “Where is he?” she asks.

“The doctor is in,” they say in unison, before coming to their senses.

Cut a few hundred feet down the street. We see the outline of a plane flying overhead, towards the tank, and pull back to reveal the fighter jet itself, flying low between the skyscrapers. It begins to fire from a machine-gun, strafing fire towards Diana. She looks behind herself, at the tank crew who would be caught in the fire if she simply sidestepped. She stands her ground, and deflects the shots from the plane- though these knock her around a bit because they’re bigger, and require more jumping around to deflect.

One of the bullets ricochets back down the plane’s fuselage, breaches its engine and fuel, and the plane catches fire. She flies after it. The plane is about to smash into a bus full of frightened but also entranced schoolchildren. We see Diana’s reflection in the window as a young girl watches her fly in front of the plane, drop her lasso around it and yank it above the bus at the last second. “Whoa,” the little girl says.

Diana uses the rope to guide the plane to a controlled crash on top of a building. She rips the canopy off the plane, and the pilot fires a shot at her from his sidearm. She deflects it, and lassos him. He stares unbelieving at the gun, then manages to mumble an apology. She flies off.

Trevor has arrived at the high-rise offices of the diplomat’s therapist, and he’s got his service weapon in hand. He’s mumbling about her telling him, “Don’t stop. Not all of us can stop bullets, in ways that don’t,” he jabs himself in the chest, “hurt.”

He hears the voice again. “An excellent idea. Stop all the bullets.” We see the owner of the voice, a short, but relatively handsome man, in a suit. He points his finger as if it were a gun at his own head. Trevor follows suit, with his gun. He’s trembling, trying to fight it, but he can’t.

Diana’s lasso wraps around his hand, and jerks the gun down and away as he fires. “Don’t,” she says. “K,” he mumbles, and drops to the floor.

“You,” the doctor says, “should tell me how to get you out of that little number. Zipper in the back, snaps in the front?” He smiles, pleased with himself. She tosses the lasso around him, and cinches it tight. “Crap.”

Trevor gets up off the floor, complaining that it feels like he was kicked in the head by a donkey. Then he asks if he can kick the doctor. A helicopter strafes the building, filling it full of gunfire that conveniently misses the doctor. Trevor, huddled behind a desk, asks her if she can fight off a helicopter, and when a second appears, firing on them from the other side of the building, “or two.” She says she can, but innocent people will get hurt. “Stop them,” she says to the therapist. He picks up his radio, and sighs. “Stand down,” he says.

Then she tells him he’s going to explain what he wanted with the weapon. He tells them that the weapon was merely a means to an end. “What ‘we’ wanted was violence, chaos.” A world where a man like him could rule. She asks what he meant by “we.” He tries to resist, to not tell the truth. Then he screams out in pain, and passes out.

Trevor says that he thought she said that no one could avoid telling the truth under the lasso’s sway. She says that’s what she thought. They get the doctor up, and lead him to the reception area of the office. A befuddled guard is trying to keep a gathering of reporters outside, to protect patient confidentiality. Trevor remarks that the vultures descended fast. He tells her it’s a whole new world out there, now, and asks her if she’s ready to meet it.

“No,” she says, “I’m ready to join it.”

Credits.

Stinger: We see Ares. “That was fun,” he says. A beautiful if bookish woman is with him, and seems bored by their conversation. She’s Athena. “That’s what you said after the Balkans. And the Gulf Wars. After every war.  But it’s over. Your attempt to create a perpetual conflict failed. Again.”

“This fight might be over. But the world just got a little smaller. And as the world gets smaller, humans more and more feel the press of their fellow rats in the cage, and the more they trample over one another, for resources and gain. No, sister. I think this conflict is only just beginning.”

Couple of side-notes

The Amazons speak several languages. Their original language was an offshoot of ancient Greek. But as outside societies changed, and the possibility of discovery increased, they learned others, to be prepared for the inevitable contact- and to better be able to stave off conflict. They’ve spoken English primarily since the Second World War, when it became clear that the US would dominate world culture for some time to come. Though a few of the older Amazons still speak German- they hedged their bets, just in case the Germans won the war.

Fashion-wise, I think it’s silly if they go the full on toga route. It would also be boring for them to just go full modern. Instead, what I’d like to see is kind of a fusion- basically a parallel evolution of fashion from a Greek-heavy beginning, but then only marginally influenced for thousands of years by occasional contact with the outside world. If designed right, it would be modern, but almost sci fi, but with a hint of their togic origins- but always with an eye to practical active wear.

DCU Reboot Pitch: Aquaman

This is the third in a series of pitches for the rebooted DC Movies. I have thoughts about how to retool Aquaman to draw out the elements of him that are unique, and build out his own niche within the broader DC landscape, none of which include turning him into the most obnoxious dude in your frat (and you know from obnoxious- you were in a frat [I kid- many of my best friends are obnoxious]). But I’ll refer you to that explainer post for info on the whys and wherefores, and try to stick to narrative here.

We start on a beach by a lighthouse, an idyllic couple stroll as their child, three years old, frolics in the surf. Adult Arthur narrates, telling us he always took after his mother. They explore the coast, looking at crabs and creatures. She makes sure he’s gentle with the creatures, despite his youth. Arthur’s narration tells us he always felt a kinship to the oceanlife.

His father… saw in it a different kind of life. We see him fishing, the crazy, dangerous, storm-riddled fishing they make reality TV out of. But we cut back to the beach. Young Arthur is smiling, but his expression changes as the surf runs red. Sea creatures float to the surface, dead. At first, Arthur’s father doesn’t know what to make of it, but his mother does- it’s a message, written in blood, to her. If she doesn’t come home, and now, the bloodshed will never end. She walks into the ocean, and disappears, as Arthur’s father holds the boy back, knowing he can’t understand what he’s seeing.

Later, he takes the boy fishing, trying to teach him his trade. But Arthur is horrified, certain he can feel the pain and terror of the fish. His father is understanding, but it opens a rift between them. Arthur loves his father… but he can never look at him the same way. Still, he tries to raise the boy as best he can, spinning wild-sounding yarns of Atlantis. His parents ignite in him twin obsessions: ocean life and archaeology. The day Arthur goes off to school, his father waves goodbye, and walks into the ocean, the same as his wife had.

Arthur graduates with a doctorate in both obsessions he inherited from his folks. But the more he studies, the more he learns, the more he begins to believe that his father knew more about Atlantis than his tall tales would imply. He manages to trace some artifacts to dig sites, with still further clues. A jealous colleague publicizes that Arthur is hunting Atlantis, that he’s a fantasist, wasting the school’s money and threatening its good name. His funding dries up, just as he reaches the most expensive portion of his research: underwater excavation. Reluctantly, he finds an outside sponsor in Hyde and Seek, a family salvage company with a reputation for acquiring rare antiquities for the highest bidder.

The Hydes have been developing proprietary diving tech, exoskeleton diving suits that are both stronger and lighter than the kinds of wearable submarines usually used at depth. They’re basically Iron Man suits built around diving. These are 90% of the way to Black Manta’s eventually power armor suit, with the main exception being there are lights that shine from the eyes, but they don’t shoot energy- yet. There are only two of them, so Arthur is going into the water with the Hyde patriarch.

Their underwater drone finds a site right where Arthur expected, and the Hydes broach divvying up the spoils. Arthur tells the Hydes legitimate museums and collections will pay a finder’s fee- that they can have all of that- he’s here for the discovery. The Hydes pretend to accept, but once in the water the elder Hyde sabotages Arthur’s gear, so that his oxygen will deplete too quickly, and his gauge won’t read properly. Arthur is entranced by the find, seeing not just proof of Atlantis but proof that this is just a way station outside the greater city- that he’s nearly at the answers he’s spent his entire life seeking. Hyde, both impatient and concerned every second risks their find, severs Arthur’s oxygen line, and his suit begins to fill with water.

Arthur convulses, ‘drowning,’ before his eyes shoot open. He takes off his helmet, and touches the place on his neck where his gills are pulling in water to ‘breathe.’ Arthur swims after Hyde, cutting the distance with great speed, and sabotages the elder Hyde’s tank the same way Hyde sabotaged his, causing him to drop a container of treasure. He swims down for it, even as Arthur reaches out to him with his mind. “Leave it. Your oxygen is running out.”

“Screw you,” Hyde thinks, “I’m not leaving empty-handed.” Then he realizes he didn’t ‘hear’ it with his ears, but in his head. “How am I hearing your thoughts?”

Sea life swim past them, each with its own unique voice. “You hear him the way he hears us- all creatures, above and below, evolved from the oceans- and the oceans recognize their champion.”

Hyde still refuses, and picks up the chest. But he’s slowing, and we start to hear the slowed thumping of his heart. He gets about halfway back, before passing out. Arthur swims to him, lifting him to safety aboard the vessel, but Hyde is having a heart attack. His son attempts CPR, but to no avail. “What did you do?” he asks Arthur, but Arthur isn’t equipped to handle this moment; he tried, damnit, and being confronted with his failure so immediately is more than he can bear, and he returns to the water. To the autistic son, it looks like a cold-blooded murder- one that will fuel his rage, aided by the one red gem that his father managed to hold onto from the treasure hoard that will hypercharge Black Manta’s diving suit.

Arthur’s upset. He sits in the ruins, halfway hoping to drown. “I shouldn’t have touched his tank,” he lectures himself. “I was so angry.”

“Don’t be so hard on yourself,” a Prickleback tells Arthur. “My neighbor, a usually gentle hermit crab, got surprised by a passing school of clown fish, and pinched me, and I got so upset I ate him. It’s the natural order of things; you shouldn’t anger someone big enough to eat you.”

“I… didn’t eat him,” Arthur says.

“Not in the sense of consumption, no. But you struck back.”

“Don’t listen to him,” a different hermit crab says. “According to him it’s perfectly all right to vent your frustration at anyone weaker. Not that I think you blaming yourself makes sense. Seems it was pure hubris that killed the diver.”

“I’m having a nervous breakdown, aren’t I?” Arthur thinks.

“Let’s examine that, shall we?” an octopus asks, floating in front of him. “While certainly this is a unique blend of circumstances, is it more likely you’re hallucinating, or that your perceptions are, indeed, authentic. Wait… you didn’t eat one of the purple cucumbers, did you? Those can cause hallucinations.”

“Only in cephalopods, you eight-legged snob,” the cucumber barks back.

“But the most important question, Arthur, is what do you want?” the octopus asks. “You can swim back to the land, avoid the water and sealife at all costs. Whether or not this is an hallucination, you can convince yourself of that. But is that what you really want?”

“I want to know the truth. About my mother. About my father. About Atlantis.”

“That’s a good lad. Come with me.” They proceed back to the chamber where Hyde tried to murder Arthur. The symbols on the wall, only a handful Arthur was able to translate with years of study, begin to be legible to him, with glowing English letters hovering over their Atlantean equivalents.

“How…”

“This language is ancient. It’s a part of the sea, and all the life that dwells within it. You could see it, just a little, even on land, just as you could feel who you were, even on land. But here, under the sea, you’re connecting with parts of yourself you never knew were there.”

“How do you know all this?”

“I’ve lived here most of my life, hearing whispers from the other creatures about Atlantis, its history, its myths, and its champions. For every age, there has been one- every age but this one. Because you were lost, marooned on the desert surface. Until now. And I know you the way every creature in this ocean does. You are a part of us, of everything. You’re finally home.” As he says that, they crest the hill, and the magnificent city of Atlantis sprawls beyond them.

Arthur causes something of a commotion, because the ocean life are following him. And the Atlanteans can feel it, too. This isn’t just some random stumbling upon their home, they feel the same pull as the rest of the sealife towards Arthur, even if it’s more distant. And he, in turn, follows what he feels coming off of them, that he’s needed, in the city center.

Inside, Ocean Master is orating. He views the presence of the Hyde and Seek ship so close to their capital as the last straw. Man has been polluting the oceans, damaging the climate in such a way that temperatures are becoming far more volatile, and now they are seeking Atlantis herself. The time has come to reveal themselves, and strike. Half of those present rise and cheer. The rest are silent. But one of them in particular recognizes the stranger who swam in, and abandons her seat at the head of the opposition. She is Atlanna, Arthur’s mother. She embraces him, and feels in him something she knows the ocean has been lacking. She turns towards the Ocean Master, and gives a masterful oration of her own, lamenting that the time for action is here, getting some of the pro-war Senators on board, before the turn, where she says that they’re better than humans, more civilized. She suggests they send her son as envoy, to announce to the world that the oceans are inhabited, and deserve a place at the table; she tells them he is the oceans’ champion. Orm argues against it, but there just isn’t support for a first strike when the opposition leader is offering her son to sue for peace.

They hold a celebration of Arthur’s return- the once prince of Atlantis is home. Atlanna tells him she returned to try to save the kingdom, and for a time, succeeded. However, when Arthur’s father came to her, Orm threatened to have him exposed and killed; she gave up her kingdom to save him and avoid civil war. She tells Arthur not to trust Orm. She takes him to see his father, who is kept in a reasonably well-appointed cell- and we understand why when Atlanna joins him inside. He’s a prisoner, and she lives inside the cell with him. “I’d complain, but the food’s not half bad, and it’s got one hell of a view,” his father says, staring adoringly at Atlanna.

Arthur insists he’s not a politician, which is why she sends Mera, her right hand. The pair set off the next morning, planning to go to the United Nations and officially declare Atlantis a nation, and begin the likely arduous process of figuring out Atlantean territory on the world stage. They’re attacked en route by assassins, who torpedo their craft. With the help of a pod of whales, Arthur is able to destroy their ship, as well, though they manage to take Mera hostage, and keep her alive in the hopes of drawing him out.

Arthur is able to make it to a largely deserted island, where he’s able to use his understanding of historical warfare to craft some low-tech booby traps, and take out the assassins. Mera proves capable of freeing herself, and had actually remained a prisoner longer to continue to probe her captors for information, hoping for proof as to who is behind the attack.

Orm, meanwhile, is back in the Senate chamber where he presents ‘evidence’ that their diplomatic mission was attacked, that even attempts to hail the attackers and explain their peaceful mission didn’t dissuade their violence- because humans are just that bloodthirsty. Even some in Mera’s camp are willing to attack the surface, given that story- even if she refuses to believe her son is dead, or literally anything coming from Orm’s mouth.

Arthur and Mera arrive just as Ocean Master is about to lead the Atlanteans to battle. He’s still naive enough to figure that they can just pop up, and accuse Orm, and that will be that. She understands there’s a momentum to these things- too many people have hung their hats on the idea of war for it to just stop in its tracks. “We can’t stand by and watch innocent people die.”

“War is almost entirely innocent people dying,” she says solemnly.

“No. I mean I’m going to fight. If Atlantis needs to hit someone- I’ll give them someone else to hit.”

Arthur swims, alone, into the middle of Ocean Master’s march. He tells them all, telepathically, what happened. Orm speaks through his telepathy to them, too, denying his involvement. Arthur admits that his father is a human, and he was indeed raised among them. He knows the great and terrible things people do. But he is also Atlantean, and has seen one of them lie, and betray his oath, to secure more power. People, whether on the surface or in the ocean, aren’t good or bad because of where they live, or who their parents were, but because of who they are. He’s spent his whole life wanting to find Atlantis- he’d rather die than let Ocean Master risk either of his homes like this.

Ocean Master attacks, and reluctantly, so do some of the soldiers. But suddenly Arthur is joined by all kinds of ocean life. They’ve been rallied by the octopus; Arthur was risking himself, but the animals know that he is their hero, too, and what happens if there’s a war with the surface. “Protect the champion!” the octopus cries.

It’s a line, I think, to walk, because the Atlanteans are using weapons of war, but the animals don’t actually want to do anything but stem the loss of life, so you’d probably have kind of goofy attacks like dolphins teaming up to knock the ‘wind’ out of a soldier, then one of them swims off with their weapon. Ocean Master’s sea horse bucks him off, and I like the idea that something lands on Ocean Master’s helmet, and spends a lot of time there, both making him an ineffectual leader, and also ends up squirting some eggs on him.

I think the fighting ends when Atlanna arrives, and tells them to heed the wisdom of the ocean, and remember they are a part of it, “and not the ocean’s masters.” I think the fighting largely has ceased, by that point, anyway, since the soldiers are more annoyed and bemused by the animals. Arthur tells Ocean Master he has a little egg on his face, as he turns to swim angrily off.

Back in their congress, Ocean Master pushes for Arthur’s execution, as an enemy of the state, or at least, his expulsion. Mera leads Arthur’s father there, where he heckles Orm, as having had his son clean his clock the once already- then says it’s no way to talk to the rightful king of Atlantis. Orm stammers out that Atlanna renounced her crown. Arthur hears a voice he doesn’t recognize, but it’s old, and learned. “That’s not how I recall it.” Arthur is the only one who can understand the old squid, who has been with Mera always, as her attendant. But he is able, by concentrating, of projecting the squid’s recollections into the Senator’s minds.

The squid provides the ink Mera uses for all of her official duties, including, as Arthur’s father points out, their marriage certificate. Further, he was there the night Orm threatened the both of them, to expose their marriage, her ‘divided loyalties,’ that he could use resentment of the surface world to ignite a civil war, one that, win or lose, would deeply wound Atlantis. Her only choice was to abdicate, and he would promise no harm would come to them.

Everyone’s shocked, but Mera recognizes Arthur is going to kill Orm, and demands that the guards arrest Orm for treason. Atlanna raises a hand to calm the furor, after that, and assures them that whatever form of government Atlantis chooses, it will not rely on the divine right of kings and queens, nor on might making right.

Behind closed doors, she tells Arthur he could be king. He says he doesn’t want it. “The first mark of a good executive is not wanting the power,” she says gingerly, but she also tells him what he wants may not matter. She says ultimately Atlantis will choose its destiny- that their role is to shepherd it, whether from its battlements or seated on its throne. His father claps him on the back, and says he did exactly that for Atlantis, and the world, and they are both so very proud of the man he’s become.

In an end-credits scene, we see a team of marines take control of the Hyde and Seek vessel. General Wade Eiling and Amanda Waller are having a heated exchange. Eiling says the ship broke several treaties and maritime laws- he wants to play it heavy. Waller sees something in the boy’s eyes- sadness, but also rage. She plays a hunch, and they go inside to talk to the younger Hyde, cuffed in an interrogation room. “Arthur Curry stole your father from you. How’d you like a chance to gut him like a carp?” His eyes shoot up at Waller, full of anger, and we cut to black.